Speaker Midi

Speaker Midi

Rapco Horizon MIDI to MIDI Connector $3.49 Double-female MIDI connector.

Rapco Horizon Midi To Midi Connector $3.69 Double-female MIDI connector.

CME U-Key V2 49-Key USB MIDI Controller in Blue $179 The U-Key USB MIDI controller uses ultra-thin, full-action, semi-weighted keys. Though the CME keyboard has a total thickness of only 1-1/2", the key touch of the U-Key is the same as keyboards of standard thicknesses. The CME U-Key MIDI controller has a built-in, 64-polyphony, high-quality mobile phone sound module for composing cell phone ringtones, plus internal high-fidelity speaker driven by a digital amplifier. The CME keyboard also has many MIDI songs built-in with accompaniment in different styles, including loop variations and chord changes. These songs have been carefully created by professional musicians and can be brought by the CME U-Key keyboard's unique "PadStyle." All MIDI songs and styles can be downloaded from the Internet and transferred into the CME U-Key keyboard by USB. The U-Key MIDI controller contains a brand new Game Mode, and users can use this function along with music books to test their performance skills, while students can learn many helpful tips using this mode. It's the first mobiltone keyboard that has built-in multi-ethnical scales from around the world, and you may be surprised to learn that you can even play Arabian music or Asian music. Built into the U-key MIDI controller keyboard is the U-CTRL button, a fresh feature by CME that provides the easiest way to communicate between controller and music software. You don't need to load templates or presets, just press the CME keyboard's U-CTRL button and all the controllers you use for software control are ready.The CME U-Key MIDI keyboard offers more than 20 user-defined controllers in different styles, including joystick, trigger pads, encoders for data entry, and pedals. All controllers are programmable and all functions of the CME U-Key keyboard can be quickly and easily set up. The user can save their controller settings into the U-Key and load them at any time. The MIDI keyboard features plug-and-play USB MIDI drivers for Windows XP/MAC OSX, and it can be USB-powered. With the CME U-Key's line out, phone out, and compact size, it's also ideal for composers on the move.

CME U-Key V2 49-Key USB MIDI Controller in Blue 886830212383 $89.5 The U-Key USB MIDI controller uses ultra-thin, full-action, semi-weighted keys. Though the CME keyboard has a total thickness of only 1-1/2", the key touch of the U-Key is the same as keyboards of standard thicknesses. The CME U-Key MIDI controller has a built-in, 64-polyphony, high-quality mobile phone sound module for composing cell phone ringtones, plus internal high-fidelity speaker driven by a digital amplifier. The CME keyboard also has many MIDI songs built-in with accompaniment in different styles, including loop variations and chord changes. These songs have been carefully created by professional musicians and can be brought by the CME U-Key keyboard's unique "PadStyle." All MIDI songs and styles can be downloaded from the Internet and transferred into the CME U-Key keyboard by USB. The U-Key MIDI controller contains a brand new Game Mode, and users can use this function along with music books to test their performance skills, while students can learn many helpful tips using this mode. It's the first mobiltone keyboard that has built-in multi-ethnical scales from around the world, and you may be surprised to learn that you can even play Arabian music or Asian music. Built into the U-key MIDI controller keyboard is the U-CTRL button, a fresh feature by CME that provides the easiest way to communicate between controller and music software. You don't need to load templates or presets, just press the CME keyboard's U-CTRL button and all the controllers you use for software control are ready.The CME U-Key MIDI keyboard offers more than 20 user-defined controllers in different styles, including joystick, trigger pads, encoders for data entry, and pedals. All controllers are programmable and all functions of the CME U-Key keyboard can be quickly and easily set up. The user can save their controller settings into the U-Key and load them at any time. The MIDI keyboard features plug-and-play USB MIDI drivers for Windows XP/MAC OSX, and it can be USB-powered. With the CME U-Key's line out, phone out, and compact size, it's also ideal for composers on the move.

