Tube Mic Instrument
Tube Mic Instrument
|
|
Presonus Bluetube Dp V2 2-Channel Mic/Instrument Tube Preamp $229.95 The PreSonus name is synonymous with quality and performance in any studio, and they continue to build on that reputation with the BlueTube DP v2, a 2-channel tube preamp with PreSonus popular Class A XMAX preamps, which have been widely acclaimed for both their clarity and transparency. PreSonus tube preamps are known for their warm, smooth sound. With the Blue Tube DP dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.The BlueTube DP v2 is an improvement on the classic BlueTube DP preamp. The solid-state path now feeds PreSonus pure Class A XMAX mic preamplifier with 80dB of variable gainan upgrade from the original BlueTube DPs solid-state stage. The tube path features a 12AX7 tube, which operates on voltages double that of other preamplifiers in its class, producing lots of headroom and big tone. BlueTube DP v2 offers lower noise, more high-end clarity, and an even smoother tube sound than its predecessor.You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80Hz high-pass filter, -20dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.A Tube Drive control provides a wide range of sounds: when its clicked off, youre using the solid-state preamp for quiet, transparent amplification; when its engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.Versatile and AffordableWith two combo mic/instrument inputs, the half-rackspace BlueTube DP v2 is a great choice for guitars and basses as well as for vocals. Singer-songwriters can run their vocal through one channel and their guitar through the other, feeding both to the P.A.no guitar amp needed. It also serves as a DI box, thanks to balanced XLR and unbalanced 1/4 outputs, and is housed in a new, rugged, 1/2U case. Try the BlueTube DP v2 as a front end for a DAW, too; sure, your recording interface might already include preamps, but few of them give you both tube and solid-state operation.We have also updated the preamps compact, rugged enclosure; it has more rounded edges and looks modern and sleek. It can be used as a desktop unit or it can be screw-mounted to a standard rack tray.Dual path mic/instrument tube preampHigh-headroom Class A XMAX mic preamplifier with 80dB gain range12AX7 Vacuum tube gain stageTube Drive tube-saturation control48V Phantom power80Hz High-pass filter-20dB Pad to reduce hot input levelsPolarity-reverse switchIlluminated analog VU input-level meter2 Balanced combo mic/unbalanced instrument inputs2 Balanced XLR main (L/R) line outputs2 Unbalanced main (L/R) line outputsCompact 1/2U chassisExternal 12 VDC, 1A power supply |
|
|
MXL V69XM Tube Condenser Mic $399 Internally wired with world-class Mogami cable, the MXL V69XM is a versatile vacuum tube condenser microphone with a 32mm capsule and transformer-balanced output for extremely high levels of tonal quality. The MXL mic is a perfect complement to analog and digital recording devices and will give you superb vocal and instrument reproduction for years to come. |
|
|
Summit Audio 2Ba-221 Tube Mic And Line Module $679 The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable mic input impedance from 100 ohms to 10K ohms Variable high-pass filter Hi-Z instrument, line, and mic level inputs Hi-Z input and mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert jack Stackable with more 2BA-221s 1/2 rack size 3 year warranty XLR and 1/4" I/O 3 variable, independent gain stages |
|
|
ART Tube MP Project Series Tube Microphone/Instrument Preamp $69 The ART TUBE MP Project Series Preamp for Microphone and Instrument can also make your voice sound fabulous, warmed and made silky smooth by the genuine 12AX7A tube inside. A makeover of the popular original, the Tube MP features an ultralow-noise discrete mic preamp front end that has an extremely flat, wide frequency response and can handle very low and high signal levels with minimum coloration. High impedance instrument input bypasses the mic preamp circuitry for a shorter signal path. External power supply minimizes AC line noise and hum.Input gain control and switch maximizes dynamic range of input and lets you control how hard you drive the tube. Switchable input impedance on the XLR in optimizes mic response. Bessel switchable low-cut filter removes rumble and wind noise. Set at 40Hz, it won't overly affect bass tonality. XLR input features phantom power of +48V DC from a very quiet internal high voltage power supply.The Tube MP Project Series Preamp has an FET limiter with fast attack and musical release times that protect other gear in the chain without compression. This allows you to maximize the dynamic range of your signal before converting to digital. A phase invert switch lets you switch signal polarity at the source to minimize cancellation. Output control after the tube and limiter matches output level to a wide variety of systems. Added output section at the end of the signal path has enhanced signal drive capability to both output jacks. |
