Pattern Fet Condenser
Pattern Fet Condenser
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![]() Sterling Audio ST55 Condenser Cable Professional Microphone US $79.89
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![]() Behringer C1 Studio Condenser Microphone US $43.99
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![]() Behringer C 2 Matched Pair Of Studio Condenser Microphones {{ LQQK }} US $60.00
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![]() MXL V67 US $130.00
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![]() MXL 550 551 Condenser Cable Microphone US $100.00
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![]() Sterling Audio ST51 Condenser Cable Microphone US $39.95
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![]() Nady SCM 1000 Transformerless Microphone Used 6 times Sounds Great US $45.00
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![]() NEW BEHRINGER USB Condenser Microphone C 1U BUY IT NOW FREE SHIPPING USA US $74.88
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![]() NBEHRINGER STUDIO CONDENSER MICROPHONE C 1 C 1 FREE SHIPPING USA BUY IT NOW US $59.88
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![]() NEW BEHRINGER C 2 STUDIO CONDENSER MICROPHONE C 2 BUY IT NOW FREE SHIPPING USA US $54.99
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![]() NEW PAIR BEHRINGER C 4 STUDIO CONDENSER MICROPHONE C4 BUY IT NOW FREE FAST SHIP US $72.88
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![]() NEW BEHRINGER B 2 PRO CONDENSER MIC B2 PRO BUY IT NOW FREE SHIPPING USA US $153.88
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![]() MXL 990 LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE NICE PRICE US $29.99
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![]() ART M ONE M1 STUDIO CONDENSER MICROPHONE IN THE BOX USED US $44.99
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![]() CAD GXL1200 GXL 1200 SMALL DIAPHRAGM CONDENSER PAIR BARELY USED US $74.99
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![]() MXL 2008 STUDIO CONDENSER MICROPHONE KIT NICE PRICE US $69.99
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![]() MXL 990 Condenser Cable Professional Microphone w XLR cable MINT Condition US $15.50
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![]() CAD GXL3000 GXL 3000 STUDIO CONDENSER MICROPHONES PAIR BARELY USED US $129.99
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![]() STERLING AUDIO Groove Tube ST 51 ST51 STUDIO CONDENSER MICROPHONE USED US $49.99
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![]() Joemeek JM37 DP Condenser Cable Professional Microphone Mic EUC US $26.01
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![]() KAM Atmosphere Stage Condenser Mic Specs beat Beta 87a US $45.00
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![]() Sterling Audio ST55 Large Diaphragm FET Condenser Microphone US $120.00
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![]() Avantone Audio CK 1 Small Capsule FET Pencil Mic US $100.00
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![]() Carvin CM87S condenser Microphone US $50.00
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![]() Behringer C 3 Dual Diaphragm Condenser Microphone Studio Or Recording Mic US $54.99
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![]() Behringer C4 Microphones US $21.51
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![]() NEW BEHRINGER C 1 XLR STUDIO CONDENSER MICROPHONEAuthorized DealerWarranty US $43.99
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![]() Behringer C 1 Studio Condenser Microphone US $43.99
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![]() EH C5 fet Condenser Mic Oktava MK 105 US $205.00
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![]() Studio Projects C1 Large Diaphram Microphone in BOX w XLR Mic Cable C 1 US $150.00
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![]() MXL V87 Low Noise Condenser MicShockmount Pop Filter FREE NEXT DAY AIR US $179.00
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![]() Carvin CM 87S Large Diaphragm Pro Studio Condenser Microphone Mic w Case USED US $75.00
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![]() BEHRINGER B1 STUDIO CONDENSER MICROPHONE MIC US $88.99
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![]() New MXL CR 24 Kit MXL 2003a 603 Black Chrome Microphone Mic Make That Offer US $195.00
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![]() BEHRINGER C 3 STUDIO CONDENSER MICROPHONE NEW US $78.58
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![]() KAM Atmosphere Stage and Studio Condenser Mic B stock US $59.00
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![]() MXL V67GS Large Diaphragm Condenser Microphone V 67 GS Extended Warranty US $119.95