Cme U-Key V2 49-Key Usb Midi Controller In Blue $179 The U-Key USB MIDI controller uses ultra-thin, full-action, semi-weighted keys. Though the CME keyboard has a total thickness of only 1-1/2", the key touch of the U-Key is the same as keyboards of standard thicknesses. The CME U-Key MIDI controller has a built-in, 64-polyphony, high-quality mobile phone sound module for composing cell phone ringtones, plus internal high-fidelity speaker driven by a digital amplifier. The CME keyboard also has many MIDI songs built-in with accompaniment in different styles, including loop variations and chord changes. These songs have been carefully created by professional musicians and can be brought by the CME U-Key keyboard's unique "PadStyle." All MIDI songs and styles can be downloaded from the Internet and transferred into the CME U-Key keyboard by USB. The U-Key MIDI controller contains a brand new Game Mode, and users can use this function along with music books to test their performance skills, while students can learn many helpful tips using this mode. It's the first mobiltone keyboard that has built-in multi-ethnical scales from around the world, and you may be surprised to learn that you can even play Arabian music or Asian music. Built into the U-key MIDI controller keyboard is the U-CTRL button, a fresh feature by CME that provides the easiest way to communicate between controller and music software. You don't need to load templates or presets, just press the CME keyboard's U-CTRL button and all the controllers you use for software control are ready.The CME U-Key MIDI keyboard offers more than 20 user-defined controllers in different styles, including joystick, trigger pads, encoders for data entry, and pedals. All controllers are programmable and all functions of the CME U-Key keyboard can be quickly and easily set up. The user can save their controller settings into the U-Key and load them at any time. The MIDI keyboard features plug-and-play USB MIDI drivers for Windows XP/MAC OSX, and it can be USB-powered. With the CME U-Key's line out, phone out, and compact size, it's also ideal for composers on the move.49 notes of ultra-thin, full-action, semi-weighted keys1 programmable joystick8 programmable, velocity-sensitive trigger pads8 programmable knob controllers (endless encoder)1 endless encoder for data entry'PadStyle' MIDI songs and styles help you to play live music easilyInteractive mode to improve the skill of your performancesMulti-scale keys to fit more kinds of ethnic musicU-CTRL function lets you work with music software easilyFull MIDI functions including SEQ transport with fast operation accessMusic software control templates with user-bank memoriesLED displayFirmware upgrades by USBUSB MIDI, class-compliant with Windows XP and Mac OSXUniversal pedal connector, fully compatible with switch and expression pedal1 stereo line output, 1/8" phone jack1 stereo headphone output, 1/8" phone jack1 MIDI I/OUSB bus-powered

Leslie 2101 mk2 Rotary Speaker $1695 The Leslie 2101 mk2 Rotary Speaker, just like its predecessor, is a complete standalone unit. With a versatile, multiple-channel design, this outstanding Leslie speaker can be connected to any keyboard or organ requiring an amplifier with a single channel or multichannel inputs. The newly design vacuum tube preamp and overdrive section and advanced Digital Leslie simulator enhances the overall audio quality giving you professional-grade sound reproduction.The Leslie speaker contains two stationary channels, namely, left and right, and a rotary channel. Each of the stationary channels is powered by a 75W RMS amplifier and the rotary channel is powered by a 50W RMS amplifier. This fives you a total of 200W RMS power. An 11-pin Leslie socket as well as 1/4" line are provided for the Rotary channel and for the left and right stationary channels. The musician can adjust the slow and fast speed, the rise and fall time, as well as the brake time; plus, the setting can be saved. A MIDI terminal enables control of many of the Leslie functions from your organ or keyboard. Best of all, the speaker maintains the traditional Leslie sound.

Leslie 2101 Mk2 Rotary Speaker $1945 The Leslie 2101 mk2 Rotary Speaker, just like its predecessor, is a complete standalone unit. With a versatile, multiple-channel design, this outstanding Leslie speaker can be connected to any keyboard or organ requiring an amplifier with a single channel or multichannel inputs. The newly design vacuum tube preamp and overdrive section and advanced Digital Leslie simulator enhances the overall audio quality giving you professional-grade sound reproduction.The Leslie speaker contains two stationary channels, namely, left and right, and a rotary channel. Each of the stationary channels is powered by a 75W RMS amplifier and the rotary channel is powered by a 50W RMS amplifier. This fives you a total of 200W RMS power. An 11-pin Leslie socket as well as 1/4" line are provided for the Rotary channel and for the left and right stationary channels. The musician can adjust the slow and fast speed, the rise and fall time, as well as the brake time; plus, the setting can be saved. A MIDI terminal enables control of many of the Leslie functions from your organ or keyboard. Best of all, the speaker maintains the traditional Leslie sound.Cabinet has high-impact, black leather finish

Live Wire MIDI(F)-MIDI(F) Connector $5.99 MIDI female to MIDI female coupler from Live Wire.