|
|
Refurbished Art Tube Mp Project Series Tube Microphone/Instrument Preamp $49.99 The ART TUBE MP Project Series Preamp for Microphone and Instrument can also make your voice sound fabulous, warmed and made silky smooth by the genuine 12AX7A tube inside. A makeover of the popular original, the Tube MP features an ultralow-noise discrete mic preamp front end that has an extremely flat, wide frequency response and can handle very low and high signal levels with minimum coloration. High impedance instrument input bypasses the mic preamp circuitry for a shorter signal path. External power supply minimizes AC line noise and hum.Input gain control and switch maximizes dynamic range of input and lets you control how hard you drive the tube. Switchable input impedance on the XLR in optimizes mic response. Bessel switchable low-cut filter removes rumble and wind noise. Set at 40Hz, it won't overly affect bass tonality. XLR input features phantom power of +48V DC from a very quiet internal high voltage power supply.The Tube MP Project Series Preamp has an FET limiter with fast attack and musical release times that protect other gear in the chain without compression. This allows you to maximize the dynamic range of your signal before converting to digital. A phase invert switch lets you switch signal polarity at the source to minimize cancellation. Output control after the tube and limiter matches output level to a wide variety of systems. Added output section at the end of the signal path has enhanced signal drive capability to both output jacks.XLR and 1/4" ins with selectable phantom powerGain knobOutput knobGain switchImpedance switchFilter switchPhantom power switchLimiter switchPhase switchSignal/clip meter |
|
|
Art Tube Mp Project Series Tube Microphone/Instrument Preamp $69 The ART TUBE MP Project Series Preamp for Microphone and Instrument can also make your voice sound fabulous, warmed and made silky smooth by the genuine 12AX7A tube inside. A makeover of the popular original, the Tube MP features an ultralow-noise discrete mic preamp front end that has an extremely flat, wide frequency response and can handle very low and high signal levels with minimum coloration. High impedance instrument input bypasses the mic preamp circuitry for a shorter signal path. External power supply minimizes AC line noise and hum.Input gain control and switch maximizes dynamic range of input and lets you control how hard you drive the tube. Switchable input impedance on the XLR in optimizes mic response. Bessel switchable low-cut filter removes rumble and wind noise. Set at 40Hz, it won't overly affect bass tonality. XLR input features phantom power of +48V DC from a very quiet internal high voltage power supply.The Tube MP Project Series Preamp has an FET limiter with fast attack and musical release times that protect other gear in the chain without compression. This allows you to maximize the dynamic range of your signal before converting to digital. A phase invert switch lets you switch signal polarity at the source to minimize cancellation. Output control after the tube and limiter matches output level to a wide variety of systems. Added output section at the end of the signal path has enhanced signal drive capability to both output jacks.XLR and 1/4" ins with selectable phantom powerGain knobOutput knobGain switchImpedance switchFilter switchPhantom power switchLimiter switchPhase switchSignal/clip meter |
|
|
