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Vintage Microphone Stromberg Carlson Mod MC41 50s Era
Vintage Microphone Stromberg Carlson Mod MC41 50s Era
$150.00
Time Remaining: 37m

4 Pin Vintage Microphone Cable For EV 664  Other EV Mics  Shure 545 XLR
4 Pin Vintage Microphone Cable For EV 664 Other EV Mics Shure 545 XLR
$38.95
Time Remaining: 26d 12h 40m
Buy It Now for only: $38.95

SHURE VINTAGE MODEL 245 UNIPLEX MICROPHONE RARE
SHURE VINTAGE MODEL 245 UNIPLEX MICROPHONE RARE
$164.95
Time Remaining: 58m
Buy It Now for only: $189.95

Vintage Shure Microphone Cable Shure 51 55 55s Mic 3 Pin Connector to XLR
Vintage Shure Microphone Cable Shure 51 55 55s Mic 3 Pin Connector to XLR
$38.95
Time Remaining: 26d 8m
Buy It Now for only: $38.95

Vintage Shure 540 Omnidirectional Sonodyne II microphone
Vintage Shure 540 Omnidirectional Sonodyne II microphone
$75.00
Time Remaining: 1h 39m
Buy It Now for only: $85.00

VINTAGE APEX HANDHELD MICROPHONE APEX 242
VINTAGE APEX HANDHELD MICROPHONE APEX 242
$13.50
Time Remaining: 2h 17m

Vintage MC4M 4 pin to XLR Microphone Cord Mic Cable
Vintage MC4M 4 pin to XLR Microphone Cord Mic Cable
$39.99
Time Remaining: 25d 6h 6m
Buy It Now for only: $39.99

SENNHEISER MD 46 MIC w CASE  20FT VTG LOW NOISE CABLE NEUTRIK XLR3F TO 1 4IN
SENNHEISER MD 46 MIC w CASE 20FT VTG LOW NOISE CABLE NEUTRIK XLR3F TO 1 4IN
$169.00
Time Remaining: 2h 22m
Buy It Now for only: $200.00

Vintage 4 Pin Microphone Cable EV 664 Shure 545 Mic to 1 4 Plug
Vintage 4 Pin Microphone Cable EV 664 Shure 545 Mic to 1 4 Plug
$38.95
Time Remaining: 2d 4h 27m
Buy It Now for only: $38.95

3 Vintage Microphones Astatic Stromberg Carlson and not sure on the last one
3 Vintage Microphones Astatic Stromberg Carlson and not sure on the last one
$133.71 (17 Bids)
Time Remaining: 3h 26m

VINTAGE ASTATIC MODEL  200 S MICROPHONE WITH STAND  CORD GOLD FINISH
VINTAGE ASTATIC MODEL 200 S MICROPHONE WITH STAND CORD GOLD FINISH
$11.00 (4 Bids)
Time Remaining: 3h 31m

BEYER BEYERDYNAMIC M88 VINTAGE DYNAMIC CARDIOID MICROPHONE INCLUDING XLR CABLE
BEYER BEYERDYNAMIC M88 VINTAGE DYNAMIC CARDIOID MICROPHONE INCLUDING XLR CABLE
$346.50
Time Remaining: 28d 19h 57m
Buy It Now for only: $346.50

Vintage Astatic Microphone
Vintage Astatic Microphone
$10.00 (1 Bid)
Time Remaining: 3h 42m

UHER M514 Microphone for the vintage UHER 4000 REPORTER L Reel Reel Recorder
UHER M514 Microphone for the vintage UHER 4000 REPORTER L Reel Reel Recorder
$9.00
Time Remaining: 4h 4m

American M 2 U LO Z Microphone Vintage great fro Guitar Harmonica D 4T
American M 2 U LO Z Microphone Vintage great fro Guitar Harmonica D 4T
$74.99
Time Remaining: 28d 20h 45m
Buy It Now for only: $74.99

