Stereo Microphone Mic

Stereo Microphone Mic

Tascam Tm-St1 Stereo Condenser Microphone $29.99 The TASCAM TM-ST1 condenser microphone offers stereo pattern switching. The battery-powered TM-ST1 mic's back-electret condenser yields crisply detailed audio. The TASCAM TM-ST1 stereo mic also offers long battery life for portable recording. Select between 90 and 120 pickup to capture more ambiance or to reduce background noise. The TM-ST1 mic's output cable terminates to a 3.5mm stereo jack, making it a perfect microphone for TASCAM recorders and live recording. Plug the TM-ST1 mic into the portable TASCAM DR-1, or use it with the DP-02, DP-02CF or 2488mkII Digital Portastudios (with an adapter cable). The mic can also be used with the US-122L or US-144 for portable recording into a laptop. The TASCAM TM-ST1 stereo microphone excels at recording live music, school ensembles, worship ceremonies, songwriter demos and album recordings. The mid-side design captures a wide stereo field while maintaining a solid center image. With its adjustable stereo range to control ambiance and crowd noise, your recordings can capture everything you want and nothing you don't.TASCAM includes a microphone clip, table-top stand and windscreen with the stereo TM-ST1 condenser microphone.Stereo Condenser MicrophoneSelect 90 and 120 degree pickupBattery poweredIncludes microphone clip, table-top stand and windscreen

Roland Cs-15R Stereo Microphone $129 For serious field recording, the CS-15R cardioid-type stereo microphone is a great match for the Roland CD-2e SD/CD recorder. For portability and convenience, the CD-2e supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.Element: Electret CondenserOpen Circuit Sensitivity: -41.5 4 dB (0 dB=1 V/ 1 Pa, 1 kHz)Polar Pattern: Uni Directional x 2Impedance: 1,300 ohmsFrequency Response: 200 to 17,000 HzMaximum Input S.P.L119dB SPL (3% THD at 1kHz)Battery: LR44 type, 1.5VButtery Current: 0.6mABattery Life: 200 Hours (continuous use)Cable Length: 3 m/10 feetPlug: 1/4 inch Phone PlugAccessories: Owner's Manual, Wind Screen, Carrying Case, Microphone Stand, Microphone Holder, Screw Adaptor, LR44 Battery

Nady SCM-2090 Stereo Condenser Microphone $129.99 The Nady SCM-2090 stereo condenser microphone boasts a pair of closely matched, large-diaphragm condenser elements, angled at 90° in an X/Y stereo configuration. Each mic element is unidirectional (cardioid) in polar pattern creating superb channel separation, a vivid stereo sound field, smooth, linear 20Hz-20kHz frequency response with high SPL capability, and ultra-low self-noise. The Nady SCM-2090 mic has a 5-pin XLR connector for balanced left and right output. The supplied stereo XLR Y-cable outputs 2 balanced 3-pin XLR, in-phase, low impedance signals that can be connected to 2 channels of your mixing console or recording equipment. Placing the Nady SCM-2090 mic closer to the sound source creates a more pronounced stereo image while moving the mic further away lessens the stereo image and results in more room ambiance. Placing the mic too close to a multi-voice source may result in some voices being more dominant than others. For recording instruments like drum kits, hand percussion, pianos, and kotos, the Nady SCM-2090 Stereo Condenser Microphone does the work of two ordunary microphones.

