Microphone Techniques

Microphone Techniques

Applied Microphone Technology Accx Accordion Microphone $343 The AMT ACCX is an external microphone system for accordion designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The system features a 1-microphone setup with an external bracket that mounts via double-sided tape to the front or side of any size or type of accordion. The bracket then can be removed if not needed, since it mounts with high-capacity Velcro. The ACCX is a great mic setup for the accordion player looking for a high-quality external clip-on microphone that can withstand the high sound pressure level of a musette-tuned accordion. It can also handle SPLs from bellow shaking as well as pick up the most sensitive levels of a single reed soloist.The bracket can accept and mount up to 3 AMT microphones for different miking techniques around the accordion. The ACCX allows, if needed, the ability to place 2 accordion microphones in front of the instrument's grille for miking the right hand and reverse the direction for the third microphone to pick up the left hand or opposite side of an accordion.The ACCX kit includes 1 AMT microphone with Iso-ring technology along with the ACCX accordion clamp and 1 preamp needed to power the microphone. Additional accordion microphones can be purchased separately. The included inline preamp can be placed on the floor, on a belt clip, or in-pocket. The preamp has a low roll-off switch as well as a dB cut. Phantom power is needed to power it.The ACCX accordion mic system also includes a soft carrying pouch for the microphone.External accordion microphone system1-microphone setup with external bracketMounts with double-sided tape for easy removalIncludes 1 AMT microphone, 1 clamp, 1 preamp (phantom power necessary)Carrying pouch

Used Applied Microphone Technology Accx Accordion Microphone $312.13 The AMT ACCX is an external microphone system for accordion designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The system features a 1-microphone setup with an external bracket that mounts via double-sided tape to the front or side of any size or type of accordion. The bracket then can be removed if not needed, since it mounts with high-capacity Velcro. The ACCX is a great mic setup for the accordion player looking for a high-quality external clip-on microphone that can withstand the high sound pressure level of a musette-tuned accordion. It can also handle SPLs from bellow shaking as well as pick up the most sensitive levels of a single reed soloist.The bracket can accept and mount up to 3 AMT microphones for different miking techniques around the accordion. The ACCX allows, if needed, the ability to place 2 accordion microphones in front of the instrument's grille for miking the right hand and reverse the direction for the third microphone to pick up the left hand or opposite side of an accordion.The ACCX kit includes 1 AMT microphone with Iso-ring technology along with the ACCX accordion clamp and 1 preamp needed to power the microphone. Additional accordion microphones can be purchased separately. The included inline preamp can be placed on the floor, on a belt clip, or in-pocket. The preamp has a low roll-off switch as well as a dB cut. Phantom power is needed to power it.The ACCX accordion mic system also includes a soft carrying pouch for the microphone.External accordion microphone system1-microphone setup with external bracketMounts with double-sided tape for easy removalIncludes 1 AMT microphone, 1 clamp, 1 preamp (phantom power necessary)Carrying pouch

Applied Microphone Technology ACCX Accordion Microphone $343 The AMT ACCX is an external microphone system for accordion designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The system features a 1-microphone setup with an external bracket that mounts via double-sided tape to the front or side of any size or type of accordion. The bracket then can be removed if not needed, since it mounts with high-capacity Velcro. The ACCX is a great mic setup for the accordion player looking for a high-quality external clip-on microphone that can withstand the high sound pressure level of a musette-tuned accordion. It can also handle SPLs from bellow shaking as well as pick up the most sensitive levels of a single reed soloist.The bracket can accept and mount up to 3 AMT microphones for different miking techniques around the accordion. The ACCX allows, if needed, the ability to place 2 accordion microphones in front of the instrument's grille for miking the right hand and reverse the direction for the third microphone to pick up the left hand or opposite side of an accordion.The ACCX kit includes 1 AMT microphone with Iso-ring technology along with the ACCX accordion clamp and 1 preamp needed to power the microphone. Additional accordion microphones can be purchased separately. The included inline preamp can be placed on the floor, on a belt clip, or in-pocket. The preamp has a low roll-off switch as well as a dB cut. Phantom power is needed to power it.The ACCX accordion mic system also includes a soft carrying pouch for the microphone.

