Pro Mic
Pro Mic
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Ultimate Support Pro-T Tripod Mic Stand $59.99 Like the rest of the PRO Series Mic Stands, the PRO-T model is designed to be a dependable, everyday workhorse. The Pro Series mic stands have an ingenious design with patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of thick steel tubing (1.1") with field replaceable parts. They also have a clutch that locks up faster and smoother than their peers with dual overmolding for a secure grip. The tripod bases feature strong legs that securely snap in place with oversized foot caps that won't fall off or let your mic be susceptible to easy knockovers. The PRO-T is height adjustable from 41.7" to 63".Patented universal mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesOvermolded clutchThick steel tubingField replaceable partsTripod base with strong legs that snap into placeOversized rubber footcapsHeavy-duty coated finish resists scratching |
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Pro Co Power Mute Mic Mute Switch $132.49 The Pro Co Power Mute is an active version of the Short Stop and the Sign Off switches that can be set to function in either momentary or latching modes, which adds an on/off status light (green/red). Selectable as a momentary or latching mic mute footswitchFor momentary mode, can be set for mic on when pressed, or mic off when pressedStatus indicator lightIncludes AC power supply |
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Pro Co Sign Off Latching Mic Mute Switch $78.99 The Pro Co Sign Off is a latching mic-mute footswitch. Step on the switch to turn mic off. Step again to turn the mic back on. It is positioned inline between the mic and the board (plug mic into Sign Off; plug Sign Off into sound system). Especially handy for singing drummers and others who require a latching switch. Switchable for use with condenser or dynamic mics.Latching mic-muting switchCan be used with condenser or dynamic mics |
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Ultimate Support Pro-St Standard Weighted Base Mic Stand $59.99 Like the rest of the PRO Series Mic Stands, the PRO-ST model is designed to be a dependable, everyday workhorse. The Pro Series mic stands have an ingenious design with patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of thick steel tubing (1.1") with field replaceable parts. They also have a clutch that locks up faster and smoother than their peers with dual overmolding for a secure grip. The PRO-ST features a die-cast weighted base in a curved, triangular shape. The PRO-ST is height adjustable from 37.4" to 57.9".Patented universal mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesOvermolded clutchThick steel tubingField replaceable partsDie-cast weighted baseHeavy-duty coated finish resists scratching |
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Hercules Stands Pro Mic Stand Pack $149.99 Hercules Stands' Pro Mic Stand Pack is made up of 1 Hercules MS401B Tilt Base Microphone Stands plus 2Hercules MS531B EZ Clutch Mic Stands with Boom:1 Hercules MS401B Tilt Base Microphone Stand:The Hercules MS401B Tilt Base Microphone Stand features a Quik-N-EZ height adjustment grip which makes one-handed adjustments a breeze with an internal locking mechanism that prevents slipping. Simply grab the EZ grip and adjust the stand up or down. It also features a Quik-N-EZ adapter for instant attachment of the mic to the stand: just flip the lever down to attach and flip it up to remove. Works on 5/8" tubes and is rubber-lined for a secure grip. The tilting base with level legs gives you a fully adjustable stand angle and swiveling legs that fit around other stands, drums, and stage equipment.Two Hercules MS531B EZ Clutch Mic Stands with Booms:The Hercules MS531B EZ Clutch Mic Stand with Boom features 3 great design innovations that eliminate the usual problems associated with everyday mic stands. First, the Quik-N-EZ adapter requires a simple push of the lever up or down to quickly mount it to the mic stand. It can also be left attached to the mic clip for speedy setups. Second, the Quik-N-EZ boom with a retainer allows for instant attachment of the boom to the stand. Just flip the lever up to attach and down to remove. Third, pressing the lever on the EZ clutch releases the clutch, letting you slide the upper tube up or down. Made with a tripod base of durable, die-cast aluminum. |
