Pop Screen Filter
Pop Screen Filter
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Raxxess Pop Filter Kit $24.95 The Raxxess Pop Filter kit includes a steel clamp that easily attaches to your mic stand. The kit's gooseneck allows proper placement of a 6" Lycra screen in front of your microphone. |
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K&M PopKiller Microphone Pop Filter $44.95 K&M PopKiller Microphone Pop Filter has a double nylon screen that ensures superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching your microphone stand. |
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Stedman Proscreen PS101 Pop Filter $39.99 The Stedman Proscreen 101 microphone pop filter uses an extremely effective professional pop-eliminator for vocal applications with an attached 13" flexible goose neck with adjustable clamp. This clamp allows the PS101 to be attached to any microphone stand or boom while allowing easy positioning of the screen with the flexible goose neck. |
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Stedman Proscreen Ps101 Pop Filter $39.99 The Stedman Proscreen 101 microphone pop filter uses an extremely effective professional pop-eliminator for vocal applications with an attached 13" flexible goose neck with adjustable clamp. This clamp allows the PS101 to be attached to any microphone stand or boom while allowing easy positioning of the screen with the flexible goose neck.Screen diameter: 4.6"Length: 20"Weight: 5.8 oz.Clamp opening diameter: .5" to .80" |
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K&M Pop Killer Double Layer Pop Filter Black $24.99 The K&M Pop Killer has a double nylon screen for superior performance mounted onto an unobtrusive 5.1" round, black frame. Also includes a standard, bendable gooseneck and a non-marring, locking screw that prevents scratching and fixes the pop filter to your microphone stand. |
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Musician's Gear Double Pop Filter 6 $14.99 The Musicians Gear Double Pop Filter is a pro-level split screen pop blocker that removes unwanted "P" and "B" consonant plosives by providing open space between the two screens. The first screen diffuses the air that causes plosive consonants, the open space between the screens disperses air pressure, and the pop filters second screen disperses the air and removes any remaining plosive consonants. The Musicians Gear Double Pop Filter features a sophisticated design that removes any air pressure and is very effective in filtering wind-caused plosives. |
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Nady Pop Filter $19.99 Attaches to mic stand; gooseneck allows proper placement of 6" Lycra screen in front of mic. Stops plosives. Protects your mic. |
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Stedman Proscreen XL Pop Filter $69.99 The Stedman Proscreen XL is a professional advanced pop filter for all vocal applications. Made from an exclusive patented material that eliminates pops far more effectively than fabric filters, the Proscreen XL allows unobstructed passage of high frequencies helping to maintain the important detail in vocal recordings. In addition to its sonic advantages, it can be easily washed between sessions. Signal levels can be maximized without the risk of clipping caused by bursts (extremely important with digital formats). The Proscreen XL has a large 6" diameter screen with rubber bezel and includes a 13" flexible gooseneck with an extended adjustable clamp to allow easy adjustment and placement.How it works: The angle of the large louvered openings in the Proscreen XL material allows sound to pass while diverting air bursts from vocal pops in a downward direction out of the back of the screen. Even extremely dynamic close vocal work will not allow bursts to reach the microphone. |
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Stedman Proscreen Xl Pop Filter $69.99 The Stedman Proscreen XL is a professional advanced pop filter for all vocal applications. Made from an exclusive patented material that eliminates pops far more effectively than fabric filters, the Proscreen XL allows unobstructed passage of high frequencies helping to maintain the important detail in vocal recordings. In addition to its sonic advantages, it can be easily washed between sessions. Signal levels can be maximized without the risk of clipping caused by bursts (extremely important with digital formats). The Proscreen XL has a large 6" diameter screen with rubber bezel and includes a 13" flexible gooseneck with an extended adjustable clamp to allow easy adjustment and placement.How it works: The angle of the large louvered openings in the Proscreen XL material allows sound to pass while diverting air bursts from vocal pops in a downward direction out of the back of the screen. Even extremely dynamic close vocal work will not allow bursts to reach the microphone.Screen diameter: 6"Length: 26.5"Weight: 10 oz.Clamp range: .39" |