SHURE PE54 Unidyne III vintage microphone 545S w o Lo Z ability w accessories
SHURE PE54 Unidyne III vintage microphone 545S w o Lo Z ability w accessories
$50.00
Time Remaining: 4h 12m
Buy It Now for only: $70.00

Switchcraft 332A 5 8 1 4 Microphone Adapter for Vintage Harmonica Harp Mic JT 30
Switchcraft 332A 5 8 1 4 Microphone Adapter for Vintage Harmonica Harp Mic JT 30
$12.99
Time Remaining: 4d 1h 53m
Buy It Now for only: $12.99

VINTAGE RCA 74 B MICROPHONE RE RIBBONED BY WES DOOLEY
VINTAGE RCA 74 B MICROPHONE RE RIBBONED BY WES DOOLEY
$350.00 (1 Bid)
Time Remaining: 4h 30m

VINTAGE SHURE 315 RIBBON MICROPHONE RE RIBBONED BY WES DOOLEY
VINTAGE SHURE 315 RIBBON MICROPHONE RE RIBBONED BY WES DOOLEY
$350.00
Time Remaining: 4h 38m

Vintage Harmonica Microphone Cord Cable Harp Mic JT 30
Vintage Harmonica Microphone Cord Cable Harp Mic JT 30
$26.99
Time Remaining: 5d 6h 5m
Buy It Now for only: $26.99

Vintage electrovoice hiz microphone type 630
Vintage electrovoice hiz microphone type 630
$25.00 (1 Bid)
Time Remaining: 4h 49m

VINTAGE ASTATIC MODEL 335L 19 MICROPHONE
VINTAGE ASTATIC MODEL 335L 19 MICROPHONE
$5.99 (1 Bid)
Time Remaining: 5h 53m

AKG D20 RARE VINTAGE DYNAMIC MICROPHONE INCLUDING XLR CABLE SAME CAPSULE AS D12
AKG D20 RARE VINTAGE DYNAMIC MICROPHONE INCLUDING XLR CABLE SAME CAPSULE AS D12
$769.23
Time Remaining: 28d 19h 37m
Buy It Now for only: $769.23

EARLY VINTAGE UNIVERSAL MICROPHONE BB 2173X INGELWOOD CALIFORNIA LOOK
EARLY VINTAGE UNIVERSAL MICROPHONE BB 2173X INGELWOOD CALIFORNIA LOOK
$102.50 (3 Bids)
Time Remaining: 6h

Vintage Electro Voice Cardyne I Model 726 B 2164 Microphone + New Cable Works
Vintage Electro Voice Cardyne I Model 726 B 2164 Microphone + New Cable Works
$149.99
Time Remaining: 4d 3h 20m
Buy It Now for only: $149.99

PHILIPS VINTAGE MICROPHONE
PHILIPS VINTAGE MICROPHONE
$27.00
Time Remaining: 6h 11m

GRUNDIG VINTAGE MICROPHONE NEW IN BOX
GRUNDIG VINTAGE MICROPHONE NEW IN BOX
$27.00
Time Remaining: 6h 11m

BEYER BEYERDYNAMIC M260 VINTAGE CARDIOID RIBBON MICROPHONE INCLUDING XLR CABLE
BEYER BEYERDYNAMIC M260 VINTAGE CARDIOID RIBBON MICROPHONE INCLUDING XLR CABLE
$268.73
Time Remaining: 28d 19h 49m
Buy It Now for only: $268.73

Neumann KMi85 KM85i Vintage Condenser Microphone
Neumann KMi85 KM85i Vintage Condenser Microphone
$500.00
Time Remaining: 6h 28m

Shure Green Bullet Harmonica Mic Vintage 520SLB NO ELEMENT SHELL ONLY
Shure Green Bullet Harmonica Mic Vintage 520SLB NO ELEMENT SHELL ONLY
$78.99
Time Remaining: 24d 23h 8m
Buy It Now for only: $78.99