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Ultimate Support Pro-T-F Tripod Mic Stand With Fixed Boom $119.99 This Ultimate Support Pro-T-F package pairs a PRO-T Tripod Mic Stand with the ULTI-BOOM FB fixed boom so you can get your mic at just the right height and angle for your needs. This combination of stand and boom will be an asset to any stage or studio setup.PRO-T Mic StandLike the rest of the PRO Series Mic Stands, the PRO-T model is designed to be a dependable, everyday workhorse. The Pro Series mic stands have an ingenious design with patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of thick steel tubing (1.1") with field replaceable parts. They also have a clutch that locks up faster and smoother than their peers with dual overmolding for a secure grip. The tripod bases feature strong legs that securely snap in place with oversized foot caps that won't fall off or let your mic be susceptible to easy knockovers. The PRO-T is height adjustable from 41.7" to 63".ULTI-BOOM FBThe ULTI-BOOM FB fixed boom features an oversized rotation hub to increase friction and reduce slippage, and top threads which fit U.S. and metric threaded mic clips and accessories. Its ergonomic knob allows for quick adjustment without fear of pinching your precious fingers before a performance. The ULTI-BOOM FB is made of extruded and anodized aluminum tubing with a metal counterweight gives it true balance. The boom length is 33.6".PRO-TPatented universal mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesOvermolded clutchThick steel tubingField replaceable partsTripod base with strong legs that snap into placeOversized rubber footcapsHeavy-duty coated finish resists scratchingULTI-BOOM FBOversized rotation hub increases friction, reducing slippagePatented top threads fit U.S. and metric threaded mic clips and accessoriesErgonomic knobs for quick adjustmentExtruded and anodized aluminum tubingInternal glides for fast, smooth, and noise-free adjustmentMetal counterweight for true balanceLimited lifetime warranty |
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Ultimate Support Pro-T-T Tripod Mic Stand With Telescoping Boom $89.99 This Ultimate Support Pro-T-T package pairs a PRO-T Tripod Mic Stand with the ULTI-BOOM TB telescoping boom so you can get your mic at just the right height and angle for your needs. This combination of stand and boom will be an asset to any stage or studio setup.PRO-T Mic StandLike the rest of the PRO Series Mic Stands, the PRO-T model is designed to be a dependable, everyday workhorse. The Pro Series mic stands have an ingenious design with patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of thick steel tubing (1.1") with field replaceable parts. They also have a clutch that locks up faster and smoother than their peers with dual overmolding for a secure grip. The tripod bases feature strong legs that securely snap in place with oversized foot caps that won't fall off or let your mic be susceptible to easy knockovers. The PRO-T is height adjustable from 41.7" to 63".ULTI-BOOM TBThis telescoping boom features an oversized rotation hub to increase friction and reduce slippage. Like the stand, it has top threads which fit U.S. and metric threaded mic clips and accessories. Its ergonomic knobs allow for quick adjustment without fear of pinching precious fingers before a performance. The ULTI-BOOM TB is made of extruded and anodized aluminum tubing with internal glides for fast, smooth, and noise-free adjustment. A metal counterweight gives it true balance. The boom length can be adjusted between 18.9" - 34.6".PRO-TPatented universal mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesOvermolded clutchThick steel tubingField replaceable partsTripod base with strong legs that snap into placeOversized rubber footcapsHeavy-duty coated finish resists scratchingULTI-BOOM TBOversized rotation hub increases friction, reducing slippagePatented top threads fit U.S. and metric threaded mic clips and accessoriesErgonomic knobs for quick adjustmentExtruded and anodized aluminum tubingInternal glides for fast, smooth, and noise-free adjustmentMetal counterweight for true balanceLimited lifetime warranty |
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Ultimate Support Pro-Sb Stackable Base Mic Stand $69.99 Like the rest of Ultimate's PRO Series Mic Stands, the PRO-SB model is designed to be an everyday-use stand. The Pro Series mic stands have an ingenious design with patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of thick steel tubing (1.1") with field replaceable parts. They also have a clutch that locks up faster and smoother than their peers with dual overmolding for a secure grip. The PRO-SB mic stand features a die-cast weighted base in a curved, triangular shape with a cutout in the back that allows you to stack up to 6 when not in use. The PRO-SB is height adjustable from 37.4" to 57.9".Patented universal mic attachment with top threads that fit U.S. and metric threaded mic clips and accessories Overmolded clutch Thick steel tubing Field replaceable parts Die-cast weighted base Base cutout allows it to be stackable (up to 6) Heavy-duty coated finish resists scratching |