Live Wire Midi(F)-Midi(F) Connector $5.99 MIDI female to MIDI female coupler from Live Wire.

MIDI Solutions MIDI Velocity Converter $129.99 The MIDI Solutions Velocity Converter applies selected velocity curves to incoming MIDI velocity data. Curves may be selected from 40 presets or a user defined curve. Each MIDI channel may be assigned a unique curve, allowing a MIDI controller's velocity sensitivity to be matched to individual sound modules in a MIDI setup. Velocities may also be assigned based on a selected incoming Control Change value. All settings are retained even after power is removed from the unit. The velocity converter is programmed by sending it MIDI System Exclusive messages. Once programmed, its settings are retained even after power is removed.The velocity converter is MIDI-powered and requires no batteries or power supply to operate. A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Midi Solutions Midi Event Processor $129.99 If you need to map, filter, and process MIDI events in specific ways, the MIDI Solutions Event Processor may be exactly the solution you are looking for. The Event Processor offers 10 settings, each of which can be programmed with a unique MIDI processing function (for 32 settings see the Event Processor Plus). By combining these settings the Event Processor becomes an extremely powerful tool capable of processing MIDI events in almost any way imaginable. You can map MIDI events or ranges of MIDI events to other MIDI events, filter MIDI events or ranges of MIDI events, trigger MIDI events, toggle between MIDI events, sequence through MIDI events, scale or crossfade MIDI messages, transpose notes, scale velocities, map to and from System Exclusive, NRPN, Bank Select messages, store incoming values in variables for later use... the Event Processor is like a swiss army knife of MIDI processing products, an indispensable tool in any MIDI musician's arsenal.The Event Processor works by comparing each incoming MIDI event with each of its 10 settings. When an incoming MIDI event matches a setting, the event is processed according to that setting. By combining different settings for different incoming events, the Event Processor becomes an extremely powerful tool capable of achieving a wide range of MIDI-processing functions.Following is a list of the Event Processor's functions, but better yet download the Event Processor Programming Tools software and read the Guide to the Event Processor and Event Processor Plus by Bruce Wahler of Ashby Solutions. The Programming Tools software is free for download, quick to install, and contains lots of examples that demonstrate the many applications of the Event Processor. And the Guide to the Event Processor and Event Processor Plus is a comprehensive guide that makes it easy to understand everything these amazing products are capable of!The Event Processor is programmed by sending it MIDI System Exclusive messages This is easily done with the Event Processor Programming Tools software. Once programmed, the Event Processor's settings are retained even after power is removed. The Event Processor can be reprogrammed with new settings as often as needed.The Event Processor is MIDI-powered, and requires no batteries or power supply to operate with most products. A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.Filter MIDI EventsMap MIDI EventsTrigger MIDI EventsCycle Through a Sequence of MIDI EventsTurn Settings On and OffStore Incoming Values in Variables

Midi Solutions Midi Velocity Converter $129.99 The MIDI Solutions Velocity Converter applies selected velocity curves to incoming MIDI velocity data. Curves may be selected from 40 presets or a user defined curve. Each MIDI channel may be assigned a unique curve, allowing a MIDI controller's velocity sensitivity to be matched to individual sound modules in a MIDI setup. Velocities may also be assigned based on a selected incoming Control Change value. All settings are retained even after power is removed from the unit. The velocity converter is programmed by sending it MIDI System Exclusive messages. Once programmed, its settings are retained even after power is removed.The velocity converter is MIDI-powered and requires no batteries or power supply to operate. A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.Applies selected velocity curves to incoming MIDI velocity data40 preset curvesUser-definable curvesEach MIDI channel may be assigned a unique curveVelocities assignable on a selected incoming Control Change valueAll settings are retained even after power is removed from the unitMIDI-powered - requires no batteries or power supplyMIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through

