Voice Processor Preamplifier
Voice Processor Preamplifier
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Isp Technologies Beta Bass Preamplifier $643.5 The Beta Bass Preamplifier offers the professional bassist the highest level of performance ISP Technologies can provide. By incorporating patented Time Vector Processing, the compression circuitry becomes the most adaptive to be used in a bass processor as it allows the Beta preamp to truly track the signal of the notes played. Add in the patented Decimator Noise Reduction Technology, and you have a bass processor with built-in noise protection! With two parametric bands (a low-mid and a high-mid), bass, treble, bright, and an exciter (for phase manipulation), the Beta lets you shape your sound to your own specifications. For absolutely unsurpassable performance, pair the Beta Bass Preamp with the ISP Technologies Bass Vector or Bass Vector Pro cabinets and get up to 4000 watts of bass depending on your choice of configuration!Extreme equalization including Bass, Treble, Bright, Low-Mid parametric, High-Mid parametric and footswitch controlled ISP Technologies Bass Exciter.Signal level indicator with multi-stage clip detection allows accurate control of the internal gain structure of the preamplifier and processor.Decimator noise reduction for absolutely silent operation.Adaptive Bass Compressor providing smooth volume leveling.Balanced XLR and RTS 1/4" Main output connections.Balanced XLR direct output selectable to provide pre-processed input signal or post-processor direct out with level control and ground lift.Footswitch controlled effects loop with rear panel effects mix control. |
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Radial Engineering PowerPre Mic Preamplifier $499.99 The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments. |
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Radial Engineering Powerpre Mic Preamplifier $499.99 The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.Hand selected 100% discrete electronicsHammond broadcast transformer outputAccuState low-noise input circuit3-position Vox control for added air or punch |
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Used Isp Technologies Beta Bass Preamplifier $559.85 The Beta Bass Preamplifier offers the professional bassist the highest level of performance ISP Technologies can provide. By incorporating patented Time Vector Processing, the compression circuitry becomes the most adaptive to be used in a bass processor as it allows the Beta preamp to truly track the signal of the notes played. Add in the patented Decimator Noise Reduction Technology, and you have a bass processor with built-in noise protection! With two parametric bands (a low-mid and a high-mid), bass, treble, bright, and an exciter (for phase manipulation), the Beta lets you shape your sound to your own specifications. For absolutely unsurpassable performance, pair the Beta Bass Preamp with the ISP Technologies Bass Vector or Bass Vector Pro cabinets and get up to 4000 watts of bass depending on your choice of configuration!Extreme equalization including Bass, Treble, Bright, Low-Mid parametric, High-Mid parametric and footswitch controlled ISP Technologies Bass Exciter.Signal level indicator with multi-stage clip detection allows accurate control of the internal gain structure of the preamplifier and processor.Decimator noise reduction for absolutely silent operation.Adaptive Bass Compressor providing smooth volume leveling.Balanced XLR and RTS 1/4" Main output connections.Balanced XLR direct output selectable to provide pre-processed input signal or post-processor direct out with level control and ground lift.Footswitch controlled effects loop with rear panel effects mix control. |
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BBE BMAX Solid State Bass Guitar Preamplifier $299.99 The BBE BMAX Solid State Bass Guitar Preamplifier is a high-quality bass preamp/processor with advantages in the recording studio and in demanding live applications. It features a class A/B front end that emulates the loading effect of a classic tube preamp. It also has a pure and clean electronically-balanced DI output.The BBE Process--"What it Is"Loudspeakers have difficulty working with the electronic signals supplied by an amplifier. These difficulties cause such major phase and amplitude distortion that the sound reproduced by the speaker differs significantly from the sound produced by the original source.In the past, these problems proved unsolvable and were thus relegated to a position of secondary importance in audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relationships define a sound's "sound".When these complex relationships pass through a speaker, the proper order is lost. The higher frequencies are delayed. A lower frequency may reach the listener's ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's ear ahead of some or all of the harmonic components.This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called "envelope distortion." The listener perceives this loss of sound integrity in the reproduced sound as "muddy" and "smeared." In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet.BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent.The BBE Process is so unique that 42 patents have been awarded by the U.S. Patent Office. |
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Chameleon Labs 7602 Mkii Microphone Preamplifier/Equalizer $719 The Model 7602 MKII from Chameleon Labs is the sequel to the 7602 Microphone Preamplifier / Equalizer. New features in the MKII model include selectable mic impedance, LED input metering, upgraded knob styles, and two different power optionsall of this for the same price as the original unit. The signal processor ships with an inline power transformer (all regulation is done inside the unit). The rackmountable CPS-1 can also still be used, but is no longer required. The 7602 MKII Microphone Preamplifier/Equalizer is based on a classic and revered design utilizing pure Class 'A' circuitry. This unit is made with 100% discrete components, hand wound transformers and was fabricated to precisely match vintage counterparts manufactured in the early to mid 70's. Equalizer Section (Selectable 3 band design with a flexible filter section): Filter This is a high pass filter