Nady Scm-2090 Stereo Condenser Microphone $129.99 The Nady SCM-2090 stereo condenser microphone boasts a pair of closely matched, large-diaphragm condenser elements, angled at 90 in an X/Y stereo configuration. Each mic element is unidirectional (cardioid) in polar pattern creating superb channel separation, a vivid stereo sound field, smooth, linear 20Hz-20kHz frequency response with high SPL capability, and ultra-low self-noise. The Nady SCM-2090 mic has a 5-pin XLR connector for balanced left and right output. The supplied stereo XLR Y-cable outputs 2 balanced 3-pin XLR, in-phase, low impedance signals that can be connected to 2 channels of your mixing console or recording equipment. Placing the Nady SCM-2090 mic closer to the sound source creates a more pronounced stereo image while moving the mic further away lessens the stereo image and results in more room ambiance. Placing the mic too close to a multi-voice source may result in some voices being more dominant than others. For recording instruments like drum kits, hand percussion, pianos, and kotos, the Nady SCM-2090 Stereo Condenser Microphone does the work of two ordunary microphones.Utilizes two gold-sputtered large diaphragm condenser elements for warm, crisp response with improved linearity across the frequency spectrumOffers ultra-low self-noise with increased dynamic range and maximum SPL capacity for recording loud audio such as brass, drums, and high-powered amplifiersManufactured with the finest materials featuring a machined housing for structural integrity and rugged reliabilitySuperb channel separation, with 5-pin XLR to dual 3-pin XLR cable (included)

Shure Scm262 Stereo Microphone Mixer $249.99 Many smaller installations require a dependable, easy-to-use mixer with very specific features and capabilities. The Shure SCM262 Stereo Microphone Mixer is one that integrates microphones and stereo equipment without making you pay for features you'll never use. The SCM262 rackmount mixer is tailor-made for smaller applications such as restaurants, aerobics/health clubs, corporate trainings, and classrooms. It provides features like defeatable ducking, jukebox mute, and 12V phantom power. The Shure SCM262 has been designed with simplicity in mind, allowing you to focus on your job, not your audio system. It has the right combination of features, benefits and ease-of-use you need, plus all the performance, durability, and value synonymous with the Shure name. All in a compact, user-friendly package.Designed to combine paging with background music.One active balanced XLR mic input channelOne active balanced XLR mic and 1/4 inch TRS line input channelThree stereo input channels (Six phono connectors)One unbalanced stereo output (Two phono connectors)One balanced stereo mic/line output (Two 1/4 inch TRS connectors)12V phantom power for condenser microphonesDefeatable ducking functionJukebox mute functionAll in a half-rack chassis

MXL 990 Large Diaphragm Stereo Condenser Mic $149.99 The MXL 990 Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response. The MXR 990 also has a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. A heavy-duty wire mesh grill with an integrated pop filter protects the instrument's capsule, and an LED activity light aids users in properly orienting the microphone toward the sound source.Based upon the MXL 990--a top selling studio condenser microphone--the MXL 990 Stereo Condenser Microphone is ideal for location recording and is optimized for capturing a wide range of musical performances--both vocal and instrumental--with stunning realism and broad spatial imaging, thanks to its 90-degree X/Y stereo pick-up pattern. The MXL 990 Stereo Condenser Microphone also has a maximum SPL (Sound Pressure Level) rating of 137 dB--making it an excellent choice for capturing loud instruments such as trumpet, saxophone, or electric guitar. Requires phantom power.

Used Roland Cs-15R Stereo Microphone $117.39 For serious field recording, the CS-15R cardioid-type stereo microphone is a great match for the Roland CD-2e SD/CD recorder. For portability and convenience, the CD-2e supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.Element: Electret CondenserOpen Circuit Sensitivity: -41.5 4 dB (0 dB=1 V/ 1 Pa, 1 kHz)Polar Pattern: Uni Directional x 2Impedance: 1,300 ohmsFrequency Response: 200 to 17,000 HzMaximum Input S.P.L119dB SPL (3% THD at 1kHz)Battery: LR44 type, 1.5VButtery Current: 0.6mABattery Life: 200 Hours (continuous use)Cable Length: 3 m/10 feetPlug: 1/4 inch Phone PlugAccessories: Owner's Manual, Wind Screen, Carrying Case, Microphone Stand, Microphone Holder, Screw Adaptor, LR44 Battery

