Vintage Electro Voice
Vintage Electro Voice
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Electro-Voice Elx112 Speaker Cover $49.99 Designed to specifically cover Electro-Voice's ELX112 Speaker, this padded coverfeatures |
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Electro-Voice Dl15bfh Speaker $225 The Electro-Voice DL15BFH low/mid-frequency reproducer is a 15", 8-ohm driver designed for professional high-level, high-fidelity monitoring and sound reinforcement. Incorporated into the design of this Electro-Voice speaker are 3 exclusive Electro-Voice innovations; PROTEF coating, a Teflon-based coating, the Thermal Inductive Ring, and the Flux Demodulation Device. Also incorporated in the DL15BFH speaker design are aluminum castings fastened to the pole of the magnet to control inductance and provide a major heat transfer from the voice coil, which improves power handling and reduces thermal dynamic-range compression.Woofer for compact two-way speech and music systemsHigh excursion for low-frequency clarity and punchTIR and FDD reduce distortion, keep voice coil cool, and smooth frequency response400W long-term power capacity101dB sensitivityThermally efficient magnet assembly for high reliabilityPROTEF coating helps protect woofer from excessive power peaks |
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Electro-Voice Dl12bfh Speaker $190 The Electro-Voice DL12BFH low/mid-frequency speaker is a 12", 8-ohm speaker driver designed for professional high-level monitoring and sound reinforcement. Incorporated into the design of this Electro-Voice speaker are 3 exclusive Electro-Voice innovations: PROTEF, a Teflon-based coating, the Thermal Inductive Ring, and the Flux Demodulation Device. Also included in the DL12BFH speaker design are aluminum castings fastened to the pole of the magnet to control inductance and providea major heat transfer from the voice coil, which improves power handling and reduces thermal dynamic-range compression.Woofer for compact 2-way systemsMid-bass woofer for 3- and 4-way systems300W long-term power capacity100dB sensitivityThermally efficient magnet assembly for high reliabilityPROTEF coating helps protect woofer from excessive power peaksTIR and FDD reduce distortion, keep voice coil cool, and smooth frequency response |
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Electro-Voice Evx180b Speaker $535 The Electro-Voice EVX180B Speaker's low-frequency transducer is designed for professional sound reinforcement or studio monitoring applications that require maximum output with low distortion.The EVX180B subwoofer provides unprecedented power capacity, linearity, and excursion, made possible by the HeatWick total-thermal-engineering design. This takes heat away from the voice coil, significantly increasing power handling and long-term reliability. Also, the 100mm (4-in.) diameter voice coil is longer than conventional medium-efficiency woofers to give additional power handling and virtually eliminate dynamic-range power compression.Additionally, this Electro-Voice speaker has a Flux Demodulation Device (FDD) that reduces distortion in the critical mid-band by providing a "short circuit" effect to prevent amplifier-signal modulation or the static magnetic field.A ribbed, Kevlar fiber composite cone with an extremely high stiffness-to-weight ratio and exceptional strength give the Electro-Voice EVX180B increased resistance to cone collapse and deformation, without sacrificing efficiency.HeatWick total-thermal-engineering design100mm (4-in.) diameter voice coilA Flux Demodulation Device (FDD) reduces distortionKevlar fiber composite coneChrome-plated, frame-mounted connectors with color coded ends |
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Electro-Voice Evx-155 Speaker $358 The Electro-Voice EVX155 low-frequency speaker is designed for professional sound reinforcement or studio monitoring applications that requiremaximum output with low distortion.The EVX-155 subwoofer provides unprecedented power capacity, linearity, and excursion, made possible by the HeatWick total- thermal-engineering design. This takes heat away form the voice coil, significantly increasing power handling and long term reliability. Also, the 100mm (4-in.) diameter voice coil is longer than those on conventional medium-efficiency woofers to giveadditional power handling and virtually eliminate dynamic-range power compression.Additionally, the Electro-Voice speaker has a Flux Demodulation Device (FDD) that reduces distortion in the critical mid-band by providing a "short circuit" effect to prevent amplifier-signal modulation or the static magnetic field.A ribbed, Kevlar fiber composite cone with an extremely high stiffness-to-weight ratio and exceptional strength give the Electro-Voice EVX155 speaker increased resistance to cone collapse and deformation, without sacrificing efficiency.HeatWick total thermal-engineering design100mm (4-in.) diameter voice coilA Flux Demodulation Device (FDD) reduces distortionKevlar fiber composite coneChrome plated, frame-mounted connectors with color-coded ends |
