Stereo Microphone Extension
Stereo Microphone Extension
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 25ft 1 4 Stereo Headphone Microphone Extension cable $7.75 Time Remaining: 2d 4h 4m Buy It Now for only: $7.75 |
 100ft 1 4 Stereo Headphone Microphone Extension cable $14.05 Time Remaining: 2d 3h 47m Buy It Now for only: $14.05 |
 15Ft 1 4 Stereo Male Female Headphone Mic Extension $5.88 Time Remaining: 20d 7h 24m Buy It Now for only: $5.88 |
 15ft 1 4 Stereo Headphone Microphone Extension cable v2 $7.95 Time Remaining: 16d 13h 47m Buy It Now for only: $7.95 |
 25Ft 1 4 Stereo Male Female Headphone Mic Extension $7.95 Time Remaining: 20d 7h 23m Buy It Now for only: $7.95 |
 50ft 1 4 Stereo Headphone Microphone Extension cable $12.50 Time Remaining: 2d 3h 35m Buy It Now for only: $12.50 |
 50Ft 1 4 Stereo Male Female Headphone Mic Extension $11.25 Time Remaining: 20d 7h 23m Buy It Now for only: $11.25 |
 50Ft 1 4 63mm Male Female Stereo Mic Extension Cable $12.55 Time Remaining: 1d 20h 9m Buy It Now for only: $12.55 |
 5 Qty 25Ft 1 4 Stereo Headphone Microphone Extension cable $16.00 Time Remaining: 17d 17h 4m Buy It Now for only: $16.00 |
 25ft 1 4 63mm Male Female Stereo Mic Extension Cabl $8.39 Time Remaining: 1d 18h 51m Buy It Now for only: $8.39 |
 5 Qty 100Ft 1 4 Stereo Headphone Microphone Extension cable $46.00 Time Remaining: 17d 17h 10m Buy It Now for only: $46.00 |
 100Ft 1 4 Stereo Male Female Headphone Mic Extension $14.05 Time Remaining: 20d 7h 24m Buy It Now for only: $14.05 |
 50Ft 1 4 63mm Stereo Male Female Mic Extension Cable New $12.55 Time Remaining: 9d 48m Buy It Now for only: $12.55 |
 2 Qty 50Ft 1 4 Stereo Headphone Microphone Male Female Extension cable $25.00 Time Remaining: 17d 17h 8m Buy It Now for only: $25.00 |
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Royer Sf-12 Stereo Ribbon Microphone Black Chrome $2695 The SF-12 stereo coincident ribbon microphone from Royer combines high-quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.The Royer SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12 ribbon mic's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower," for the upper and lower capsules of the microphone (when held vertically).Recording with the SF-12The SF-12 is uncanny for creating "you-are-there" stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay careful attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 mic in that place and you will capture that sound.The Royer SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you'd like to capture the meat of the kit but with more air on the cymbals to help them cut more aggressively, simply open the top end up with EQ. Ribbons take EQ extremely well because they generate virtually no self-distortion. When you boost a frequency, even by many dB, you'll bring up only the musical response you're looking for without unpleasant distortion artifacts joining the party.Recording in MonoPhase compatibility between the two sides of the SF-12 ribbon mic is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the sweet spot of a mono microphone. Either side of the Royer SF-12 can also be used individually as a mono microphone.What the pros are saying about the SF-12:"The SF-12 as a drum overhead mic gives me something I've never been able to get before. God, I love this mic!" Chuck Ainlay (Vince Gill, George Strait, Reba McEntire, Mark Knopfler)Literally since the day I got my SF-12 I've used i |
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Royer Sf-24 Active Stereo Ribbon Microphone Black Chrome $4295 The Royer SF-24 stereo ribbon microphone is a phantom powered version of Royer's popular SF-12 (#581146) stereo ribbon microphone. It combines the SF-12's high quality audio performance, outstanding stereo separation and imaging with Royer exclusive active electronics system for ribbon microphones. The SF-24's output of -38dB is a full 14dB more sensitive than Royer's non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET's used in the SF-24 mic allow for ultra-quiet operation, with self-noise of lower than 18 dB.The SF-24 is actually two matched ribbon microphones placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.The Royer SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower" for the upper and lower capsules of the microphone (when held vertically).GainRoyer active ribbon mics are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording softer sound sources like acoustic instruments, vocals and room ambiance. The SF-24 contains two fully balanced, discrete head amplifier systems utilizing specially wound toroidal transformers and ultra-low noise FET's, each delivering a sensitivity of 38dB. This lets you mate an SF-24 microphone to any preamplifier with average gain characteristics. Even