Radio Microphone Stand
Radio Microphone Stand
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![]() Realistic Dynamic Microphone MC 1000 Hi Fi Desk Stand Japan Audio Recording US $9.75
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![]() Radio Shack Super Cardioid Vocal Microphone Brand New US $25.99
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![]() Broadcasting Studio Microphone Mic Boom Suspension Scissor Arm stand Shock Mount US $53.95
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![]() Vocopro UHF 5900 Professional UHF Wireless Microphone System w Carrying Case US $424.95
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![]() AKGD7 Limited MicCABLED 7 LTD Dynamic Mic NEW AUTHORIZED WARRANTY US $179.00
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![]() Broadcast Studio Microphone Mic Suspension Boom Scissor Arm Stand w Shock Mount US $52.99
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![]() Audio TechnicaAT875RAT 875R Pro Video Shotgun Mic NEW WARRANTY AUTHORIZED US $189.99
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![]() New BEHRINGER C 3 Dual Diaphragm Condenser Mic Authorized DealerFull Warranty US $54.99
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Solidstand Microphone Boom Stand For Second Tier $79 This Solidstand Mic Boom Stand is an adjustable microphone boom stand with mulitclamp for use with Solidstand's adjustable keyboard stand second tier. |
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Ap Audio Abm-1 Microphone And Stand Package $49.99 This AP Audio ABM-1 Mic / Stand Package includes an ABM-1 cardioid dynamic microphone, tripod microphone stand with boom, microphone stand mount, and 20' XLR mic cable. The black-finished mic stand is height adjustabelle to 60" with a boom that is adjustable up to 30".Package includes:ABM-1 cardioid dynamic microphoneTripod microphone stand with boomMicrophone stand mount20' XLR mic cable |
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Shure Sm11 Lavalier Microphone $149.99 The Shure SM11 is a miniature dynamic lavalier microphone designed for use in television broadcasting (on camera), for sound reinforcement, in certain radio and motion picture applications, and similar uses where a small, professional-quality, microphone is required. The SM11 has an omnidirectional pickup pattern, and its frequency response is optimized for lavalier use. The microphone is supplied with a tie clasp assembly, tie tack assembly, connector belt clip, and zippered carrying/storage bag. Frequency response optimized for lavalier use--acoustically matches most stand- or desk-mounted microphonesSmall and lightweight for unobtrusive, virtually unseen operationSmooth exterior and recessed grille screen minimize clothing noiseRugged aluminum case constructionExtremely flexible long-life cable2 mounting options -- tie clasp or tie tackConvenient, secure belt clip attaches connector to belt or clothing |
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Dunlop Microphone Stand Pick Holder $3.99 The 7" long Dunlop Microphone Stand Pick Holder is made of high-quality rubber to ensure a firm hold. Fastens to any standard mic stand or boom. The Dunlop pick holder keeps your picks within easy reach at any gig or practice session. |
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Yamaha Microphone Stand Adapter For S15 $21.99 The Yamaha Microphone Stand Adapter For S15 mounts loudspeakers of up to 11 pounds to a microphone stand. The BMS10A fits the 5/8", 27-thread standard and comes with a 3/8" 16-thread European adapter. The BMS10A comes with 2 5mm screws needed for mounting.The BMS10A also supports MG10/2, MG8/2FX, and the STAGEPAS 300 mixer on mic stands. BMS10A is sold as a single unit. |
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K&M One-Hand Microphone Stand with Tripod Base $69.9 The K&M one-hand microphone stand is equipped with a unique "Soft-Touch" clutch that adjusts the height with only a quick squeeze. Raising or lowering your mic is now easy and the stand's metal base offers foldable legs for compact transport. The microphone stand's quality black powder coating is extremely durable. |
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K&M One-Hand Microphone Stand With Tripod Base $69.9 The K&M one-hand microphone stand is equipped with a unique "Soft-Touch" clutch that adjusts the height with only a quick squeeze. Raising or lowering your mic is now easy and the stand's metal base offers foldable legs for compact transport. The microphone stand's qualityblack powder coatingis extremely durable. |
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K&M Microphone Stand with Boom Arm $59.99 K&M uses proprietary Swiss steel tubing, fixed length boom arm and zinc die-cast base with long folding legs for stability in this boom arm microphone stand. Square swivel joint with large wing nut boom fastener. |
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Nady Sp1 Microphone And Stand Package $24.99 Microphone and stand package includes a Nady SP1 mic with mic clip, 20' mic cable, and a tripod fixed-boom mic stand.The SP1 dynamic mic has a convenient recessed on-off switch and broad frequency response that makes it useful for back up vocals, speaking, miking guitar cabs, and even drums. |
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K&M Microphone Stand With Boom Arm $59.99 K&M uses proprietary Swiss steel tubing, fixed length boom arm and zinc die-cast base with long folding legs for stability in this boom arm microphone stand. Square swivel joint with large wing nut boom fastener. |