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CAD EPF-15A 6 Flexible Pop Filter $14.99 Your microphone is begging you for the CAD EPF-15A 6-Inch Flexible Pop Filter. Would you take your brand new microphone into the shower with you? Didn't think so! But every time your singer starts belting out the chorus, they're bathing that mic in a spray of moisture. What's more, when they sing a word that starts with "p" or "b," the VU meters go ballistic! Here's the solutionthe CAD Pop Filter. The washable nylon mesh screen gently breaks up that explosive rush of air while allowing high frequencies through and keeping moisture out. The flexible gooseneck holder and swivel mount make it easy to put the Pop Filter exactly where you need it! |
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![]() Samson C01U Professional Condenser Microphone w USB interface US $79.99
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![]() GXL2200 CONDENSER MIC With Shock Mount XLR Cord Wind Screen Pop Shield Filter US $31.00
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![]() AKG C 414 B Condenser Microphone with Extras Used Great Condition NO RESERVE US $380.00
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![]() EPF 5a Pop Screen Filter US $15.00
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![]() Large Diaphragm Condenser Microphone Windscreen Use4 Podcast Singer Vocalist US $7.75
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![]() Shure SM63 Omnidirectional Dynamic Microphone with Holder US $25.49
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![]() Stedman XL pop filter pro screen MIC Filter US $34.99
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![]() Studio microphone mic wind screen pop filter mask shied US $12.99
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![]() New Studio Microphone Mic Wind Screen Pop Shield Filter US $.99
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![]() SE Reflexion with Sterling Audio ST55 Condenser Shockmount Pop Filter Mogami US $340.00
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![]() Blue Microphones Snowball Plug Play USB Black KIT NEW US $99.99
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![]() Musicians Gear Double Pop Filter 6 US $18.95
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![]() Microphone Mic Wind Screen Pop Filter Mask Shied Studio US $11.99
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![]() Audio Technica AT4047SV Condenser Cable Professional Microphone US $575.00
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![]() AKG SOLIDTUBE CONDENSER CABLE PROFESSIONAL STUDIO RECORD MICROPHONE BOX MANUAL US $559.00
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![]() Seismic Audio Flexible Microphone Wind Screen Studio Mic Pop Filter Windscreen US $14.99
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![]() KAM MC3 multi capsule studio condenser mic with 3 capsules case shock mount US $79.00
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![]() NEW SAMSON POP FILTER w GOOSENECK MOUNTING SYSTEM US $29.99
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![]() NEW Stedman PROSCREEN XL Microphone POP FILTER 6 Inch Mic Screen w Boom Clamp US $44.95
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![]() Mic Anti Wind Screen Mask Mesh Gooseneck Pop Filter Double Nylon Popkiller 0029 US $13.49
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![]() APS Brand EPF 15A CAD Popper Stopper POP Filter 15in Goosneck US $14.00
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![]() Studio Microphone Mic Wind Screen Pop Filter Mask Shield 360° Flexible Speaking US $11.37
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![]() Musicians Gear Double Pop Filter US $18.95
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![]() MICROPHONE POP FILTER STRAP ATTACHMENT USA US $25.00
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![]() Microphone Pop Filter 4 Studio Shield Wind Screen Audio 2000s AWS404 5172 US $19.95
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![]() Musicians Gear Pop Filter US $14.99
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![]() Dynamic Microphone w Switch Square Body FREE SHIPPING NO RESERVE SMR RT 12 US $14.98
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![]() Dynamic Microphone w Switch FREE SHIPPING NO RESERVE SMR RT 15 US $14.98
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![]() Superlux S241 U Over head Condenser SM81 US $125.00
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![]() Dynamic Microphone w Switch NO RESERVE FREE SHIPPING US $24.98
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![]() Matched pair KAM MC3 multi capsule studio condenser mics3 capsulesmountcase US $360.00