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Electro-Voice Re97tx Black $339 RE97TXThe Electro-Voice RE97Tx is an Ultra-low profile, omnidirectional, back-electret condensor headworn microphone designed for use with standard EV and Telex belt packs. The RE97Tx is intended for spoken word use such as Houses of Worship, Corporate AV, Theatre, Fixed Install, and other venues where a full-range, natural, wellbalanced sound is required. |
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Electro-Voice Dl10x Speaker $246 The DL10X low/mid-frequency speaker is a 10", 8-ohm driver designed for professional high-level monitoring and sound reinforcement. Incorporated into the design are 3 exclusive Electro-Voice innovations: PROTEF, a Teflon-based coating, the Thermal Inductive Ring, andthe Flux Demodulation Device. Also included in the DL10X speaker design are aluminum castings fastened to the pole of the magnet to control inductance and providea major heat transfer from the voice coil, which improves power handling and reduces thermal dynamic-range compression.Mid-bass woofer for 3- and 4-way systemsSuitable for very compact 2-way systemsSmooth, extended response across vocal rangeSuitable for horn-loaded mid-range devicesTIR and FDD reduce distortion, keep voice coil cool, and smooth frequency response300W long-term power capacity100dB sensitivityThermally efficient magnet assembly for high reliabilityPROTEF coating helps protect woofer from excessive power peaks |
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Electro-Voice Zx1i-90 $480.5 EV ZX1i-90 The Electro-Voice ZX1i is the standard of no compromise audio performance and versatility in an easy to install, compact sound reinforcement package.The enclosure geometry has been engineered to provide maximum rigidity and acoustic performance. The velocity compensated port design overcomes the limitation of many small cabinet loudspeakers and enables exceptional low-frequency response without vent noise.ZX1i installation is incredibly simple with the included QuickSAM mounting system. The QuickSAM system is a unique, integrated mounting bracket which is virtually foolproof. It allows the installer to simply snap the speaker onto the bracket, then tighten it to the desired position. For array mounting, there is an optional array bracket kit available which allows multiple units to be mounted together for a variety of configurations.All Zx1i "t" versions use a special circuit that, when in transformer mode, re-configures the network to a current actuated Hi-Pass filter at the transformer primary. It gently rolls off the lowest frequencies to maintain a safe load on the amplifier without affecting the higher (vocal) frequencies and the program continues without interruption. Low frequency current is limited through the transformer eliminating low frequency saturation. Automatic Saturation Compensation allows many speakers to be run on a distributed line with a 50Hz Hi-Pass filter before the amplifier, regardless of the number of speakers on the same line (the number of tapped watts cannot exceed the amplifier rating). With the same 50Hz Hi-Pass, 10 speakers on transformers will have the same full sound as a single speaker at 8 ohms. |
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Electro-Voice Zx1i-100W $480.5 EV ZX1i-100w The Electro-Voice ZX1i is the new standard of no compromise audio performance and versatility in an easy to install, compact sound reinforcement package. The enclosure geometry has been engineered to provide maximum rigidity and acoustic performance. The velocity compensated port design overcomes the limitation of many small cabinet loudspeakers and enables exceptional low-frequency response without vent noise. ZX1i installation is incredibly simple with the included QuickSAM mounting system. The QuickSAM system is a unique, integrated mounting bracket which is virtually foolproof. It allows the installer to simply snap the speaker onto the bracket, then tighten it to the desired position. For array mounting, there is an optional array bracket kit available which allows multiple units to be mounted together for a variety of configurations. All Zx1i "t" versions use a special circuit that, when in transformer mode, re-configures the network to a current actuated Hi-Pass filter at the transformer primary. It gently rolls off the lowest frequencies to maintain a safe load on the amplifier without affecting the higher (vocal) frequencies and the program continues without interruption. Low frequency current is limited through the transformer eliminating low frequency saturation. Automatic Saturation Compensation allows many speakers to be run on a distributed line with a 50Hz Hi-Pass filter before the amplifier, regardless of the number of speakers on the same line (the number of tapped watts cannot exceed the amplifier rating). With the same 50Hz Hi-Pass, 10 speakers on transformers will have the same full sound as a single speaker at 8 ohms. |
