Microphone Wind Screen
Microphone Wind Screen
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Rode Microphones Nt3 Wind Screen $11.99 Custom wind protection for your RDE NT3 microphone. |
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Rode Microphones NT3 Wind Screen $11.99 Custom wind protection for your RØDE NT3 microphone. |
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Tour Grade Black Ball End Microphone Wind Screen Black $2.95 The Tour Grade Ball End Wind screen eliminates annoying microphone breath sounds and pops from plosive hard syllables. Made of high quality foam, the ball end microphone windscreen protects your favorite mic from moisture and dents. The mic cover's unobtrusive black color looks great on any stage.Tour Grade products combine practical, state-of-the-art features with long term dependability. They're designed in the USA and crafted with the finest quality materials and tried-and-true production methods, Tour Grade has what it takes to live up to its name. One microphone cover per package. |
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Olympus Wind Screen for LS-10 mic $16.99 The Olympus WS-5 is a replacement windscreen for the LS-10 PCM handheld recorder. It helps you avoid wind noise and plosives in order to achieve the best possible sound capture from the LS-10's built-in microphone. |
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Olympus Wind Screen For Ls-10 Mic $16.99 The Olympus WS-5 is a replacement windscreen for the LS-10 PCM handheld recorder. It helps you avoid wind noise and plosives in order to achieve the best possible sound capture from the LS-10's built-in microphone. |
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Rode Microphones Large Diaphragm Wind Screen $13.49 Foam wind screen from RØDE for your large diaphragm microphone also reduces plosives and provides some protection against drops and weather. Fits large-diaphragm mics. |
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Roland Cs-15R Stereo Microphone $129 For serious field recording, the CS-15R cardioid-type stereo microphone is a great match for the Roland CD-2e SD/CD recorder. For portability and convenience, the CD-2e supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.Element: Electret CondenserOpen Circuit Sensitivity: -41.5 4 dB (0 dB=1 V/ 1 Pa, 1 kHz)Polar Pattern: Uni Directional x 2Impedance: 1,300 ohmsFrequency Response: 200 to 17,000 HzMaximum Input S.P.L119dB SPL (3% THD at 1kHz)Battery: LR44 type, 1.5VButtery Current: 0.6mABattery Life: 200 Hours (continuous use)Cable Length: 3 m/10 feetPlug: 1/4 inch Phone PlugAccessories: Owner's Manual, Wind Screen, Carrying Case, Microphone Stand, Microphone Holder, Screw Adaptor, LR44 Battery |
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Used Roland Cs-15R Stereo Microphone $117.39 For serious field recording, the CS-15R cardioid-type stereo microphone is a great match for the Roland CD-2e SD/CD recorder. For portability and convenience, the CD-2e supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.Element: Electret CondenserOpen Circuit Sensitivity: -41.5 4 dB (0 dB=1 V/ 1 Pa, 1 kHz)Polar Pattern: Uni Directional x 2Impedance: 1,300 ohmsFrequency Response: 200 to 17,000 HzMaximum Input S.P.L119dB SPL (3% THD at 1kHz)Battery: LR44 type, 1.5VButtery Current: 0.6mABattery Life: 200 Hours (continuous use)Cable Length: 3 m/10 feetPlug: 1/4 inch Phone PlugAccessories: Owner's Manual, Wind Screen, Carrying Case, Microphone Stand, Microphone Holder, Screw Adaptor, LR44 Battery |
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Sony Recorder Wind Screen For Pcm-M10 $49.99 The Sony Recorder Wind Screen is a must-have for field recording. This windscreen is designed for use with Sony's PCM-M10 built-in microphones. The Sony windscreen reduces wind noise up to 20 decibels. The windscreen is crafted from 15mm-long synthetic fur fabric.For use with PCM-M10 built-in microphonesReduces noise up to 20 dBMade with 15mm long synthetic fur fabric |
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Audio-Technica U855ql Cardioid Dynamic Gooseneck Microphone $99 Designed for use as a high-quality talk-back, paging and dispatch microphone in entertainment, commercial and industrial applications, the U855QL features a versatile gooseneck design allows for flexible positioning and dependable performance. Its tailored frequency response ensures excellent intelligibility in environments with excessive ambient noise. An XLRM-type connector insert at the base allows the microphone to be plugged directly into an XLRF-type panel jack or microphone cable. .Designed for use as a high-quality talk-back, paging & dispatch microphone in entertainment, commercial and industrial applications Extremely rugged all-metal construction for long-lasting performance Quick-mount design with 3-pin XLRM-type connector insert at base plugs into any standard XLRF-type surface or cable connector Low-profile element provides uniform cardioid polar pattern with 120 acceptance angle Easy-to-adjust, rugged gooseneck permits quick positioning Frequency response tailored for excellent intelligibility in environments with excessive ambient noise Polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Protective screen reduces wind noise and "popping" when used extremely close |