Audio-Technica At4900b-48 Microphone Body $400 The Audio-Technica AT4900B-48 Microphone body is a modular component of the Audio-Technica AT4949b, AT4051b, and AT4053b Condenser Microphone systems. The Audio-Technica AT4900B-48 Microphone body is designed to work with the Audio-Technica AT449B-EL omnidirectional, AT4051B-EL cardioid, and AT4053B-EL hypercardioid microphone head capsules. These microphone systems are recommended for professional recording and critical applications in broadcast. They have fast response to transients and facilitate an open, transparent reproduction of even the most difficult-to-capture instruments.Specially engineered to meet the most critical acoustic requirements of professional recording, broadcast and sound reinforcement Works with the Audio-Technica AT449B-EL omnidirectional, AT4051B-EL cardioid, and AT4053B-EL hypercardioid microphone head capsules. Direct-coupled, balanced output results in a clean signal even under high-output conditions Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients Switchable 80 Hz hi-pass filter and 10 dB pad Rugged turned-brass microphone housing for enduring dependability State-of-the-art design and manufacturing techniques ensure compliance with A-T's stringent consistency and reliability standards RoHS-compliantfree from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)

Manley Gold Reference Microphone $4950 The Manley Gold Reference Multi-Pattern Microphone delivers truly accurate musical recordings. The Gold Reference Series employs Manley's own design of large capsules (1.25 inch overall, 1 inch diaphragm diameter), which is executed to precise tolerances made possible by modern micro-milling machinery. The capsule rings and back-plates are milled from solid brass. The gold diaphragm film comes from Germany and is tensioned using proprietary techniques by David Josephson ensuring capsule-to-capsule constancy, combined with the speed, "air", and superb ultra-high frequency response you have only dreamt about.The all-tube electronics in the Manley Reference Microphones are built around two triodes in cascade forming an entire gain-block. Manley recently switched to a dual-triode 12AX7WA, easily obtainable and replaceable, mounted in a ceramic socket. The output is coupled through a Manley output transformer of unparalleled quality and substantial physical size employing nickel laminations with "hum bucking" bi-filar windings, encased in mu-metal. The recording mic's polar pattern control is continuously variable between the OMNI, CARDIOID, and FIGURE 8 positions vastly increasing this mic's versatility. The Gold mics make it possible to exactly tailor the proximity effect to achieve the desired character. Manley has chosen a very open weave stainless-steel grille for the capsule window which allows all the highs to reach the capsule unimpaired letting the engineer choose if, when, and how much pop screen is appropriate. As a result, the Reference Gold reaches to the furthest extremes of highs and lows with gorgeous natural acoustic smoothness. Some engineers tell us it sometimes "hears" more than they do! The base of the Manley recording microphone holds a locking 3 pin gold XLR connector for the audio signal output to allow you to use whatever audio cable you prefer as exotic as you wish. A detachable threaded 4-pin connector for the 30 foot power supply cable carries the stringently filtered B+ and regulated heater voltages from the separate dedicated power supply. The microphone body is machined from brass providing excellent shielding properties, polished to a high lustre, then plated with 24 karat gold for an impressive finish, inspiring confidence in artists and producers.Manley's precision suspension system is provided with each reference microphone (the capsule itself is mounted onto a neoprene-rubber shock-mount.) Because the entire working "guts" of the microphone may be removed for service in one piece from the housing, it is envisioned that the microphone need not be removedfrom the suspension. Also included with this studio mic is a useful swivel of Manley's own design; its T-bar handle and locking clutch action require no tools to adjust. And no Manley microphone would be complete without a genuine leather capsule protector with soft velvet lining which slips (and ties) onto the end of the microphone to protect the capsule when not in

Beyerdynamic M 99 Dynamic Microphone $499 The Beyerdynamic M 99 is a studio quality dynamic moving coil microphone. The tailored frequency response suits many applications from instrument miking to on-air broadcasting. The Beyerdynamic TG-X technology used in the M 99 features a strong neodymium magnet system and a mass reduced special Mylar diaphragm to give the microphone a powerful reproduction with excellent transient characteristics. The frequency response is extremely linear and guarantees audio quality which has, until now, only been achieved by using high quality condenser microphones. The frequency select switch at the base of the microphone allows three settings of equalization, linear and two optimized settings for vocals and instrument miking. A second switch is for presence accentuation. This allows further adjustment for close miking techniques or kick drum miking. The hypercardioid polar pattern helps to eliminate feedback in live applications and allows a good separation between different instruments. The microphone can operate at very high sound pressure levels without loss of sound quality and virtually no distortion. The M 99's die cast casing is made of aircraft grade aluminum and finished with an attractive metallic varnish. Applications include vocals, radio announcers, instruments, and kick drum.Extremely linear frequency responseSwitchable presence accentuation and equalization for bass drumHypercardioid polar patternIntegrated elastic suspensionRugged construction