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![]() 6 Double Layer Nylon Mesh Studio Microphone POP Filter US $19.95
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![]() CAD EPF 15A 6 Inch Flexible Pop Filter US $14.99
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![]() WindTech PopGard 2000 Side Address Mic Pop Filter US $29.95
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![]() Neumann M147 Tube condenser mic with PSU shock mount M 147 1 US $1,899.00
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![]() ADK PROKIT Super Mount Pop Filter XLR Cbl Screen Case US $169.00
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![]() Mic Metal Pop Filter 9 Huge Windscreen Wind Screen Gooseneck Trapezoid Pro0616 US $24.09
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![]() Neumann KMS 105 Condenser Cable Professional Microphone New in Box Free Shipping US $670.00
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![]() MXL PF 001 Pop Filter US $21.71
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![]() MICROPHONE POP FILTER with STRAP ATTACHMENT US $35.00
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![]() Blue Spark Limited Edition Blue Cardioid Condenser Studio Microphone in Box US $159.99
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![]() NEW NADY MPF 6 MICROPHONE POP FILTER WITH BOOM STAND CLAMP NADY MPF 6 US $29.95
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![]() Studio Microphone Mic Wind Screen Pop Filter Mask Shied US $11.38
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![]() Raxxess Pop Filter Kit US $24.95
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![]() Samson CL2 Pencil Condenser Microphones Pair US $249.00
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![]() MXL Microphone Metal Pop Filter Studio Wind Screen PF 2 Microphone US $31.00
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![]() AKG Perception 120 Condenser Mic with K 44 Headphones US $109.99
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![]() ADK A 6 PRO Fixed Cardioid Microphone US $399.00
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![]() Samson G Track USB Condenser Mic with Audio Interface US $119.99
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![]() CAD C195 Cardioid Electret Condenser Microphone US $99.99
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Gator Cases 6" Double layered, split level "pop" filter List Price: $29.99 Sale Price: $14.50 |
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6-inch Double layered, split level -inchpop-inch filter. Nylon 6-inch screen pop filter. 11.5-inch Goose neck and clamp included. C-clamp will fit most standard microphone stand shafts and booms. |
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On Stage ASVS4B 4-Inch Pop Filter List Price: $30.99 Sale Price: $11.04 Used From: $14.99 |
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On Stage ASVS4B 4 inch pop filter features a plastic hood, and a micro-weave black nylon diffuser. Perfect and must have accessory for the active vocalist! With support from the gooseneck and clothespin-style shaft clip, this On Stage pop filter provides proper placement in front of the microphone... |
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SEISMIC AUDIO - SA-MicScreen - Flexible Microphone Wind Screen Studio Mic Pop Filter Windscreen List Price: $29.99 Sale Price: $14.99 |
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Model Number: SA-MicScreen Microphone Wind Screen Screen Diameter: 6 inches Neck Length: 13.5 inches Brand New One Year Warranty |
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Studio Microphone Mic Wind Screen Pop Filter Mask Shied Sale Price: $17.99 |
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Features: 1.100% Brand new and high quality 2.Defense against distorting 'P' and 'B' consonants 3.Protects your microphone from surplus spit caused by over eager performers 4.360°Flexible gooseneck holder, convenient for use 5... |
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Nady MPF-6 6-Inch Clamp On Microphone Pop Filter List Price: $24.99 Sale Price: $13.34 Used From: $19.44 |
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Mic Pop Filter With Boom |
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CAD Audio EPF-15A Pop Filter on 15-Inch Gooseneck List Price: $29.00 Sale Price: Too low to display |
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The CAD Audio EPF15A is one of the most well-recognized "pop" filters in the world |
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On Stage ASFSS6 GB Dual Screen Pop Filter List Price: $49.99 Sale Price: $18.80 |