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Neumann Tlm 49 Condenser Studio Microphone $1599.95 The Neumann TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound. The TLM 49 is specially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The Neumann TLM 49's design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The sound design is also oriented toward that of the M 49 and theU 47. By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.ApplicationsDuring the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.Polar patternThe large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm.The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.Acoustic featuresThe TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3dB.The capsule is enclosed by a large microphone head grille, which is acoustically very open and is hence neutral with regard to the sound.Electrical featuresThe letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 114 dB without distortion, and provides a dynamic range of 102 dB (A-weighted).Operational safetyThe entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount. Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microph |
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Shure Sm63 Handheld Dynamic Omnidirectional Microphone $129.99 The high output Shure SM63 dynamic omnidirectional microphone is designed for professional applications where performance and appearance are critical. The SM63 is designed for handheld use on stage and in broadcast, recording, and television studios. It features a smooth, wide frequency response that is tailored for optimum speech intelligibility, and has a patented mechanical isolation system for low handling noise. The SM63 dynamic mic includes a controlled low-frequency rolloff for reduced pick-up of stand and wind noise. A built-in humbucking coil makes the Shure microphone virtually immune to strong hum fields, such as those produced by studio lighting.High output, low impedance80 to 20,000Hz frequency response tailored for optimum speech intelligibilityLow-frequency roll off and built-in shock mount for reduced pickup of handling noise and stand vibrationHumbucking coil for virtual immunity to strong electromagnetic hum fieldsExceptionally rugged VERAFLEX grille that resists damage from drops, and is immune to rust, corrosion, and moistureBuilt-in pop filter that suppresses breath and wind noiseExcellent balance and feel for hand-held useSleek, handsome appearance looks good on stage, screen, and televisionChampagne finishIncludes carrying bag and swivel stand adaptor |
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Royer R-101 Ribbon Microphone Black $799 The R-101 is a mono, passive ribbon microphone utilizing a patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built in Royer's Burbank, CA facility and delivered at a price point suitable for home studio use and live applications. The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, a patented offset-ribbon transducer, and an internally shock mounted ribbon transducer system which provides greater isolation from shocks and vibrations, and reduced proximity effect for closer miking with less bass buildup. Throw it on a guitar cabinet, hit record, play it back, smile. The ribbon element's smooth frequency response and phase linearity impart a warm, analog feel to digital recordings, where the depth and realism on playback feels more like tape rolling than digits being computed. A perfect choice for electric guitars, brass instruments and drums, the R-101's figure-8 pattern also conveys superb ambience and depth when used for room miking applications. Patented Offset Ribbon Technology The R-101 incorporates Royer's patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. The ribbon transducer's flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. The R-101's offset-ribbon transducer (Patent # 6,434,252) positions the ribbon element towards the front (logo) side of the microphone body. This proprietary arrangement gives the ribbon element more room to move within the prime magnetic field and maintain full frequency response during high SPL recordings. It's an integral part of the magic in all Royer R-series microphones. The offset-ribbon transducer also gives you the option of a brighter response when recording lower SPL sound sources on the backside (3 feet and closer; phase reversed in this position). The backside of the mic is often preferred on vocals, acoustic guitars and other stringed instruments.Like all Royer mics, the R-101 comes with a lifetime warranty to the original owner and the first re-ribbon is free.High SPL capabilities for electric guitar and percussionMulti-layered windscreen provides superior protection to ribbon elementNo internal electronics to overload or produce distortion up tomaximum SPL ratingExtremely low residual noiseRibbon element not affected by heat or humidityAbsence of high-frequency peaks, "ringing" and phase shiftsEqual sensitivity from front or back of elementLifetime warranty, 1st re-ribbon is freeApplications:Close mikingElectric & acoustic guitarsDrum overheads, kick drum Percussion instrumentsBrass, horn sectionsStrings-solo & sectionsAcoustic pianoVocalsLive events-recording and soun |
