Preamp Preamplifier
Preamp Preamplifier
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 Telefunken V72 V 72 Siemens Preamp PowerXLRs ready PERFECT WORKING  US $1,295.00
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 MXL 990s Condenser Cable Professional Microphone US $86.95
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 PreSonus ADL 600 Dual Channel Mic Preamp ADL600 US $1,850.00
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 Universal Audio SOLO 610 TUBE Microphone Preamplifier warm vintage tone US $500.00
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 Shure Michophone Preamp US $35.00
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 YPA A65P In Line Microphone Preamplifier for SHURE MIC Pre for Beta Series US $39.95
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 DOD VoTec Vocal Multi Effects Processor Microphone Pre Amp US $52.00
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 MXL 990 Condenser Cable Professional Microphone US $54.99
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 ART DPS II Preamp System with Dual Tube Mic Preamps US $130.00
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 MXL USB006 Condenser Cable Professional Microphone US $22.80
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 Samson Airline Synth Wireless Guitar System AR300 AG300 US $104.49
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 Beyerdynamic drums microphones 3x Opus 88 TG D58c 1x Opus 99 TG D70d US $310.00
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 NEW YPA M613 XLR Cardioid Instrument drum Condenser Mic US $99.95
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 Rolls Microphone Preamp Mic Power I 1 48 Volt Phantom Power Supply PB23 US $38.99
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 DBX Mini Pre preamp active DI box US $10.00
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 DBX 376 Tube Preamp Channel Strip with Digital Out US $249.00
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 YPA MM3 HEADWORN MIC FOR SENNHEISER RADIO MICROPHONES US $34.99
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 Earthworks TC30K Professional Microphone Earthworks LAB 101 Preamp US $1,000.00
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 ART TPS ii Mic Tube Pre Amp US $95.00
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 MXL 990 Condenser Professional Microphone NEW US $75.00
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 ART TUBE MP PROJECT SERIES INSTRUMENT MICROPHONE PREAMP MIC PREAMPLIFIER US $59.99
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 MXL V67 US $130.00
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 NEW AKG PERCEPTION 220 PROFESSIONAL CONDENSER MIC 4834 US $169.99
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 SM Pro Audio PR8E Multichannel Microphone Preamplifier US $150.00
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 MXL 990 USB CONDENSER MIC NR 14 DAY RETURN US $109.00
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 Symetrix 528E Voice Processor Compressor Limiter Pre Amp US $215.00
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 AUDIO TECHNICA OMNIDIRECTIONAL MICROPHONE AT865 VM 50 units available US $13.95
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 Behringer MIC200 TUBE ULTRAGAIN Tube Preamp w Modeling US $45.00
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 ART DPS II Digital Pre Amp US $250.00
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 Elation KM 202 1 km 202 true condenser mic MDC Bass drums Kick mic US $669.00
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 Elation KM 201 km201 true condenser mic SDC new cheap US $669.00
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 Elation KM 901 km901 KM 901 true condenser mic LDC made in Russia mic NICE US $1,199.00
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 ART Pro Channel US $82.00
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 Nady Audio TMP 1 Tube Mic Preamp US $48.99
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 Shure WL93 Omnidirectional Condenser Miniature Lavalier Microphone Black US $69.99
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 Shure KSM137 SL Cardioid Studio Condenser Microphone Champagne US $229.99
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 YPA A65P In Line Microphone Preamplifier for SHURE BETA US $34.99
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 YPA M606 Condenser Vocal Instrument Microphone 2pcs NEW US $49.99
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 Art Tube MP Project Series Tube Preamp US $20.50
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 Art Studio MP Microphone Preamp Preamplifier for Ham Radio Microphone US $15.00
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 Presonus Eureka Preamplifier US $400.00
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 PRESONUS BLUE TUBE DP 2 CHANNEL MICROPHONE INSTRUMENT TUBE PREAMPLIFIER US $81.00
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 Brent Averill 1272 Mic Preamps 2 channels with DI US $1,365.00
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 Universal Audio 2 610 mic pre amp US $1,300.00
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 True Audio 8 Channel Mic Pre Amp US $521.00
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 Realistic Pressure Zone Microphones PZM US $12.50
