Two Fet Recording
Two Fet Recording
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Daking Fet Compressor/Limiter $1445 The Daking FET 2 Compressor/Limiter is one of the best-sounding compressors around (because you don't hear it workingnone of the bad artifacts of compression, just the good), the Daking FET is designed to give you transparent performance along with the compression characteristics of highly sought-after vintage compressors well, stellar classics actually including the Neve 33609, Audio & Design Recording Compex*, and the venerable Fairchild 670. Note: The FET 2 is a single-channel compressor. However, for excellent stereo bus compression reminiscent of Neve, Fairchild, or ADR, two can be linked in stereo via a simple 1/4" -1/4" cable. Build quality The versatile Daking FET 2 Compressor/Limiter uses all-discrete transistor Class A circuits, the best transformers available, printed circuit board mounted switches and pots, and custom low distortion inductors. There is no audio in the mute, bypass, phase or pad switches. These functions are accomplished by relays with bifurcated gold contacts. Signal capacitors are precision polypropylene or ultra low-leakage electrolytic types. Circuit boards are assembled on a mil-spec assembly line. Only through-hole construction, not surface mount, is used to ensure long-term reliability and serviceability. The chassis are stainless steel for maximum RF and hum rejection and long-lasting finish. The faceplates are laminated with 10mil polycarbonate with the silk screening on the back so that the printing can never rub off. Every unit is hand finished, tested, burned in, and tested again. Also, Daking just couldn't stand to use plastic knobs, so they designed massive anodized, engraved aluminum knobs that give a much more precise and quality feel. * While Neve and Fairchild are more commonly known names in the recording industry, whose compressors have been used on countless classic and modern records for decades, Audio and Designs Recording is more of an insider's legend. ADR (Audio & Design Recording) is a British company that that made signal-processing gear in the '70s including compressors; one of which, the Compex F760FX, had a unique way of adding punch to drums. And of all the vintage compressors, is spoken about most highly in that regard. One version of the ADR compressor, the Vocal Stressor) was reputedly used on John Bonham's drums. Records such as the Knack's "My Sharonna," and albums by The Sweet, Pat Benatar (first album) had the Compex used in several roles. According to engineers who've used the original Compex, the Daking FET compressor does a fine job of providing the Compex punch. Channel Strips of the Stars: Ted Perlman Ted Perlman, renowned Grammy-winning producer, musician, arranger, engineer, and programmer, has a resume that reads like a who's who of popular music. His credits include Bob Dylan, Chicago, Burt Bacharach, Elton John, Dave Mason, Brian Wilson, Carole King, Albert Hammond, Jr. (The Strokes), Desmond Child, Young M.C., Dolly Parton, and the list goes on. Ted was kind |
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Used Daking Fet Compressor/Limiter $1314.95 The Daking FET 2 Compressor/Limiter is one of the best-sounding compressors around (because you don't hear it workingnone of the bad artifacts of compression, just the good), the Daking FET is designed to give you transparent performance along with the compression characteristics of highly sought-after vintage compressors well, stellar classics actually including the Neve 33609, Audio & Design Recording Compex*, and the venerable Fairchild 670. Note: The FET 2 is a single-channel compressor. However, for excellent stereo bus compression reminiscent of Neve, Fairchild, or ADR, two can be linked in stereo via a simple 1/4" -1/4" cable. Build quality The versatile Daking FET 2 Compressor/Limiter uses all-discrete transistor Class A circuits, the best transformers available, printed circuit board mounted switches and pots, and custom low distortion inductors. There is no audio in the mute, bypass, phase or pad switches. These functions are accomplished by relays with bifurcated gold contacts. Signal capacitors are precision polypropylene or ultra low-leakage electrolytic types. Circuit boards are assembled on a mil-spec assembly line. Only through-hole construction, not surface mount, is used to ensure long-term reliability and serviceability. The chassis are stainless steel for maximum RF and hum rejection and long-lasting finish. The faceplates are laminated with 10mil polycarbonate with the silk screening on the back so that the printing can never rub off. Every unit is hand finished, tested, burned in, and tested again. Also, Daking just couldn't stand to use plastic knobs, so they designed massive anodized, engraved aluminum knobs that give a much more precise and quality feel. * While Neve and Fairchild are more commonly known names in the recording industry, whose compressors have been used on countless classic and modern records for decades, Audio and Designs Recording is more of an insider's legend. ADR (Audio & Design Recording) is a British company that that made signal-processing gear in the '70s including