VINTAGE EV ELECTRO VOICE MODEL RE15 DYNAMIC CARDIOID MICROPHONE
VINTAGE EV ELECTRO VOICE MODEL RE15 DYNAMIC CARDIOID MICROPHONE
$51.99 (6 Bids)
Time Remaining: 7h 12m

Vintage Shure PE588 Microphone XLR HandHeld
Vintage Shure PE588 Microphone XLR HandHeld
$100.00
Time Remaining: 8h 33m

Microphone Cable Vintage Astatic T3 D104 HN Harp Mics 3 Pin Female to 1 4 Plug
Microphone Cable Vintage Astatic T3 D104 HN Harp Mics 3 Pin Female to 1 4 Plug
$39.95
Time Remaining: 1d 24m
Buy It Now for only: $39.95

Vintage and Rare Astatic 77a Microphone Elvis MicFree Priority Shipping
Vintage and Rare Astatic 77a Microphone Elvis MicFree Priority Shipping
$150.00
Time Remaining: 8h 40m
Buy It Now for only: $165.00

Vintage Altec Lansing Slim 18 Goose Neck Condenser Cardioid Microphone Mic
Vintage Altec Lansing Slim 18 Goose Neck Condenser Cardioid Microphone Mic
$189.99
Time Remaining: 9h 51m

BEYER BEYERDYNAMIC M88 VINTAGE DYNAMIC CARDIOID MICROPHONE WITH XLR CONNECTOR
BEYER BEYERDYNAMIC M88 VINTAGE DYNAMIC CARDIOID MICROPHONE WITH XLR CONNECTOR
$422.73
Time Remaining: 28d 19h 54m
Buy It Now for only: $422.73

VINTAGE 1920s OLD AMERICAN CARBON SPRING DOUBLE BUTTON MICROPHONE MATCHING STAND
VINTAGE 1920s OLD AMERICAN CARBON SPRING DOUBLE BUTTON MICROPHONE MATCHING STAND
$152.75 (10 Bids)
Time Remaining: 11h 18m

AKG TELEFUNKEN D19B200 VINTAGE DYNAMIC MICROPHONE WITH ORIGINAL CASE  XLR CABLE
AKG TELEFUNKEN D19B200 VINTAGE DYNAMIC MICROPHONE WITH ORIGINAL CASE XLR CABLE
$599.00
Time Remaining: 29d 18h 26m
Buy It Now for only: $599.00

VINTAGE 1940s MACHINE AGE RCA ART DECO OLD HARP MICROPHONE  RED MEATBALL LOGO
VINTAGE 1940s MACHINE AGE RCA ART DECO OLD HARP MICROPHONE RED MEATBALL LOGO
$102.50 (10 Bids)
Time Remaining: 11h 23m

VINTAGE 1940s CB HAM RADIO SHURE MID CENTURY MACHINE AGE MODERNISTIC MICROPHONE
VINTAGE 1940s CB HAM RADIO SHURE MID CENTURY MACHINE AGE MODERNISTIC MICROPHONE
$64.98 (5 Bids)
Time Remaining: 11h 26m

SENNHEISER MD412 RARE VINTAGE CARDIOID DYNAMIC MICROPHONE INCLUDING XLR CABLE
SENNHEISER MD412 RARE VINTAGE CARDIOID DYNAMIC MICROPHONE INCLUDING XLR CABLE
$96.25
Time Remaining: 14d 23h 36m
Buy It Now for only: $96.25

VINTAGE 1960s MODERNISTIC LAFAYETTE ART DECO MID CENTURY OLD CHROME MICROPHONE
VINTAGE 1960s MODERNISTIC LAFAYETTE ART DECO MID CENTURY OLD CHROME MICROPHONE
$122.50 (24 Bids)
Time Remaining: 11h 30m

VINTAGE 1940s SHURE MID CENTURY ART DECO MACHINE AGE OLD CB HAM RADIO MICROPHONE
VINTAGE 1940s SHURE MID CENTURY ART DECO MACHINE AGE OLD CB HAM RADIO MICROPHONE
$84.01 (6 Bids)
Time Remaining: 11h 35m