with 3db loss at 300Hz, 160Hz, 80Hz, and 50Hz with an 18db cut per octave slope. Low Equalization This section has a shelving slope with four frequency selections: 220Hz, 110Hz, 60Hz, and 35Hz. This equalizer affects the selected frequency and all others below it. The gain control provides 20db of boost or cut. Mid Equalization This section has a peaking characteristic with six frequency selections: 360Hz, 700Hz, 1.6k, 3.2k, 4.8k, and 7.2k. The gain control provides 20db of boost or cut. High Equalization This section has a shelving characteristic with five frequency selections: 16k, 12k, 7k, 4.9k and 3.4k. This section adjusts the selected frequency and all others above it. The gain control provides 20db of boost or cut. Electronics By employing classic circuit design, polystyrene capacitors, a gold contact ELMA gain selector and custom wound transformers, Chameleon Labs ensures that the Model 7602 MKII will exhibit classic audio sound. The Model 7602 MKII has a transformer balanced input with a range between 20dB and 80 dB of gain. The separate line input is transformer balanced and accepts input levels from -20 to +10dB. Power Options The Model 7602 MKII features two different power options: 24VAC Adapter: Each Model 7602 MKII ships with a mid-line power supply, type-dependent on country of operation. This is not a traditional "wall-wart" but simply an outboard AC transformer. DC filtering and regulation is accomplished inside the 7602 MKII itself. CPS-1 Dual Power Supply (sold separately): For users who prefer a rack-mounted power option, the 7602 MKII preamp / EQ may instead be powered by the CPS-1 Dual Power Supply. The CPS-1 is offered as an optional accessory and can provide power to two 7602 MKII units. Users will need to contact their preferred dealer to acquire the DC Cable needed to connect the CPS-1 and 7602 MKII. What Makes Chameleon Labs Different? Chameleon Labs is a new type of company, focused on delivering performance and value at a price previously thought impossible. How do they do it? By reinventing how global manufacturing is approached. Chameleon Labs engineers |
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Used Radial Engineering Powerpre Mic Preamplifier $454.99 The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.Hand selected 100% discrete electronicsHammond broadcast transformer outputAccuState low-noise input circuit3-position Vox control for added air or punch |
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Bbe Bmax Solid State Bass Guitar Preamplifier $299.99 The BBE BMAX Solid State Bass Guitar Preamplifier is a high-quality bass preamp/processor with advantages in the recording studio and in demanding live applications. It features a class A/B front end that emulates the loading effect of a classic tube preamp. It also has a pure and clean electronically-balanced DI output.The BBE Process--"What it Is"Loudspeakers have difficulty working with the electronic signals supplied by an amplifier. These difficulties cause such major phase and amplitude distortion that the sound reproduced by the speaker differs significantly from the sound produced by the original source.In the past, these problems proved unsolvable and were thus relegated to a position of secondary importance in audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relationships define a sound's "sound".When these complex relationships pass through a speaker, the proper order is lost. The higher frequencies are delayed. A lower frequency may reach the listener's ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's ear ahead of some or all of the harmonic components.This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called "envelope distortion." The listener perceives this loss of sound integrity in the reproduced sound as "muddy" and "smeared." In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet.BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent.The BBE Process is so unique that 42 patents have been awarded by the U.S. Patent Office.High-quality bass preamp/processorUseful in the studio and in demanding live applicationsClass A/B front end emulates classic tube preampElectronically-balanced DI outputQuasi-parametric mid-range EQ with 12db of boost or cut between 250 to 1000hzSingle-knob soft-knee optical compressorInputs for both passive pickup and active pickup instruments1meg ohm input impedanceGround lift switchBalanced XLR and 1/4" TRS OutputsMilitary-spec circuit boards Extra thick, extra wide circuit board traces for unequaled electron flow1% metal |
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Used Art Voice Channel Tube Mic Preamp $390.39 The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop |
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Art Voice Channel Tube Mic Preamp $429 The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop |
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Used Bbe Bmax Solid State Bass Guitar Preamplifier Regular 886830366512 $239.99 The BBE BMAX Solid State Bass Guitar Preamplifier is a high-quality bass preamp/processor with advantages in the recording studio and in demanding live applications. It features a class A/B front end that emulates the loading effect of a classic tube preamp. It also has a pure and clean electronically-balanced DI output.The BBE Process--"What it Is"Loudspeakers have difficulty working with the electronic signals supplied by an amplifier. These difficulties cause such major phase and amplitude distortion that the sound reproduced by the speaker differs significantly from the sound produced by the original source.In the past, these problems proved unsolvable and were thus relegated to a position of secondary importance in audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relationships define a sound's "sound".When these complex relationships pass through a speaker, the proper order is lost. The higher frequencies are delayed. A lower frequency may reach the listener's ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's ear ahead of some or all of the harmonic components.This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called "envelope distortion." The listener perceives this loss of sound integrity in the reproduced sound as "muddy" and "smeared." In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet.BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent.The BBE Process is so unique that 42 patents have been awarded by the U.S. Patent Office.High-quality bass preamp/processorUseful in the studio and in demanding live applicationsClass A/B front end emulates classic tube preampElectronically-balanced DI outputQuasi-parametric mid-range EQ with 12db of boost or cut between 250 to 1000hzSingle-knob soft-knee optical compressorInputs for both passive pickup and active pickup instruments1meg ohm input impedanceGround lift switchBalanced XLR and 1/4" TRS OutputsMilitary-spec circuit boards Extra thick, extra wide circuit board traces for unequaled electron flow1% metal |