compressors; one of which, the Compex F760FX, had a unique way of adding punch to drums. And of all the vintage compressors, is spoken about most highly in that regard. One version of the ADR compressor, the Vocal Stressor) was reputedly used on John Bonham's drums. Records such as the Knack's "My Sharonna," and albums by The Sweet, Pat Benatar (first album) had the Compex used in several roles. According to engineers who've used the original Compex, the Daking FET compressor does a fine job of providing the Compex punch. Channel Strips of the Stars: Ted Perlman Ted Perlman, renowned Grammy-winning producer, musician, arranger, engineer, and programmer, has a resume that reads like a who's who of popular music. His credits include Bob Dylan, Chicago, Burt Bacharach, Elton John, Dave Mason, Brian Wilson, Carole King, Albert Hammond, Jr. (The Strokes), Desmond Child, Young M.C., Dolly Parton, and the list goes on. Ted was kind |
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Daking Fet Iii Stereo Compressor $1975 The dual channel Daking FET III compressor limiter from Geoff Daking is built in the US with the same audio path and detector circuits as their highly successful single channel Daking FET II limiter. The FET III compressor circuitry and gain stages are all discrete and fully Class "A" with sound quality that will be at the very top of the scale. Our previous single channel FET II was known for its speed, high performance and its unique ability to sound great on an extraordinary variety of sources. The Daking FET III will equal this benchmark plus add several unique features to improve user control. The differences are as follows: The Daking compressor's variable High Pass Filters from 0 to 200Hz are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF's tell the limiter NOT to trigger limiting based on content below the set HPF frequency. This is extremely helpful on bass heavy material. This greatly widens the audio compressor's potential application set and the ability of the user to set this new behavior "on the fly". Variable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees. The compressor's Stereo Link is continuously variable from 0 to ∞. All controls except "Ratio" are pots. The variable pots add the ability to fine tune behaviors in the studio. Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking compressor line. The FET II's relied on control voltage summing for the stereo linking. Because the Daking FET III stereo compressor is two independent units in one box, it uses audio summing, which is much more accurate. The Daking FET III compressor uses THAT CORP differential amps in and out (electronically balanced). The FET II has transformers in and out but they are 1:1 input to output so they do not "color" the sound. (A mic input transformer at 1:10 ratio in a mic pre would color the sound significantly.) The common mode rejection in Daking FET III compressor is equal to that of FET II. The FET III output level is +24 while the FET II can be as high as +30. The FET III and FET II both use an outboard power supply. The unit is fully RoHs compliant. Ultra-flexible and easy to use Fast transparent compression Variable filter in the detector circuit High headroom +24 In and Out Easy to read illuminated VU meters Continuously variable stereo linking Attack 250uS to 64MS Release .5 Sec to auto dual time constant Ratios from 1.5:1 to 20:1 |
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MXL 4000 Multi-Pattern FET Studio Condenser Microphone 889406660656 $100 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power. |
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MXL 4000 Multi-Pattern FET Studio Condenser Microphone $181.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power. |
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Mxl 4000 Multi-Pattern Fet Studio Condenser Microphone $199.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power.Warm-sounding, low-noise, classic recording studio mic soundLarge, 6-micron gold-sputtered capsuleSteel head and woven-brass mesh grillHeavy duty metallic blue finished enclosureVintage transformerless designAttractive mahogany colored storage caseSpecially designed MXL 60 shock mount includedCustom foam windscreenMade with Mogami cable |
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Used Mxl 4000 Multi-Pattern Fet Studio Condenser Microphone $181.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power.Warm-sounding, low-noise, classic recording studio mic soundLarge, 6-micron gold-sputtered capsuleSteel head and woven-brass mesh grillHeavy duty metallic blue finished enclosureVintage transformerless designAttractive mahogany colored storage caseSpecially designed MXL 60 shock mount includedCustom foam windscreenMade with Mogami cable |
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Sterling Audio ST51 Large Diaphragm FET Condenser Microphone $99.99 The ST51 Condenser Microphone's large capsule with ultrathin 6-micron gold evaporated Mylar diaphragm is built with an exclusive process that extends high frequencies to improve details and depths. The FET Class A electronics provide smooth, warm sound to both vocal and instrument recording. Requires phantom power. |