Used Mxl 990 Usb Stereo Condenser Microphone $145.59 The MXL 990 USB Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response. The 990 USB also has a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. The digital section of the microphone features a 16-bit Delta Sigma A/D converter with sampling rates of 44.1 kHz and 48 kHz. A heavy-duty wire mesh grill with an integrated pop filter protects the instrument's capsule, and an LED activity light aids users in properly orienting the microphone toward the sound source.Based upon the MXL 990--a top-selling studio condenser microphone--the MXL 990 USB Stereo Condenser Mic supports USB 1.1 and 2.0, and is a plug and play device for both Windows and Macintosh. It requires no special drivers and eliminates the need external mic preamps and mixers. Simply connect the microphone's USB cable to a computer's USB port.The MXL 990 USB Stereo Condenser Microphone is ideal for location recording and is optimized for capturing a wide range of musical performances--both vocal and instrumental--with stunning realism and broad spatial imaging, thanks to its 90-degree X/Y stereo pick-up pattern. The MXL 990 USB Stereo Condenser Microphone also has a maximum SPL (Sound Pressure Level) rating of 137 dB--making it an excellent choice for capturing loud instruments such as trumpet, saxophone, or electric guitar.The MXL 990 USB ships with a travel case, a mic stand adapter, a 10-foot USB cable, an owner's manual, and an applications guide.Connects directly into a computer's USB portPlug and play device for both Windows and MacintoshEliminates the need external mic preamps and mixersIdeal for location recording90-degree X/Y stereo pick-up pattern for broad spatial imaging3-position attenuation padLED activity light aids in proper mic orientation toward the sound sourceAttractive vintage body style with champagne finishIncludes travel case, a mic stand adapter, a 10-foot USB cable, an owner's manual, and an applications guideMade with Mogami cable

Mxl 990 Usb Stereo Condenser Microphone $159.99 The MXL 990 USB Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response. The 990 USB also has a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. The digital section of the microphone features a 16-bit Delta Sigma A/D converter with sampling rates of 44.1 kHz and 48 kHz. A heavy-duty wire mesh grill with an integrated pop filter protects the instrument's capsule, and an LED activity light aids users in properly orienting the microphone toward the sound source.Based upon the MXL 990--a top-selling studio condenser microphone--the MXL 990 USB Stereo Condenser Mic supports USB 1.1 and 2.0, and is a plug and play device for both Windows and Macintosh. It requires no special drivers and eliminates the need external mic preamps and mixers. Simply connect the microphone's USB cable to a computer's USB port.The MXL 990 USB Stereo Condenser Microphone is ideal for location recording and is optimized for capturing a wide range of musical performances--both vocal and instrumental--with stunning realism and broad spatial imaging, thanks to its 90-degree X/Y stereo pick-up pattern. The MXL 990 USB Stereo Condenser Microphone also has a maximum SPL (Sound Pressure Level) rating of 137 dB--making it an excellent choice for capturing loud instruments such as trumpet, saxophone, or electric guitar.The MXL 990 USB ships with a travel case, a mic stand adapter, a 10-foot USB cable, an owner's manual, and an applications guide.Connects directly into a computer's USB portPlug and play device for both Windows and MacintoshEliminates the need external mic preamps and mixersIdeal for location recording90-degree X/Y stereo pick-up pattern for broad spatial imaging3-position attenuation padLED activity light aids in proper mic orientation toward the sound sourceAttractive vintage body style with champagne finishIncludes travel case, a mic stand adapter, a 10-foot USB cable, an owner's manual, and an applications guideMade with Mogami cable

MXL 990 USB Stereo Condenser Microphone $163.79 The MXL 990 USB Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response. The 990 USB also has a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. The digital section of the microphone features a 16-bit Delta Sigma A/D converter with sampling rates of 44.1 kHz and 48 kHz. A heavy-duty wire mesh grill with an integrated pop filter protects the instrument's capsule, and an LED activity light aids users in properly orienting the microphone toward the sound source.Based upon the MXL 990--a top-selling studio condenser microphone--the MXL 990 USB Stereo Condenser Mic supports USB 1.1 and 2.0, and is a plug and play device for both Windows and Macintosh. It requires no special drivers and eliminates the need external mic preamps and mixers. Simply connect the microphone's USB cable to a computer's USB port.The MXL 990 USB Stereo Condenser Microphone is ideal for location recording and is optimized for capturing a wide range of musical performances--both vocal and instrumental--with stunning realism and broad spatial imaging, thanks to its 90-degree X/Y stereo pick-up pattern. The MXL 990 USB Stereo Condenser Microphone also has a maximum SPL (Sound Pressure Level) rating of 137 dB--making it an excellent choice for capturing loud instruments such as trumpet, saxophone, or electric guitar.The MXL 990 USB ships with a travel case, a mic stand adapter, a 10-foot USB cable, an owner's manual, and an applications guide.