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![]() MXL 2006 Large Capsule Class A Studio Microphone With Shock Mount And Case NEW US $109.95
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![]() MXL 440 441 Studio Condenser Instrument Mic Ensemble US $99.95
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![]() MXL 770 Condenser Microphone w Shockmount Case FREE NEXT DAY AIR US $99.95
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![]() BEHRINGER B5 GOLD DIAPHRAGM CONDENSER MICROPHONE US $67.99
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![]() BadAax CM40 Cardioid 1 Studio Condenser Mic US $50.00
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![]() MXL 770 Professional Studio Condenser Microphone Mic Cable Extended Warranty US $99.95
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![]() Nady SPC 15 Condenser Microphone Buy 2 Save US $39.99
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![]() Marshall MXL 2001 Recording Mic Studio Microphone US $89.99
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![]() NEW Marshall MXL 2006 Recording Microphone Studio Mic US $99.95
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![]() Behringer C2 Condenser Microphone Cardioid US $64.99
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![]() Nady SCM 800 FET Studio Condenser Microphone Black US $49.99
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![]() Nady SCM 800 STUDIO MIC CNDNSR US $49.99
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![]() New MXL 2006 Large Diaphragm Condenser Microphone Mic US $99.00
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Used Sterling Audio St59 Multi-Pattern Fet Condenser Microphone $272.99 The Sterling Audio ST59 is an FET condenser microphone that employs a large capsule with a dual sided ultrathin 3-micron evaporated gold Mylar diaphragm. The ST59 mic is built with an exclusive process that extends high frequencies and improves details and depth on both vocal and instrument recordings. The FET Class-A electronics provide smooth, warm sound. The ST59 offers switch-selectable cardioid, omni-directional, figure-eight polar patterns and is housed in a rugged brass body. Sterling Audio microphones employ several advanced technologies that separate their large-diaphragm condenser mics from the rest of the pack. One of the more important advances is their Disk Resonator system. With it, Sterling Audio is uniquely able to compensate for the 14kHz frequency roll-off that is inherent in large diaphragm mics. As any good audio engineer knows, this deficiency translates to a lack of sparkle from high-frequency sound sources. Other manufacturers have typically solved this problem by cutting other frequencies and then increasing the entire signal to help even out the frequency range. Unfortunately, this results in increased noise. Disk Resonator Technology incorporates a brass umbrella that protrudes from the center of the diaphragm in Sterling Audio's ST59 microphone. It gently boosts the diaphragm sensitivity to shorter sound waves, allowing it to respond more accurately to those all-important higher frequencies. The result is optimal sensitivity, full frequency response, and a low signal-to-noise ratio. Another piece of audio wizardry comes in the form of the ultra-thin diaphragm membrane made of Mylar. While most modern condenser diaphragms are 6 to 12 microns in thickness, Sterling Audio, in association with 3M, has produced a highly resilient Mylar that measures a mere 3 microns. This allows the ST59 microphone to deliver an extraordinary degree of sensitivity. Requires phantom power.Studio quality condenser mic Smooth, warm sound FET Class-A electronics Dual Diaphragms Switchable cardioid, omnidirectional, figure-eight pickup patterns Incorporates patented "Disk-Resonator" technology Rugged brass body |
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Sterling Audio St59 Multi-Pattern Fet Condenser Microphone $299.99 The Sterling Audio ST59 is an FET condenser microphone that employs a large capsule with a dual sided ultrathin 3-micron evaporated gold Mylar diaphragm. The ST59 mic is built with an exclusive process that extends high frequencies and improves details and depth on both vocal and instrument recordings. The FET Class-A electronics provide smooth, warm sound. The ST59 offers switch-selectable cardioid, omni-directional, figure-eight polar patterns and is housed in a rugged brass body. Sterling Audio microphones employ several advanced technologies that separate their large-diaphragm condenser mics from the rest of the pack. One of the more important advances is their Disk Resonator system. With it, Sterling Audio is uniquely able to