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Softube FET Compressor TDM Plug-In Software $249.99 The Softube FET Compressor plug-in is not your run-of-the-mill modeled compressor. When creating FET Compressor, Softube set out to make the most accurate digital emulation of the most famous solid state compressor. Instead of modeling individual features and putting them together digitally they modeled the unit in its entirety: input and output stages, gain reduction feedback loops, bias differences of different transistors, etc. Many modeled compressors are nothing more than futile attempts to get an off-the-shelf algorithm to match its hardware counterpart by tweaking a few parameters like the knee and attack/release times. But anyone who has worked with hardware compressors knows that there must be more to it. The heritage of analog compressors very much showcases the history of electronics in the previous century. It's the deficiencies of the different designs and components that give each unit its unique character, and what started out as technical limitations have now become sought-after sounds. Simply approximating the most apparent features is not enough to capture this uniqueness. It takes a model of great complexity and accuracy to make a digital replica sound like the original with all settings and inputs. The engineers at Softube think their hard work has paid off, and feel you'll get the same positive response as Scott Spock, a producer/songwriter (a member of "The Matrix" Grammy-winning production team) who said, "I had a chance to thoroughly try out the FET Compressor and I have to say that I am thoroughly IMPRESSED."ControlsContinuous RatioUnlike its hardware predecessor, the FET Compressor has a fully variable ratio. But if you prefer the old standard way (with fixed ratios), just click the labels and you're ready to go. This even includes the "All Buttons In" mode.Parallel CompressionWith the FET Compressor you can work with parallel compression from within the plug-in. Since the "Dry" signal also spent some time inside the algorithms, it's of course influenced by all that analog modeling mojolike the subtle distortion from the input and output stages.Super Fast AttackThe Super Fast Attack is faster than you can think of. Even faster than a single sample. And if that's not fast enough for you, use the lookahead to make it super-duper fast.Attack: 20 microsecs - 0.8 msRelease: 50 ms - about a secondDetector ControlsIn addition to its hardware counterpart, Softube added a couple of other useful features:External side chain supportLow and High-cut filters for the detectorDetector lookaheadAnd the ability to leave them in their off positionEnhanced MeteringTwo modeled (and beautifully rendered) VU meters dance with the music, and a stereo peak meter lets you contro |
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Fostex Fostex Fr2le Mobile Recording Kit $699.99 This Fostex recording equipment kit includes the FR-2LE CF Field Recorder for superb recording quality anywhere you need it, a versatile 993 Condenser Microphones Stereo Pair, ATH-M20 Closed-Back Headphones with accurate and uncolored sound, two Lo-Z Microphone Cables, and a GSMIX Utility and Mixer Bag.FR-2LE CF Field RecorderThe Fostex FR-2LE is a two-channel field recorder that records BWF (broadcast wave format - an extension of the WAV format) or MP3 files in stereo or mono to Type II CompactFlash or Microdrive cards. You get up to 24-bit/96kHz resolution and a two-second pre-record buffer to ensure full-take recording. "File per Take" system allows onboard scene and auto-take naming, or via external keyboard using the USB port. AA-size NiMH batteries let you work in the field for approximately 2 hours. The FR-2LE also features built-in phantom powering, editing functionality, and USB 2.0.993 Condenser Microphones Stereo PairThe MXL 993 Condenser Mics Stereo Pair incudes the latest in quality instrument microphones. Using transformerless FET circuitry and gold diaphragm capsule design, The 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate, instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and large brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clips.ATH-M20 Closed-Back HeadphonesAudio-Technica ATH-M20 Closed-Back Headphones feature 40mm drivers with neodymium magnets and copper-clad aluminum wire voice coils for exceptional clarity, rich bass, and extended high-frequency response. The circumaural, closed-back design ensures superior isolation. Lightweight with an adjustable cushioned headband for maximum comfort. 1/8" (3.5 mm) stereo connector and snap-on 1/4" (6.3 mm) adapter. 10' coiled cable with left-side entry.Two Lo-Z Microphone CablesDurable. Flexible. Black. These audio cables feature a male XLR plug on one end, a female on the other.GSMIX Utility and Mixer BagThe versatile Gig Skinz Utility & Mixer bag is constructed with a high-density foam body and a semi-hard lining to protect your gear from impacts. It features a water-resistant fabric cover, a removable padded nylon shoulder strap and industrial-strength hardware. Additionally, the GSMIX bag includes a broad array of additional storage with compartments for headphones, microphones, a snap-on cell phone holder and an easily accessible pocket that will hold up to 17".FR-2LE CF Field Recorder FeaturesRecording on Type II CompactFlash cardLightweight and highly rigid chassisFAT32 file system & BWF Stereo file format + MP3 recording/playbackHigh-resolution recording of maximum 24-bit/96kHz132 x 64 dot matrix LCDUSB 2.0 connector for high-speed file transfer to PCPre Rec buffer for 2 seconds1 take = 1 file system |