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 VHT Special 6 6W Hand Wired Tube Guitar Amp Head FIX US $99.00
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 Universal Audio Solo 610 Pre Amp Near Mint Excellent with packaging US $699.00
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 TC Helicon Voicetone Correct Pedal US $130.00
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 MXL MXL 990 Condenser Microphone with Shockmount US $59.99
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Slate Pro Audio Fox 2-Channel Microphone Preamplifier $1799.99 Covering the range from classic British Class A-style vintage tone to ultra-clean modern sparkle, the Slate Pro Audio Fox 2-channel microphone preamplifier is one of the most versatile mic pres out there. The way the Fox shapes tone is brilliant. There are two completely independent microphone preamplifier circuits in each of the Foxs channels. The Vintage circuit calls up the sound of the legendary 1073-style preamp warm, fat, and full of lush harmonics. Conversely, the Modern setting gives you a sparkling clean sound thats perfect for capturing acoustic instruments in picture-perfect detail. Whats more, the Fox features two Combo modes, which combine the input and the output sections of both circuits, giving you a pair of completely unique preamp sounds.2-channel microphone preamplifier4 distinct microphone preamplifier sounds in each channel2 independent preamp circuits in each channelClassic circuit provides 1073-style soundModern circuit provides ultra-clear sound2 combo modes combine the input and output sections of each preamp circuitIncludes instrument inputs, phase controls, and phantom power100% made in the USA |
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Millennia HV-3C Stereo Microphone Preamplifier $1843.99 The HV-3C Stereo Microphone Preamplifier is an entirely double-balanced, extremely wide dynamic range stereo microphone preamplifier intended for demanding audio recording. In it Millenia combines precisely matched, discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3C never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assured |
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Shure Beta 181 Microphone Preamplifier $249 The Shure Beta RPM181/Pre preamp is the base unit for the Shure 181 microphone. This compact preamp attaches to the four interchangeable capsules that are available for the Shure 181 microphone.The Shure Beta 181 a multipurpose instrument microphone and can be used on a wide variety of applications including guitars, bass and drums (overheads and snares). It has a small diaphragm design that provides superior audio with textbook polar responses in a form factor compact enough to get close to the source in the tightest conditions. The Beta 181 has a precision-engineered, side-address design that features an innovative locking ring to provide secure connection between the capsule and RPM181/Pre preamplifier with integrated XLR connections.There are four different capsules available for the Beta 181 microphone: Cardioid (RPM181/C), Supercardioid (RPM181/S), Bi-directional (RPM181/BI), Omni-directional (RPM181/S). This makes the Beta 181 an extremely versatile and cost-effective mic that allows the user to interchange capsules according to the application. (Capsules sold separately). This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.The base unit for the Shure 181 microphoneAttaches to the four interchangeable capsules (sold separately)An innovative locking ring to provides secure connection to capsules with integrated XLR connectionsExceptional low-frequency reproductionExtremely high SPL handlingHigh output levelNo crossover distortionTransformer output |
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Isp Technologies Beta Bass Preamplifier $643.5 The Beta Bass Preamplifier offers the professional bassist the highest level of performance ISP Technologies can provide. By incorporating patented Time Vector Processing, the compression circuitry becomes the most adaptive to be used in a bass processor as it allows the Beta preamp to truly track the signal of the notes played. Add in the patented Decimator Noise Reduction Technology, and you have a bass processor with built-in noise protection! With two parametric bands (a low-mid and a high-mid), bass, treble, bright, and an exciter (for phase manipulation), the Beta lets you shape your sound to your own specifications. For absolutely unsurpassable performance, pair the Beta Bass Preamp with the ISP Technologies Bass Vector or Bass Vector Pro cabinets and get up to 4000 watts of bass depending on your choice of configuration!Extreme equalization including Bass, Treble, Bright, Low-Mid parametric, High-Mid parametric and footswitch controlled ISP Technologies Bass Exciter.Signal level indicator with multi-stage clip detection allows accurate control of the internal gain structure of the preamplifier and processor.Decimator noise reduction for absolutely silent operation.Adaptive Bass Compressor providing smooth volume leveling.Balanced XLR and RTS 1/4" Main output connections.Balanced XLR direct output selectable to provide pre-processed input signal or post-processor direct out with level control and ground lift.Footswitch controlled effects loop with rear panel effects mix control. |