compensate for the 14kHz frequency roll-off that is inherent in large diaphragm mics. As any good audio engineer knows, this deficiency translates to a lack of sparkle from high-frequency sound sources. Other manufacturers have typically solved this problem by cutting other frequencies and then increasing the entire signal to help even out the frequency range. Unfortunately, this results in increased noise. Disk Resonator Technology incorporates a brass umbrella that protrudes from the center of the diaphragm in Sterling Audio's ST59 microphone. It gently boosts the diaphragm sensitivity to shorter sound waves, allowing it to respond more accurately to those all-important higher frequencies. The result is optimal sensitivity, full frequency response, and a low signal-to-noise ratio. Another piece of audio wizardry comes in the form of the ultra-thin diaphragm membrane made of Mylar. While most modern condenser diaphragms are 6 to 12 microns in thickness, Sterling Audio, in association with 3M, has produced a highly resilient Mylar that measures a mere 3 microns. This allows the ST59 microphone to deliver an extraordinary degree of sensitivity. Requires phantom power.Studio quality condenser mic Smooth, warm sound FET Class-A electronics Dual Diaphragms Switchable cardioid, omnidirectional, figure-eight pickup patterns Incorporates patented "Disk-Resonator" technology Rugged brass body |
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Mojave Audio Ma-201 Fet Large Diaphragm Condenser Microphone $695 The MA-201 fet is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern. With its roots in a lineage of microphone designs by David Royer, one of an elite group of microphone designers who know that music and sound are inseparable from electronic design, the MA-201 FETMicrophone offers warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.Using a 3-micron gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-201 FET performs at a level reminiscent of some of the best loved classic condenser microphones. Each Mojave MA-201 FET microphone is carefully tested and evaluated, then packaged in its protective case with a professional grade shockmount.Recommended applications: VocalsVoice Over and BroadcastHigh SPL sources, such as Kick Drums and Bass Guitar AmpsElectric GuitarPianoDrum Overheads, Drum RoomsAcoustic InstrumentsHand-selected 3-micron 1" capsuleJensen audio transformerMilitary-grade FETCustom designed low-noise resistorsUltra clean signal path |
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Sterling Audio ST59 Multi-pattern FET Condenser Mic $272.99 The Sterling Audio ST59 is an FET condenser microphone that employs a large capsule with a dual sided ultrathin 3-micron evaporated gold Mylar diaphragm. The ST59 mic is built with an exclusive process that extends high frequencies and improves details and depth on both vocal and instrument recordings. The FET Class-A electronics provide smooth, warm sound. The ST59 offers switch-selectable cardioid, omni-directional, figure-eight polar patterns and is housed in a rugged brass body. Sterling Audio microphones employ several advanced technologies that separate their large-diaphragm condenser mics from the rest of the pack. One of the more important advances is their Disk Resonator system. With it, Sterling Audio is uniquely able to compensate for the 14kHz frequency roll-off that is inherent in large diaphragm mics. As any good audio engineer knows, this deficiency translates to a lack of sparkle from high-frequency sound sources. Other manufacturers have typically solved this problem by cutting other frequencies and then increasing the entire signal to help even out the frequency range. Unfortunately, this results in increased noise. Disk Resonator Technology incorporates a brass umbrella that protrudes from the center of the diaphragm in Sterling Audio's ST59 microphone. It gently boosts the diaphragm sensitivity to shorter sound waves, allowing it to respond more accurately to those all-important higher frequencies. The result is optimal sensitivity, full frequency response, and a low signal-to-noise ratio. Another piece of audio wizardry comes in the form of the ultra-thin diaphragm membrane made of Mylar. While most modern condenser diaphragms are 6 to 12 microns in thickness, Sterling Audio, in association with 3M, has produced a highly resilient Mylar that measures a mere 3 microns. This allows the ST59 microphone to deliver an extraordinary degree of sensitivity. Requires phantom power. |
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MXL 4000 Multi-Pattern FET Studio Condenser Microphone 889406660656 $100 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power. |