with quiet sound sources, you'll have enough level to drive any recording medium.It is important to note that the SF-24's higher sensitivity does not create additional self-noise. All of the SF-24's increased level comes from its large, specially wound toroidal transformers - that wonderful thing called "free gain." The level at the each of the transformers is actually hotter than what comes out of the microphone. The phantom powered system operates at less than unity, adding no noise of its own. This system took years to develop and is in patent pending status.Impedance MatchingThe electronics in the Royer SF-24 provide a perfect load to the ribbon elements at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic pre. Due to its low-impedance output, SF-24's can also be used on extremely long cable runs with minimal signal loss.A good impedance match is critical to ribbon microphones. Impedance |
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Roland Cs-15R Stereo Microphone $129 For serious field recording, the CS-15R cardioid-type stereo microphone is a great match for the Roland CD-2e SD/CD recorder. For portability and convenience, the CD-2e supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.Element: Electret CondenserOpen Circuit Sensitivity: -41.5 4 dB (0 dB=1 V/ 1 Pa, 1 kHz)Polar Pattern: Uni Directional x 2Impedance: 1,300 ohmsFrequency Response: 200 to 17,000 HzMaximum Input S.P.L119dB SPL (3% THD at 1kHz)Battery: LR44 type, 1.5VButtery Current: 0.6mABattery Life: 200 Hours (continuous use)Cable Length: 3 m/10 feetPlug: 1/4 inch Phone PlugAccessories: Owner's Manual, Wind Screen, Carrying Case, Microphone Stand, Microphone Holder, Screw Adaptor, LR44 Battery |
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Neumann Tlm 103 Anniversary Stereo Microphone Pair Satin Nickel $2499.95 The Neumann TLM 103 Anniversary Stereo Microphone Set includes 2 matched TLM 103 Microphones and 2 EA 1 Elastic Suspension Shockmounts in a sturdy metal travel case.The Neumann TLM 103 large diaphram microphone is new standard for home recording and the music industry. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.Polar patternThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern used in most recording situations the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.Acoustic featuresThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical features With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN/IEC 651.The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.Operational safetyThe entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration. The included elastic suspension EA 1 shockmounts will further reduce structural borne interference due low frequency extension and wind noise. Matched pair of large diaphragm cardioid microphonesPressure gradient transducer with |
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Tascam Tm-St1 Stereo Condenser Microphone $29.99 The TASCAM TM-ST1 condenser microphone offers stereo pattern switching. The battery-powered TM-ST1 mic's back-electret condenser yields crisply detailed audio. The TASCAM TM-ST1 stereo mic also offers long battery life for portable recording. Select between 90 and 120 pickup to capture more ambiance or to reduce background noise. The TM-ST1 mic's output cable terminates to a 3.5mm stereo jack, making it a perfect microphone for TASCAM recorders and live recording. Plug the TM-ST1 mic into the portable TASCAM DR-1, or use it with the DP-02, DP-02CF or 2488mkII Digital Portastudios (with an adapter cable). The mic can also be used with the US-122L or US-144 for portable recording into a laptop. The TASCAM TM-ST1 stereo microphone excels at recording live music, school ensembles, worship ceremonies, songwriter demos and album recordings. The mid-side design captures a wide stereo field while maintaining a solid center image. With its adjustable stereo range to control ambiance and crowd noise, your recordings can capture everything you want and nothing you don't.TASCAM includes a microphone clip, table-top stand and windscreen with the stereo TM-ST1 condenser microphone.Stereo Condenser MicrophoneSelect 90 and 120 degree pickupBattery poweredIncludes microphone clip, table-top stand and windscreen |