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Used Rode Microphones Videomic Shotgun Condenser Microphone $126.65 The RØDE VideoMic is a professional-grade shotgun condenser microphone. Based on the latest film industry technology, the RØDE VideoMic is designed specifically for use with high-quality digital video cameras. The microphone offers low noise and has an unusually wide bandwidth for its size. It is ultralightweight, yet rugged as a result of its ABS construction. Powered by a standard 9V battery with a low-battery LED-status indicator and switchable high-pass filter to reduce unwanted low-frequency rumble. The RØDE VideoMic attaches to any camcorder that has a standard hot-shoe fitting and has a stereo mini jack for audio output. Power The VideoMic is designed by RØDE to operate with a 9V battery. The battery is conveniently located within the support arm of the microphone. A fully removable access cover and an insertion mechanism enables easy loading. The battery will provide more than 100 hours of continuous use because of the mic's low power consumption of only 5.0 mA. Output impedance This RØDE video shotgun microphone will operate satisfactorily into a load impedance as low as 1 kOhms. If a load below this is used, the output signal level will be reduced. Requires phantom power.Studio recording quality condenser microphone Rugged fiber-reinforced ABS construction 9V battery operation Custom designed integral wind screen Low-noise circuitry Low handling noise Integral hot-shoe mount and zip pouch Designed and manufactured in Australia Full 2-year guarantee |
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Rode Microphones Videomic Shotgun Condenser Microphone $149 The RØDE VideoMic is a professional-grade shotgun condenser microphone. Based on the latest film industry technology, the RØDE VideoMic is designed specifically for use with high-quality digital video cameras. The microphone offers low noise and has an unusually wide bandwidth for its size. It is ultralightweight, yet rugged as a result of its ABS construction. Powered by a standard 9V battery with a low-battery LED-status indicator and switchable high-pass filter to reduce unwanted low-frequency rumble. The RØDE VideoMic attaches to any camcorder that has a standard hot-shoe fitting and has a stereo mini jack for audio output. Power The VideoMic is designed by RØDE to operate with a 9V battery. The battery is conveniently located within the support arm of the microphone. A fully removable access cover and an insertion mechanism enables easy loading. The battery will provide more than 100 hours of continuous use because of the mic's low power consumption of only 5.0 mA. Output impedance This RØDE video shotgun microphone will operate satisfactorily into a load impedance as low as 1 kOhms. If a load below this is used, the output signal level will be reduced. Requires phantom power.Studio recording quality condenser microphone Rugged fiber-reinforced ABS construction 9V battery operation Custom designed integral wind screen Low-noise circuitry Low handling noise Integral hot-shoe mount and zip pouch Designed and manufactured in Australia Full 2-year guarantee |
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 Audio Technica ATR3350 Condenser Cable Microphone  US $5.00
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 Electro Voice 667A Dynamic Cardioid Microphone Shockmount Boom New Windscreen US $119.50
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 1 Lapel Tie clip MICROPHONE with windscreen for wireless sys PC 10 feet cable US $7.99
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 Audio Technica AT803a Condenser Lavalier Microphone US $50.00
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 6 Studio Mic microphone Wind Screen pop filter SHIELD US $9.99
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 SONY ECM 957PRO Electret Condenser Microphone US $102.50
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 Countryman E6 Omni Earset E6OW6T2SR for Sennheiser US $349.99
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 2 x windscreen foam Audio Mic Shield microphone Cover US $.99
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 PH1 PHANTOM CONDENSER MIC OMNI RECORDING MICROPHONE US $24.99
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 New EV RE90L Omni Condenser Lav Mic PhntmPwr Free Ship US $79.00
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 New Shure MX418 C 18 Gooseneck Cardioid Mic Free Ship US $129.00
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 Audio Technica MicroLine ES935SML Microphone Cardioid Cartridge US $.99
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 Audio Technica MicroLine ES935SML Microphone HyperCardioid Cartridge US $.99
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 Sony ECM 77B ECM77B ECM 77B Condenser Lavalier Omni Directional Microphone US $183.51
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 GXL2200 CONDENSER MIC With Shock Mount XLR Cord Wind Screen Pop Shield Filter US $31.00
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 NEW YPA M613 XLR Cardioid Instrument drum Condenser Mic US $99.95
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 AKG C 414 B Condenser Microphone with Extras Used Great Condition NO RESERVE US $380.00
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 NADY SP 4C Dynamic Vocal With Switch Microphone US $.99
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 New Nady Dynamic Cable Professional Microphone Model SP 4C Color Black US $1.04
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 YPA MM3 HEADWORN MIC FOR SENNHEISER RADIO MICROPHONES US $34.99
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 Fir microphone cover for shotgun mic or boom Microphone US $49.99
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 Sony ECM 55B Condenser Cable Professional Microphone US $200.00