Shaker WSB Harmonica Microphone $59.96 The Shaker WSB has been designed to be Shaker's most affordable crystal microphone, voiced specifically for harmonicas. It's a great blues tool, hard-wired with a 10-foot cable and a 1/4" plug, and it can even act as a great back up mic. It's a great beginner mic that's easy on the wallet, yet gives professional performance and awesome tone, along with great feedback rejection. The mic is extremely economical, has hot crystal element, is voiced to cut through other sounds, has a clear and aggressive tone, and is ergonomically designed to be very easy to hold. Shaker Harmonica Microphones are part of a sophisticated music making system, one that includes the harmonica, the player's hands, the microphone, the amp, and the player's personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker's don't fit strictly into the established categories of polar patterns. By using a sampling of the harmonica's sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and use as many American-made parts as possible, making Shaker microphones the real deal. Made in the Arizona desert by harp players, for harp players.

Shaker Wsb Harmonica Microphone $59.96 The Shaker WSB has been designed to be Shaker's most affordable crystal microphone, voiced specifically for harmonicas. It's a great blues tool, hard-wired with a 10-foot cable and a 1/4" plug, and it can even act as a great back up mic. It's a great beginner mic that's easy on the wallet, yet gives professional performance and awesome tone, along with great feedback rejection. The mic is extremely economical, has hot crystal element, is voiced to cut through other sounds, has a clear and aggressive tone, and is ergonomically designed to be very easy to hold.Shaker Harmonica Microphones are part of a sophisticated music making system, one that includes the harmonica, the player's hands, the microphone, the amp, and the player's personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker's don't fit strictly into the established categories of polar patterns. By using a sampling of the harmonica's sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and use as many American-made parts as possible, making Shaker microphones the real deal. Made in the Arizona desert by harp players, for harp players.Crystal elementOutput: hardwired with a 10' cable and 1/4" plug

Shaker Mad Dog Harmonica Microphone $127.95 Shaker's Mad Dog harmonica microphone adds a totally new dimension for harp players to explore. Imagine a mic with a full, rich voice; a lot of bottom end; and a mid-range with complex overtones and smooth, clear treblethat's the Mad Dog. Now imagine a microphone the size of a walnut that's so ergonomically perfect that it stays just where you put it between the webbing of your fingers, eliminating hand fatigue and freeing your hands for gestures, while giving you the ability to wail without worry. The Shaker harmonica mic features a purposeful shape, a large-diameter dynamic element housed in an injection molded sono resin case, and it's distinctly voiced to emphasize lower mid frequencies, creamy tonality, and a great response. You'll develop new techniques never before available to harp players. The Mad Dog microphone has a more aggressive, almost industrial look and the design is a balance of form and function. It's a serious tool for serious harp players. Shakey Joe of Shaker mics says, "The Mad Dog is so awesome it even makes me sound good!"Shaker Harmonica Microphones are part of a sophisticated music making system, one that includes the harmonica, the player's hands, the microphone, the amp, and the player's personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker's don't fit strictly into the established categories of polar patterns. By using a sampling of the harmonica's sound and directing it through acoustic ports into a volume-tuned chamber, Shaker harp mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and use as many American-made parts as possible, making Shaker microphones the real deal. Made in the Arizona desert by harp players, for harp players.

Shaker Crystal 1/4 Harmonica Microphone $79.95 The Shaker Crystal is Shaker's original harmonica microphone. Born in 1992, the Crystal Shaker Microphone's voice is accurate and clear with traditional crystal breakup and tremendous presence. A Hi-Z (high output impedance) microphone the Shaker Crystal breaks up with true ice-pick-in-the-ear crystal distortion characteristics when pushed hard. The Crystal harmonica mic has more of an accurate sound and less tonal coloration than Shaker's Dynamic mics. Some call it cleaner, Shaker says it has more acoustic clarity. When you need to cut through a thick rhythm section, this harp mic has the in-your-face presence and crystal edge to get the job done. This Shaker harmonica mic also has fantastic feedback rejection and is housed in the same indestructible thermal resin casing as Shaker's Dyno mic, so it's just as ergonomic and as easy to hold.Shaker Harmonica Microphones are part of a complex music-making system, one that includes the harmonica, the player's hands, the microphone, the amp, and the player's personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker's don't fit strictly into the established categories of polar patterns. By utilizing a sampling of the harmonica's sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and utilize as many American-made parts as possible, making Shaker microphones the real deal. Made in the Arizona desert by harp players, for harp players.