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Presonus Digimax D8 8-Channel Preamplifier $399.95 The DigiMax D8 is an 8-channel preamplifier featuring 8 award-winning class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization.The DigiMax D8 is the perfect solution to add eight professional microphone preamplifiers to any digital recording system with ADAT optical lightpipe expansion capability including Digidesign's HD and 003 systems, RME, YAMAHA, Alesis, Mackie, and many others.8 XMAX Class A Preamplifiers |
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A Designs 500-Red Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Red The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Red comes with a 50/50 output transformer. A Designs Audio added a little kick to this one by changing the input transformer as well. The result is more "up front mids"! You'll find this very useful when recording acoustic guitar with a condenser microphone. You can also use the EM-Red for recording toms, both rack and floor. As with all the A Designs Audio modules, the EM-Red is VPR Alliance compliant, and features a 48V phantom power switch, DI input, and phase reversal switch. Solid build quality and functionality The A-Designs EM-Red features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Red is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromise. Requires the A Designs R52 (product # 180038) dual slot external power supply (See accessory box below). The EM-Re |
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A Designs 500-Blue Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Blue The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Blue is equipped with a nickel custom-wound output transformer. This emphasizes the highs and produces a much more "airy" top end tone. When used with a "dark"-sounding microphone or an alto vocalist, it can produce an absolutely heavenly sound. You will also find this pre useful for recording a snare drum for that crisp "crack" sound. Plus, you just might want to hear what an electric guitar sounds like going thru nickel transformers (trust us, you do!). So, to get down and dirty with an electric guitar you'll want to use the EM-Blue's DI and 20dB pad, and crank the gain for a slight growl. Solid build quality and functionality The A-Designs EM-Blue features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Blue is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromis |
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A Designs 500-Silver Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Silver The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Silver has a custom wound steel output transformer, which outputs a darker sound than the P-1, EM-Red, and EM-Blue, great for adding body to thin vocals. The EM-Silver is also very good match with ribbon microphones, which makes sense because steel transformers were widely used in the early days of recording and broadcast along with ribbon microphones. The sound/color/flavor you'll receive depends which ribbon mic you have. With today's influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need. Another feature of the EM-Silver is a DI (direct inject) for use with electric instruments. Thanks to the DI and its darker sound, the EM-Silver is a great pre for bass guitar and keyboards. Also, you may like to try the EM-Silver (depending on microphone) for your kick when recording drums! All in all, the Silver is a very versatile tool. Solid build quality and functionality The A-Designs EM-Silver features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and ph |
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Pro-Ject Phono Box Turntable Preamplifier $159 The Pro-Ject Phono Box turntable preamplifier is designed to connect turntables to receivers. With simplicity of design and premium components, the Pro-Ject Phone Box's performance outweighs both its size and its price. The turntable preamp easily switches between MM and MC cartridges using internal jumpers. Dual mono design. Class A components and low-noise integrated circuits throughout the entire circuit path.Turntable preamp designed to connect tables to receivers without a phono preampCombines simplicity of design and premium componentsEasily switches between MM and MC using internal jumpersDual mono designClass A componentsLow-noise integrated circuitry throughout |
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Emg Pa2 Preamp Booster Switch $47 The EMG PA2 is a straight booster preamplifier mounted on a minitoggle switch. Perfect if you want to just plain overdrive the input of your amp for distortion. The PA2 preamp booster switch has a trim pot so you can preset the amount of boost up to an additional 20dB. The PA2 will also work with passive pickups.EMG includes an output jack and battery clip set with the PA2 preamp booster switch. |
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Millennia HV-3D-8 8-Channel Microphone Preamplifier $4012.99 The Millennia HV-3D-8 is a microphone preamplifier of superb sonic character, technical specification, and mechanical workmanship. It offers 8 double-balanced, extremely wide dynamic range stereo microphone preamplifiers intended for demanding acoustic recording. It combines precisely matched, discrete bipolar transistors with a laser trimmed, DC-coupled, FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3D never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3D is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assured. |