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Nady SCM-2090 Stereo Condenser Microphone $129.99 The Nady SCM-2090 stereo condenser microphone boasts a pair of closely matched, large-diaphragm condenser elements, angled at 90° in an X/Y stereo configuration. Each mic element is unidirectional (cardioid) in polar pattern creating superb channel separation, a vivid stereo sound field, smooth, linear 20Hz-20kHz frequency response with high SPL capability, and ultra-low self-noise. The Nady SCM-2090 mic has a 5-pin XLR connector for balanced left and right output. The supplied stereo XLR Y-cable outputs 2 balanced 3-pin XLR, in-phase, low impedance signals that can be connected to 2 channels of your mixing console or recording equipment. Placing the Nady SCM-2090 mic closer to the sound source creates a more pronounced stereo image while moving the mic further away lessens the stereo image and results in more room ambiance. Placing the mic too close to a multi-voice source may result in some voices being more dominant than others. For recording instruments like drum kits, hand percussion, pianos, and kotos, the Nady SCM-2090 Stereo Condenser Microphone does the work of two ordunary microphones. |
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Tascam Tm-Stpro Stereo Condenser Microphone - Balanced $179 TASCAM's TM-STPRO is a stereo X/Y microphone perfectly suited to capture detailed studio and live performances. This back-electret condenser microphone captures a wide stereo image with rich sound quality. The balanced XLR output is perfect for connecting to TASCAM recorders like the US-144, DP-02 and 2488neo. A switchable low-cut filter is provided to remove low frequency rumble during recording. The TM-STPRO includes a 16' stereo XLR cable for flexible microphone placement. Also included are a microphone stand clip, windscreen, AA battery and protective carry pouch.X/Y stereo microphoneBack Electret Condenser ElementsBalanced outputLow-cut filterOn/Off switchOperates on AA Battery |
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Rode Microphones Nt4 Dual-Element Stereo Microphone $529 The RDE NT4 Dual-Element Stereo Microphone is a small-diaphragm condenser microphone specifically designed for stereo recording. It features dual heads in a 90 XY configurationgreat for acoustic guitar, live concerts, and when mono-compatibility is an issue. Its compact size and design allows for effective and subtle positioning which is crucial when close miking. The NT4 is supplied with a custom case, stereo breakout cable, stand mount, and windscreen.Requires phantom power.XY-stereo coincident-pair elementsCompact sizeHigh SPL/low noiseGreat sound |
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Used Roland Cs-15R Stereo Microphone $117.39 For serious field recording, the CS-15R cardioid-type stereo microphone is a great match for the Roland CD-2e SD/CD recorder. For portability and convenience, the CD-2e supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.Element: Electret CondenserOpen Circuit Sensitivity: -41.5 4 dB (0 dB=1 V/ 1 Pa, 1 kHz)Polar Pattern: Uni Directional x 2Impedance: 1,300 ohmsFrequency Response: 200 to 17,000 HzMaximum Input S.P.L119dB SPL (3% THD at 1kHz)Battery: LR44 type, 1.5VButtery Current: 0.6mABattery Life: 200 Hours (continuous use)Cable Length: 3 m/10 feetPlug: 1/4 inch Phone PlugAccessories: Owner's Manual, Wind Screen, Carrying Case, Microphone Stand, Microphone Holder, Screw Adaptor, LR44 Battery |
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Nady Scm-2090 Stereo Condenser Microphone $129.99 The Nady SCM-2090 stereo condenser microphone boasts a pair of closely matched, large-diaphragm condenser elements, angled at 90 in an X/Y stereo configuration. Each mic element is unidirectional (cardioid) in polar pattern creating superb channel separation, a vivid stereo sound field, smooth, linear 20Hz-20kHz frequency response with high SPL capability, and ultra-low self-noise. The Nady SCM-2090 mic has a 5-pin XLR connector for balanced left and right output. The supplied stereo XLR Y-cable outputs 2 balanced 3-pin XLR, in-phase, low impedance signals that can be connected to 2 channels of your mixing console or recording equipment. Placing the Nady SCM-2090 mic closer to the sound source creates a more pronounced stereo image while moving the mic further away lessens the stereo image and results in more room ambiance. Placing the mic too close to a multi-voice source may result in some voices being more dominant than others. For recording instruments like drum kits, hand percussion, pianos, and kotos, the Nady SCM-2090 Stereo Condenser Microphone does the work of two ordunary microphones.Utilizes two gold-sputtered large diaphragm condenser elements for warm, crisp response with improved linearity across the frequency spectrumOffers ultra-low self-noise with increased dynamic range and maximum SPL capacity for recording loud audio such as brass, drums, and high-powered amplifiersManufactured with the finest materials featuring a machined housing for structural integrity and rugged reliabilitySuperb channel separation, with 5-pin XLR to dual 3-pin XLR cable (included) |
