Windscreen Mic
Windscreen Mic
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 20cm Windscreen Windshield Mic Fur Muff Zoon For Rode Video 42mm Oblong 0599 $16.95 Time Remaining: 10d 14h 31m Buy It Now for only: $16.95 |
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 Large Diaphragm Condenser Microphone Windscreen Use4 Podcast Singer Vocalist $7.75 Time Remaining: 3h 27m |
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 20 MIC ASSORTED COLOR WINDSCREENS MICROPHONE COVERS $12.99 Time Remaining: 29d 22h 1m Buy It Now for only: $12.99 |
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 Lot of 29 Items Microphone XLR plugs Couplers Clips Windscreens All New OS $39.99 Time Remaining: 5h 21m |
 Seismic Audio Flexible Microphone Wind Screen Studio Mic Pop Filter Windscreen $14.99 Time Remaining: 11h 11m Buy It Now for only: $14.99 |
 Microphone Mic Wind Screen Pop Filter Mask Shied Studio $11.87 Time Remaining: 28d 13h 17m Buy It Now for only: $11.87 |
 Double Layer Mesh Microphone Mic Wind Screen POP Filter $19.95 Time Remaining: 29d 12h 32m Buy It Now for only: $19.95 |
 10 MIC ASSORTED COLOR WINDSCREENS MICROPHONE COVERS $6.99 Time Remaining: 26d 7h 6m Buy It Now for only: $6.99 |
 New Studio Microphone Mic Wind Screen Pop Shield Filter $0.99 Time Remaining: 15h 2m |
 Microphone Pop Filter 4 Studio Shield Wind Screen Audio 2000s AWS404 5172 $19.95 Time Remaining: 20d 1h 57m Buy It Now for only: $19.95 |
 SG103S Microphone Windscreen Windshield Mic Fur Muff Zoon For Canon Nikon Sony $4.89 Time Remaining: 1d 13h 8m Buy It Now for only: $4.89 |
 windscreen for Zoom h1 or microphone camcorder hmc 154 Wind Shield $13.00 Time Remaining: 9d 5h 18m Buy It Now for only: $13.00 |
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 2 PREMIUM BLUE DJ KARAOKE MICROPHONE WINDSCREEN MIC FOAM COVER WIND SHIELD NEW $0.99 Time Remaining: 1d 5h 18m |
 Musicians Gear Microphone Windscreen Black Foam $1.99 Time Remaining: 13d 17m Buy It Now for only: $1.99 |
 10 Multicolor Microphone Windscreen Fits Shure $6.75 Time Remaining: 4d 23h 28m Buy It Now for only: $6.75 |
 Mic Fur Windscreen For Zoom H4n Handheld Recorder Handy Mobile Muff H4 DR 0633 $14.09 Time Remaining: 7d 22h 9m Buy It Now for only: $14.09 |
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 New 10 Black Microphone Windscreens Fits Shure US Shipper $0.11 (1 Bid) Time Remaining: 1d 12h 30m |
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 Police Military Aircraft Microphone Waterproof WindTech windscreen 74169 5074 $7.99 Time Remaining: 21d 50m Buy It Now for only: $7.99 |
 Studio microphone mic wind screen pop filter mask shied $12.99 Time Remaining: 5d 23h 51m Buy It Now for only: $12.99 |
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 ADK A 51TC TUBE CONDENSER MICROPHONE W WINDSCREEN DJ 8 POWER SUPPLY CASE $99.00 (1 Bid) Time Remaining: 2d 7h 47m |
 ME62 ME64 ME66 T145 L145 or L225 Foam Windscreen $15.95 Time Remaining: 15d 4h 33m Buy It Now for only: $15.95 |
 EZ25 25MM Headset Microphone Mic Windscreen Wind Screen $9.99 Time Remaining: 12d 2h 26m Buy It Now for only: $9.99 |
 Microphone Mic Wind Screen Pop Filter Mask Shied Studio $11.99 Time Remaining: 24d 18h 15m Buy It Now for only: $11.99 |
 windscreen for Zoom h1 or microphone camcorder hmc 154Wind Shieldcolor black $13.00 Time Remaining: 9d 18h 51m Buy It Now for only: $13.00 |
 Dynamic Handheld Microphone and Lav Mic Combo Set Windscreen Mini 1 4 Jacks $14.95 Time Remaining: 2d 12h 17m |
 EZ20 20MM Lapel Lavalier Headset Microphone Windscreen $9.99 Time Remaining: 29d 8h 11m Buy It Now for only: $9.99 |
 windscreen for ZOOM H4n Wind ShieldCOLOR white gray $14.00 Time Remaining: 7d 4h 2m Buy It Now for only: $14.00 |
 Mic Pro Foam Sponge Windscreen Shotgun Cover 23cm 85 $9.49 Time Remaining: 21d 10h 43m Buy It Now for only: $9.49 |
 Samson WS1 5 pack of Foam Windscreens for Handheld Mics $9.99 Time Remaining: 4d 3h 20m Buy It Now for only: $9.99 |
 20 PACK OF MULTI COLOR MICROPHONE WINDSCREEN MIC COVERS $10.99 Time Remaining: 7d 4h 18m Buy It Now for only: $10.99 |
 Windscreen for Oktava MK 219 MK 319 MKL 2500 ML 53 $25.00 Time Remaining: 3d 3h 35m Buy It Now for only: $35.00 |
 Shure Genuine Inner Foam Windscreen SM58 Beta58 PG58 $5.00 Time Remaining: 3h 41m Buy It Now for only: $5.00 |
 Shure BG 30 KSM 9 PE15 75 85 86 PG 48 58 WIndTech Black Foam Windscreen 5070 9 $9.95 Time Remaining: 25d 6h 21m Buy It Now for only: $9.95 |
 Audio Technica AT4041 Windscreen Windscreen Egg Shaped Sm $7.99 Time Remaining: 28d 23h 40m Buy It Now for only: $7.99 |
 Shure A85WS Windscreen for Beta87S $11.00 Time Remaining: 13d 23h 25m Buy It Now for only: $11.00 |
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Heil Sound Windscreen for the Handi Mic Microphone $5 The WSHM is designed to snuggly fit Heil Handi Mic microphones. |