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The On stage ASFSS6GB is a pro-level split screen pop filter that removes unwanted P and B consonants by providing open space between the two screens. This sophisticated design removes any air pressure that can build up in hoop style pop filters and is very effective in filtering wind-caused plosives... |
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Musician's Gear Double Pop Filter 6" List Price: $29.99 Sale Price: $18.95 |
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The Musicians Gear Double Pop Filter is a pro-level split screen pop blocker that removes unwanted "P" and "B" consonant plosives by providing open space between the two screens. The first screen diffuses the air that causes plosive consonants, the open space between the screens disperses air pressure, and the pop filters second screen disperses the air and removes any remaining plosive consonants... |
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Shure Popper Stopper Pop Filter with Metal Gooseneck and Heavy Duty Microphone Stand Clamp List Price: $38.00 Sale Price: Too low to display |
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Attenuates unwanted breath noise and plosives and can be clamped onto most stands. |
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Nady SSPF-4 Spider Shockmount with Integrated Pop Filter List Price: $31.99 Sale Price: $25.00 |
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The Nady SSPF-4 microphone pop filter has an integrated spider shock mount with 8 elastic suspension points to prevent vibration and significantly reduces the noise transmitted from the mic stand. The Nady SSPF-4 mic filter also features a pinch clamp holder than fits any microphone with a diameter of 38–53mm. |
The Real World of Digital Music Production
The “diarrhea” of “an awful lot of” contemporary “pop, rap & rock” music (but not all!)
Do you know what happens when you live on a diet of processed entrees and fast food? When never a fresh fruit or vegetable passes your lips and your fiber count is measured in “mgs” instead of grams? You guessed it: that horrible “D” word. Also known in medical circles as IBS (irritable bowel syndrome) --
So what’s up with the computer spew of 75% of many contemporary popular artists? They, say the song is dead; well who killed it? Was it the independent label music movement? Certainly NOT! Was it rap, punk, or grunge or whatever? I'd say, could be. Was it Madonna who first put the crack in “The Wall” of song composing and instrument playing that earlier generations so carefully began brick by brick? I don’t know -- for you, but for me, it’s been a downhill ride since 1984.
I was one, well, that was at “the roots of rock” sort of speak (thanks to an older sister who took me to the Fillmore East in New York City at age 14) – I was naïve enough to ask about that “funny smelling smoke” and those funny looking cigarettes; I later thanked her, for I saw “Santana” live there when their second album (Black Magic Woman) hadn’t even hit the shelves.
I saw PINK FLOYD at that venue a year later when they were still called: The Pink Floyd and they had an opening act play before they came out (i.e. later when fame hit: Pink Floyd ALWAYS played alone because of their massive WALL of speakers and equipment.)
I saw bands in New York City that are now relics: Procol Harum, Jethro Tull’s first incarnation, YES, Bob Dylan WITH “The Band”!! – even Black Sabbath after their 1st LP; and, “Mott the Hoople” touring their FIRST LP. (Remember them? --an LP is an old vinyl record that was played on a turntable. YOU didn’t “use the turntable to scratch! – And they made crackling and popping sounds. LONG LIVE THE CD! And the mp3 too) But, I digress…
So where is this blog heading?
Today you can record and cut a CD in your bedroom. Then, (IF you have enough friends and a gig someplace – or JUST USE U-Tube) you can SELL CDs to YOUR FANS, if you can GET ENOUGH, you’ll even make money; MAYBE! It can all be done on your HOME Computer. And why, because YOU are a musician? “Frankly NOT my dear” as Gable used to say. (Gable who? say the younger readers?) It’s all virtual marketing after that…
In case you're still naïve as to how IT is done - that so many of today’s artists may not need to know almost anything about music, let alone, spend years playing an instrument or singing - and yet get on the “Virtual Airwaves” and even end up on the Today show spot, along with the “singing babies” that periodically appear on the internet sites and on “You-Tube”. Well it doesn’t even take “RC's” [read Record Companies] Perhaps just a shrewd “Boomer or GenX” Mom/Dad Manager)… Yep, it’s “Performance Now” and there’s very little music to worry those Artists about. The RC’s can still get their cut and have absolutely NO REASON to complain!!! - About the “Indie and Virtual Music artists” wrecking their profit.