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Electro-Voice Cardinal Condenser Microphone $149 The Electro-Voice Cardinal is a pressure-gradient cardioid condenser microphone that's perfect for vocals or instruments, live or in the studio. The unique double swivel-mounted design allows ideal positioning while the Class-A, discrete ultralow-noise circuitry delivers immaculate reproduction regardless of the source. Requires phantom power.Pressure gradient cardioid condenser Class-A discrete ultra-low noise circuitry Unique double swivel-mounted design for ideal positioing Innovative visual design with cherry wood mic housing Great for voice or instruments |
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Electro-Voice Tx-W1 Tour-X Wheel Kit $287 Use the Electro-Voice TX-W1 Wheel Kit to put wheels on your EV Tour-X Series PA speakers and make your speakers portable. |
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Electro-Voice Q99 Power Amplifier $849 The Electro-Voice Q99 is a rackmountable power amplifier that offers reliable, high-output power, high efficiency, and legendary pro audio performance. It's the premium choice as system drive for a variety of mobile and club sound systems like ZX, Tour-X, and Phoenix loudspeaker families.Comprehensive protection system Protects against overheating, overload, short-circuit, HF, AND DCPatented LPN filter Switchable frequency and phase response correction of connected loudspeakers |
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Electro-Voice Q1212 Power Amplifier $1049 The Electro-Voice Q1212 is a rackmountable power amplifier that offers reliable, high-output power, high efficiency, and legendary pro audio performance. It's the premium choice as system drive for a variety of mobile and club sound systems like ZX, Tour-X, and Phoenix loudspeaker families.Comprehensive protection system Protects against overheating, overload, short-circuit, HF, AND DCPatented LPN filter Switchable frequency and phase response correction of connected loudspeakers |
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Electro-Voice Pl24s With Cable And Stand $49.99 The Electro-Voice PL24S is a professional-grade supercardioid dynamic vocal microphone designed for live sound applications. With its balanced frequency response, the sonic performance of the PL24S is robust and articulate, delivering all-around vocal clarity in any live sound situation. The PL24S is also equipped with an on/off switch. This package includes a collapsible tripod mic stands and a 20' XLR cable.Balanced blend of controlled lows, palatable mid-range, and smooth high frequency contentPowerful neodymium magnet structureTight-mesh Memraflex grilleSupercardioid polar patternDynamic elementOn/off switch |
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Electro-Voice Cobalt 7 Six Pack $229.98 This Electro-Voice Cobalt 7 microphone pack includes six Cobalt 7 handheld dynamic microphones for an excellent price. The EV Cobalt 7 Microphones perform in high-volume situations without feeding back. They have low handling noise, which keeps them under control when things get rowdy. Excellent for stage or studio use, these versatile Electro-Voice microphones are excellent in any situation.(6) Cobalt 7 Microphones |
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Electro-Voice Cobalt 4 Three Pack $109.99 This Electro-Voice Cobalt 4 microphone pack includes three Cobalt 4 microphones for a low price. They are extremely versatile dynamic mics great for live or studio use.The three EV Cobalt 4 Microphones are rugged and versatile; yielding outstanding performance in all applications requiring miking of electric and acoustic instruments. Serves well for vocal performance, too. Excellent for stage or studio use, these versatile Electro-Voice microphones are excellent in any situation.(3) EV Cobalt 4 Microphones |
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Used Electro-Voice Eliminator I Sub $545.09 The Electro-Voice Eliminator i Sub is a single 18 inch subwoofer system designed to produce very high-peak output musical material. Can be used either in conventional biamplified operation or in full-range passive mode with the Eliminator i two-way high-peak output stage system in parallel. |
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Electro-Voice Asp1 Adjustable Subwoofer Pole Black $20 The Electro Voice ASP-1 Adjustable Steel Subwoofer Stand was designed to hold a subwoofer weighing up to 80 pounds. This high-quality stand has a height range from 30" to 60", and has an attractive durable black powder-coat finish.Height range: 36"-60" (914-1524mm)Weight capacity: 80 lb. (36.3kg) |