Millennia HV-3C Stereo Microphone Preamplifier $1843.99 The HV-3C Stereo Microphone Preamplifier is an entirely double-balanced, extremely wide dynamic range stereo microphone preamplifier intended for demanding audio recording. In it Millenia combines precisely matched, discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3C never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assured

Mxl 990 Large Diaphragm Stereo Condenser Microphone $129.99 The MXL 990 Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response. The MXR 990 also has a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. A heavy-duty wire mesh grill with an integrated pop filter protects the instrument's capsule, and an LED activity light aids users in properly orienting the microphone toward the sound source.Based upon the MXL 990--a top selling studio condenser microphone--the MXL 990 Stereo Condenser Microphone is ideal for location recording and is optimized for capturing a wide range of musical performances--both vocal and instrumental--with stunning realism and broad spatial imaging, thanks to its 90-degree X/Y stereo pick-up pattern. The MXL 990 Stereo Condenser Microphone also has a maximum SPL (Sound Pressure Level) rating of 137 dB--making it an excellent choice for capturing loud instruments such as trumpet, saxophone, or electric guitar. Requires phantom power.Ideal for location recording90-degree X/Y stereo pick-up pattern for broad spatial imagingTwo class-A FET preampsHigh Sound pressure level for recording loud instruments such as trumpet, saxophone, or electric guitar3-position attenuation padLED activity light aids in proper mic orientation toward the sound sourceInternally wired with Mogami cableAttractive vintage body style with champagne finishSupplied with mic stand adapter, and a 10' five pin to Dual XLR stereo cableComes in rugged carrying caseMade with Mogami cable

Millennia Hv-3C Stereo Microphone Preamplifier $1843.99 The HV-3C Stereo Microphone Preamplifier is an entirely double-balanced, extremely wide dynamic range stereo microphone preamplifier intended for demanding audio recording. In it Millenia combines precisely matched, discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3C never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assuredHigh-speed transformerless design23dB input and 32dB output headroom No attenuation pads requiredEntirely balanced audio pathLaser trimmed FET-based outputTHD+N less than 5 PPM (.0005%)Matched discrete transistor octet front endPrecision components throughoutGold audio connectors and switchesStandard 36-step gain control (1.5dB per step)Stereo gain matched to .08dBOFC audio wiring, silver Teflon power wiringUltra-clean torroid power supplyWelded 16-gauge chassisUnsurpassed ambience retrievalEffortless lifelike musical performance at all dynamic levels