THEY helped “build the beast” they fear everyday (and I hope it does eat their Creator like a type of “Cannibal Baby” gone wild).
And "they" profit everyday by the existence of a youth-culture fueled “Music” industry who’s “Heart & Soul” is made up of the “clinking, clacking, metallic empty banging” of a musical palette of sounds that is “as Soul-LESS” as the heart of the “King Beast” himself (you know that Devil “Sam” who is lurking behind everybody’s dream of a “musical-career "Garden of Eden") –
As for those “Singing Babies” and “Parading Sex-Toy Imagery of “Twelve-year+ something” girly-woman - parading across the video screens of Virtual and TV America (every so often) THEY, and those nice Boomer+ parents, are just hoping a couple will spell “C.A.S.H.” BIG TIME! - This is of course, once their product “Goes Viral…”
And so many of u“You-tubers,” (particularly) the older viewers will be “fooled-again” – having, (in anemic mental-lapses) forgotten the “Anthem of YOUR Youth: “We Won’t Be Fooled Again” (Who?); and, all those “smashing guitars” instead of “Smashing ‘those damn’ Pumpkins” (now Geriatric!)…
All BECAUSE “U” don’t have the “dog-damn” SOFTWARE that I just have to throw in the garbage! (I made a resolve NOT to swear lately, I don’t want to break my will just yet) – nothing against “dog’s really! – Though I am sort-of “one of those cat-guys”…Please don’t message my email, I LOVE animals with four-legs and some with two. (It’s spiders and insects with multiple legs that have been giving me the creeps lately, but then I live in a “real FOREST”…
It came in MARCH: The last “music equipment purchase I knew I was going to be able to make for quite sometime unless, - MY CD goes “Viral” - (highly unlikely as I don’t own a Video camera or even a digital camera) It will be tough to get on YOU-Tube or even MySpace Music with my “old-fashioned music-making way” (and so MUCH profitless Work – not to mention that! – Unpaid labor, hardly worth it) - but that’s aside the point:
In March (as I said), I bought a $100 desktop “plastic” 2-octave Midi Controller” keyboard with my last savings, (2 octaves means that it only has 25 black & white piano-looking keys) and along with that came (from this decptive “kraut” company) the: “Virtual Music Starter Desktop Composing Package” (a VMSDCP (!)) complete with 50 of the “Latest” Digital Virtual Sounds and Samples (your DVSS's!) that I thought my music was lacking(?!) – Or perhaps, I had a series of “faithless” self-doubts and collapse of my initial musical resolve formed so long ago in those many long hours and days behind “My Old Black & White”…But again, I digress:
So although the keyboard will be minimally useful at my computer desktop for editing and notation work, those wonderfully and cleverly named (and they really are!) modern sound samples have yet to be able to even be tested out with this “rat-like” maze of a software package! “They” (the Kraut Company) sent me for my $100 apparently a bunch of “demo-software” that ‘They” never even paid for – unfortunately you can’t do much with it! - If only after loading the .dll files I could hear the damn things on a reliable basis. But yes, I do like the names: i.e. Delay Lama, B-Assault, AManalogWar, etc – endlessly creative really!
So when I finally got a few to sound after much frustration the musical use was questionable, (for me I mean); unless you are purposely avoiding any musical references. But most of all, there was this “ambience of artificiality about them all” – This is the “so called musical world” we are abandoning our youth to, (I philosophically reflected, as I endlessly clicked and re-clicked the samples with my mouse trying to get them to sound). “This is a world where a real guitar or piano is mostly a “prop” –
Somehow every sound seemed to me the equivalent of “those frozen-processed entrees” Once in a while, a nice touch to a busy life and schedule; eat them regularly and “disease” is sure to get deeply-rooted with time.