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Swirlygig Microphone Stand Drink Holder $9.99 The Swirlygig Microphone Stand Drink Holder is built to accommodate most beverage containers. The stylish SwirlyGig puts an end to frustration of trying to find a convenient, yet safe place for your beverage. No more tripping over your drink, spills on expensive gear, or worse yet, going without refreshment. The SwirlyGig cup holder requires no assembly and fits on most mic and music stands.Accommodates most beverage containersNo assembly requiredFits most microphone and music stands |
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K&M Microphone Stand with Stackable Round Base $49.99 This K&M Microphone Stand has a round and heavy die-cast base. The cut-out design allows you to stack up to 5 microphone stands. Height adjusts with a comfortable clutch. |
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K&M Microphone Stand With Stackable Round Base $49.99 This K&M Microphone Stand has a round and heavy die-cast base. The cut-out design allows you to stack up to 5 microphone stands. Height adjusts with a comfortable clutch. |
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Nady SP1 Microphone and Stand Package $24.99 Microphone and stand package includes a Nady SP1 mic with mic clip, 20' mic cable, and a tripod fixed-boom mic stand. The SP1 dynamic mic has a convenient recessed on-off switch and broad frequency response that makes it useful for back up vocals, speaking, miking guitar cabs, and even drums. |
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RODE PSA 1 Swivel Mount Studio Microphone Boom Arm (Black) List Price: $109.00 Sale Price: $90.49 |
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The Rode PSA 1 Swivel Mount Studio Microphone Boom Arm is the professional way to mount your microphone to a studio desk. The PSA1 works with almost any mic on the market. Rode PSA 1 Features Rotates 360 degrees and reaches 32-33 inches from the base Includes two desk mounting options 2-axis swivel mount for accurate positioning Holds up to 4... |
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Broadcasting Studio Microphone Suspension Boom Scissor Arm stand with Shock Mount List Price: $59.99 Sale Price: $51.99 |
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This microphone arm stand will include the following five parts:Scissor microphone arm standStandard microphone clip for handheld microphonesCrank style table mounting clampProfessional studio shock mount for diaphragm condenser microphonesXLR male to female microphone cableFeature: 1... |
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Samson Meteor Mic USB Studio Microphone (Cardioid) List Price: $149.99 Sale Price: Too low to display Used From: Too low to display |
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Producing rich audio recording for any application, Meteor Mic has one of the largest condenser diaphragms (25mm) of any USB mic available. Its cardioid pickup pattern, smooth frequency response and 16-bit, 44... |
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MXL MXL 990 Condenser Microphone with Shockmount List Price: $199.99 Sale Price: $59.00 Used From: $57.98 |
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The MXL 990 Condenser Microphone with Shock Mount has a silky, sweet high end while retaining tight, solid low and midrange reproduction. The 3/4" gold-sputtered diaphragm creates a professional sound suited for digital and analog recording... |
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Sennheiser RS120 Over-Ear 900MHz Wireless RF Headphones with Charging Cradle List Price: $99.95 Sale Price: $85.00 Used From: $51.00 |
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The Sennheiser RS-120 Wireless Headphones are an ideal choice for wireless use of both Hi-Fi audio and the TV. The open-ear headphones are supraaural and provide detailed, warm sound reproduction with a strong bass response... |
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Naxa NAM-984 Professional Dual Wireless Microphone Kit List Price: $24.99 Sale Price: $16.99 Used From: $20.29 |
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Naxa NAM-984* Wireless Receiver for Enhanced Mobility * Two Professional Microphones* Ideal for Meetings, Events and Karaoke |
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Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp List Price: $59.00 Sale Price: Too low to display Used From: $47.89 |
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The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation... |
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Hello Kitty Microphone Stand with Microphone Sale Price: $26.99 |
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This Hello Kitty Microphone Stand with Microphone is great for any aspiring musician. It is extendable and has an easy storage compartment that provides a safe place to store your Music Device while rocking out to your favorite songs... |
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Atlas Sound MS-10C Round Base All-Purpose Mic Stand Chrome List Price: $49.99 Sale Price: $35.94 |
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The Atlas MS-10C is the industry-standard, metal base mic stand you see on almost every stage. It's durable, rugged design has made it the favorite of musicians, live engineers and recordists for years. |
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Blue Microphones Ringer Universal Shockmount for Ball Microphones List Price: $59.00 Sale Price: Too low to display Used From: $35.00 |
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The Ringer is a custom designed shockmount for Blue's complete line of spherical microphones; the ball, the 8-ball, the kickball, and snowball. The Ringer features a vintage-style suspension mount design to isolate the microphone body from low-frequency energy when mounted on a microphone stand... |
Media Interview Success
The first thing you should do when asked to do a radio or television interview is say, “yes”, then control the panic that may set in.