Shaker Retro Rocket Harmonica Microphone $116.43 The coolest thing to happen since carbon and crystal were put with brass, wood, and wind. The Shaker Retro Rocket is a truly beautiful harmonica microphone that's basically a no-nonsense, bullet-type Shaker mic retaining the qualities that made the great original bullet mics so special.The Retro Rocket harmonica mic has all the snap, crackle, and pop that any blues/rock harp player could want. It's the real deala cast metal alloy body with a black crinkle powder coat finish, and high-output crystal element. It features a solid pewter grill and a 1/4" output connector. It's 40% smaller than traditional bullet type mics, and is ergonomically shaped to give harp players an in your face, aggressive tone. This is one high-output microphone with over-the-edge dynamics and a truckload of harmonic overtones. According to Retro Rocket endorsers, this mic rejects feedback better than any other bullet mic made.Shaker Harmonica Microphones are part of a complex music making system, one that includes the harmonica, the player's hands, the microphone, the amp, and the player's personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker's don't fit strictly into the established categories of polar patterns. By using a sampling of the harmonica's sound and directing it through acoustic ports into a volume-tuned chamber, Shaker harp mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and use as many American-made parts as possible. They're made in the Arizona desert by harp players, for harp players.

Shaker Dynamic XLR Harmonica Microphone $87.95 The Shaker's Dynamic XLR Harmonica Mic is warm, thick, full bodied, and has lots of harmonic overtones as well as great feedback rejection. The mic offers a wide frequency response and strong mid range. The microphone fits in your harp hand with almost no conscious effort, greatly reducing hand fatigue and allowing greater use of both hands for gestures. This is just an outstanding-sounding harp mic featuring an 11-detent volume control knob. You can even use this Shaker dynamic microphone as a vocal or saxophone mic.Shaker Harmonica Microphones are part of a complex music making system, one that includes the harmonica, the player's hands, the microphone, the amp, and the player's personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker mic's don't fit strictly into the established categories of polar patterns. By using a sampling of the harmonica's sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback rejection. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and utilize as many American-made parts as possible, making Shaker microphones the real deal. Shaker micropnones are made in the Arizona desert by harp players, for harp players.

Shaker Crystal XLR Harmonica Microphone $87.95 Born in 1992, The Shaker Crystal Microphone is a hi-Z (high output impedance) harmonica mic with more of an accurate sound and less tonal coloration than Shaker's Dynamic mics. Some call it cleaner, Shaker says it has more acoustic clarity. It breaks up with true ice-pick-in-the-ear crystal distortion characteristics when pushed hard. When you need to cut through a thick rhythm section, this mic has the in-your-face presence and crystal edge to get the job done. The Shaker mic also has fantastic feedback rejection and is housed in the same indestructible thermal resin casing as the Shaker's Dyno mic, so it's just as ergonomic and easy to hold. The Crystal is Shaker's original microphone and features 11-detent volume control. The voice is accurate and clear with traditional crystal breakup and tremendous presence.Shaker Harmonica Microphones are part of a complex music making system, one that includes the harmonica, the player's hands, the microphone, the amp, and the player's personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker's don't fit strictly into the established categories of polar patterns. By using a sampling of the harmonica's sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these Shaker mics are totally handmade in the US and use as many American-made parts as possible, making Shaker microphones the real deal. Made in the Arizona desert by harp players, for harp players.