Art Tube Mp Studio V3 Mic Preamp $75 The ART Tube MP StudioV3 Mic Preamp features ART's V3 (Variable Valve Voicing) technology that provides optimized reference points to begin recording. The V3 presets were created by some of the industry's top studio and live-sound engineers, along with ART's veteran engineering department. It allows you to select among a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals, and more. It also features an Output Protection Limiter (OPL) to control and maintain the output peak signal; crucial when recording to hard disk or using a sound card. Also can serve as an exceptional direct box for impedance matching or simply improving the sound of any instrument plugged into it.V3 presets provide fine-tuned presets designed by top studio and live-sound engineers allowing you to quickly optimize your recordings Features ART's Output Protection Limiter, which precisely and accurately controls and maintains the output peak signal In addition to preamplification, the Tube MP Studio can be used as an exceptional direct box for impedance matching, amplifying, and improving the sound of any instrument plugged into it Dynamic range: 100dB Frequency response: 10Hz-20kHz Maximum gain: 70dB |
|
|
ART Tube MP Studio V3 Mic Preamp $75 The ART Tube MP StudioV3 Mic Preamp features ART's V3 (Variable Valve Voicing) technology that provides optimized reference points to begin recording. The V3 presets were created by some of the industry's top studio and live-sound engineers, along with ART's veteran engineering department. It allows you to select among a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals, and more. It also features an Output Protection Limiter (OPL) to control and maintain the output peak signal; crucial when recording to hard disk or using a sound card. Also can serve as an exceptional direct box for impedance matching or simply improving the sound of any instrument plugged into it. |
|
|
Used Summit Audio 2Ba-221 Tube Mic And Line Module $578.68 The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable mic input impedance from 100 ohms to 10K ohms Variable high-pass filter Hi-Z instrument, line, and mic level inputs Hi-Z input and mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert jack Stackable with more 2BA-221s 1/2 rack size 3 year warranty XLR and 1/4" I/O 3 variable, independent gain stages |
|
|
Art Prompa Ii - 2-Channel Tube Mic Preamp $274.95 The new ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The ProMPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.The ProMPA II can operate at either a low or high plate voltage on the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display input or output levels while multi-colored LED arrays, with average or peak hold, show tube gain.Housed in a standard 2 rack unit space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel, the ProMPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.Variable Input Impedance For Flexible Microphone Voicing (150 Ohms To 2400 Ohms)Selectable Plate VoltageLarge VU MetersBacklit Function SwitchesDiscrete Class-A Input Microphone PreamplifierLow Noise at Lower Gain SettingsExtremely Low Total Harmonic Distortion (THD)Wide Frequency ResponseAdditional Front Mounted Instrument Input JackSupports Mid/Side Miking TechniqueOperates at +4dbm/-10dbv OutputSelectable Stereo/Dual Operation of Output ControlsAutomatic Instrument Input Selection |
|
|
Drawmer 1969 Mercenary Edition Mic Pre Amp/Tube Compressor $2575 The 1969 Mercenary Edition, derived from a collaboration between two of the audio industry's most established names, Drawmer (UK) and Mercenary Audio (USA), Fletcher - Producer/Engineer, Mercenary Audio incorporates new tube circuits designed to add warmth to mic/line signals, and the instrument (DI) pre-amp has its own tube stage enabling classic overdrive effects when inserting guitar, bass and other instruments. Retaining the concept of twin mic pre-amps, the 1969 uses 'Burr-Brown'op amps for a silkier sound - and a phase reverse switch available in instrument, mic and line modes increases versatility. The 1969 employs true stereo link operation with channel one's threshold, attack and release controls becoming master to both channels. Stereo link also offers a BIG position which retains bass frequencies by rolling off the detection signal at 100 Hz minimizing undesirable pumping during compression. Output gain make-up can be independently controlled on each channel. 2 mic/line pre-amps with variable gain, 48V phantom power, filters and phase reverse Instrument tube pre-amp with variable gain, EQ, phase reverse and brightness boost 2 soft-knee tube compressors with variable threshold, attack, release and output gain True stereo link operation with BIGposition for retaining bass frequencies Side chain access and side chain listen facility VU metering of gain reduction and output levels Individual +4dB/-10dB inserts Balanced +4dB XLR input/output connectors |
|
|