Manley Gold Reference Stereo Microphone $7200 The Manley Gold Reference Multi-Pattern Microphone gives you truly accurate musical recordings. The Gold Reference Studio Mics employ Manley's own design of large capsules (1.25 inch overall, 1 inch diaphragm diameter), which are executed to precise tolerances made possible by modern micro-milling machinery available today. The capsule rings and back-plates are milled from solid brass. The gold diaphragm film comes from Germany and is tensioned using proprietary techniques by David Josephson ensuring capsule-to-capsule constancy, combined with the speed, "air", and superb ultra-high frequency response you have only dreamt about.The stereo version of the Manley Gold Reference microphone is identical in every respect to the Mono Gold Reference but with two complete and carefully matched systems installed in one case with the upper capsule being fixed and the lower capsule being continuously rotatable through 90 for M-S and X-Y Blumlein-Style coincident pair recording technique. Each capsule has its own continuously variable pattern control and individual -10dB PAD switch.The all-tube electronics in the Manley Reference Stereo Microphone is built around two triodes in cascade forming an entire gain-block. Manley has recently switched to a dual-triode 12AX7WA, easily obtainable and replaceable, mounted in a ceramic socket. The output is coupled through a Manley output transformer of unparalleled quality and substantial physical size employing nickel laminations with "hum bucking" bi-filar windings, encased in mu-metal. The polar pattern control is continuously variable between the OMNI, CARDIOID, and FIGURE 8 positions vastly increasing this mic's versatility. The Gold studio mics make it possible to exactly tailor the proximity effect to achieve the desired character. Manley has chosen a very open weave stainless-steel grille for the capsule window which allows all the highs to reach the capsule unimpaired letting the engineer choose if, when, and how much pop screen is appropriate. As a result, the Reference Gold studio mic reaches to the furthest extremes of highs and lows with gorgeous natural acoustic smoothness. Some engineers say it sometimes "hears" more than they do!The base of the recording microphone holds a locking 5 pin gold XLR connector for the audio signal out enabling usage of your own preference of audio cable as exotic as you wish. A low capacitance 5-pin XLR-F to two 3-Pin XLR-M "Y" cable is included for your convenience. A detachable threaded 4-pin connector for the 30 foot power supply cable carries the stringently filtered B+ and regulated heater voltages from the separate dedicated power supply. The microphone body is machined from brass providing excellent shielding properties, polished to a high lustre, then plated with 24 karat gold for an impressive finish, inspiring confidence in artists and producers.Manley's precision suspension system is provided with each Reference Microphone (the capsule itself is mounted onto a ne

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What is stereo

What is stereo?

Stereo is short for STEREOPHONY which by definition means, 'three dimensional hearing'. By modern standards, however, we have come to know this as really two- dimensional hearing, though there is an element of depth that can be heard and produced using a variety of production techniques. A recorded true stereo sound (true as opposed to artificially made from mono) requires two microphones, two channels on a desk and two speakers. To understand how it works you must first understand how we hear.

How we hear

The first connection that we can see between stereo and how we hear is the fact that stereo uses two mics, channels and speakers and guess what....we have two ears! What is involved in stereo sound is the ability to locate the direction from where a sound is coming from. In everyday life our ears work in such a way that we can detect, even with our eyes closed, the direction of sound. We can hear stationary sounds coming from one place, perhaps a door knock, or we can hear moving sound changing its position - for example a car passing in front of us or a train on its tracks moving across the countryside. The way our ears detect where the sound is coming from is by a difference in time of arrival of the sound. This means each ear hears the sound at a slightly different time and our brain is then able to distinguish where the sound is coming from. If there is someone shouting to our right then our right ear will pick up the sound first because it is closer to the noise being heard. The left ear hears it a fraction later as the sound has to travel that little bit further and also around the head before it goes in the ear and is registered. The speed of sound at sea level is 340.29 metres per second so you can see it really is only a tiny fraction of a second later.

Stereo in the studio

Stereo in the recording environment works in a similar way. We move sounds around in the stereo field from left to right by the use of panning. Panning takes the sound and adds changes in amplitude to the sound coming out of each speaker. So a sound that we hear as coming from the left speaker will have a greater amplitude than the sound that is sent from the right speaker. It was discovered that the same sound coming from different speakers into the same ear adds together and that this difference in amplitude creates a slight difference in time of arrival between the ears. The right ear will recieve the sound from the left speaker with greater amplitude slightly later than that of the left ear. Our ears are then able to distinguish where the sound came from.

Artificial Stereo

It is possible to create stereo effects in the studio by taking a mono sound and using delays to make the difference in time of arrival. The simplest way to do this is to copy your mono sound on to another track so that you have two. Then pan one sound to the left and one sound to the right and nudge one by a fraction of a second so that it is either later or earlier than the other. This creates the difference in time of arrival as one channel will always arrive before the other. This technique does have its problems though and these come in the form of phase. (See article What is phase?)

Written by www.song-production.co.uk

About the Author

www.song-production.co.uk is a music production company that makes song demos for writers and artists.