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Millennia Hv-3C Stereo Microphone Preamplifier $1843.99 The HV-3C Stereo Microphone Preamplifier is an entirely double-balanced, extremely wide dynamic range stereo microphone preamplifier intended for demanding audio recording. In it Millenia combines precisely matched, discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3C never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assuredHigh-speed transformerless design23dB input and 32dB output headroom No attenuation pads requiredEntirely balanced audio pathLaser trimmed FET-based outputTHD+N less than 5 PPM (.0005%)Matched discrete transistor octet front endPrecision components throughoutGold audio connectors and switchesStandard 36-step gain control (1.5dB per step)Stereo gain matched to .08dBOFC audio wiring, silver Teflon power wiringUltra-clean torroid power supplyWelded 16-gauge chassisUnsurpassed ambience retrievalEffortless lifelike musical performance at all dynamic levels |
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Isp Technologies Theta Preamp $1023 The ISP Technologies Theta Preamplifier offers a unique approach for guitarists by providing 2 selectable input pre-distort preamplifiers. Using the Theta preamp is like having 2 low-noise, extremely high-quality preamp pedals at the input of the amplifier. Each front-end pre-amp has gain, bass, mid level, mid sweep and treble which provides amazing pre-distort tone shaping. The amplifiers' Clean and Distort circuits have the same post-distort tone shaping. The Theta preamp delivers tone beyond your wildest dreams! No other amplifiertube, solid state or digitaleven comes close to the sonic flexibility of the Theta preamp.The Clean channel has additional tone shaping with the inclusion of a presence control providing more than 20db of high frequency boost. You want gain? The Theta preamp literally has more gain available than any amplifier ever produced with greater than 140db of gain and you can control it and make it useable only because ISP included dual independent full-featured Decimator Noise Reduction systems. The Decimator guitar noise reduction system defines a new standard for excellence in real time noise reduction performance. The Decimator was designed to provide the maximum possible performance in a noise reduction system designed specifically for extremely high gain guitar amplifiers.The Theta preamp Decimator is the only system in the world designed with dual channels of single ended noise reduction. Configured specifically for high gain guitar applications. The Theta is the first preamp to incorporate "Dynamic Saturation Modulation", which delivers the actual feel of a saturated tube power amplifier. |
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Behringer Mic200 Tube Ultragain Preamp $43.99 The Behringer Tube Ultragain MIC200 Mic Preamp is a vacuum tube preamplifier with preamp-modeling technology and an integrated limiter. It's perfect for studio, live, and hard-disk recording applications. Preamp modeling allows you to quickly optimize your recordings by choosing from 16 voicings for vocals, acoustic and electric guitars, bass, keyboards, drums, and more. A carefully selected 12AX7 vacuum tube provides warmth and low-noise operation. Includes a phase reverse switch, +48V phantom power, and 20dB pad. 1/4" TRS and gold-plated XLR connectors give the Behringer Tube Ultragain superior balanced I/O.Modeling preamp w/16 voicingsIntegrated limiter12AX7 vacuum tubePhase reverse switch+48V phantom power20dB pad1/4" TRS and gold-plated XLR I/O |
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Radial Engineering PowerPre Mic Preamplifier $499.99 The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments. |
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Bozak Madisson Phono Preamp Preamplifier, Turntable Amplifier Pre-Amp List Price: $39.95 Sale Price: $18.95  |
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The Bozak Madisson model CLK-PH2 preamplifier converts phono signals to line-level using standard RIAA equalization. This is ideal for amplifying and EQing vinyl records to interface with mixers, main or monitor systems, audio workstations or sound cards... |
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Pyle PP999 Phono Turntable Pre-Amp List Price: $33.59 Sale Price: Too low to display Used From: $15.60 |
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Connects to Turntable Output to ing Phono Level Up to Line Level12V DC Adaptor Included Load Impedance: 10K Ohms Reference Voltage: 1V Input Sensitivity / Impedance/PHONO 3 mV / 50K Ohms T.H.D. : 0.08 for 1 KHz 3 mV Input Output Level;2V S/N Ratio (with A-WTD);70 dB Frequency Response:20 Hz ~ 20 KHz ±2dB Dimensions (WHD):3... |
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TCC TC-750 BLACK Audiophile Phono Preamp, Pre-amp (Preamplifier) List Price: $79.95 Sale Price: $43.50 |