Used Drawmer 1969 Mercenary Edition Mic Pre Amp/Tube Compressor $2343.25 The 1969 Mercenary Edition, derived from a collaboration between two of the audio industry's most established names, Drawmer (UK) and Mercenary Audio (USA), Fletcher - Producer/Engineer, Mercenary Audio incorporates new tube circuits designed to add warmth to mic/line signals, and the instrument (DI) pre-amp has its own tube stage enabling classic overdrive effects when inserting guitar, bass and other instruments. Retaining the concept of twin mic pre-amps, the 1969 uses 'Burr-Brown'op amps for a silkier sound - and a phase reverse switch available in instrument, mic and line modes increases versatility. The 1969 employs true stereo link operation with channel one's threshold, attack and release controls becoming master to both channels. Stereo link also offers a BIG position which retains bass frequencies by rolling off the detection signal at 100 Hz minimizing undesirable pumping during compression. Output gain make-up can be independently controlled on each channel. 2 mic/line pre-amps with variable gain, 48V phantom power, filters and phase reverse Instrument tube pre-amp with variable gain, EQ, phase reverse and brightness boost 2 soft-knee tube compressors with variable threshold, attack, release and output gain True stereo link operation with BIGposition for retaining bass frequencies Side chain access and side chain listen facility VU metering of gain reduction and output levels Individual +4dB/-10dB inserts Balanced +4dB XLR input/output connectors |
|
|
Used Aphex 207D Tube Microphone/Instrument Preamp With Digital Out $727.09 The Aphex 207D Tube Microphone/Instrument Preamp with Digital Out adds AES/EBU and S/PDIF digital outputs to the popular 207 tube preamp, providing direct digital connection throughout your signal chain, with up to 96kHz sampling rates. The 207D also adds word clock for digital clocking synchronization. The Aphex 207D is an audiophile-quality 2-channel tube mic preamp designed to reveal the subtlety and power of vintage condensers, ribbons, electrets, and popular dynamic mics. MicLim circuitry offers virtually crashproof performance making it a perfect front end for digital recorders. An insert loop is provided for adding effects prior to conversion. Offers up to 65dB of continuously variable gain, 48V phantom power, polarity select, -20dB pad, low cut filter switches, switchable -10dBv or +4dBu operating levels, balanced XLR and TRS I/O, and a delayed turn-on circuit for speaker protection. The Aphex 207D tube preamp makes use of patented Reflected Plate Amplifier (RPA) technology, a true vacuum tube circuit which has all the desired characteristics without the heat, fragility, sonic variability, short life, and high frequency roll-off of conventional tube designs.2-channel tube preamp MicLim circuitry Reflected Plate Amplifier technology I/O: XLR and TRS, AES/EBU and S/PDIF outs, insert, word clock Up to 96kHz sampling rate 65dB continuously variable gain 48V phantom power Polarity select -20dB pad Low cut filter switches Switchable -10 dBv or +4 dBu levels Delayed turn-on circuit |
|
|
Aphex 207D Tube Microphone/Instrument Preamp With Digital Out $799 The Aphex 207D Tube Microphone/Instrument Preamp with Digital Out adds AES/EBU and S/PDIF digital outputs to the popular 207 tube preamp, providing direct digital connection throughout your signal chain, with up to 96kHz sampling rates. The 207D also adds word clock for digital clocking synchronization. The Aphex 207D is an audiophile-quality 2-channel tube mic preamp designed to reveal the subtlety and power of vintage condensers, ribbons, electrets, and popular dynamic mics. MicLim circuitry offers virtually crashproof performance making it a perfect front end for digital recorders. An insert loop is provided for adding effects prior to conversion. Offers up to 65dB of continuously variable gain, 48V phantom power, polarity select, -20dB pad, low cut filter switches, switchable -10dBv or +4dBu operating levels, balanced XLR and TRS I/O, and a delayed turn-on circuit for speaker protection. The Aphex 207D tube preamp makes use of patented Reflected Plate Amplifier (RPA) technology, a true vacuum tube circuit which has all the desired characteristics without the heat, fragility, sonic variability, short life, and high frequency roll-off of conventional tube designs.2-channel tube preamp MicLim circuitry Reflected Plate Amplifier technology I/O: XLR and TRS, AES/EBU and S/PDIF outs, insert, word clock Up to 96kHz sampling rate 65dB continuously variable gain 48V phantom power Polarity select -20dB pad Low cut filter switches Switchable -10 dBv or +4 dBu levels Delayed turn-on circuit |