Used Cme U-Key V2 49-Key Usb Midi Controller In Blue Regular 886830276668 $89.5 The U-Key USB MIDI controller uses ultra-thin, full-action, semi-weighted keys. Though the CME keyboard has a total thickness of only 1-1/2", the key touch of the U-Key is the same as keyboards of standard thicknesses. The CME U-Key MIDI controller has a built-in, 64-polyphony, high-quality mobile phone sound module for composing cell phone ringtones, plus internal high-fidelity speaker driven by a digital amplifier. The CME keyboard also has many MIDI songs built-in with accompaniment in different styles, including loop variations and chord changes. These songs have been carefully created by professional musicians and can be brought by the CME U-Key keyboard's unique "PadStyle." All MIDI songs and styles can be downloaded from the Internet and transferred into the CME U-Key keyboard by USB. The U-Key MIDI controller contains a brand new Game Mode, and users can use this function along with music books to test their performance skills, while students can learn many helpful tips using this mode. It's the first mobiltone keyboard that has built-in multi-ethnical scales from around the world, and you may be surprised to learn that you can even play Arabian music or Asian music. Built into the U-key MIDI controller keyboard is the U-CTRL button, a fresh feature by CME that provides the easiest way to communicate between controller and music software. You don't need to load templates or presets, just press the CME keyboard's U-CTRL button and all the controllers you use for software control are ready.The CME U-Key MIDI keyboard offers more than 20 user-defined controllers in different styles, including joystick, trigger pads, encoders for data entry, and pedals. All controllers are programmable and all functions of the CME U-Key keyboard can be quickly and easily set up. The user can save their controller settings into the U-Key and load them at any time. The MIDI keyboard features plug-and-play USB MIDI drivers for Windows XP/MAC OSX, and it can be USB-powered. With the CME U-Key's line out, phone out, and compact size, it's also ideal for composers on the move.49 notes of ultra-thin, full-action, semi-weighted keys1 programmable joystick8 programmable, velocity-sensitive trigger pads8 programmable knob controllers (endless encoder)1 endless encoder for data entry'PadStyle' MIDI songs and styles help you to play live music easilyInteractive mode to improve the skill of your performancesMulti-scale keys to fit more kinds of ethnic musicU-CTRL function lets you work with music software easilyFull MIDI functions including SEQ transport with fast operation accessMusic software control templates with user-bank memoriesLED displayFirmware upgrades by USBUSB MIDI, class-compliant with Windows XP and Mac OSXUniversal pedal connector, fully compatible with switch and expression pedal1 stereo line output, 1/8" phone jack1 stereo headphone output, 1/8" phone jack1 MIDI I/OUSB bus-powered

Used Cme U-Key V2 49-Key Usb Midi Controller In Blue 886830264191 $89.5 The U-Key USB MIDI controller uses ultra-thin, full-action, semi-weighted keys. Though the CME keyboard has a total thickness of only 1-1/2", the key touch of the U-Key is the same as keyboards of standard thicknesses. The CME U-Key MIDI controller has a built-in, 64-polyphony, high-quality mobile phone sound module for composing cell phone ringtones, plus internal high-fidelity speaker driven by a digital amplifier. The CME keyboard also has many MIDI songs built-in with accompaniment in different styles, including loop variations and chord changes. These songs have been carefully created by professional musicians and can be brought by the CME U-Key keyboard's unique "PadStyle." All MIDI songs and styles can be downloaded from the Internet and transferred into the CME U-Key keyboard by USB. The U-Key MIDI controller contains a brand new Game Mode, and users can use this function along with music books to test their performance skills, while students can learn many helpful tips using this mode. It's the first mobiltone keyboard that has built-in multi-ethnical scales from around the world, and you may be surprised to learn that you can even play Arabian music or Asian music. Built into the U-key MIDI controller keyboard is the U-CTRL button, a fresh feature by CME that provides the easiest way to communicate between controller and music software. You don't need to load templates or presets, just press the CME keyboard's U-CTRL button and all the controllers you use for software control are ready.The CME U-Key MIDI keyboard offers more than 20 user-defined controllers in different styles, including joystick, trigger pads, encoders for data entry, and pedals. All controllers are programmable and all functions of the CME U-Key keyboard can be quickly and easily set up. The user can save their controller settings into the U-Key and load them at any time. The MIDI keyboard features plug-and-play USB MIDI drivers for Windows XP/MAC OSX, and it can be USB-powered. With the CME U-Key's line out, phone out, and compact size, it's also ideal for composers on the move.49 notes of ultra-thin, full-action, semi-weighted keys1 programmable joystick8 programmable, velocity-sensitive trigger pads8 programmable knob controllers (endless encoder)1 endless encoder for data entry'PadStyle' MIDI songs and styles help you to play live music easilyInteractive mode to improve the skill of your performancesMulti-scale keys to fit more kinds of ethnic musicU-CTRL function lets you work with music software easilyFull MIDI functions including SEQ transport with fast operation accessMusic software control templates with user-bank memoriesLED displayFirmware upgrades by USBUSB MIDI, class-compliant with Windows XP and Mac OSXUniversal pedal connector, fully compatible with switch and expression pedal1 stereo line output, 1/8" phone jack1 stereo headphone output, 1/8" phone jack1 MIDI I/OUSB bus-powered