NEUMANN VINTAGE GERMAN DYNAMIC MICROPHONE INCLUDING ATTACHED XLR CABLE
NEUMANN VINTAGE GERMAN DYNAMIC MICROPHONE INCLUDING ATTACHED XLR CABLE
$114.73
Time Remaining: 16d 5h 3m
Buy It Now for only: $114.73

VINTAGE SHURE STREAMLINED ART DECO MACHINE AGE MID CENTURY BULLET MICROPHONE
VINTAGE SHURE STREAMLINED ART DECO MACHINE AGE MID CENTURY BULLET MICROPHONE
$100.00 (6 Bids)
Time Remaining: 11h 38m

Vintage Shure 55 fatboy microphone stand great mic base
Vintage Shure 55 fatboy microphone stand great mic base
$34.00
Time Remaining: 3d 55m
Buy It Now for only: $34.00

Vintage Turner Challenger Harp Microphone Works Great 5 DAY Auction
Vintage Turner Challenger Harp Microphone Works Great 5 DAY Auction
$124.99
Time Remaining: 11h 41m

Vintage Electro Voice Dynamic Cardioid Micrphone Model 664
Vintage Electro Voice Dynamic Cardioid Micrphone Model 664
$29.99
Time Remaining: 11h 41m

VINTAGE SHURE 520 HARP MICROPHONE 99B86 CONTROLLED MAGNETIC
VINTAGE SHURE 520 HARP MICROPHONE 99B86 CONTROLLED MAGNETIC
$225.00
Time Remaining: 26d 4h 11m
Buy It Now for only: $225.00

VINTAGE 1950s OLD ELECTRO VOICE JET AGE CHROME  TURBINE  MICROPHONE
VINTAGE 1950s OLD ELECTRO VOICE JET AGE CHROME TURBINE MICROPHONE
$78.00 (12 Bids)
Time Remaining: 11h 42m

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Chameleon Labs 7602 Mkii Mic Pre / Eq Mic And Transformer Upgrade


Chameleon Labs 7602 Mkii Mic Pre / Eq Mic And Transformer Upgrade


$968


The Model 7602 MKII is the sequel to Chameleon Labs smash hit 7602 Microphone Preamplifier/Equalizer. The 7602 MKII new features include: selectable mic impedance, LED input metering, upgraded knob styles, and two different power optionsall of this for the same price as the original unit. The 7602 MKII ships with an inline power transformer (all regulation is done inside the unit). The rackmountable CPS-1 can also still be used, but is no longer required. The Model 7602 MKII Microphone Preamplifier/Equalizer is based on a classic and revered design utilizing pure Class 'A' circuitry. This unit is made with 100% discrete components, hand wound transformers and was fabricated to precisely match vintage counterparts manufactured in the early to mid 70's. The Model 7602 MKII represents a dramatic breakthrough in delivering vintage audio performance at an affordable price. The 7602 MKII Microphone Preamp and EQ adds a factory installed Carnhill mic and output transformers to the 7602 unit. This upgrade adds increased performance and functionality to the 7602 MKII (sold separately). Equalizer Section (Selectable 3-band design with a flexible filter section): Filter - This is a high pass filter with 3db loss at 300Hz, 160Hz, 80Hz, and 50Hz with an 18dB cut per octave slope. Low Equalization - This section has a shelving slope with four frequency selections: 220Hz, 110Hz, 60Hz, and 35Hz. This equalizer affects the selected frequency and all others below it. The gain control provides 20dB of boost or cut. Mid Equalization - This section has a peaking characteristic with six frequency selections: 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz. The gain control provides 20dB of boost or cut. High Equalization - This section has a shelving characteristic with five frequency selections: 16kHz, 12kHz, 7kHz, 4.9kHz and 3.4kHz. This section adjusts the selected frequency and all others above it. The gain control provides 20dB of boost or cut. Electronics: By employing classic circuit design, polystyrene capacitors, a gold contact ELMA gain selector and custom wound transformers, Chameleon Labs ensures that the Model 7602 MKII will exhibit classic audio sound. The Model 7602 MKII has a transformer-balanced input with a range between 20dB and 80dB of gain. The separate line input is transformer balanced and accepts input levels from -20 to +10dB. What Makes Chameleon Labs Different? Chameleon Labs is a new type of company, focused on delivering performance and value at a price previously thought impossible. How do they do it? By reinventing how global manufacturing is approached. Chameleon Labs engineers are not inexperienced kids in a garage, buying products that are designed and built in China. Chameleon Labs is comprised of audio professionals with many decades of experience in high-end pro audio gear. From its inception seven years ago, they pioneered the idea of "blended technology", using top-notch parts from the US, UK, and Europe combined wi