|
|
Drawmer 1960 Mic Pre/Tube Compressor $2250 Combining eight active tube stages and the low noise and reliability of solid state electronics, the Drawmer 1960 provides the ultimate direct interface between the sound source and the recording medium. The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding "soft knee" vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided. This powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console. The Compressor: Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title 'Threshold' has been retained for the "amount of compression" control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold._The attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a-choice of slow, medium and fast whilst release has six settings. Positions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear. Because compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch. The side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal. By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having. In addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives dir |
 |
 PreSonus BlueTube DP Two Channel Mic Instrument Tube Preamp $179.95 Time Remaining: 13d 19h 29m Buy It Now for only: $179.95 |
 ART TUBE MP PROJECT SERIES INSTRUMENT MICROPHONE PREAMP MIC PREAMPLIFIER $49.99 Time Remaining: 4h 16m Buy It Now for only: $59.99 |
 PreSonus BlueTube DP Two Channel Mic Instrument Tube Preamp $125.00 Time Remaining: 27d 8h Buy It Now for only: $125.00 |
 Aphex 207D Tube Microphone Instrument Preamp Digital Out Mint $375.00 Time Remaining: 5d 18h 10m Buy It Now for only: $375.00 |
 Universal Audio UA Solo610 Solo Channel 610 Tube Mic Instrument Pre Preamp NEW $999.00 Time Remaining: 20d 15h 8m Buy It Now for only: $999.00 |
 ART Tube MP Project Series PS Tube Microphone Instrument Preamp NEW Free 2Day $69.00 Time Remaining: 20d 9h 6m Buy It Now for only: $69.00 |
 PRESONUS BLUE TUBE DP 2 CHANNEL MICROPHONE INSTRUMENT TUBE PREAMPLIFIER $81.00 (9 Bids) Time Remaining: 14h 16m |
 Blue Robbie Class A Discrete Tube Mic instrument preamp $799.95 Time Remaining: 10d 12h 41m Buy It Now for only: $799.95 |
 Blue Robbie Class A Tube Microphone Instrument Preamplifier NEW $850.00 Time Remaining: 5d 9h 25m Buy It Now for only: $850.00 |
 New Presonus Blue Tube DP 2 Channel Micriphone Instrument Tube Preamp Bluetube $229.00 Time Remaining: 26d 9h 18m Buy It Now for only: $229.00 |
 Behrnger MIC100 Vacuum Tube Mic Instrument Preamp $38.99 Time Remaining: 13d 11h 39m Buy It Now for only: $38.99 |
 ART Tube MP Project Series Tube Microphone Instrument Preamp $69.00 Time Remaining: 6d 17h 31m Buy It Now for only: $69.00 |
 Sony sra 3 Tube Mic Microphone and Instrument Pre Amp $449.00 Time Remaining: 2d 12h 13m Buy It Now for only: $499.00 |
 PRESONUS BLUE TUBE DP 2 CHANNEL MICROPHONE INSTRUMENT TUBE PREAMPLIFIER NEW $179.95 Time Remaining: 13d 16h 30m Buy It Now for only: $179.95 |
 PRESONUS BLUE TUBE DP V2 DUAL CHANNEL MICROPHONE VOCAL INSTRUMENT TUBE PREAMP $1,530.00 Time Remaining: 23d 12h 58m Buy It Now for only: $1,530.00 |
 PreSonus BLUETUBE DP Stereo Dual Path Microphone Instrument Preamp 12AX7 Tube $209.25 Time Remaining: 5d 18h 43m Buy It Now for only: $209.25 |
 ART Tube MP Project Series Tube Microphone Instrument Preamp $69.00 Time Remaining: 9d 22h 26m Buy It Now for only: $69.00 |
 Presonus Blue Tube 2 Chan Mic Instrument Pre Amp $60.00 Time Remaining: 2d 16h 58m Buy It Now for only: $90.00 |
 Aphex 207D Tube Microphone Instrument Preamp with Digital Out $727.09 Time Remaining: 4d 16h 8m Buy It Now for only: $727.09 |
 PRESONUS BLUE TUBE DP V2 DUAL CHANNEL MICROPHONE INSTRUMENT TUBE PREAMP NEW $229.95 Time Remaining: 13d 17h 29m Buy It Now for only: $229.95 |
 Lauten Audio Torch ST 221 Small diaphragm Vacuum Tube Instrument Microphone $899.00 Time Remaining: 12d 13h 6m Buy It Now for only: $899.00 |
 PRESONUS BLUE TUBE DP v2 PRO AUDIO 2CH MIC INSTRUMENT PRE AMP 50 XLR CABLES NEW $229.95 Time Remaining: 16d 9h 21m Buy It Now for only: $229.95 |
 |
Presonus BlueTube DP v2 2-Channel Mic/Instrument Tube Preamp List Price: $279.95 Sale Price: $229.00  |
|
Presonus has improved on the original BlueTube classic unit with the BlueTube DP v2. The solid-state path now feeds PreSonus' top-of-the-line Class A XMAXTM mic preamplifier with 80 dB of variable gain-an upgrade from the original BlueTube DP's solid-state stage... |