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Electro-Voice N/D367s Dynamic Cardioid Vocal Microphone $99 The Electro-Voice N/D367s Dynamic Cardioid Vocal Microphone emphasizes a woman's special vocal qualities and produces the power to be heard above the mix. The N/D367s is a dynamic cardioid mic with added sensitivity in the 1kHz to 2kHz region and controlled response above 2kHz. Features smooth, controlled 30Hz-17kHz frequency response, multistage shockmount, reduced distortion and feedback, and pop prevention. Electro-Voice includes a 3-year warranty with the N/D367s microphone.Dynamic cardioid micAdded sensitivity from 1kHz to 2kHzControlled response above 2kHzSmooth 30Hz-17kHz frequency responseMultistage shockmountReduced distortion and feedbackLow handling noisePop preventionIncludes 3-year warranty |
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Electro-Voice N D868 Kick Drum Microphone $199 The Electro-Voice N/D868 kick drum microphone is truly a top performer in any application. Whether in a live sound or studio environment, the N/D868 is able to handle incredibly high sound pressure levels without distortion or overriding the input mixer. With a response specifically designed to "kick" the N/ D868 can be used as is--without additional EQ. Electro-Voice was the first microphone manufacturer to utilize the neodymium magnet structure, and it remains at the heart of the new N/DYM series of microphones.Designed specifically for kick drum applications in live or studio environmentsOptimized sensitivity for the high sound pressure levels found in bass drum mikingExtended low-frequency responseNo additional EQ requiredRugged steel construction for exceptional durability |
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Electro-Voice PL80 Dynamic Microphone Classic Finish List Price: $139.00 Sale Price: $60.00 Used From: $49.95  |
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The Electro-Voice PL80 mic delivers incredible power and clarity at an affordable price! It leverages its unique shape and natural tonal characteristics in its ascent to premium grade status in professional performance vocal microphones... |
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Electrovoice EVID 4.2T Mount Speaker Dual 4 In. Woofers 70-100V Line Transformer Black 1 pr. List Price: $366.00 Sale Price: $305.00 |
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* Two-way full range * Vented LF enclosure * 1" voice coil (titanium diaphragm) w/Neodymium magnetic structure * HF section features Coherent Coverage WaveguideT to minimize interference * Full bandwidth overload protection for HF & LF * Three-dimensional ellipse (for compact look) * Magnetically shielded for video applications * Comes w/Strong Arm Mount (SAMT) & a hex-key * Suspension insert for SAMT, safety point on rear side Compact Black EVIDT 4... |
Lady Gaga Introduction
Stefani Joanne Angelina Germanotta (born March 28, 1986), better known by her stage name Lady Gaga, is an American recording artist. After being signed to and quickly dropped from Def Jam Records at age 19, she began performing in the rock music scene of New York City's Lower East Side. During this time, she was also working at Interscope Records as a songwriter for several established acts, including Akon, who, after hearing Gaga sing, convinced Interscope chairman Jimmy Iovine to sign her to a joint deal with the label and Akon's Kon Live Distribution label.http://www.buydvdhere.com/lady-gaga-collection-1cd1dvd-p-2576.html
Her debut album The Fame was released in August 2008 to critical and commercial success. In addition to receiving generally positive reviews, it has gone to number one in four countries, also topping the Billboard Top Electronic Albums chart in the United States. The album's first two singles, "Just Dance" and "Poker Face," have become international number one hits, and the former was nominated for Best Dance Recording at the 51st Grammy Awards. In 2009, after having opened for New Kids on the Block and the Pussycat Dolls, Gaga embarked on her first headlining tour, The Fame Ball Tour. To date she has sold over 20 million singles and 3 million albums worldwide
Musically, Gaga is inspired by glam rockers such as David Bowie and Queen, as well as pop singers such as Michael Jackson and Madonna. She is also inspired by fashion, which she claims is an essential component to her songwriting and performances. She is also very supportive of the gay community, crediting them for her early mainstream success.
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1986–2004: Early life and education
Gaga was born on March 28, 1986 in Yonkers, New York as the eldest child to Italian American parents Joseph and Cynthia Germanotta.At 11 Gaga was set to join Juilliard School in Manhattan,[5] but instead attended Convent of the Sacred Heart, a private Catholic school. Having learned piano at the age of four, Gaga went on to write her first piano ballad at thirteen and began performing at open mic nights by the age of fourteen. At the age of seventeen, she gained early admission to the New York University's Tisch School of the Arts. There, she studied music and improved her songwriting skills by composing essays and analytical papers focusing on topics such as art, religion, and socio-political order. Gaga later withdrew from the school to focus on her musical career.