Radial Engineering PowerPre Mic Preamplifier


Radial Engineering PowerPre Mic Preamplifier


$499.99


The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.

Radial Engineering Powerpre Mic Preamplifier


Radial Engineering Powerpre Mic Preamplifier


$499.99


The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.Hand selected 100% discrete electronicsHammond broadcast transformer outputAccuState low-noise input circuit3-position Vox control for added air or punch

Sterling Audio ST77 Large Diaphragm Studio Condenser Mic


Sterling Audio ST77 Large Diaphragm Studio Condenser Mic


$454.99


Certain vintage and modern German mics are lusted after for their ability to produce full-bodied vocals with a unique sheen that has come to be known as "air." Of course they also come with a throat-clogging price tag (and that's just the modern ones, vintage market prices bring you closer to cardiac arrest). However, Sterling Audio has found a way to bring you that vintage FET sound without the mind-numbing price tag the Sterling ST77 large-diaphragm condenser. Sterling designed the ST77 condenser mic around a Class-A discrete FET mic amp specially chosen to match its cardioid, large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm mid-range reminiscent of vintage microphones. Hand-selected internal components create a sound that flatters vocals and instruments.Requires phantom power.

CAD Equitek E100S Large Diaphram Condenser Mic


CAD Equitek E100S Large Diaphram Condenser Mic


$536.99


Engineered and built in the USA, the CAD Equitek E100S large diaphragm supercardioid condenser microphone has an extremely low noise floor for its class (3.7 dBA) and the smooth, vintage tone and robust low end CAD is known for. The bootstrapped, full-differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The CAD microphone's nickel-plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low-frequency response. Features include an 80Hz high-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S condenser mic will prove to be one of the most versatile tools in your microphone locker, in the studio, or onstage. The CAD Equitek E100S condenser microphone comes in a vintage woodgrain cherry case and has a stealth shockmount included. 48V Phantom power is required.

True Systems P-Solo Ribbon Mic Preamp


True Systems P-Solo Ribbon Mic Preamp


$599.95


The P-Solo Ribbon Mic Preamp is specifically designed to get the absolute best results from both new-technology and vintage ribbon microphones (and for that matter, dynamic mics also).The p-solo ribbon microphone preamp features the same design as all TRUE Systems preamps, but with no phantom power (dangerous to most ribbon mics), no capacitors in the signal path, even higher input impedance, and higher gain capability. Whether you're recording Bach or rock, every time a ribbon mic is used, choose the same preamp preferred by many professional musicians, engineers and producers for critical studio, location recording, and live sound situations.About TRUE Systems:TRUE Systems is a product line of Sunrise Engineering and Design Inc., which is involved with consulting, design, and manufacture of electronic equipment used in professional audio production (recording and broadcast studios, concert halls, remote recording and live sound, etc.).The principal of Sunrise Engineering and Design,Tim Spencer, has thirty years of diverse experience in design, development, integration and manufacturing of complex hardware and software systems. While employed at Burr Brown, he was responsible for design and development of various amplifier products as well as analog-to-digital and digital-to-analog conversion devices - and Burr Brown's very first power operational amplifiers.TRUE System's customers include Sony Electronics, Sony Classical Recording, Lincoln Center, the Bill Gates residence, numerous professional and semi-professional project studios, and remote broadcast production companies. Skywalker Studios, Warner Bros., and numerous other major film/video sound post-production companies use the products for which TRUE Systems have been design consultants.Natural, musical, highly detailed soundfieldDesigned for Vintage and Modern Ribbon Mics and Dynamic MicsUp to 76dB gain, high input impedanceInternal linear AC power supply for excellent transient responseHigh impedance instrument inputHigh-pass filterFour-level meteringOver-size volume control with selectable 10db input level attenuationCompact, portable, solid desk-top caseSuperior results with ribbons anddynamics and self-powered tube micsEntry-level price for high-end performance