 |
ART Tube MP Studio Mic Preamp List Price: $86.00 Sale Price: $29.99 Used From: $29.00 |
|
The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART's OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards... |
 |
ART Tube MP Studio V3 Microphone Preamp and Limiter with Presets List Price: $119.00 Sale Price: $69.95 Used From: $64.99 |
|
The Tube MP Studio V3 features ART's V3 (variable Valve Voicing) technology - found only in ART microphone preamplification systems. Provides superior preamplification for microphones, instruments, and line level sources... |
 |
ART Tube MP Project Series Microphone Preamp List Price: $89.00 Sale Price: $56.99 Used From: $45.44 |
|
The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to a mixer or other audio input. This hybrid design is the latest in a long line of ART tube preamps... |
 |
PreSonus BlueTube DP 2-Channel Vacuum Tube Dual-Path Mic Pre List Price: $229.95 Sale Price: Too low to display Used From: $185.00 |
|
The new BLUETUBE DP two channel microphone/instrument preamplifier with Dual Path technology delivers the best of both worlds offering a solid state preamplifier stage and a tube preamplifier stage in each channel... |
 |
ART Tube MP USB Project Series Tube Microphone Preamp With USB List Price: $129.00 Sale Price: $83.99 Used From: $74.95 |
|
The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to audio inputs to digital audio workstations as well as standard analog devices... |
 |
AXL SC-120 Large Diaphragm Clip List Price: $19.99 Sale Price: $11.78 |
|
Microphone Shockmount, Large Diaphragm |
 |
MXL MXL 990 Condenser Microphone with Shockmount List Price: $199.99 Sale Price: $59.00 Used From: $57.98 |
|
The MXL 990 Condenser Microphone with Shock Mount has a silky, sweet high end while retaining tight, solid low and midrange reproduction. The 3/4" gold-sputtered diaphragm creates a professional sound suited for digital and analog recording... |
 |
IK Multimedia AmpliTube iRig List Price: $39.99 Sale Price: Too low to display Used From: $8.99 |
|
AmpliTube iRig is a combination of an easy-to-use instrument interface adapter for iPhone, iPod Touch and iPad mobile devices, and the new AmpliTube for iPhone software for guitar & bass. Simply plug the iRig interface into your iPhone, iPod Touch or iPad, plug your instrument into the appropriate input jack, plug in your headphones, amp or powered speakers, download AmpliTube FREE for iPhone, and start rocking! You'll have at your fingertips the sound and control of three simultaneous stompbox effects + amplifier + cabinet + microphone just like a traditional guitar or bass stage rig! Add amps and effects as you need them you can expand your rig with up to 10 stomps, 5 amps, 5 cabinets and 2 microphones in the AmpliTube iRig app custom shop! |
 |
Joemeek MC2 half-rack Microphone Preamp List Price: $279.99 Sale Price: $279.99 |
|
The Joemeek mc2 is a professional studio-quality stereo compressor in a compact half-rack format. Simple to use yet extremely powerful, it will bring out the best in any line-level stereo material and give the gloss of a professional studio to all your performances... |
How To Care For And Troubleshoot Your Hearing Aids
It's very easy to care for your hearing aids. Proper care for your hearing aids can help them last longer and lower the necessities for hearing aid repairs.
Basics of Hearing Aid Care
Movable Parts of Your Hearing Aids
Battery Door
The battery doors of your hearing aids are used everyday. When you're not using your hearing aids, you should open the battery doors. Because of the oils on your skin dirt and grime can build up around the edges of the battery doors. Use the brush provided by your hearing aid specialist to clean around the edges of the battery doors.
Volume Control
The volume controls of your hearing aids are used even more than your battery doors. The same problem exists with the oils on skin causing a build up of dirt and grime. This dirt and grime not only gets on top of the volume control, it also gets underneath the volume wheel eventually causing the volume control to fail. This can be stopped once again by using the brush your hearing aid specialist provided for you. Be sure to clean underneath the volume wheel as much as possible with the brush. The volume wheel should turn as you clean it so brush both clockwise and counter-clockwise.