2005–2007: Career beginnings
Lady Gaga (left) and Lady Starlight at their weekly party New York Street Revival and Trash Dance.Gaga signed with Def Jam Records when she was 19, after record executive L. A. Reid heard her singing down the hallway from his office. However, she claims Reid never met with her, and after three months, she was dropped from the label. She moved out of her parents' house and started performing downtown in the Lower East Side club scene, with bands Mackin Pulsifer and SGBand.Around the same time, she started taking drugs and performing at burlesque shows; Gaga said her father "just didn't understand" it, and that he could not look at her for several months.Music producer Rob Fusari, who helped Gaga write some of her earlier songs, compared her vocal style to that of Freddie Mercury. He nicknamed her Gaga, after the Queen song "Radio Ga Ga." She began to use it as her stage name and was known thereafter as Lady Gaga.
Throughout 2007, Gaga collaborated with performance artist Lady Starlight, who helped her create her onstage fashions.The pair began playing gigs at downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall, with their live performance art piece known as "Lady Gaga and the Starlight Revue." Billed as "The Ultimate Pop Burlesque Rockshow,"[16] their act was a low-fi tribute to 1970's variety acts. In August 2007, Gaga and Starlight were invited to play at the American music festival Lollapalooza. The show was critically acclaimed, and their performance received highly positive reviews. Having initially focused on avant-garde, and electronic dance music, Gaga found her musical niche when she began to incorporate pop melodies and the vintage glam rock of David Bowie and Queen into the mix.
During this time, she began writing for artists signed to Akon's Konvict label, as well as Fergie, the Pussycat Dolls, Britney Spears, and New Kids on the Block.[6] After hearing her sing a reference vocal for one of his tracks, Akon formed the opinion that she was also a good singer.[20] He ultimately convinced Interscope Records chairman Jimmy Iovine to sign her to a joint deal with his own label, Kon Live Distribution, and would later call Gaga his "franchise player." Through her affiliation with Akon, Gaga started to work on her own new material for her debut album with producer RedOne. Already having a solid selection of electro-glam, David Bowie-esque, and Queen-inspired songs, Gaga wanted to mix her retro dance beats with urban melodies, a pop chorus and still retain a rock and roll edge. The first song they produced together was "Boys Boys Boys", a mash-up of Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T."
2008–present: The Fame
Gaga performing at the New Kids on the Block: Live tour.By 2008, Gaga had relocated to Los Angeles, working closely with her record label to finalize her debut album The Fame. Gaga said that she combined a lot of different genres on the album, "from Def Leppard drums and handclaps to metal drums on urban tracks." She began to work with a collective called the Haus of Gaga, who collaborate with Gaga on her clothing, stage sets, and sounds. The Fame received mostly positive reviews from critics; according to the music review aggregation of Metacritic, it has received an average score of 71/100.Times Online described the album as "a fantastic mix of Bowie-esque ballads, dramatic, Queen-inspired midtempo numbers and synth-based dance tracks that poke fun at celebrity-chasing rich kids." The Fame peaked at number one in Austria, the United Kingdom, Canada, and Ireland, and at number four in Australia and the United States; worldwide sales as of July 2009 stand at 3 million copies. The album's lead single, "Just Dance," was released on April 8, 2008, and has topped the charts in six countries - Australia, Canada, the Netherlands, Ireland, the United Kingdom, and the United States. It received a Grammy nomination for the Best Dance Recording, but lost to Daft Punk's "Harder, Better, Faster, Stronger." The second single, "Poker Face", was released on September 23, 2008, and has reached number one in nearly twenty countries, including almost all major music markets in the world. "Poker Face" became Gaga's second consecutive number one on the Billboard Hot 100 in April 2009.
Afterward, the Haus of Gaga turned its focus further upon the American market with Gaga going on her first ever concert tour with fellow Interscope pop group, the reformed New Kids on the Block. Gaga started her stint with them in Los Angeles on October 8, 2008, and continued through the end of November.[30] She appeared as a guest artist on the song "Big Girl Now" from their new album, The Block.[31] Gaga's first headlining North American tour, The Fame Ball Tour, began on March 12, 2009, and has received critical acclaim. In May, Gaga opened for the Pussycat Dolls in Australia. Her performance there was well-received, with a reviewer claiming that she upstaged the Dolls.Around the same time, the music video for her international third single, "LoveGame," was banned by the Australian channel Network Ten, who refused to play the video reasoning that it contained sexually explicit imagery.