OK so I’m not too fond of today’s musical sound palette, but it’s not just that:
The “composing software and the music software” that is the foundation of so much of the rock and pop that even comes out of the big studios today is not something that “miffs me” (believe me, I AM NOT that “old fashioned” I just like old 40’s movies). I understand it only too well; way back in the 1980’s when many of today’s young artists where still their “daddy’s sperm” beginning that long swim up their “mother’s canal”, I spent untold hours hunched over then “modern synthesizers” creating such effects and sounds; BUT by myself, with only the good old tech manual and use of dials, filters, oscillators… and so forth.
Today’s gig>>> You no longer compose music (especially from “your musical soul”) you download and merge the “pre-found” clips and beats included in the package. A “Soulless” and “Joyless” process in my opinion BUT not necessarily an instant, easy one. The “Result”? Everything you create has this “virtual stamp” on it and sounds like every other “voice in the box.” True, you shape it but hardly worth the learning curve to me.
As (the) PINK FLOYD predicted way back in '74 with their song: “Welcome to the Machine” ) from the album: “Wish You Were Here” the machine is now as a voice and its soul is in the “box” even if you try to musically think “outside the box”…And believe me: I loved MY PINK FLOYD… and English bands in particular. Their foresight is now come to pass (meaning: it is now true in reality what was fantasy in their lyrics)…“Welcome to the Digital Soul”>>>
So from the “soul-less” world of contemporary modern desktop composing, I now fondly bid you adieu… I and “my lonely soul” like a musical Henry Thoreau at some far-away “Walden Pond” on a frontier far from the “modern world” return to my “Digital Piano” that at least has 88 “real-action” keys and perhaps later tonight to “My Old Black & White” (still resting peacefully in my kitchen foyer). I played the theme to my song: My Old Black & White on it the other day, she sounded pretty good considering “she” hasn’t been tuned since my then 86-year-old piano tuner died (I think in 2002).
My old black and white, Greets me with silence, every night.
And whenever I walk through that door;
She’s been my friend now since ‘74
She’s still my old black & white
And though her keys no longer shine so bright,
She’s kept me company (through) many a lonely night.
She’s still my old black & white
I posed for the above picture the day of a concert I played for over 35 people in a log cabin, called “The Music Shed” in Cummington, Mass., A nice open-air mountain town of New England.
I was 30 then and I remember it as passing as briefly as a “summer day” in New England. The last year my body would be unmarred by “the needles of dialysis” and the ensuing struggle of the next twenty years of poverty and struggle to keep myself faithful to my chosen goal and commitment: to learn to play a REAL PIANO. I thought it was just the beginning of long and fruitful career doing this; but I hadn’t seen my latest blood reports….
It was a glorious June Day in the New England mountains and I played a grand piano, very well indeed…
My bio is where you can read more about my music and find links to listen and purchase my CDs: August Ocean Overture, and In Memory Only
About the Author
Michael Guy (a.k.a. Michael Guy L'ecluse) is a composer, pianist and author. He has 33 years experience in keyboard, music composition and education. He was a music theory major in college. He's also an author of a novel, "The Last Renaissance Man" and a song lyric booklet entitled "Across the Sea of Madness." He has a homepage with his recent writings and poetry posted at AuthorsDen.com. His books and CDs are available there. After much time in the underground world of music composition, in 2007 he's finally released his debut CD, AUGUST OCEAN OVERTURE, on his own label JzCDz. It's an eclectic mix of NewAge, Jazz/Blues and classical Americana pieces. It's currently available on iTunes, Amazon and other digital distribution outlets like PayPlay.
He spent much time in New York City in the 1980's working in music publishing. Since 1990 when he returned to Florida for a kidney transplant, he has been semi-retired and working in recording, music composition and writing.
He will be releasing his second CD of original compositions in late 2008 entitled, IN MEMORY ONLY, as a memorial for his recently deceased parents.
You can learn about me and my music at:
http://augustoceanoverture.blogspot.com/
http://www.authorsden.com/visit/author.asp?id=66063


US $79.99



























