Used Radial Engineering Powerpre Mic Preamplifier


Used Radial Engineering Powerpre Mic Preamplifier


$454.99


The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.Hand selected 100% discrete electronicsHammond broadcast transformer outputAccuState low-noise input circuit3-position Vox control for added air or punch

Refurbished Universal Audio 2-610 Silverface Dual Channel Mic Pre


Refurbished Universal Audio 2-610 Silverface Dual Channel Mic Pre


$1899.99


The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam's studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA's 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage "style" mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you're running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording.Classic Sound of the Legendary 610 Modular ConsoleVariable Input Gain and Output LevelsUltra Quiet OperationMic, Balanced Line, and Hi-Z InputsMultiple Impedance SettingsClassic EQCustom Wound Double Sized Alloy Transformers

Universal Audio 2-610 Silverface Dual Channel Mic Pre


Universal Audio 2-610 Silverface Dual Channel Mic Pre


$2199


The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam's studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA's 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage "style" mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you're running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording.Classic Sound of the Legendary 610 Modular ConsoleVariable Input Gain and Output LevelsUltra Quiet OperationMic, Balanced Line, and Hi-Z InputsMultiple Impedance SettingsClassic EQCustom Wound Double Sized Alloy Transformers

Used Universal Audio 2-610 Silverface Dual Channel Mic Pre


Used Universal Audio 2-610 Silverface Dual Channel Mic Pre


$2001.09


The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam's studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA's 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage "style" mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you're running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording.Classic Sound of the Legendary 610 Modular ConsoleVariable Input Gain and Output LevelsUltra Quiet OperationMic, Balanced Line, and Hi-Z InputsMultiple Impedance SettingsClassic EQCustom Wound Double Sized Alloy Transformers

Focusrite Isa828 8-Channel Mic Pre-Amp


Focusrite Isa828 8-Channel Mic Pre-Amp


$2499.99


The Focusrite ISA828 eight-channel microphone pre-amplifier provides eight original ISA transformer-based pre amps in a single robust 2U chassis. Offers you the Focusrite signature sound at its lowest cost-per-channel to date.The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs, and an optional eight-channel 192kHz ADC. The preamps feature exactly the same vintage microphone preamplifier design as the original ISA110 module from Focusrite's critically acclaimed Forte console (including the original Lundahl L1538 transformer and bespoke zobel network). Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.The ISA828's optional eight-channel 192kHz ADC is the first audio ADC to utilize Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite's own custom analogue circuitry to provide eight channels of unparalleled A/D conversion, delivering a dynamic range of 122dB and jitter at < 250 picoseconds.Finally, every channel features a six LED input meter, complete with precise meter trim. Metering has been designed to utilize the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.8-channel microphone pre-amp8 original ISA transformer-based preamps in a single robust 2U chassisSwitchable impedance and direct instrument inputs8 line inputs8 line outputsAn optional 8-channel 192kHz ADC25-pin D-Type connectorsIntegrates quickly and seamlessly with ProTools HD and other hard disc recorders and mixing desksThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four input impedance settings, including the original ISA 110 setting, to suit any microphone4 front panel direct instrument inputs feature high and low impedance options to provide a comprehensive and accessible DI solut