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Heil Sound Handi Mic Pro Plus Dynamic Microphone Black $108 The Heil Handi Mic Pro Plus is a dynamic microphone that incorporates innovative mic technology designed for a wide range of professional applications. This versatile Heil microphone excels at live sound, commercial broadcast, and sophisticated recording venues. The Handi Mic's wide frequency range outperforms tired, 30+ year old industry technology and can withstand huge amounts of SPL. The end result is a microphone that can answer the call to any application. The Handi Mic Pro Plus is ideal for use with tom drums where smaller microphones are needed, as well as inside Leslie speakers. The Handi Mic is perfect as an interview microphone because of its small size, low profile and great sound. Since 1982, Heil Sound has been the leading manufacturer of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off axis rear. The pattern control of the Heil Handi Mic Pro Plus is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low mass diaphragm and a special mixture of neodymium, iron, and boron that gives the Handi Mic Pro Plus the strongest magnet structure available. Heil technicians paid special attention to the microphone's phasing plug assembly. The Handi Mic's equally placed ports accept sound from behind out of phase. Thus, the Handi Mic Pro Plus produces a very linear cardioid pattern and reduces proximity effect while achieving perfect articulation. The Heil element in this microphone is usable at extreme high sound pressure levels and is immune to overload conditions. That makes the Heil Handi Mic Pro Plus a dynamic microphone that is perfect for vocal and live sound applications. |
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ART Pro Channel Tube Mic Preamp $290.29 The Pro Channel from ART is the latest offering from the world's most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product - creating the world's best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART's pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART's award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters - now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry's top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe. |
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ART SplitCom Pro 2 Way Mic Splitter / Combiner $35 Use the ART SPLITCom Pro to split or combine balanced low-impedance microphone signals.As a splitterThe SPLITCom Pro mic splitter provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The main mic output passes phantom power from the main mixer to the MAIN MIC INPUT for use with condenser microphones. Phantom power is blocked from passing to the isolated mic output.As a combinerThe SPLITCom Pro provides one output from two microphone inputs. The Phase switch can be used to invert the relative phase of the isolated mic input. Applications include dual miking of percussion instruments, choirs, and instrument amplifiers. Phantom power passes through each output to its respective input, (Main to Main, Isolated to Isolated), however phantom power is blocked from passing between the Main and Isolated signal paths. Only the audio passes between the Main and Isolated signal paths (it is present on all inputs and outputs).The ART SPLITCom Pro includes a Ground switch, which, in the Lift position, will provide full galvanic isolation between the Main Mic Input (& Output) and the Isolated Mic Input (& Output) to reduce noise due to ground loops between connected AC-powered units. |
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Art Splitcom Pro 2 Way Mic Splitter / Combiner $35 Use the ART SPLITCom Pro to split or combine balanced low-impedance microphone signals.As a splitterThe SPLITCom Pro mic splitter provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The main mic output passes phantom power from the main mixer to the MAIN MIC INPUT for use with condenser microphones. Phantom power is blocked from passing to the isolated mic output.As a combinerThe SPLITCom Pro provides one output from two microphone inputs. The Phase switch can be used to invert the relative phase of the isolated mic input. Applications include dual miking of percussion instruments, choirs, and instrument amplifiers. Phantom power passes through each output to its respective input, (Main to Main, Isolated to Isolated), however phantom power is blocked from passing between the Main and Isolated signal paths. Only the audio passes between the Main and Isolated signal paths (it is present on all inputs and outputs).The ART SPLITCom Pro includes a Ground switch, which, in the Lift position, will provide full galvanic isolation between the Main Mic Input (& Output) and the Isolated Mic Input (& Output) to reduce noise due to ground loops between connected AC-powered units.Low distortion with wide frequency response Two functions in one box--combines and/or splits Phase-invert switch for subtractive combining Galvanic isolation to block phantom-power between channels Ground lift switch to reduce noise due to ground loops |
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Pro Co Y Mic Cable Male Xlr To (2) Female Xlr 1 Foot $44.99 Useful for connecting 2 mic signals into one input. 1'. |