MIDI Solutions MIDI Event Processor $129.99 If you need to map, filter, and process MIDI events in specific ways, the MIDI Solutions Event Processor may be exactly the solution you are looking for. The Event Processor offers 10 settings, each of which can be programmed with a unique MIDI processing function (for 32 settings see the Event Processor Plus). By combining these settings the Event Processor becomes an extremely powerful tool capable of processing MIDI events in almost any way imaginable. You can map MIDI events or ranges of MIDI events to other MIDI events, filter MIDI events or ranges of MIDI events, trigger MIDI events, toggle between MIDI events, sequence through MIDI events, scale or crossfade MIDI messages, transpose notes, scale velocities, map to and from System Exclusive, NRPN, Bank Select messages, store incoming values in variables for later use... the Event Processor is like a swiss army knife of MIDI processing products, an indispensable tool in any MIDI musician's arsenal.The Event Processor works by comparing each incoming MIDI event with each of its 10 settings. When an incoming MIDI event matches a setting, the event is processed according to that setting. By combining different settings for different incoming events, the Event Processor becomes an extremely powerful tool capable of achieving a wide range of MIDI-processing functions.Following is a list of the Event Processor's functions, but better yet download the Event Processor Programming Tools software and read the Guide to the Event Processor and Event Processor Plus by Bruce Wahler of Ashby Solutions. The Programming Tools software is free for download, quick to install, and contains lots of examples that demonstrate the many applications of the Event Processor. And the Guide to the Event Processor and Event Processor Plus is a comprehensive guide that makes it easy to understand everything these amazing products are capable of!The Event Processor is programmed by sending it MIDI System Exclusive messages This is easily done with the Event Processor Programming Tools software. Once programmed, the Event Processor's settings are retained even after power is removed. The Event Processor can be reprogrammed with new settings as often as needed.The Event Processor is MIDI-powered, and requires no batteries or power supply to operate with most products. A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Leslie 2101 mk2 Rotary Speaker 886830115219 $1440.75 The Leslie 2101 mk2 Rotary Speaker, just like its predecessor, is a complete standalone unit. With a versatile, multiple-channel design, this outstanding Leslie speaker can be connected to any keyboard or organ requiring an amplifier with a single channel or multichannel inputs. The newly design vacuum tube preamp and overdrive section and advanced Digital Leslie simulator enhances the overall audio quality giving you professional-grade sound reproduction.The Leslie speaker contains two stationary channels, namely, left and right, and a rotary channel. Each of the stationary channels is powered by a 75W RMS amplifier and the rotary channel is powered by a 50W RMS amplifier. This fives you a total of 200W RMS power. An 11-pin Leslie socket as well as 1/4" line are provided for the Rotary channel and for the left and right stationary channels. The musician can adjust the slow and fast speed, the rise and fall time, as well as the brake time; plus, the setting can be saved. A MIDI terminal enables control of many of the Leslie functions from your organ or keyboard. Best of all, the speaker maintains the traditional Leslie sound.

Leslie 2101 mk2 Rotary Speaker 886830085772 $847.5 The Leslie 2101 mk2 Rotary Speaker, just like its predecessor, is a complete standalone unit. With a versatile, multiple-channel design, this outstanding Leslie speaker can be connected to any keyboard or organ requiring an amplifier with a single channel or multichannel inputs. The newly design vacuum tube preamp and overdrive section and advanced Digital Leslie simulator enhances the overall audio quality giving you professional-grade sound reproduction.The Leslie speaker contains two stationary channels, namely, left and right, and a rotary channel. Each of the stationary channels is powered by a 75W RMS amplifier and the rotary channel is powered by a 50W RMS amplifier. This fives you a total of 200W RMS power. An 11-pin Leslie socket as well as 1/4" line are provided for the Rotary channel and for the left and right stationary channels. The musician can adjust the slow and fast speed, the rise and fall time, as well as the brake time; plus, the setting can be saved. A MIDI terminal enables control of many of the Leslie functions from your organ or keyboard. Best of all, the speaker maintains the traditional Leslie sound.