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Heil Sound Windscreen For The Handi Mic Microphone $5 The WSHM is designed to snuggly fit Heil Handi Mic microphones. |
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Musician's Gear Microphone Windscreen Blue Foam $1.99 This microphone windscreen reduces wind, breath sounds and popping noises. Also keeps your mic clean and helps extend its lifetime. This windscreen will fit most standard mics. |
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Musician's Gear Microphone Windscreen Black Foam $1.99 This microphone windscreen reduces wind, breath sounds and popping noises. Also keeps your mic clean and helps extend its lifetime. This windscreen will fit most standard mics. |
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Musician's Gear Microphone Windscreen Red Foam $1.99 This microphone windscreen reduces wind, breath sounds and popping noises. Also keeps your mic clean and helps extend its lifetime. This windscreen will fit most standard mics. |
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Audio-Technica Atm-75Cw Mic Black $99.99 With a pivot-mounted flexible mic boom that descends from either the left or right side, the ATM75-75CW mic delivers professional-quality vocal pickup with hands-free operation. It has a cardioid condenser element with front-of-mouth positioning attached to a temple-pad headband mount. The ATM75-75CW features a frequency response of 60Hz-15kHz and includes an AT8139L and AT8139L windscreen and an AT8439 cable clip. It uses an HRS connector for use with all Audio-Technica Unipak transmitters and is meant for use only with wireless microphone systems.Requires a wireless system Compatible with all all Audio-Technica Unipak transmitters |
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Olympus Wind Screen for LS-10 mic $16.99 The Olympus WS-5 is a replacement windscreen for the LS-10 PCM handheld recorder. It helps you avoid wind noise and plosives in order to achieve the best possible sound capture from the LS-10's built-in microphone. |
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Olympus Wind Screen For Ls-10 Mic $16.99 The Olympus WS-5 is a replacement windscreen for the LS-10 PCM handheld recorder. It helps you avoid wind noise and plosives in order to achieve the best possible sound capture from the LS-10's built-in microphone. |
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Used Audio-Technica Atm-75Cw Mic Black $90.99 With a pivot-mounted flexible mic boom that descends from either the left or right side, the ATM75-75CW mic delivers professional-quality vocal pickup with hands-free operation. It has a cardioid condenser element with front-of-mouth positioning attached to a temple-pad headband mount. The ATM75-75CW features a frequency response of 60Hz-15kHz and includes an AT8139L and AT8139L windscreen and an AT8439 cable clip. It uses an HRS connector for use with all Audio-Technica Unipak transmitters and is meant for use only with wireless microphone systems.Requires a wireless system Compatible with all all Audio-Technica Unipak transmitters |
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Audio-Technica Bp4002 Omni Dynamic Mic $179 The omnidirectional Audio-Technica BP4002 dynamic microphone is tailored for extremely clear and articulate speech reproduction. With an easy-to-grip extended handle that easily accommodates microphone flags, the AT BP4002 is ideal for all aspects of broadcast and remote newsgathering: on-location interviews, ENG, EFP, sports applications and much more. The Audio-Technica BP4002 microphone provides exceptional isolation from handling noise, and the BP4002 mic is built rugged to withstand the abrasion and jostling of life in the field. With a 3-pin XLRM-type output connector, Audio-Technica equips the BP4002 microphone with a slip-on foam windscreen, a vinyl carrying case, a soft protective pouch, and a professional mic-stand clamp.Professional interview microphone with extended-length handle is ideal for on-location interviewsOmnidirectional polar pattern provides a natural reproduction of surrounding ambience Frequency response is tailored for natural, clear, and articulate reproduction of spoken wordsThe back-cavity assembly floats inside the handle shell, providing exceptional isolation from handling noiseRugged housing with hardened-steel grille stands up to field useIntegral windscreen protects against wind and breath noiseIncludes:AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands, 5/8"-27 to 3/8"-16 threaded adapter, foam windscreen, carrying case (Audio-Technica S8), soft protective pouch |