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 2 MICROPHONE MIC WINDSCREEN FOAM COVERS PREMIUM BLUE US $.99
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 AKG C 1000 S Condenser Microphone Excellent Sounds Amazing US $76.00
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 Large Diaphragm Condenser Microphone Windscreen Use4 Podcast Singer Vocalist US $7.75
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 RODE NT2 A Switchable Condenser Microphone US $171.50
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 Shure PGX14 85 Lavalier Wireless System US $299.00
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 Lot of 29 Items Microphone XLR plugs Couplers Clips Windscreens All New OS US $39.99
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 Shure WL185 Lavalier Condenser Microphone Black Cardioid US $79.99
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 Shure WL93 Omnidirectional Condenser Miniature Lavalier Microphone Black US $69.99
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 NEW Lapel Microphone YPA M1 Mic FOR SENNHEISER Wireless US $34.95
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 Shure WL51B Subminiature Lavalier Microphone Black Cardioid US $139.99
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 Shure WL50B Subminiature Lavalier Microphone Omnidirectional US $129.99
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 YPA M606 Condenser Vocal Instrument Microphone 2pcs NEW US $49.99
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 Shure SM63 Omnidirectional Dynamic Microphone with Holder US $25.49
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 Rode VIDEOMIC Condenser Cable Professional Microphone Used twice US $113.19
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 Sony ECM 678 Condenser Shotgun Microphone US $599.00
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 YPA Headset MM1 Headworn Mic for Shure Wireless TA4F US $34.95
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 Shure Wireless Microphone System Includes Receiver Lavalier Lapel Mic and US $213.50
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 New Studio Microphone Mic Wind Screen Pop Shield Filter US $.99
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 Shure WL93 Black Micro Lavalier Omni Mic Black US $31.00
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 Sennheiser wireless bodypack receiver model EK100 from the EW100 series US $157.51
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 Shure SM5B Micophone RARE In Excellent Condition US $499.00
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 AKG C1000S Small Diaphragm Condenser Microphone US $62.33
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 Audio Technica PRO 92cW Beige Wireless Omni Headset Mic Good Condition US $39.00
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 Audix MicroBoom MB5050 HC 50 Small Hypercardioid Mic US $179.00
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 NEW YPA M605 Condenser drum toms instrument Microphone US $129.95
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 2 PREMIUM BLUE DJ KARAOKE MICROPHONE WINDSCREEN MIC FOAM COVER WIND SHIELD NEW US $.99
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 YPA M1 TIE CLIP LAPEL LAVALIER MICROPHONE FOR AKG TA3F US $29.99
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 Audio Technica PRO45 Cardioid Condenser Hanging Room Microphone white US $20.00
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GLS Audio Mic Windscreens - Black Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Black Wind Screens - 5 PACK List Price: $24.95 Sale Price: $9.95  |
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Are your old wind screens deteriorating on you? Try our GLS Audio 5 pack of new black wind screens today! They come vacuum packed for freshness and longevity. Once they are opened from the package, allow for them to reform to their natural shape and beauty... |
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GLS Audio Mic Windscreens - Color Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Color Wind Screens - 7 PACK List Price: $21.95 Sale Price: $13.95 Used From: $12.30 |
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Make life easy on yourself when you're working the sound board. 7 different Vibrant Colors of wind screens to keep the mics on stage more than bearable to work with. They come vacuum packed for freshness and longevity... |
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SEISMIC AUDIO - SA-MicScreen - Flexible Microphone Wind Screen Studio Mic Pop Filter Windscreen List Price: $29.99 Sale Price: $14.99 |
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Model Number: SA-MicScreen Microphone Wind Screen Screen Diameter: 6 inches Neck Length: 13.5 inches Brand New One Year Warranty |
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Tour Grade Black Ball End Microphone Wind Screen Black Sale Price: $2.95 |
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The Tour Grade Ball End Wind screen eliminates annoying microphone breath sounds and pops from plosive hard syllables. Made of high quality foam, the ball end microphone windscreen protects your favorite mic from moisture and dents... |
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MXL WS-001 Foam Windscreen List Price: $19.95 Sale Price: $13.95 |