US Auctions Australian Auctions Austrian Auctions Belgian Auctions Canadian Auctions French Auctions German Auctions Indian Auctions Irish Auctions Italian Auctions Dutch Auctions Polish Auctions Spanish Auctions Swiss Auctions UK Auctions

Best Match Time: ending soonest Time: newly listed Price: lowest first Price: highest first Price + Shipping: lowest first Price + Shipping: highest first

Audio Technica AT2020 USB AT 2020 AT2020USB USB Mic    US $971.90

DPA 4099 B Bass Condenser Mic w Clip for Acoustic Upright Double Bass    US $299.00

Home Studio Recording Techniques Tips great for Neumann KM 184 U87 TLM49 users    US $10.99

Home Recording Techniques Tips great for AKG D12 D112 Shure Beta 52 users    US $10.99

Royer R 121 Ribbon Matched Pair    US $1,750.51

Marshall MXL V12 large diaphram condenser Siicon Valve mic w Tube sound    US $449.99

MXL 990 USB CONDENSER MIC NR 14 DAY RETURN    US $109.00

Berliner CM33 Stereo Mics for Acoustic Guitar Drum OH Box Made for Neumann KM184    US $379.00

APHEX 107 2 Channel Thermionic Microphone Preamp Tubessence Rack Mount    US $89.00

Focusrite Liquid Channel PROAUDIOSTAR    US $1,599.00

Home Studio Recording Tips Tricks great for shure ksm 27 ksm 32 ksm 44 users    US $10.99

Home Studio Recording Techniques Tips great for AT4050 AT4033 users    US $10.99

Home Studio Recording Techniques Tips great for sennheiser MD421 e609 users    US $10.99

Home Studio Recording Tips great w rode nt1a nt4 nt2a    US $12.00

Home Studio Recording Tips great great neumann tlm 103 tlm 102 users    US $10.99

MXL 990 USB Powered Condenser Microphone    US $99.99

Peavey PCX U12 Wireless Lapel System    US $190.00

MXL 990 USB Powered Condenser Microphone    US $49.99

3 BRAND NEW SHURE SM57 BUY IT NOW FREE SHIPPING USA    US $274.88

NEW SENNHEISER e604 PRO DRUM MIC Best Deal on eBay Buy it Now    US $132.88

Shure SM85 cardioid condenser microphone excellent condition    US $46.00

M Audio SoundCheck Condenser Cable Professional Microphone    US $35.00

Sennheiser e609 Studio Dynamic Microphone 609    US $109.95

AKG BBB DFive Dynamic Beatbox Battle Beat Boxing Mic Microphone New from Dealer    US $129.00

Stellar CM 6 EF86 EF806 Tube Condensor Microphone    US $415.99

Brand New Audio Technica AT2020 USB Cardioid studio Condenser Microphone System    US $149.00

One of the BEST vintage Recording Technique books Neve Sony C37A UREIAltec    US $52.00

On Stage Stands 7 Mini Boom Posi Lok Mini Boom    US $11.99

Hosa MHR 225 AT EV Bigger Type Microphone Holder    US $4.49

Shure SM85 Cardioid Condenser Microphone    US $125.00

RODE NT2 A Cardioid Condenser Microphone Studio Bundle Recording Package nt2a    US $399.00

NEW Rode NT2 A Condenser Microphone    US $319.99

AUDIO TECHNICA AT4040SP AT 4040 SP STUDIO PACK MIC NEW    US $549.00

HOSA HMIC 025 REAN XLR Female To XLR Male Pro Mic Cable 25 NEW WIRELESSSOUNDS    US $21.19

AKG Perception 420 Condenser Microphone    US $249.00

Audio Technica AT2020USB USB Recording Microphone    US $149.00

MXL 990 USB Powered Condenser Microphone Regular 886830328336    US $75.00

Countryman M2HP4FF50B ISOMAX 2    US $199.99

AKG Perception 420 Condenser Microphone in MINT condition w AKG Case 206768    US $169.95

Rode NT2 A Multi Pattern 1 Condenser Microphone    US $399.00

Audix FP Quad Fusion Drum Microphone Pack Bundle w Free Stands and Cables    US $399.00

Beyerdynamic M88TG M88 World ClassStage and Studio Mic    US $388.00

AUDIO TECHNICA AT2020 USB CONDENSER MICROPHONE    US $130.00

MXL MCA SP 1 Studio Condenser Microphone With Clip Large Diaphragm Condenser Mic    US $47.50

MXL MCA SP 1 Studio Condenser Microphone With Clip New    US $49.99

NEW Cascade X 15 Stereo Ribbon Mic w AMI TR42 Transformers Blumlein 21 MP3s    US $699.15

AKG C414B XLII PAIR OF CONDENSER PROFESSIONAL RECORDING MICROPHONES C414 XL ST    US $1,449.00

New AKG C414 XLII ST    US $2,199.00

AKG Perception 420 Studio Microphone NEW casemount 400    US $249.00

Rode STEREO VIDEOMIC DSLR On Camera MICROPHONE    US $249.99

	Virtual 5.1-surround USB 2.0 External Sound Card List Price: $24.99 Sale Price: $0.01 Used From: $5.99
	Instead of struggling to reach your computer's ports on the back, wouldn't it be nice to connect your speakers or microphone to the front.This simple adapter adds a microphone-in and an audio-out port to your computer through a USB port...