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Audio-Technica Bp4001 Cardioid Dynamic Mic $179 The dynamic Audio-Technica BP4001 cardioid microphone is tailored for extremely clear and articulate reproduction of spoken words. With an extended handle that easily accommodates microphone flags, the AT BP4001 is ideal for all aspects of broadcast and remote news gathering: on-location interviews, ENG, EFP, sports applications, and much more. The Audio-Technica BP4001 mic provides exceptional isolation from handling noise. Audio-Technica builds the BP4001 microphone ruggedly to withstand the abrasion and jostling expected with life in the field. Fitted with a 3-pin XLRM-type output connector Audio-Technica generously equips the BP4001 with a slip-on foam windscreen, a vinyl carrying case, a soft protective pouch, and a professional stand clamp.Professional interview microphone with extended-length handle is ideal for on-location interviewsCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceFrequency response is tailored for natural, clear and articulate reproduction of spoken wordsThe back-cavity assembly floats inside the handle shell, providing exceptional isolation from handling noiseRugged housing with hardened-steel grille stands up to field useIntegral windscreen protects against wind and breath noiseIncludes: AT8470 Quiet-Flex stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; foam windscreen; carrying case (Audio-Technica S8); soft protective pouch |
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Line 6 Hs30 Headset Mic For Xd-V30 Beltpack Transmitter Black $79.99 Line 6's HS30 Headset Microphone is a unidirectional condenser microphone designed for use with the XD-V30 beltpack transmitter. The HS30's cardioid polar pattern provides you with clear vocal pickup resistance to feedback and reduction of background noise. The mic's adjustable arm means you'll get precise and comfortable positioning, while the windscreen reduces the effects of wind and breath noise during your performances. It also has a ample 50" cable to provide plenty of leeway for even taller performers.Element: back electret condPolar: cardioidFreq response: 50Hz-15kHzSensitivity: -45Power supply: 1.8kohmCable length: 50" (1.2m) |
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On Stage Foam Ball-Type Mic Windscreen, Black List Price: $5.99 Sale Price: $0.85 Used From: $3.00  |
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Protect your mics against wind interference and singers' spit with an On Stage Foam Ball-Type Mic Windscreen. Designed for noral sized handheld mics similar in design to a Shure SM58, these colorful foam windscreens fit most mics... |
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GLS Audio Mic Windscreens - Black Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Black Wind Screens - 5 PACK List Price: $24.95 Sale Price: $9.95 |
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Are your old wind screens deteriorating on you? Try our GLS Audio 5 pack of new black wind screens today! They come vacuum packed for freshness and longevity. Once they are opened from the package, allow for them to reform to their natural shape and beauty... |
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GLS Audio Mic Windscreens - Color Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Color Wind Screens - 7 PACK List Price: $21.95 Sale Price: $13.95 Used From: $12.30 |
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Make life easy on yourself when you're working the sound board. 7 different Vibrant Colors of wind screens to keep the mics on stage more than bearable to work with. They come vacuum packed for freshness and longevity... |
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On Stage Foam Ball-Type Mic Windscreen, Blue List Price: $5.99 Sale Price: $0.89 |
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Protect your mics against wind interference and singers' spit with an On Stage Foam Ball-Type Mic Windscreen. Designed for normal sized handheld mics similar in design to a Shure SM58, these colorful foam windscreens fit most mics... |
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On Stage Foam Ball-Type Mic Windscreen, Red List Price: $5.99 Sale Price: $0.56 |
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On Stage Foam Ball-Type Mic Windscreen, Red |
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Bluecell 2 pcs 5 inch videomic windscreen foam cover for 21mm Diameter Microphone + Free Bluecell cable tie Sale Price: $5.99 |
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Micover Slipover Windscreen for RODE VideoMic VM Sale Price: $22.95 |
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The Micover Slipover Series is made of high-quality synthetic fur. Your microphone, with its original black foam cover, provides between 5dB and 10dB of noise reduction. The Micover Slipovers reduce unwanted noise by an additional 10dB without diminishing the quality of your recording... |