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Used Sterling Audio St51 Large Diaphragm Fet Condenser Microphone $90.99 The ST51 Condenser Microphone's large capsule with ultrathin 6-micron gold evaporated Mylar diaphragm is built with an exclusive process that extends high frequencies to improve details and depths. The FET Class A electronics provide smooth, warm sound to both vocal and instrument recording. Requires phantom power.Disk Resonator design extends high-frequencies naturally Large 1.25" all brass capsule, hand assembled and oven baked for long term stable operation Black nickel-plated all brass body Stainless steel head and grille assembly Custom-wound nickel core output transformer HM-2 hard mount Rugged vinyl zipper case included |
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Sterling Audio St51 Large Diaphragm Fet Condenser Microphone $99.99 The ST51 Condenser Microphone's large capsule with ultrathin 6-micron gold evaporated Mylar diaphragm is built with an exclusive process that extends high frequencies to improve details and depths. The FET Class A electronics provide smooth, warm sound to both vocal and instrument recording. Requires phantom power.Disk Resonator design extends high-frequencies naturally Large 1.25" all brass capsule, hand assembled and oven baked for long term stable operation Black nickel-plated all brass body Stainless steel head and grille assembly Custom-wound nickel core output transformer HM-2 hard mount Rugged vinyl zipper case included |
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Softube FET Compressor NATIVE Plug-In Software Digital Download $399.99 The Softube FET Compressor is not your run-of-the-mill modeled compressor. When creating FET Compressor, Softube set out to make the most accurate digital emulation of the most famous solid state compressor. Instead of modeling individual features and putting them together digitally Softube modeled the compressor in its entirety: input and output stages, gain reduction feedback loops, bias differences of different transistors, etc. Many modeled compressors are nothing more than futile attempts to get an off-the-shelf algorithm to match its hardware counterpart by tweaking a few parameters like the knee and attack/release times. But anyone who has worked with hardware compressors knows that there must be more to it. The heritage of analog compressors very much showcases the history of electronics in the previous century. It's the deficiencies of the different designs and components that give each unit its unique character, and what started out as technical limitations have now become sought-after sounds. Simply approximating the most apparent features is not enough to capture this uniqueness. It takes a model of great complexity and accuracy to make a digital replica sound like the original with all settings and inputs. The engineers at Softube think their hard work has paid off and feel you'll get the same positive response as Scott Spock, a producer/songwriter (a member of "The Matrix" Grammy-winning production team) who said, "I had a chance to thoroughly try out the FET Compressor and I have to say that I am thoroughly IMPRESSED."ControlsContinuous RatioUnlike its hardware predecessor, the FET Compressor has a fully variable ratio. But if you prefer the old standard way (with fixed ratios), just click the labels and you're ready to go. This even includes the "All Buttons In" mode.Parallel CompressionWith the FET Compressor you can work with parallel compression from within the plug-in. Since the "Dry" signal also spent some time inside the algorithms, it's of course influenced by all that analog modeling mojolike the subtle distortion from the input and output stages.Super Fast AttackThe Super Fast Attack is faster than you can think of. Even faster than a single sample. And if that's not fast enough for you, use the lookahead to make it super-duper fast.Attack: 20 microsecs - 0.8 msRelease: 50 ms - about a secondDetector ControlsIn addition to its hardware counterpart, Softube added a couple of other useful features:External side chain supportLow- and High-cut filters for the detectorDetector lookaheadAnd the ability to leave them in their off positionEnhanced MeteringTwo modeled (and beautifully rendered) VU meters dance with the music, and a stereo peak meter lets you |
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Nady Scm 800 Fet Studio Condenser Microphone Black $49.99 The Nady SCM 800 Studio Condenser Microphone is perfect for recording studio vocals, acoustic instruments, orchestras and choral groups, ambient instrument audio, and many live sound applications. Powerful and versatile, the SCM 800 microphone meets the stringent requirements of even the most demanding digital recording and live broadcasting applications. Requires Phantom Power.Ideal for all recording and broadcasting applicationsLarge-diaphragm true condenser designTransformerless low-noise/high-dynamic range outputHigh spl capacityCardioid polar pattern pickupFet preampsprecision-turned brass housingRugged internal shock mounts |