	Sennheiser PX210BT Collapsible Bluetooth Headphones with Vol Control List Price: $299.95 Sale Price: $136.44 Used From: $89.00
	Collapsible Bluetooth headphones with integrated volume control

	Rode Microphones NT1-A Condenser Mic Bundle List Price: $369.00 Sale Price: $229.00 Used From: $276.75
	To celebrate 15 years of the RØDE NT1 and NT1-A, RØDE Microphones has created a revised NT1-A package including a premium shock mount, pop filter, cable, microphone dust cover, and a bonus instructional DVD...

	Audio Technica AT4041 Cardioid Condenser Microphone List Price: $395.00 Sale Price: $299.00 Used From: $235.00
	Ideal for drum overheads, acoustic guitar, piano, horns and under snare, the AT4041 delivers a smooth, extended frequency response with a slight rise occurring in the high-frequency region. Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients...

	Toshiba Satellite L455D-S5976 15.6-Inch Laptop (Matte Silver) Sale Price: $500.00 Used From: $199.95
	The Toshiba Satellite L455D-S5976 PSLY5U-00Q01T Notebook PC has an AMD Sempron SI-42 2.1GHz processor, 2GB of DDR2 memory, and Genuine Windows 7 Home Premium 32-bit Operating System. This provides plenty of juice to tear through difficult software, graphics, and multitasking...

	Bogen TPU-35 35 watt Amplifier List Price: $643.13 Sale Price: $290.84
	Bogen TPU35B Paging Amplifier TPU35B 1221

Shure BETA 181/BI Instrument Condenser Microphone, Figure 8 List Price: $624.00 Sale Price: $499.00

The Shure Beta 181 is an ultra-compact, small-diaphragm side-address condenser instrument microphone, designed for discrete placement and control in live and studio environments. Featuring interchangeable cardioid, supercardioid, omnidirectional and bidirectional capsule options for superior versatility, the small diaphragm design provides superior audio with consistent, textbook polar responses in a form factor small enough to get close to the source in the tightest conditions.

Bogen 100 Watt Amp List Price: $478.80 Sale Price: $350.00

- Bogen 100 watt wall-mounted telephone paging amplifier- Inputs for 600-ohm balanced telephone line LO-Z balanced microphone and background music- Integral automatic level control circuit for controlling pages made by persons with varying voice levels and paging techniques- Page from telephone and/or microphone- Signal-activated paging channel automatically mutes background music- Adjustable background music muting level during a page- Music gradually returns to its normal level after a page- Aphex Aural Exciter increases intelligibility improves perceived loudness (with no increase in power) and reduces listener fatigue- Seperate controls for page volume music volume night ringer music mute and Aphex Aural Exciter- Bass and treble controls- Built-in night ringer activated by contact closure or by 90V ring signal- Balanced or unbalanced 16-ohm 25V 25VCT and 70V outputs- VOX sensitivity level control eliminates transmission of background noise when paging from a telephone- Thermal and electronic overload protection- Jacks provided for bridging additional TPU amplifiers- Brackets are attached for easy wall mounting- Peak level indicator lights when amplifier is driven into clipping- 120V AC 60Hz power source- UL and CSA listedTPU100B

	Bogen 250 Watt Amplifier List Price: $852.84 Sale Price: $721.23
	Bogen 250 Watt Amplifier

Rode NT4 Fixed X/Y Stereo Condenser Microphone Sale Price: $529.00

The RODE NT4 stereo microphone offers a perfect X/Y stereo array without the need for matched pair microphones and complex stereo bars and equipment. Combining a matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design...

Discover Methods Utilizing Microphone

Though it sounds strange to you, to listen to your individual voice over the P.A, in actual fact it doesn't sound any completely different to the viewers than if you happen to have been speaking to them in normal conversation.