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Microphone Windscreens Black Foam 5 Pack Sale Price: $7.99 |
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These high quality foam windscreens by supernova music reduce the occurrence of wind, breath sounds and popping noises. Also keeps your mic clean and helps extend its lifetime. |
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20mm Headset & Lapel Lavalier Microphone Windscreens - 8 Pack List Price: $29.95 Sale Price: $3.99 |
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20mm headset & lapel Lavalier microphone windscreen - 8 pieces. Packed in a heat sealed package so you know they are new and have never been used. Fits various microphones including: Audio Technica, Olympus, Shur, Sennheiser, Sony, Hisonic, Samson |
Corporate Training Video Production - Behind the scenes
I thought it might be interest for some of my readers to get a behind the scenes view of a recent video production project I have recently completed for a well know High Street Bakery brand.
What was the video for?
The video forms an integral part of a classroom based, customer services training program. The video has been produced as a DVD with 5 chapters presenting a specific set of customer service scenarios.
Sous Productions were commissioned by our old friends Training For Advancement (TFA). They were responsible for developing the overall training program and they called on me to take care of the video element. Having worked with TFA before it is always nice to be invited back in.
Pre Production
Some aspects of the pre production were a little tricky due to the very tigtht timescales and the client needing to make changes to the scenes and the script right up to the point the rec button on the video camera was pressed.
I knew the client wanted maybe 4 to 6 actors but I was not given the final character briefs until 4 working days prior to the shoot so there was no time for auditions of any kind which leaves you a little nervous about the quality of the actors leading up to point they deliver the lines.
As I didn’t know any agencies in that area I found an online site called CastingCallPro http://www.uk.castingcallpro.com/welcome.php enabling me to search and communicate directly with the actors I shortlisted.
From the initial brief I felt fairly comfortable this was going to be a 1 day shoot but until the brief is finalised you can’t be absolutely sure.
The client of course said well that’s fine, if we have to shoot on a 2nd day we will keep the shop and staff available. Unfortunately, it doesn’t work that easily. The crew and actors need to be booked in advance for the days you want them. If you ask for an actor to be available for 2 days you can’t then send them away after 1 day without paying them for the 2nd. Vice versa, you can’t book them for 1 day and expect them to be available for a 2nd follow on day.
We settled for one day and so we had to make it work.
Crew & Location
I also knew from the guide brief that this was not a 1 man job so I could at least sort out my crew of one cameraman - Ian, and one sound man - Andy, in advance. Leaving me to take the role of producer.
Ian is one of those very relaxed but highly professional cameramen. He pretty much works with the camera all day everyday in a whole host of locations and typically for TV so I knew he would be great for the job.
Andy is a young lad but with a very mature head on his shoulders. He had a range of experience and while he might not be considered a specialist soundman I knew he would be able to handle the situation we would be in.
Sound is tricky at the best of times and we were going to contend with a noisy City roadside location so I wanted to ensure I had someone focused on the audio side only. The job needed to be shot on location in Liverpool due to the shop they wanted us to use and would consist of 3 locations.
- Pavement / walkway leading up to the bakery shop
- Inside the bakery shop
- Next to and inside car near to the shop
Equipment
The kit list for the job was fairly simple although my main debate had been about whether to take one or two cameras. Budget allowed me two smaller cameras such as the Sony PD170 or 1 higher quality camera such as the Sony DSR570.
I conferred with Ian the cameraman and decided on doing the shoot using one camera and filming each scene from 3 or 4 different locations one after the other. Yes, it takes longer and there is always the risk of continuity issues each time you run the scene through but we felt we had all day and the scenes were fairly straight forward.
There were some other unknowns such as lighting conditions in the shop so we could not be sure on what lighting we would need so of course we took more than we might need.