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Used Art Voice Channel Tube Mic Preamp 889406661851 $214.5 The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop |
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TL Audio Ivory 5051 Mono Tube Voice Processor $999 The TL Audio 5051 is a single channel voice processor format that has become the accepted way of getting the most out of any sound source. The Ivory 5051 provides the perfect front end for any system by offering a combined preamp, compressor, equalizer, and noise gate, all in one easy-to-use package. There is also now an optional digital output. The 5051 compressor section is identical to that of the 5021 and includes hard/soft knee modes, and the four-band equalizer section is modeled on that of the legendary TL Audio EQ-1, yielding superb results instantly, with an improved optical gate for removing unwanted source noise. So whatever your source, let the 5051 unlock its true potential.The TL Audio 5051 voice processor features six valve stages, supplied by three twin triode ECC83/12AX7A valves running from a stabilized 150V DC power supply. One valve stage is located in the preamp, one in the compressor gain control circuit, and four in the equalizer section.About TL Audio TL Audio began manufacturing audio products in 1990, when the company - founded by Tony Larking - was largely involved in the restoration and re-selling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and re-packaged to make them suitable for music production studios. Shortly after this Tony Larking was introduced to David Kempson, a leading designer at Neve for nine years.By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio's first valve product - the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner's early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the 'Classic' range, and was followed by what has become possibly TL Audio's best known product - the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel's mixdown compressor on Alanis Morissette's multi-million selling 'Jagged Little Pill' album. The Ivory SeriesWith the Classic range expanding to include more models, the growth in popularity of affordable digital recorders and mixers heightened the appetite for valve processing, which led to lower-cost ranges such as the Ivory models. The Ivory series of preamps, equalizers and dynamics dev |
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Tl Audio Ivory 5051 Mono Tube Voice Processor $999 The TL Audio 5051 is a single channel voice processor format that has become the accepted way of getting the most out of any sound source. The Ivory 5051 provides the perfect front end for any system by offering a combined preamp, compressor, equalizer, and noise gate, all in one easy-to-use package. There is also now an optional digital output. The 5051 compressor section is identical to that of the 5021 and includes hard/soft knee modes, and the four-band equalizer section is modeled on that of the legendary TL Audio EQ-1, yielding superb results instantly, with an improved optical gate for removing unwanted source noise. So whatever your source, let the 5051 unlock its true potential.The TL Audio 5051 voice processor features six valve stages, supplied by three twin triode ECC83/12AX7A valves running from a stabilized 150V DC power supply. One valve stage is located in the preamp, one in the compressor gain control circuit, and four in the equalizer section.About TL Audio TL Audio began manufacturing audio products in 1990, when the company - founded by Tony Larking - was largely involved in the restoration and re-selling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and re-packaged to make them suitable for music production studios. Shortly after this Tony Larking was introduced to David Kempson, a leading designer at Neve for nine years.By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio's first valve product - the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner's early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the 'Classic' range, and was followed by what has become possibly TL Audio's best known product - the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel's mixdown compressor on Alanis Morissette's multi-million selling 'Jagged Little Pill' album. The Ivory SeriesWith the Classic range expanding to include more models, the growth in popularity of affordable digital recorders and mixers heightened the appetite for valve processing, which led to lower-cost ranges such as the Ivory models. The Ivory series of preamps, equalizers and dynamics devices has become TL Audio's best selling range of products to date. The Ivory Series satisfied all the criteria th |
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ART VoiceChannel Tube Channel Strip with Digital I/O List Price: $539.00 Sale Price: $375.00  |
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The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency... |
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Studio Projects VTB1 Microphone Preamp List Price: $149.99 Sale Price: Too low to display Used From: $100.00 |
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The new Studio Projects VTB-1 is the ultimate in low cost mic pre amplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 is the Inch Tube Drive Inch... |
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ART Pro Channel Microphone PreampCompressorEQ Professional Tube Based Selectable VU Metering List Price: $390.00 Sale Price: Too low to display |
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Professional tube microphone preamp, optical compressor and EQ |