Gaga appeared semi-nude, wearing only plastic bubbles, on the cover of the annual 'Hot 100' issue of Rolling Stone in May 2009. In the issue she discussed that while she was making her beginnings in the New York club scene, Gaga was romantically involved with a heavy metal drummer. Gaga described their relationship and break-up, saying of it, "I was his Sandy, and he was my Danny [of Grease], and I just broke." He later became an inspiration behind some of the songs on her debut album The Fame.[39] Gaga also stated that she is bisexual and is inspired by beautiful women, which she says makes her boyfriends "uncomfortable."[39] She later regretted disclosing her orientation, saying, "I don't like to be seen as somebody who is using the gay community to look edgy. I'm a free sexual woman and I like what I like. I don't want people to write that about me because I feel like it looks like I'm saying it because I'm trying to be edgy or underground."She had previously told a crowd at one of her concerts that her song "Poker Face" lyrically discusses fantasizing about a woman while being in bed with a man. Gaga appeared on rapper Wale's single "Chillin."
Gaga was nominated for a total of nine awards at the 2009 MTV Video Music Awards including Video of the Year, Best New Artist, Best Female Video and Best Pop Video for "Poker Face" and Best Direction, Best Editing, Best Special Effects, Best Cinematography and Best Art Direction for "Paparazzi.[43] "Poker Face" managed to win the award for "Best New Artist" while "Paparazzi" won two awards for "Best Art Direction" and "Best Special Effects."
On September 15, 2009, Gaga announced dates for a co-headlining North American tour with Kanye West entitled, "Fame Kills Starring Kanye West and Lady Gaga."
Musical style and influences
Lady Gaga "Just Dance"
A 30-second sample of Gaga's "Just Dance" featuring the chorus sung by Gaga and Colby O'Donis in the range of B3 to C? backed by a synth marching beat. The song became Gaga's first international hit single.
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Gaga has been primarily influenced by glam rockers such as David Bowie and Queen, pop singers Michael Jackson and Madonna, artist Andy Warhol, poet Rainer Maria Rilke, fashion icon and entertainer Grace Jones, and fashion as a whole. Gaga's vocals have drawn frequent comparison to Madonna and Gwen Stefani, while the structure of her music is said to be reminiscent of classic 1980s pop and 1990s Europop. In reviewing her debut album The Fame, The Sunday Times asserts "in combining music, fashion, art and technology, Lady [Gaga] evokes Madonna when she was good, Gwen Stefani circa Hollaback Girl, Kylie 2001 or Grace Jones right now." Similarly, The Boston Globe critic Sarah Rodman comments Gaga draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Baby A. Gil of The Philippine Star asserts that her voice is "just right for the mix of dance and rock that she does."[50] As an artist, Alexis Petridis of The Boston Globe commented that although Gaga lacks originality, "pop music doesn't have to be blindingly original or clever to work: it needs tunes, and Lady [Gaga] is fantastically good at tunes." Though Gaga's lyrics are said to lack intellectual stimulation, "[she] does manage to get you moving and grooving at an almost effortless pace."
Style and image
Gaga wearing a plastic bubble dress while performing a concert on The Fame Ball Tour.Gaga has stated that she is "very into fashion" and that it is "everything" to her.[6][52] Her love of fashion came from her mother, who was "always very well kept and beautiful."[4] She claims that: "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether — performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us." She has her own creative production team called the Haus of Gaga, which she handles personally. The team creates many of her clothes, stage props, and hairdos.
Gaga has six known tattoos,among them a peace symbol which was inspired by the late English musician John Lennon who The Guardian remarked as Gaga's "hero,"[55] and a curling German script on her left arm which quotes the poet Rainer Maria Rilke with the lines "In the deepest hour of the night, confess to yourself that you would die if you were forbidden to write. And look deep into your heart where it spreads its roots, the answer, and ask yourself, must I write?" Gaga described Rilke as her "favorite philosopher," commenting that his "philosophy of solitude" spoke to her.
In response to Gaga saying that she considers Donatella Versace her muse,[6] Melissa Magsaysay of Los Angeles Times commented, "[Gaga's] aversion to wearing a top and bottom at the same time [...] swigging champagne and being fanned by oily men in Speedos [is] very Donatella-esque."[57] Towards the end of 2008, comparisons were made between the fashions of Gaga and recording artist Christina Aguilera, noting similarities in their styling, hair, and make-up.[6] Aguilera later claimed she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman."[6] Afterward, Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity.[58] Gaga said, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way."[58][59] Gaga is a natural brunette, but her hair is dyed blonde because she was often mistaken for fellow musician Amy Winehouse.
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