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Fender Passport 300 Pro 2 Mic Pa Package $749.99 Includes the Fender Passport 300 PRO portable PA system; 2 Audio-Technica M4000S handheld dynamic mics; 2 MS-220 tripod mic stand with fixed boom; 2 XLR mic cables (20'); and 2 standard speaker stands.Fender Passport 300 PROThe 6-channel Fender Passport 300 PRO portable PA system takes its predecessor, the Passport PD-250, to the next level with 300W of power (up from 250), a sub-out jack for an external powered subwoofer, lighter weight (a full 12 pounds less than the PD-250), smaller overall dimensions, and phantom power. The redesigned speaker system features 2 plastic molded cabinets with an 8" woofer and 1.2" horn-loaded tweeter in each for better definition, and and a sub-out jack has been added for an external powered subwoofer.Take a close look and listen and the Fender Passport PRO 300 will take you places like never before. The speakers release with two quick flips of the spring-loaded clasps to open up into a three-component setup or once done, close back up for one convenient transportable system. For this generation of Passport PA systems Fender kept the best of previous versions and improved its functionality so that this Passport speaker system is ideal for whatever your application may beeducation and presentations, party gigs, small clubs, and coffee houses.Audio-Technica M4000S:The handheld Audio-Technica M4000S dynamic microphone combines professional features with a ridiculously affordable price tag. Audio-Technica tailors the M4000S mic's frequency response for crystal-clear vocal reproduction. Great feedback rejection and focused pickup are due to the A-T microphone's unidirectional polar pattern. The M4000S Audio-Technica mic also is equipped with a handy On/Off switch for convenience.Audio-Technica professional microphone enhancements include a balanced XLR output, and a mic clip. Whether you're on the road, in the studio, or just performing at local gigs. Expect the all-metal Audio-Technica M4000S microphone to provide you with years of trouble-free use.Musician's Gear MS-220 Tripod Mic Stand with Fixed BoomThe MS-220 Tripod Microphone Stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35" to 61-7/8". The 30-1/4" fixed boom is not adjustable.Musician's Gear Standard Speaker Stand:The Musician's Gear Standard Speaker Stand adjusts from 42" to 71" in height, accepts 1-3/8" diameter sockets, and can hold up to 110 lb. Its aluminum construction reduces stand weight for easy transport, and its molded plastic leg housing with ergonomic knob is extremely durable.Fender Passport 300 PRO:Amp type: Class DWoofer (per cab): 8"Driver: (per cab): 1.2" horn-loadedInputs: 4 Mic/Line inputs, 2 stereo inputsOutput: 300W Class-D power ampLine Out: 1/8" mini stereo out, subwoofer outChannels: 6 (4 mic/line, 2 stereo)4 mic lines with XLR and 1/4" inputs2 stereo channels with 1/4" and 1/8" (for MP3 player) inputsPhantom power on mic input channels3-color LED indicators above each channel input1/4" s |
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Rode VideoMic Pro VMP Shotgun Microphone List Price: $329.00 Sale Price: $225.00 Used From: $200.00 |
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The Rode VideoMic Pro compact design is ideal for use with HDSLR cameras, camcorders and audio recorders. Noise transference has been significantly reduced using both a revised, more elegant shock mounting system and a lightweight premium cable... |
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Rode DeadCat VMP Wind Muff for VideoMic Pro List Price: $39.00 Sale Price: $39.00 |
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The Dead Cat Wind Muff is an artificial fur wind cover for the VideoMic. The windshield is designed for minimizing any wind noise when recording in high wind conditions. The Dead Cat protects against wind noise while remaining acoustically transparent and accurate. |
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Rode VideoMic Pro Compact Shotgun Microphone, 200 Ohms - Bundle - with Rode Deadcat VMP Furry Wind Cover for VideoMicPro Sale Price: $258.95 Used From: $248.00 |
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The Rode VideoMic Pro raises the bar set by the original Rode VideoMic, by combining broadcast quality audio with an ultra compact and lightweight ergonomic design.Incorporating new features specific to high end video, the VMP also evolves many of the features that have made the VideoMic so successful... |
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Rode VideoMic Pro Compact Directional On-camera Shotgun Microphone with Polaroid CVL-18 Studio Series Camcorder Video Light & Polaroid Camcorder/DSLR Dual Shoe Camera Bracket Sale Price: $234.00 |
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Rode Videomic Pro The RODE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio. The VideoMic Pro has a high resolution 1/2" condenser capsule that provides broadcast quality audio via a 3... |
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DR Pro Tripod Mic Stand with Telescoping Boom List Price: $89.99 Sale Price: $65.99 Used From: $43.99 |
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Basic tripod microphone stand with telescoping boom. Boom is 19", extends to 31". Height adjustable from 40" to 69". Tripod legs 25" on each side.Dedicated to manufacturing premium stands for the professional studio musician, DR Pro is your assurance of superior performance and value... |
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COSMOS ® Mini 3.5mm Flexible Microphone Mic for PC Macbook pro/Laptop/Skype/VOIP/MSN/Yahoo + Cosmos cable tie List Price: $13.99 Sale Price: $9.29 Used From: $9.29 |