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Shure Scm262 Stereo Microphone Mixer $249.99 Many smaller installations require a dependable, easy-to-use mixer with very specific features and capabilities. The Shure SCM262 Stereo Microphone Mixer is one that integrates microphones and stereo equipment without making you pay for features you'll never use. The SCM262 rackmount mixer is tailor-made for smaller applications such as restaurants, aerobics/health clubs, corporate trainings, and classrooms. It provides features like defeatable ducking, jukebox mute, and 12V phantom power. The Shure SCM262 has been designed with simplicity in mind, allowing you to focus on your job, not your audio system. It has the right combination of features, benefits and ease-of-use you need, plus all the performance, durability, and value synonymous with the Shure name. All in a compact, user-friendly package.Designed to combine paging with background music.One active balanced XLR mic input channelOne active balanced XLR mic and 1/4 inch TRS line input channelThree stereo input channels (Six phono connectors)One unbalanced stereo output (Two phono connectors)One balanced stereo mic/line output (Two 1/4 inch TRS connectors)12V phantom power for condenser microphonesDefeatable ducking functionJukebox mute functionAll in a half-rack chassis |
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Rode Microphones NT4 Dual-Element Stereo Microphone $529 The RØDE NT4 Dual-Element Stereo Microphone is a small-diaphragm condenser microphone specifically designed for stereo recording. It features dual heads in a 90° XY configurationgreat for acoustic guitar, live concerts, and when mono-compatibility is an issue. Its compact size and design allows for effective and subtle positioning which is crucial when close miking. The NT4 is supplied with a custom case, stereo breakout cable, stand mount, and windscreen.Requires phantom power. |
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Tascam Tm-St2 Stereo Condenser Microphone - Unbalanced $399.99 TASCAM's TM-ST2 is a stereo microphone designed for studio and live recording. This X/Y microphone captures a wide stereo image with rich sound quality. The unbalanced output is perfect for connecting to TASCAM portable recorders like the DR1 and GT-R1. A low cut filter is available to remove low frequency rumble during recording. The TM-ST2 includes a 10' cable as well as an 18" cable for shorter runs or video camera connection. Also included are a microphone stand clip, windscreen, AA battery and protective carry pouch.X/Y stereo microphoneBack Electret Condenser ElementsUnbalanced outputLow-cut filterOn/Off switchOperates on AA Battery |
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Millennia HV-3C Stereo Microphone Preamplifier $1843.99 The HV-3C Stereo Microphone Preamplifier is an entirely double-balanced, extremely wide dynamic range stereo microphone preamplifier intended for demanding audio recording. In it Millenia combines precisely matched, discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3C never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assured |
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Audio-Technica At8022 X/Y Stereo Microphone $399 The Audio-Technica AT8022 is a stereo microphone that is ideal for use mounted on a video camera. Now get true stereo field recording at interviews and when recording at home. Audio-Technica's versatile AT8022 stereo condenser offers a compact housing and the pristine sound quality of a live sound field. Its coincident capsule configuration produces an X/Y stereo image in a small housing. The microphone is supplied with two cables for use with either pro or consumer gear. It offers switchable low-frequency roll-off and the convenience of battery or phantom power. The Audio-Technica AT8022 Stereo Microphone is fully RoHS-compliantfree from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).Innovative capsule configuration produces accurate stereo image in smaller housing Compact, lightweight design is perfect for video camera-mount use as well as for stereo field recording, interviews and home recording Ideal for use with handheld digital recording devices Operates on battery or phantom powerfor use with pro or consumer equipment Switchable low-frequency roll-off Includes two cables: one balanced (two 3-pin XLRM-type connectors at output); one unbalanced (3.5 mm TRS at output) RoHS-compliant free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS) |
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Cables To Go CTG 12ft 3.5MM STEREO AUDIO EXTENSION CABLE M/F ( 13788 ) List Price: $9.99 Sale Price: $0.01 Used From: $0.01  |
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"Cable To Go's 3.5mm stereo audio extension cables extend the distance of your existing 3.5mm audio cables. 3.5mm audio cables are used to connect the 3.5mm jack from CD players, stereos, speakers, PC/TV tuners and other audio devices... |