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Tascam iXZ Mic/Instrument Interface for iPhone, iPod Touch, iPad, iPad 2 iPad 3 Sale Price: $48.95  |
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Tascam iXZ enables you to plug in a professional XLR microphone into a iPhone, iPod Touch or iPad, the iXZ supplies phantom power for professional condenser microphones, An input setting sets the gain and there's a headphone output to monitor from your iOS device... |
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ADK Microphones Hamburg Mk 8 Class A FET Cardiod Condenser Microphone List Price: $559.00 Sale Price: $343.01 |
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The popular Hamburg Edition microphone has a finely-tuned response curve designed to replicate a vintage, late 1950’s German tube (Valve) mic. The Hamburg Mk 8 offers a mellow, robust tonality. ADK President and Founder Larry Villella says: “The Hamburg has a robust quality that tends to round-out the tone of the source... |
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ADK Microphones S-51 MK5.2 Class A FET Hi-SPL Studio Condenser Microphone List Price: $319.00 Sale Price: $193.01 |
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The A51/S51 is a modern German EQ’ed large-diaphragm condenser mic. It is a wonderful “do everything” mic for any studio. You will love it on Acoustic Guitar, Fretted Instruments, Drums, Bass Cabinets, Piano and many other instruments... |
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Nady SPC-15 Condenser Microphone Buy 2 & Save List Price: $179.90 Sale Price: $39.99 |
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The Nady SPC-15 microphone features a pressure-gradient back electret condenser and transformerless FET circuitry to yield transparent audio and superior transient response. The SPC-15 mic's wide response (50Hz-18kHz) is specially tailored for mid-high presence to enhance vocals and instrument punch... |
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Art M-One Cardioid FET Condenser Microphone List Price: $119.00 Sale Price: $89.00 |
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The M-One cardioid condenser microphone delivers a solid quality and outstanding performance in an extremely cost effective microphone. The low-mass diaphragm and upgraded high quality capsule delivers a clear tone with accurate sonic detail making it perfect for a wide range of recording and live sound applications... |
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Avantone CK-1 Small Diaphragm FET Condenser w/ Pad, Filter & Omni, Cardioid & Hypercardioid Capsules Sale Price: $149.00 |
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The CK-1 will meet or surpass the performance and specs of MUCH higher priced mics. It is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics... |
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MXL CR-24 Studio Condenser Microphone Bundle w/Pop Filter, 2 10' Mic Cables, and 2 Boom Stands! List Price: $300.00 Sale Price: $199.99 |
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A unique addition to the MXL microphone line, the MXL Cr-24 Black Chrome Vocal & Instrument Microphone Kit is destined to become an artist favorite. This stunning vocal and instrument duo is hand-crafted with a finish that dazzles like chrome, but with a black sheen like no other microphone out there... |
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MXL 990 Large Diaphragm Stereo Condenser Mic List Price: $219.99 Sale Price: $129.99 Used From: $89.95 |
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The MXL 990 Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response... |
Electronic Scale Industry Analysis Market Overview
Scale is the weight of an object weighing apparatus, widely used in industry, agriculture, commerce, scientific research, medical and health departments. Scale according to structural principle can be divided into mechanical scales, electronic scales, mechanical and electrical integration weighing three categories. Mechanical weighing scales and spring balance is divided into levers. Divided by end-use, mainly scales, steelyard, which scales, platform scales, land in the scale, ground scale, rail scale, belt scales, postal scales, crane scale, batching scales and pocket scales and so on.
Electronic weighing instrument generally refers to the weighing apparatus equipped with electronic devices. Because of its wide range, and related to trade settlement and protect the interests of consumers, so the governments of the world wide concern and attention, and is identified as a national mandatory administration of legal metrology instruments. Electronic weighing instrument is an automated weighing control and trade an important means of measurement, to strengthen enterprise management, strict production, trade settlement, transportation, port measurement and scientific research have played an important role.