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Now available in either BLACK or SILVER FINISH...This product features better sound and performance than the phono preamps built into most component stereo receivers and amps! Compare the TC-750's specs to those of pricier brands like NAD and Cambridge Audio; ours are as good or better... |
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TCC TC-400G/L RIAA Phono Preamp, Pre-amp (Preamplifier) List Price: $64.95 Sale Price: $29.50 |
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The TC-400G/L is a significant upgrade from the entry-level AC-powered preamps you'll find sold all over the internet, because its external power supply provides excellent isolation against hum and noise... |
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GE 23292 Stereo Turntable Pre-Amplifier List Price: $19.99 Sale Price: $19.36 |
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Ultra ProGrade Pre-Amplifier connects your turntable to your stereo. |
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ART DJPRE II Phono Preamplifier Dual RCA Type Inputs and Outputs Switchable Low Cut Filter List Price: $60.00 Sale Price: $48.00 Used From: $35.00 |
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The DJ PRE II is a high quality Phono preamp designed for your home and studio. It acts as an interface between your turntable and your audio recording system. The analog input capacitance can be switched between 100pf and 200pf to optimize your phono cartridge response... |
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RCA TVPRAMP1R Outdoor Antenna Preamplifier List Price: $39.99 Sale Price: $19.03 |
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RCA TVPRAMP1R Outdoor Antenna Preamplifier |
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DMP-2 Dual Microphone Pre-amp List Price: $89.99 Sale Price: $53.75 Used From: $45.01 |
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Excellent stereo imaging, ultra low noise, distortion-free soundRugged lightweight all-metal enclosure Powered by 9V alkaline or NiMH batteryPower On and dual peak LED indicatorsIncludes XLR I/O jacks, phantom power 3-way switch, selectable integrated limiter and dual gain controls. |
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PYLE-PRO PP444 Ultra Compact Phono Turntable Preamp List Price: $42.99 Sale Price: $13.59 Used From: $11.00 |
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This Pyle Pro preamp is perfect for bringing a turntable's phono-level output to line-level output for your receiver or amplifier. The ultra low-noise audio operational amplifier offers outstanding sound performance... |
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TCC TC-750LC BLACK Professional Moving Magnet Preamp List Price: $99.95 Sale Price: $48.50 |
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Now available in either BLACK or SILVER finish! We took the new improved edition of our tried and true TC-750 and added an output level control to create the PERFECT preamp for use with computer sound cards... |
Who Else Wants To Buy A Good Guitar Amp?
If you are considering buying a decent guitar amp, this article will be right up your alley. Let's look at the options available to you.
Any accomplished guitarist knows the importance of owning a great guitar amp. A quality guitar amp brings out the best guitar sound. If you plug your best guitar into a good amp, you'll blow other guitarists out of the water. Let's look at the 4 basic types of guitar amp.
1.Tube amps
The tube amp has proven itself many times over. It has been long in existence and other amps are merely clones of it.A tube amp uses glass vacuum tubes in its power section and preamplifier section. It offers a lot of raw power and a warm tone. The tone sounds natural. A negative aspect is that the tubes must be replaced after a few years. If you don't change the tubes your sound will suffer.
2.Solid state:
The solid state amp is known for low maintenance. There are no tubes to replace since the preamp section uses transistors. It is slightly more reliable than a tube amp.The tone is generally grittier and more sterile especially on overdriven or lead tones. Solid date amps are usually less expensive than tube amps.
3.Hybrid amp :
The hybrid amp is an innovative amp that blends a tube preamp section with a solid state power amp section thereby achieving the much desired tube tone. The market leaders are Marshall. They've combined forces with tube amp manufacturer Bogner to create the groundbreaking hybrid amp. A hybrid amp costs more than a solid state amp but are still cheaper than a superior tube amp.
4.Modeling amp:
These hi-tech amps have a built in digital processor that replicate the sounds of numerous guitar amps,concert halls and microphone placement. They feature many gadgets such as built in sound effects,a tuner and a direct line out for recording. Many of them can be switched via a foot controller so that different sounds can be produced on the spot. Despite the technological wizardry they are not in the same class as a good tube amp.
Buying a guitar amp is a rational decision. You are only limited by a lack of money. I'm old-school and recommend a great tube amp. Go buy your amp and crank out a beautiful rock sound. The audiences in the stadiums are waiting for their guitar hero. That could be YOU!
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