Eventual kit list:
- Sony DSR570 camera, tripod and Wide lens etc
- 9" monitor and a wireless monitor
- 2 x Wireless Mics, 1x Boom mic and 4 way mixer
- 4 bank videssence and 4 x redheads for the lighting
I would be very interested to hear your views on crew and kit list for this job and how you would have gone about it.
Production Day Home to Liverpool is about 4 hours away so we were put up over night enabling us to arrive on location earlier and fresh to go.
The actress due to be the shop sales assistant was the only person giving me concern in advance simply because of the odd way she said things in text and email. When she arrived I found her very nervous and the minor script changes the day before didn’t help the situation. (alarm 1)
The other actors, 2 female and a male all went down the road for a coffee and to go through their lines together but the 1st actress decided she wasn’t going to join them. (alarm 2)
While we were setting everything up, the client came to me and said they were not happy with the 1st actress (the one I already had a few concerns over). She clearly wasn’t the same age as in the pictures she provided on line (alarm 3) and so she wasn’t quite the fit to the brief they had provided. Eek! Not a lot I can do about that now!
We concluded that we would give her a go and see how it went. At this point I noticed she was writing some of her lines on to her hand. (alarm 4) For a person acting as a member of the serving staff at the counter, ink all over her hand was not going to work - This simply added to our concerns and we had to tell her she would not be using her in the speaking part agrees but none the less we would pay her for the full day at the rate agreed.
This really didn’t go down well and she started to have a few rants. Within the hour, she walked off and we never saw her again.
Despite all that I had left Ian and Andy to do their stuff and they were ready to get the shoot underway. The weather was forecast to be at its best in the morning so it made sense to do the outside scenes 1st.
Scene 1 & 5 were much the same and involved walking down the pavement outside the various shop frontages and ending up outside the client shop. We planned on 3 different camera positions:
- Head on to actresses walking down the pavement with camera tracking backwards
- Fixed low angle shot outside shop
- Long panning shot from across the road through passing traffic
We had to handle all the usual issues of vehicle reversing alarms, work crew digging up the road and a variety of passing public who would suddenly behave a little strange once they realised a camera was around. You ever had them?
The actresses were pretty good and pretty much new their lines. I suppose in the end we had to run through the scene 3 or 4 times from each of the 3 positions before we got it right.
We then moved to our next outside location for scene 3 which was centred on the customer and her boyfriend getting in to his car and discussing the poor customer experience. Once again the road noise and general traffic was an issue causing a few delays and we had a bit of a problem shooting through the windscreen due to the sun and reflections despite the use of the polarising filter. In the end we couldn’t get the results we wanted so we ditched the idea.
Other than the environmental factors, everything else was fine and the two actors worked well together and we soon had the scene wrapped up.
Lastly, we moved inside the shop for the final 2 scenes. This is a real working shop (although it had been closed to the public - much to their annoyance). The staff had produced all the normal range of amazing products from baguettes to pasties and cream cakes. I don’t know about you but when I am working on a shoot like this I completely loose my appetite so however good the food looked I didn’t have the urge to dive in.
There were 2 scenes to do in the shop. The shop is quite limited for space so it was a little tricky to get all of us and equipment in the same space.
We shot the each of the two scenes from 3 angles and had to run through 4 or 5 time to get right, mostly due to continuity issues.
The actress who was supposed to be the sales assistant was replaced by one of the staff on site and she was absolutely fantastic! Having never seen the script before, she picked it up really quickly and her performance was very professional. A great deal of thanks go to her for stepping in and doing a great job with no notice.
We mopped up with a few cut away shots and few close ups such as shots in to the till etc and that was it, we were done.
The client was very relieved to know we had finished. She explained she had been nervous it couldn’t all be done in the course of 1 day.
The client made our day by saying we could take whatever we could carry. Anything we couldn’t take would be going in the bin so it had to be bag full of cream cakes to take home.
All we had left to do was the small issue of the 4 hour journey home!
On reflection, the day went really well. The end client and my point of contact at TFA were all realy supportive and professional. Other than the one that walked away, I thought the actors were very good. We took just the right equipment and my crew were as splendid as ever.
Next - Post production work and publishing the DVD which I will describe in another article with a link to the video.
About the Author
Duncan is the owner of Sous Productions which is a video production business based in the South of the UK. Duncan has been involved in producing, filming and editing corporate video for around 6 years. In addition to training video, Duncan also believes video on-line, to help companies promote their products and services on their web site is the next big thing and has already working in this area. Contact Duncan via the web site http://www.sousproductions.com