Switches
Some hearing aids have telephone switches and very old hearing aids may have noise reduction switches (which were pretty useless thus only old hearing aid have them). The same situation applies here about oil from the skin and grime getting on the switch. Again use your brush to clean the hearing aids with the switch in both positions.
If one of your hearing aids is making a buzzing sound and you cannot hear any amplification, check the telephone switch and make sure it's not toggled to telephone.
Memory Buttons
More memory buttons are found on hearing aids now as opposed to toggle switches. Some hearing aids can use up to five memories for various environments. I never cared for these options as many patients were confused by them. Most patients also selected one memory they thought sounded good and stuck with that one memory. Multi-memory hearing aids slow down actual adjustment of proper amplification of sound and speech via hearing aids. How would you like it if your “normal” hearing sounded different to you even one out of two times in the same noise environment. Be difficult to get used to wouldn't it?
But, this is about care. So use your brush on the memory button as well once again due to the oils on your skin and grime forming on the memory button eventually working its way into the circuitry. Memory buttons don't go bad as often as toggle switches due, but it does happen and with proper care some of these repairs can be avoided.
Moisture
Moisture can affect any electronic device. Imagine storing your television in an environment of salt water and ear wax and expecting it to function perfectly without any professional care. That's the same environment your hearing aids are in up to 16 hours a day. A moisture guard box in which the hearing aids are stored over night will help cut problems due to moisture.
If either of your hearing aids is intermittent, in other words shuts off and turns on on its own and the problem seems to repair itself when you let it sit out of your ear for a period of time, only to shut down again after being in your ear, this can be a moisture problem.
DO NOT put your hearing aids in the microwave to dry them out. It's true, people have tried this. Placing your hearing aids in the microwave will fry the circuitry.
Microphone
Microphones are very small. They're found on the faceplates of the hearing aids. The part that faces out when they're in your ears. The microphones are the tiny holes you see in your hearing aids. They'll either be one or two holes. Sometimes the microphone are covered by a mic inlet screen which helps to catch dirt flying through the air. The screens have tiny holes in them to let the sound in, but they can clog up with dirt.
Use your brush on the microphones but do not force the brush into the holes where the microphones are located. Avoid using hairspray with your hearing aids in your ears. You might even wait for your hair to dry out from any moisture from the hairspray.
Sound Tube
The sound tubes are how the sound comes out of your hearing aids and into your ears. Sounds tubes plug up more from ear wax and dry skin more than any other part on hearing aids. By nature, the gland which produces ear wax, the cerumen gland, is designed to point out the of your ear so the ear wax will flow out and is less likely to cause an impaction. Sound must go in. Ear wax must come out. See the problem?
There are some hearing aids which have wax guard protectors of various types. Some of these are patient changeable. If you know you're battery is good but you are getting little to no volume then change your wax guard. If you do not have a wax guard, use the wire end of your brush or the wired cleaning tool your hearing aids came with to gently clean the wax out of the end of the hearing aid where the sound comes out. This is the end which goes into your ear.
In the case of hearing aids with comfort tips, which also stop feedback or whistling of the hearing aids, these can simply be removed and snap another one right back on. While you have it off run a thin wire or needle through the horizontal red (for right) or blue (for left) hole where the sound comes out of the hearing aids. This should clear any wax that the comfort tip hasn't caught.
Shell
The shell or outside of your hearing aids is made out of a special hypo-allergenic plastic which is less likely to cause an allergic reaction. If your ears becomes red and very dry after use or red and wet after use where ever the hearing is touching, stop wearing the hearing aids and contact your hearing instrument specialist. This is very rare The main concern is keeping the hearing aids clean. There are cleaning solutions that can be purchased, but in most cases a tissue to dry your hearing aids and wipe them off is sufficient.
Conclusion
This sounds like a lot of work, but a lot of scenarios have been covered here. Just remember your basic cleaning discussed here and keeping your hearing aids dry.
About the Author
About The Author
Comfort tip no whistle hearing aids are now being featured at Global Hearing Services.
J. Richard Kirkham has been in the hearing health care industry for over 20 years. He now owns and operates http://GlobalHearingServices.com A central hub for hearing loss, hearing information, tinnitus, and low cost, high performance hearing aids. Support his efforts by visiting Global Hearing Services. Feel free to join his FREE hearing help forum Ask A Hearing Aid Expert.