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MXL 4000 Multi-Pattern FET Studio Condenser Microphone $199.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power. |
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MXL 4000XL Multi-Pattern FET Studio Condenser Microphone $399.99 The MXL 4000XL is a multi-pattern condenser microphone with a large 32mm dual diaphragm capsule. The latest incarnation of the MXL 4000, its large-sized capsule brings a bolder, brighter, and more open sound. The 4000XL uses hand-selected internal components to create a sound that enhances both vocal and instrument performances. This microphone includes a shockmount and wooden storage case. |
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Mxl 4000 Multi-Pattern Fet Studio Condenser Microphone $199.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power.Warm-sounding, low-noise, classic recording studio mic soundLarge, 6-micron gold-sputtered capsuleSteel head and woven-brass mesh grillHeavy duty metallic blue finished enclosureVintage transformerless designAttractive mahogany colored storage caseSpecially designed MXL 60 shock mount includedCustom foam windscreenMade with Mogami cable |
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Used Mxl 4000 Multi-Pattern Fet Studio Condenser Microphone $181.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power.Warm-sounding, low-noise, classic recording studio mic soundLarge, 6-micron gold-sputtered capsuleSteel head and woven-brass mesh grillHeavy duty metallic blue finished enclosureVintage transformerless designAttractive mahogany colored storage caseSpecially designed MXL 60 shock mount includedCustom foam windscreenMade with Mogami cable |
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Mxl 4000Xl Multi-Pattern Fet Studio Condenser Microphone $249.99 The MXL 4000XL is a multi-pattern condenser microphone with a large 32mm dual diaphragm capsule. The latest incarnation of the MXL 4000, its large-sized capsule brings a bolder, brighter, and more open sound. The 4000XL uses hand-selected internal components to create a sound that enhances both vocal and instrument performances. This microphone includes a shockmount and wooden storage case.Enhances both vocal and instrumentLarge capsule condensers reveal very subtle sonic details Multiple polar patterns: cardioid, figure 8, omni-directional Includes a shockmount and wooden storage case. |
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Used Mxl 4000Xl Multi-Pattern Fet Studio Condenser Microphone $227.49 The MXL 4000XL is a multi-pattern condenser microphone with a large 32mm dual diaphragm capsule. The latest incarnation of the MXL 4000, its large-sized capsule brings a bolder, brighter, and more open sound. The 4000XL uses hand-selected internal components to create a sound that enhances both vocal and instrument performances. This microphone includes a shockmount and wooden storage case.Enhances both vocal and instrumentLarge capsule condensers reveal very subtle sonic details Multiple polar patterns: cardioid, figure 8, omni-directional Includes a shockmount and wooden storage case. |
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Nady Scm 800 Fet Studio Condenser Microphone Black $49.99 The Nady SCM 800 Studio Condenser Microphone is perfect for recording studio vocals, acoustic instruments, orchestras and choral groups, ambient instrument audio, and many live sound applications. Powerful and versatile, the SCM 800 microphone meets the stringent requirements of even the most demanding digital recording and live broadcasting applications. Requires Phantom Power.Ideal for all recording and broadcasting applicationsLarge-diaphragm true condenser designTransformerless low-noise/high-dynamic range outputHigh spl capacityCardioid polar pattern pickupFet preampsprecision-turned brass housingRugged internal shock mounts |
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Used Mxl 4000Xl Multi-Pattern Fet Studio Condenser Microphone Regular 886830366611 $212.49 The MXL 4000XL is a multi-pattern condenser microphone with a large 32mm dual diaphragm capsule. The latest incarnation of the MXL 4000, its large-sized capsule brings a bolder, brighter, and more open sound. The 4000XL uses hand-selected internal components to create a sound that enhances both vocal and instrument performances. This microphone includes a shockmount and wooden storage case.Enhances both vocal and instrumentLarge capsule condensers reveal very subtle sonic details Multiple polar patterns: cardioid, figure 8, omni-directional Includes a shockmount and wooden storage case. |