Used Focusrite Isa828 8-Channel Mic Pre-Amp


Used Focusrite Isa828 8-Channel Mic Pre-Amp


$2274.99


The Focusrite ISA828 eight-channel microphone pre-amplifier provides eight original ISA transformer-based pre amps in a single robust 2U chassis. Offers you the Focusrite signature sound at its lowest cost-per-channel to date.The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs, and an optional eight-channel 192kHz ADC. The preamps feature exactly the same vintage microphone preamplifier design as the original ISA110 module from Focusrite's critically acclaimed Forte console (including the original Lundahl L1538 transformer and bespoke zobel network). Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.The ISA828's optional eight-channel 192kHz ADC is the first audio ADC to utilize Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite's own custom analogue circuitry to provide eight channels of unparalleled A/D conversion, delivering a dynamic range of 122dB and jitter at < 250 picoseconds.Finally, every channel features a six LED input meter, complete with precise meter trim. Metering has been designed to utilize the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.8-channel microphone pre-amp8 original ISA transformer-based preamps in a single robust 2U chassisSwitchable impedance and direct instrument inputs8 line inputs8 line outputsAn optional 8-channel 192kHz ADC25-pin D-Type connectorsIntegrates quickly and seamlessly with ProTools HD and other hard disc recorders and mixing desksThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four input impedance settings, including the original ISA 110 setting, to suit any microphone4 front panel direct instrument inputs feature high and low impedance options to provide a comprehensive and accessible DI solut

Used Focusrite Isa One Classic Single Channel Mic Pre With Di


Used Focusrite Isa One Classic Single Channel Mic Pre With Di


$454.99


The ISA One microphone preamplifier delivers Focusrite's prestigious ISA transformer-based preamp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone preamplifier topology from the original ISA 110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.)The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent DI channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent DI makes the ISA One ideal both for engineers wishing to blend a DI'd guitar signal with a mic'd guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.A variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA 110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the preamp or DI, and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia.Independent input metering for both channels is provided in the form of a moving-coil VU meter with variable calibration to suit analog and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilize all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up.ISA One's headphone output features a dedicated volume control, which delivers an external stereo cue mix, (a simple click track, or a stereo mix feed from an interface or a live console,) fed to the headphones via two TRS jack inputs on the rear of the unit.An optional state-of-the-art stereo A/D converter is also available (the same card as used with the ISA430 Mk II), embodying cutting-edge conversion technology seated within Focusrite's custom analogue circuitry. This optional card can be retrofitted at any time and provides two channels of 24 bit/192kHz A-D conversion with a dynamic range of 119dB.The ISA microphone preamplifier was first introduced back in 1985. This transformer-based preamplifier formed the first half of the ISA 110 mic-pre and EQ module on Focusrite's critically acclaimed Forte console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built.The ISA microphone preamplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, allowing ISA users to either p

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Woodees IESW100V Vintage Noise Isolating Earphones with 3 Button Microphone (Sunburst) Woodees IESW100V Vintage Noise Isolating Earphones with 3 Button Microphone (Sunburst)
List Price: $99.99
Sale Price: Too low to display

The Woodees Vintage Noise Isolating Earphones with Microphone feature the warm rich sound of wood, an iconic Sunburst finish, a retro guitar style cord, and a 3 button digital microphone that supports iPhone/iPad/iPod control (VOL+, VOL-, ANSWER/PLAY/PAUSE/SKIP+/SKIP-).

COSMOS ® Silver Retro Classic Elvis Style Mini 3.5mm Flexible Microphone Mic for PC Macbook pro/Laptop/PC/Desktop computers/Skype/VOIP/MSN/Yahoo + Cosmos cable tie COSMOS ® Silver Retro Classic Elvis Style Mini 3.5mm Flexible Microphone Mic for PC Macbook pro/Laptop/PC/Desktop computers/Skype/VOIP/MSN/Yahoo + Cosmos cable tie
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Sale Price: $11.99

50's Old School Retro Microphone On your PC desktop! High sensitivity & Noise Cancelling Condition: Brand New Connectivity: Wired Cord Length: 2.5m Material : ABS Plastic interface: Analog (3.5mm Jack)...