Used Leslie 2101 Mk2 Rotary Speaker 886830085772 $972.5 The Leslie 2101 mk2 Rotary Speaker, just like its predecessor, is a complete standalone unit. With a versatile, multiple-channel design, this outstanding Leslie speaker can be connected to any keyboard or organ requiring an amplifier with a single channel or multichannel inputs. The newly design vacuum tube preamp and overdrive section and advanced Digital Leslie simulator enhances the overall audio quality giving you professional-grade sound reproduction.The Leslie speaker contains two stationary channels, namely, left and right, and a rotary channel. Each of the stationary channels is powered by a 75W RMS amplifier and the rotary channel is powered by a 50W RMS amplifier. This fives you a total of 200W RMS power. An 11-pin Leslie socket as well as 1/4" line are provided for the Rotary channel and for the left and right stationary channels. The musician can adjust the slow and fast speed, the rise and fall time, as well as the brake time; plus, the setting can be saved. A MIDI terminal enables control of many of the Leslie functions from your organ or keyboard. Best of all, the speaker maintains the traditional Leslie sound.Cabinet has high-impact, black leather finish

MIDI Solutions M8 8-Input MIDI Merger $199.99 The MIDI Solutions M8 merges up to 8 MIDI ins to one MIDI out, and may be chained together with other Mergers for as many inputs as required. All MIDI messages appearing at any of the 8 inputs are merged to the output (including System Exclusive and MIDI Time Code messages). A fast merging algorithm ensures that MIDI data is processed with minimal delay. The rack mounted M8 MIDI merger is MIDI-powered, and requires no batteries or power supply to operate with most products. A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

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How To Produce the Hottest Beats As A Hip Hop and R and B Music Producer

What makes a pro recording pro? What is the "sound" that the pros get and how can you make your recordings sound more professional? The simple answer is - there's no simple answer. But with careful listening and a little experience you can create excellent results with modest equipment. Good mixing starts ear ` The first and most important item of equipment is - who knows? Anyone? It's your ears! Sorry to tell you this, but listening to ten hours of Rave at 110dB will do nothing for them and you might as well give your mix to a turtle as try to mix with misused ears. Listen to commercial recordings of mixes you like, analyse them, listen for the effects and get to know what constitutes the sort of sound you're after.

Mixing secrets There's no hidden secret to getting a good sound, but if we had to sum up the secret of mixing in two words it would be this - EQ and compression.

Okay that’s three words. These are probably the two most important tools used by professional producers. However, like any tools, if you don't know how to use them you'll be carving Habitat tables instead of Chippendale chairs. That's where your ears and experience come in. Here we have assembled some production ideas, suggestions, tips and tricks but they can only be guidelines and need to be adapted to suit your material. There are no presets you can switch in to make a bad recording sound good. And if your original material has been poorly recorded not even Abbey Road could salvage your mix. But follow these suggestions and see how much your mixes improve.

Get the level right You can't push the levels when recording digitally as you can when recording to tape but you still want to get as much signal into the system as possible. This means watching the levels very carefully for clipping, and recording at an even and constant level. Some recording software lets you monitor and set the input level from within. Some expect you to use the soundcard’s mixer while others have no facility for internally adjusting the input level and expect you to set this at source. Monitors

Your ears are only as good as the monitors they listen to. DO NOT expect to produce a good, pro mix on tiny computer speakers. It may sound fine on a computer system, but try it on a hi fi, in a disco and through a car stereo. Oddly enough, you don't necessarily need the most expensive Mic. Many top artists use what some might call "average" Mics because they work well and get the job done. You can spend a wad on a large diaphragm capacitor Mic (yes, they're good for vocals) if you have the lolly but check out dynamic Mics which are much more affordable and can be turned to several tasks. Mixing MIDI and audio. One of the great things about computer-based recording is that the parts can so easily be changed, edited and processed. It's also so easy to combine MIDI and audio tracks and many musicians use a combination of sample loops, MIDI parts and audio recording.