Electronic Scale with a fast response, wide measurement range, a wide range of applications, simple structure, the use of convenient operation, the signal FET, easy computer control and so on. Has been widely used in coal, petroleum, chemical, electric power, light industry, metallurgy, mining, transportation, ports, construction, machinery manufacturing, and defense and other fields.
Electronic weighing scales as opposed to mechanical purposes. Human use of machinery weighing several thousand years of history, while the electronic weighing of modern electronic technology will be integrated into this age-old appliance, making the development of scales to obtain a brand-new space. Electronic weighing technology that contains the main program control, group control, telex print records, screen displays, the promotion of electronic scales to the intelligent, sensitive Chinese direction. Of modern technology to make electronic weighing scales into the development of the industry focus.
50 the infiltration of the mid-electronic technology to promote the development of the manufacturing sector of the weighing apparatus. The early 60s there has been mechanical and electrical combination of electronic weighing, after 40 years of continuous improvement and perfection of China's electronic scales from the initial mechanical and electrical integration based development to the current all-electronic-based and digital intelligent. China's electronic weighing technology and equipment and testing means testing the basic reached the international level of the mid-90s.
Electronic Instrument Manufacturing Technology and Application has been new development. Weighing electronic weighing technology from static to dynamic weighing development: measurement method from analog to digital measurement of measuring development; measurement characteristics from a single parameter measurement to a multi-parameter measurement development, especially for fast weighing and dynamic weighing Research and Application of . But overall, China's electronic weighing the quantity and quality of products there is a large gap between the industrialized countries, the main difference is less advanced technology and processes, process equipment and testing instruments aging, lack of development capacity, product varieties specifications less dysfunction, stability and reliability so poor.
Scale is the weight of an object weighing apparatus, widely used in industry, agriculture, commerce, scientific research, medical and health departments. Scale according to structural principle can be divided into mechanical scales, electronic scales, mechanical and electrical integration weighing three categories. Mechanical weighing scales and spring balance is divided into levers. Divided by end-use, mainly scales, steelyard, which scales, platform scales, land in the scale, ground scale, rail scale, belt scales, postal scales, crane scale, batching scales and pocket scales and so on.
Electronic weighing instrument generally refers to the weighing apparatus equipped with electronic devices. Because of its wide range, and related to trade settlement and protect the interests of consumers, so the governments of the world wide concern and attention, and is identified as a national mandatory administration of legal metrology instruments. Electronic weighing instrument is an automated weighing control and trade an important means of measurement, to strengthen enterprise management, strict production, trade settlement, transportation, port measurement and scientific research have played an important role.
Electronic Scale with a fast response, wide measurement range, a wide range of applications, simple structure, the use of convenient operation, the signal FET, easy computer control and so on. Has been widely used in coal, petroleum, chemical, electric power, light industry, metallurgy, mining, transportation, ports, construction, machinery manufacturing, and defense and other fields.
Electronic weighing scales as opposed to mechanical purposes. Human use of machinery weighing several thousand years of history, while the electronic weighing of modern electronic technology will be integrated into this age-old appliance, making the development of scales to obtain a brand-new space. Electronic weighing technology that contains the main program control, group control, telex print records, screen displays, the promotion of electronic scales to the intelligent, sensitive Chinese direction. Of modern technology to make electronic weighing scales into the development of the industry focus.
50 the infiltration of the mid-electronic technology to promote the development of the manufacturing sector of the weighing apparatus. The early 60s there has been mechanical and electrical combination of electronic weighing, after 40 years of continuous improvement and perfection of China's electronic scales from the initial mechanical and electrical integration based development to the current all-electronic-based and digital intelligent. China's electronic weighing technology and equipment and testing means testing the basic reached the international level of the mid-90s.
Electronic Instrument Manufacturing Technology and Application has been new development. Weighing electronic weighing technology from static to dynamic weighing development: measurement method from analog to digital measurement of measuring development; measurement characteristics from a single parameter measurement to a multi-parameter measurement development, especially for fast weighing and dynamic weighing Research and Application of . But overall, China's electronic weighing the quantity and quality of products there is a large gap between the industrialized countries, the main difference is less advanced technology and processes, process equipment and testing instruments aging, lack of development capacity, product varieties specifications less dysfunction, stability and reliability so poor.
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