Nady PCM-200 Professional Classic Dynamic Condenser Microphone, Cardioid Nady PCM-200 Professional Classic Dynamic Condenser Microphone, Cardioid
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MXL MXL 990 Condenser Microphone with Shockmount MXL MXL 990 Condenser Microphone with Shockmount
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Used From: $57.98

The MXL 990 Condenser Microphone with Shock Mount has a silky, sweet high end while retaining tight, solid low and midrange reproduction. The 3/4" gold-sputtered diaphragm creates a professional sound suited for digital and analog recording...

Shure 55SH Series II Iconic Unidyne Vocal Microphone (The Elvis Microphone) Shure 55SH Series II Iconic Unidyne Vocal Microphone (The Elvis Microphone)
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The classic look and feel from the 50's and 60's Shure's Unidyne II mic has been updated in the 55SH Series II. This is a cardiod dynamic mic designed for vocal reproduction. A nostalgic reproduction, this model has modern performance characteristics, like 50-15,000 Hz frequency response...

Shure Super 55 Deluxe Vocal Microphone (Chrome) Shure Super 55 Deluxe Vocal Microphone (Chrome)
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Skullcandy FMJ Earbuds with In-Line Mic (Black) Skullcandy FMJ Earbuds with In-Line Mic (Black)
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iHip MVF10264RT Marvel Retro Extreme DJ Headphone, Red/Black iHip MVF10264RT Marvel Retro Extreme DJ Headphone, Red/Black
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Vintage Mic

Is the Source Magazine relevant anymore?

Is the Source Magazine even relevant anymore?

Sponsored by 2010hiphop.info

I recently grabbed up a Source magazine and was not happy with what I saw. I used to be a devout reader of the magazine. It used to be hip hop gospel to me. I would read all the articles and it was part of my decision making process when buying a new CD that just came on to the shelves. I mean those were the days when you would get a CD and only one track would sound good so the Source played a heavy part in finding the right CD to purchase.
Now it has been a minute since I picked up the magazine, one of the reasons I stopped reading it was because they had too many ads of Benzino (Remember those Master P diamond Benzino Ads). But recently on my daily Barnes and Nobles mission I decided to check it out. And what I found out is…….

IT SUCKED!!!! I mean the layout was horrible. The pictures sucked and the articles definitely sucked. Here is my proof, long ago when the Source was a hip hop magazine ran by David Mays the articles where about hip hop artist and the music they were making from Easy E to GangStarr to Biggie to De La Soul the articles were on point.
Now as I am flipping from page to page there was baseball, green environment people, politics and a whole bunch of other stuff that had nothing to do with the music. Did something get lost along the years with this magazine, who decided to turn it into a hip hop Time Magazine?  Look people in hip hop want to be educated but we are about the music.

Always have been and always will be. The music is what is important to us. You can throw away everything else and the music lives on. The music is the story!
The music is the reason why we wake up in the morning, the music is why we keep super late nights, the music is why we search for the hottest vintage records we can find (I like to dig in the crates), the music is why we ignore some hot chicks while we make beats, the music is why we tolerate idiots when they step in front of a microphone and have no idea what they are doing but they keep saying" Yo! Turn it up in my headphones, turn my mic up".

It's all about the music and that is what has been lost in the Source Magazine.
I believe it's under new management these days but I think they need to take it back to the past when it meant something. There was a time when the Source magazine had power and prestige in the hip hop community; no longer do those days exist. XXL has the juice now (yeah I took it there) and they are on top of their game.
The Source Magazine has a lot of work to do to get back to the status they once possessed. I wish them well in the journey to the top.  My advice to them is "Get Back to the Music!!!"

If you are interested in making the press check you or group out then you need to check out 2010hiphop.info for the top free information you can get to make your music dreams come true. Make sure you do it today!!!!

 

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