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3.5mm Stereo Male to Female Extension Cable 25 ft. List Price: $6.99 Sale Price: $0.01 Used From: $0.49 |
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Portable DVD players, laptops, portable CD players, MP3 players, iPods, PCs, and projectors all have one thing in common—a 3.5 mm (1/8") stereo audio jack. This stereo audio extension cable features a 3... |
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50 Foot 3.5mm Stereo Headphone Extension Cable Gold List Price: $17.99 Sale Price: $1.49 Used From: $1.99 |
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Extend the reach of any MP3 player, CD player, computer or audio device with this 3.5mm stereo headphone and auxillary extension cable. |
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3.5 MM Stereo Extension Cable Male to Female 6 ft List Price: $0.00 Sale Price: $0.01 Used From: $0.01 |
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"3.5mm Stereo Audio Cables connect the 3.5mm jack from CD players, stereos, speakers, PC/TV tuners and other audio devices." |
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3.5MM LG OEM Stereo Earbud Headphones /w Microphone Extension for HTC Droid Incredible (Black) List Price: $23.80 Sale Price: $5.25 |
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3.5mm LG OEM Stereo Earbud Headphones designed to fit HTC Droid Incredible cell phone that have stereo output built-in! Includes a 3.5 mm stereo listen only headset that plugs into the microphone with audio adapter cord terminating in a 3... |
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Cables To Go 40408 3.5 mm Male/Female Stereo Audio Extension Cable - Black (12 Feet/3.65 Meters) List Price: $5.99 Sale Price: $0.01 Used From: $0.01 |
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Extend the distance between stereo audio devices using the 3.5mm connection, such as CD players, stereos, speakers, PC/TV tuners and other audio devices. You'll enjoy lasting quality and excellent performance no matter the connection... |
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Cables To Go 13787 3.5 mm Male/Female Stereo Audio Extension Cable (6 Feet, Black) List Price: $5.99 Sale Price: $0.01 Used From: $0.01 |
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Our 3.5mm Stereo Audio Extension Cables extend the distance of your existing 3.5mm audio cables. 3.5mm Audio Cables are used to connect the 3.5mm jack from CD players, stereos, speakers, PC/TV tuners and other audio devices... |
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Panasonic RP-HT21 Lightweight Headphones with XBS Port List Price: $5.95 Sale Price: Too low to display Used From: $1,390.00 |
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Take your music on the run with Panasonic's lightweight, low-cost RP-HT21 over-ear headphones. Lightweight, low-cost, over-ear headphones. Click here for a larger image Foam-cushioned earphones and a wide headband for added comfort... |
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3.5mm Stereo Headphone Extension 15 ft. Straight List Price: $4.99 Sale Price: $3.80 |
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Portable DVD players, laptops, portable CD players, MP3 players, iPods, PCs, and projectors all have one thing in common—a 3.5 mm (1/8") stereo audio jack. This stereo audio extension cable features a 3... |
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Maxell HP-20 Headphone Extension Cord with Adapters List Price: $9.99 Sale Price: $3.48 |
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Maxell's HP20 headphone extension cord gives you the options you need to connect your headphones to nearly any output setup. A 20-foot coiled cord expands and retracts to give you more mobility while using less space... |
URGENT cable question and help needed?
ive got a earphone, something like this, with the EXACT connector (the stereo connector): http://www.global-b2b-network.com/direct/dbimage/50323532/MP3_Earphone.jpg
i have a microphone with the same and EXACT connector, like this: http://www.giant-squid-audio-lab.com/gs/mic%20scans/cardstereo.jpg
THE earphone and the microphone both have the SAME AND EXACT connectors (stereo connector if thats what u call it).
i want to connect them both together to make it look like this: http://img.alibaba.com/photo/11730506/Audio_Extension_Cable.jpg
my question is : can i do that? if so how? do i need to cut the cables or anything. if you know how i can do this please answer a.s.a.p
Yes you could do that. It would be much easier for you to just buy a 3.5mm stereo jack to 3.5mm stereo jack lead though. they aren't expensive.