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Large windscreen to provide isolation from wind noise. Fits microphones with grills over 2" in diameter. |
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20mm Headset & Lapel Lavalier Microphone Windscreens - 8 Pack List Price: $29.95 Sale Price: $3.99 |
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20mm headset & lapel Lavalier microphone windscreen - 8 pieces. Packed in a heat sealed package so you know they are new and have never been used. Fits various microphones including: Audio Technica, Olympus, Shur, Sennheiser, Sony, Hisonic, Samson |
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Studio Microphone Mic Wind Screen Pop Filter Mask Shied Sale Price: $17.99 |
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Features: 1.100% Brand new and high quality 2.Defense against distorting 'P' and 'B' consonants 3.Protects your microphone from surplus spit caused by over eager performers 4.360°Flexible gooseneck holder, convenient for use 5... |
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On Stage Foam Ball-Type Mic Windscreen, Black List Price: $5.99 Sale Price: $0.85 Used From: $3.00 |
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Protect your mics against wind interference and singers' spit with an On Stage Foam Ball-Type Mic Windscreen. Designed for noral sized handheld mics similar in design to a Shure SM58, these colorful foam windscreens fit most mics... |
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NEW PRO 5 PC BLACK WIND SCREEN MICROPHONE WINDSCREENS List Price: $14.95 Sale Price: $4.95 |
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o 5 Black wind screens o 1 1/2" Opening o Professional Windscreens o Fits Most Hand Held Ball End Microphones o 5 total per bag o Save and Sounds Great! |
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AXL Mic Wind Screen for Large (SC-203-BK) List Price: $1.99 Sale Price: $1.99 |
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These sturdy black foam windscreens will help reduce wind noises and harsh consonant pops for ball-type mics. |
Camcorder Cheat Sheet6 Tips For Getting Better Audio
Camcorder Cheat Sheet6 Tips for Getting Better Audio
Most consumers purchase a digital video camcorder in order to upgrade their equipment and hopefully, Visit Here Now http://top10camcordersinfo.blogspot.com
produce better quality home movies. Unfortunately, the quality of the movies we record with our camcorder has less to do with the equipment and more to do with how well we record the video and audio in the first place.
The important role of good audio in any film is often overlooked. Many consumers don't purchase an external microphone with their camcorder but instead rely primarily on an internal omni directional microphone which indiscriminately picks up and records sounds from the front, sides, and rear. This often results in a significant amount of "noise" and difficulty in discerning the voices or other sounds which home movies try to capture.
Without making a life study of film making, there are a few quick and simple things the average home movie maker can do to vastly improve the audio quality of films they record with their camcorder.
1. Move in closer to the subject or sounds which the film should capture.
This can mean using the zoom function less and instead, stepping nearer. When recording children, this can also mean getting down closer to their level from a vertical perspective. Getting closer with the camcorder not only allows the film maker to capture the sounds better but it helps to cut down on the amount of noise that will intrude from the background.
2. Home movies should be filmed in a quiet location when possible.
Controlling the environment is an obvious way of cutting down on the "noise" intrusion. Some environments in which we film may be naturally "noisy"; but assuring that the television is off, the dishwasher is not running, etc. certainly helps.
3. Engage the "wind screen" feature on the camcorder when filming outdoors.
The "wind screen" feature does exactly what its name implies; it helps to reduce wind noise. This is particularly useful at the beach.
4. Reduce noise by steadying the camera.
Jarring the camcorder around and moving about while filming can also create a great deal of noise. Using a tripod or another type of stabilization device can not only steady the picture but reduce noise.
5. Purchase an external microphone for your camcorder.
If your camcorder has a jack for an external microphone, this can be a great way of significantly improving the sound quality of your recordings. There are a variety of types of microphones available and each functions best in different situations. "Shotgun" microphones help to reduce noise by cutting out sounds from the side and rear of the camera and recording sounds primarily in front of the camera at a distance. For recording speakers/presenters, a lavaliere microphone is the best idea while Cardioid microphones record sound near, but directly in front of the microphone.
6. Reduce film maker noise.
This is common sense but the person with the camcorder in hand should remember to be quiet and avoid "fiddling" with the controls on the camcorder while filming.
Although none of these techniques are high tech, adhering to them can greatly enhance the quality of any home movie creation and allow owners to better enjoy their investment in a new camcorder.Visit Here Now http://top10camcordersinfo.blogspot.com
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