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Flexible cable design for easy height and angle positioning. Suitable for the internet telephony VOIP or SKYPE and speech recognition at the notebook. It is just plug in and play it. Easy to install, no need to pay the expensive repairing cost and soldering... |
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Pyle-Pro PDWM4300 4 Mic VHF Wireless Rack Mount Microphone System List Price: $337.99 Sale Price: Too low to display Used From: $114.58 |
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Using manufacturing breakthroughs pioneered by Pyle, the PDWM4300 system redefines the price point for quality microphones. Class A solid state electronics are engineered for low noise, distortion and coloration... |
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Rode VideoMic Pro - Compact Directional On-camera Shotgun Microphone with Sennheiser HD201 Headphones Sale Price: $229.00 |
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Get an extra value of nice quality headphones when you buy the Rode VideoMic Pro Rode Videomic Pro The RODE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio... |
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PYLE-PRO PDWM4400 - 4 Mic VHF Wireless Lavalie/ Headset System List Price: $353.99 Sale Price: Too low to display Used From: $116.66 |
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Professional VHF Wireless System 4 Belt Pack Transmitters w/ Lavalier and Headset Mics Power On/Standby/Off Switch 4 x 9V Batteries and 1/4" Audio Cable Included RF Indicators AF Level Meters Individual Volume Controls 1/4'' Individual and Mixed Output Frequency Range: VHF 160-270MHz Operation Range: Up to 240 ft... |
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Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern. List Price: $249.00 Sale Price: Too low to display |
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The Yeti Pro is the world’s first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output.Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to fourtimes the clarity found on CDs... |
Guitar Pro 5 Cracked Version
After ten years as a freestyle MC, I've decided to show you how to freestyle rap like a pro:
1. First and foremost, you must exercise. I can almost hear you now: "Huh! Exercise won't improve my freestyles! There's plenty of fat dudes who rap! Take a look at Fat Joe, Biggie and Heavy D!"
True. But exercise keeps your lungs strong, which means you can freestyle longer without struggling for air. How many rappers have you seen live that were a complete disappointment due to breath control? I rest my case. Before they got famous, Outkast used to practice their verses while rapping, which helped them perform live. Basically, if you want to kick a dope freestyle rap, you need air. I can't get more basic than that.
2. Keep your eyes skyward when rapping. Perhaps this sounds a bit odd, but this trick has got some science to it. When you look skyward during a freestyle, you're addressing two parts of your brain: your memory and your creativity. Cops have known this for years: if someone looks up to the right while talking, they are more than likely lying (because they are accessing their creativity), whereas if they look to the left they're probably telling the truth (because they are searching their memory). How can this help your freestyles? By keeping your eyes skyward, both your memory and creativity are stimulated. I tried this technique with a group of students and they instantly improved their freestyle. Try and see for yourself.
3. Memorize rhyme schemes. If you want to learn how to freestyle, the more words you know, the better. But it's not just words, it's rhymes that are important. Choose a five interesting words like "expression" or "inhalation" not simple words like "cat." Look up those five words in the rhyming dictionary and write down five rhymes for each word. This leaves you with a list of 30 words. Memorize all of them so the next time you kick a freestyle rap you'll have plenty of new words to work with.
Play EXISTING riffs and patterns with speed and accuracy click here
4. Freestyle your surroundings. Here's how to freestyle rap through a room: walk around and pick an object to rap about, making sure to incorporate your rhyme schemes into them. Remember to look up if you start to get stuck!
5. Pass the mic sooner than later. So many rappers try to freestyle for longer than they should. No one remembers how long you freestyled for, they'll only remember any dope lines you said. Focus on quality over quanity. Even if you spit a wack freestyle rap, it's better to pass it off quickly before you really start to sound bad. Remember Abe Lincoln's quote "It's better to be thought a fool than open your mouth and prove it." Try to end on a dope line, but if isn't happening, pass it anyways!
These five steps will help you learn how to freestyle rap like a pro.
CREATE patterns and riffs anytime of the day or night Click here
About the Author
guitarist that you always admired. Click here


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