Audio recordings are generally guitar and acoustic instruments such as the sax and vocals. Incidentally, the best way to record guitars is by sticking a Mic in front of its speakers. You can DI them and process them later and this may be cleaner but for a natural guitar sound a Miced amp is hard to beat. It's not necessary to record drums live and, in fact, it's difficult to do and retain a modern sound. You can buy off-the-shelf MIDI drum riffs and audio drum loops, or program your own. The quality of the gear which makes drum noises these days is such that anyone with a good riff can sound like a pro. Mixing MIDI As MIDI and audio parts appear on the same screen in modern sequencers, it's very easy to arrange them into a song. However, when you come to mix everything down there's another consideration. If you are recording to DAT you can simply route the audio and MIDI outputs through a mixer and into the DAT machine.

However, if you want to create a CD you must first convert the MIDI parts to audio data. The entire song can then be mixed to hard disk and burned to CD. Converting MIDI to audio can have another benefit and that's the ability to process the MIDI tracks using digital effects. Effects There are three positions for effects known as Master, Send and Insert. Use the Master for effects you want to apply to the entire mix. These will often be EQ, compression and reverb. Although giving each channel its own Insert effects is kinda neat, each one uses a corresponding amount of CPU power. So if your computer is struggling and if you're using the same effect on more than one channel, make the effect a Send effect and route those channels to it. Many pieces of software let you apply an effect Pre or Post fader. With Post fader, the amount of sound sent to the effect is controlled by the fader. With Pre fader, the total volume level of the signal is sent. Post fader is the usual default and the one you'll use the most.

EQ is the most popular and the most over-used effect. Yes, it can be used to try to "fix a mix" but you can't make a silk purse out of a sow's ear as me Gran used to say and what she didn't know about mixing could be written in the margin of the book of honest politicians. But before you start messing with EQ - or any other effect for that matter - make sure you have a decent set of speakers. Have we said that already? Oh, must be important, then. There are plug-in effects such as MaxxBass which can psychoacoustically enhance the bass frequencies to make it sound better on smaller speakers. However, this is by no means the same as getting a good bass sound in the first place by observing good recording principles. EQ can enhance a mix to add gloss, fairy dust, shimmer, sheen, a sweetener or whatever you want to call it to the final production. It can be done with enhancers and spectralisers, too, although these tend to mess with the harmonics which some producers don't like. However, don't dismiss them out of hand. General EQ lore says that you should cut rather than boost. If a sound is top-heavy, the temptation is to boost the mid and bass ranges. But then what usually happens is you start boosting the upper range to compensate and you simply end up boosting everything and you're back where you started - only louder! The reason why cutting is preferred is that boosting also boosts the noise in the signal which is not what you want. Try it. Boost every frequency and listen to the result. If you think it sounds okay, fine. What do we know? But when you're fiddling, do keep an eye on the output meter. Boosting EQ inevitably means increasing the gain and it's so-o-o-o easy to clip the output causing distortion which does not sound good.

Finally, check EQ changes to single tracks while playing back the entire piece. In other words, listen to the tracks in context with all the other tracks. It may sound fine in isolation but some frequencies may overlap onto other tracks making the piece frequency rich in some places and frequency poor in others. Reverb Reverb creates space. It gives the impression that a sound was recorded in a hall or canyon instead of the broom cupboard. Recording lore suggests that you record everything dry, with no reverb, so you can experiment with a choice later on. You can't un-reverb a track once it's been recorded. The more reverb you apply, the further away sound will seem. To make a vocal up-front, use only enough reverb to take away the dryness. Vocals don't want to be mushy (lyrics can be mushy) so use a bright reverb. A common novice error is to swamp everything with different types of reverb. Don't - it sounds horrible! Mixing down You've done all the recordings, done the edits, applied the effects and now it's time to mix everything into a Big Number One Hit! Before you do, go home and have a good night's sleep. Have two. In fact, sleep for a week. Yes, we know you're hot and raring to go but your ears are tired. They're falling asleep. Listen carefully and you might hear then snore! There is a phenomenon known as ear fatigue and consistent exposure to sound, especially the same frequencies, makes our ears less responsive to them. Goes back to the bit about spending your life in a Rave club - you'll never be a master producer. If you try to mix after spending a day arranging, your ears will not be as responsive, so do them and your mix a favour by waiting at least a day. Now, go forth and mix! And don’t forget - you get better with practice. For more information about mixing

About the Author

Gus Schmidt is an internet marketer dedicated to sharing no and low cost marketing and entertainment apps.

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