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Sterling Audio ST31 Small Diaphragm FET Condenser Mic $99.99 The Sterling Audio ST31 is an FET small-diaphragm condenser microphone that features a mid-size (3/4") capsule to make it perfect for miking acoustic instruments, amplifiers, drum overheads, and more. The ST31 mic's thin, 6-micron evaporated gold Mylar diaphragm is optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars. Warm FET circuitry gives it low noise and high-quality sonics. Requires phantom power. |
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APEX 480 Multi-Pattern Wide Diaphragm FET Condenser Microphone Sale Price: $139.00 |
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The Apex 480 wide diaphragm FET microphone offers a warmth and tone similar to that of a tube microphone without the limitations often associated with a tube mic design. The Field Effect Transistors (FETs) used in the Apex480?s deliver incredible clarity with an extremely wide dynamic range... |
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Sterling Audio ST59 Multi-pattern FET Condenser Mic List Price: $599.99 Sale Price: $299.99 |
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The Sterling Audio ST59 is an FET condenser microphone that employs a large capsule with a dual sided ultrathin 3-micron evaporated gold Mylar diaphragm. The ST59 mic is built with an exclusive process that extends high frequencies and improves details and depth on both vocal and instrument recordings... |
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Avantone CK-7 Large Capsule Multi-Pattern FET Condenser Microphone Sale Price: $279.00 |
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The Avantone "Cabernet (C-series)" mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The design, character and performance can be compared directly to fine studio-standard FET mics... |
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Behringer C-1 Studio Condenser Microphone List Price: $87.99 Sale Price: $35.99 Used From: $37.79 |
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The C-1 is a cardioid condenser microphone designed to capture your sounds with incredible realism, sensitivity and accuracy. This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials... |
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Behringer C-3 Dual-Diaphragm Studio Condenser Microphone List Price: $109.99 Sale Price: $53.99 Used From: $49.49 |
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The C-3 is a home recording enthusiast's dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy... |
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MXL 4000XL Multi-Pattern FET Studio Condenser Microphone List Price: $499.00 Sale Price: $249.99 |
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The MXL 4000XL is a multi-pattern condenser microphone with a large 32mm dual diaphragm capsule. The latest incarnation of the MXL 4000, its large-sized capsule brings a bolder, brighter, and more open sound... |
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Miktek C7 Large Diaphragm Multi-Pattern FET Condenser Microphone Sale Price: $899.00 |
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The Miktek C7 Large Diaphragm FET Condenser Microphone is a professional studio recording microphone, well suited for capturing vocals, amplifier cabinets and the gamut of instruments. The C7 features Miktek's dual 1-inch capsule which yields switchable cardioid, omnidirectional and figure-8 polar patterns, making it a workhorse for any recording scenario... |
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ART M-Three Multi-Pattern FET Condenser Microphone List Price: $269.00 Sale Price: $199.00 |
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The ART M-Three multi-pattern wide diaphragm condenser microphone is one of the most versatile microphones available for your studio toolkit. Three selectable polar patterns, two position low frequency roll-off and two position pad switch on the body of the microphone ensure the ART M-Three can easily be applied to virtually any recording or live application... |
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Mxl 2006 Large Diaphragm Class A FET Circuitry Condenser Mic Bundle w/Pop Filter and 10' Mic Cable List Price: $200.00 Sale Price: $109.95 |
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The MXL 2006 is a super-sensitive large-diaphragm condenser microphone, ideal for budget-minded home studios. Whether you need some fresh new vocals for your future hip-hop hit or crisp, clean acoustic guitar for the folk-opera you've been putting the finishing touches on, this microphone can handle it... |
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Avantone CK-40 Stereo 3-Pattern FET Condenser Microphone with -10dB Pad Sale Price: $599.00 |


US $79.89



























