A lot of people unfamiliar with doing an on-air interview are daunted by the prospect and get very nervous. This fear can stop us moving ahead and saying “no” to the chance of promoting our businesses. You need to put this fear into its right perspective – what is the worst thing that is going to happen to you?
You might think you are going to die or pass out and faint once a microphone is put in front of you but it is highly unlikely. The knocking knees and shaky voice you might think will give you away but generally nerves are pretty normal and not noticed so much by other people even though you may be feeling it strongly.
Nerves can be used as a source of enthusiasm to show your commitment to the subject you are talking about. So let’s look at how we might eliminate unnecessary fears from an interview situation.
1. Prepare
You only have one chance to get it right with live radio or television. You know your subject better than anyone else so think about some possible questions they may ask and prepare your answers. Ask your partner or a friend to ask you a few questions and have a rehearsal – practice. Find out as much as you can about the program on which you're being asked to appear – is it live or pre-recorded? What angle are they taking? What are they expecting from you – what are the question areas? Is the audience completely general, or is targeted at housewives or business people? Think about the points you could make which are most interesting, useful and relevant to the appropriate audience.
2. Stick to the Point
What’s really useful is to prepare three or four main points which you wish to convey. Write them down on a sticky note and refer to it. Most radio interviews are less than four minutes long so always keep to the point and avoid being drawn into side issues. Always try and take control and use every opportunity to get your message across. Don't wait to be asked the appropriate question.
3. Give Yourself Time To Think About It
The phone rings, and out of the blue a journalist is on the line asking you some tricky questions about your company's activities. How do you handle it? Your company's reputation may depend on the answers you give. Don't be afraid to call the journalist back rather than talking straight away off the top of your head – but find out when their deadline is and don't leave it too late. Use the time to think through what you should be putting across, particularly in response to any controversial issues that are likely to be raised.
4. Have Something To Say
If there are controversial issues in your area of expertise, work out where you stand, and what you should say. It is better to respond rather than say “no comment”. Don't be afraid to put your point of view across.
5. Make It Interesting and Relevant
Make your message more memorable by using real stories and examples. Use word pictures. Cut through the clutter with words that paint a picture in the mind of the listener. When you have facts and specifics to back yourself up, you will come over as more authoritative. Remember to stress the points that are likely to interest the listeners or viewers rather than just your own internal messages.
6. Make it Personable
Use the interviewer’s name to make it more personable when answering questions. If you’re doing an interview face-to-face use eye contact and try and interest the interviewer in what you’re talking about rather than thinking – do I sound OK – do I look alright on TV. If your eyes flicker around during a TV interview, you look uncomfortable, and possibly a bit shifty. If you keep your eye-line focused on the interviewer, you will come over as being in command of your subject. Focus on getting those main points across.
7. Be Buoyant & Enthusiastic
Be bright and buoyant in your answers – boring answers will probably be edited out and boring interviews will be dropped altogether. You need to be slightly more animated and larger than life. Pep up your delivery so that it is bright and enthusiastic, rather than dull and low-key. Remember broadcasting is a performance! If you do not hold the audience's attention, there are plenty of rival channels people can switch over to.
8. Mind Your Language
Think about the way you talk in your work life – is your conversation peppered with abbreviations, technical terms and other jargon? For the outside world, this will just not do. Imagine instead that you are chatting to someone who is perfectly intelligent, but who simply doesn't know anything about the subject. People often make the mistake of addressing their remarks to the interviewer (who may be well informed) rather than the audience.
9. Keep Your Comments Concise
Catchy short answers work best in the media especially for television news. They’re known as “grabs” and can be slotted in to a news story. If you watch the news, or listen to radio news, you’ll notice that the grabs or “sound bites” are about 5-7 seconds long. If you don’t give enough information the journalist will simply ask a follow-up question.
10. Be Available
Always make yourself available for radio interviews. Be available to go into the studio for better quality than over the phone. If you’re on talkback radio use a landline not a mobile phone and be aware of external noise. When you do radio interviews make sure the background is as quiet as possible.
11. Warm Up Your Voice
Always take time to warm up your voice so you sound more articulate, intelligent and authoritative. This will give you more confidence.
12. Call to Action
Most people will remember the opening and closing of a radio interview. Always have a strong closing with a call to action, something you want listeners to do i.e. attend the event or buy the product. And finally remember to smile – when you smile you feel and sound much friendlier – and enjoy it!
About the Author
Sue Currie, the director of Shine Communications Consultancy and author of Apprentice to Business Ace – your inside-out guide to personal branding, is a business educator and speaker on personal branding through image and media. To learn more about how you can achieve recognition, enhance your image and shine, sign up for free monthly tips at http://www.shinecomms.com.au/subscriber.html


US $9.75



























