The trick here is to be Your self, when you haven't obtained the skill to undertaking a heat friendly persona at the functions where ice breaking is required then being an entertainer isn't for you. The trick is to discover a steadiness, most people would simply rent the gear - saving round 50% of a D.J's reserving price and throw a NOW Cd on - if human enter and character wasn't essential to them. At some capabilities, in the event that they pay for an entertainer and get a human jukebox who doesn't personal a mic and just sits there taking part in music then they often feel cheated!.

I can't stress the "BE YOURSELF", recommendation sufficient, don't put on a radio type zany DJ voice - that can sound false and doesn't fool anybody. In case you are lucky enough to have a D.J training you, or are a young person helping an older mentor D.J then DON'T be tempted to change into a clone of him or her. Undertake your individual mic model (not a false voice), use your individual tag traces however don't depend on the identical cliche's 20 or 30 times an evening - this turns into boring and predictable.

Don't depend on "that was", "That is" introductions all night. At some features going out with a Radio Mic and creating banter together with your viewers is a great way to interrupt the ice in the beginning of inauspicious, non formal features - and a good way of enouraging them onto the dancefloor early on. You possibly can chill out the mic work and the frquency of them - once the dancefloor is filling.

Of course there are always going to be capabilities the place you want extra mic work than the final, and different features the place it is going to be little mic use, however the bottom line is to develop a style and strength and confidence in your mic working capacity and not to depend on non stop music alone to do the work for you.

Just be your self, and discuss usually into the microphone. The thing to work on is to speak confidentally and clearly and attempt to tempo yourself. Speaking too quick will make what you're saying sound garbled, talking too slow will make you sound like you're addressing a bunch of village idiots . Pretty quickly, with somewhat time and observe you'll develop your own individual ability and magnificence and that's the most essential side, don't try to copy anybody else or put on a special voice, it should sound false and make studying and maintaining the technique much more difficult.

If being a comedian shouldn't be you, then avoid the jokes until you might be good at this kind of factor , forced comedy can sound false and chances are you'll end up laughing alone, after all the Client has booked a Cell Disco and not a get up comedian!. Among the finest items of advice I used to be given my the D.J who trained me, was to "Stick at doing what you are good at and have been booked for, and if in any doubt then go away it out".

Spontaneous one liners are another matter, if one thing amusing occurs, then share it - use the mic to get requests, make a fuss over other individuals celebrating birthdays / anniversaries - people wish to have their 30 seconds of glory and listening to their name mentioned, over the mic

My recommendation to those nervous about public talking for the first time, is to not be frightened of the mic or keep away from using one - its your closest and most helpful ally, at all functions. Don't talk all over the observe, study to tempo yourself over the outro of the earlier observe and any intro of the next observe - don't gabble - speak clearly into the microphone as in the event you had been speaking to a friend. With time it's best to be able to familiarise yourself with how themore standard tracks end and end, this way you can discuss upto the vocal, much like how they do on the radio - stopping your banter in the meanwhile the vocal on the following monitor starts. Don't rush to perfect this or gabble to do so, all of it comes with time and practice. Hold it simple to start off with.

Start with the simple stuff first, just introducing tracks, and buffet announcements. When you've built up a little bit of confidence, you'll move on from the ‘That was….. this is….' routine. Try to embrace your audience, invite requests, make them really feel welcome. Even if you are having a troublesome gig don't take it out on the viewers and attempt to appear to be you are having fun with your self, even if it's not going to plan. Don't fear about making errors on the Mic, we all do from time to time, but don't draw consideration to it, or dwell on it it'll just make it worse - moreover making errors reveals that you are human and not a pre-programmed jukebox

Keep key data on the gig, such as the Bride & Grooms' names, Greatest Man Identify and many others on a piece of paper on the mixer, so that you can casually glance down when you've got a sudden reminiscence blank, but don't write your links down as a speech, otherwise it can sound like you're studying from a script and fewer natural.

Do not forget that once the dancefloor is full, you can ease off the mic slightly, however preserve doing the requests and don't neglect that it exists. Be taught to search out the steadiness, an excessive amount of talking can bore the pants of your viewers, too little mic work can make people suppose that you just aren't incomes your keep!. There are functions where you will have a full Dancefloor and it could be obtrusive to speak everywhere in the music when people want to dance, equally there are extra formal capabilities where there isn't the room or inclination to bounce, and so a bit of light hearted banter to break the ice and the empathsis on the entertainment aspect of being a DJ is required reasonably than just continuous music

All of it will take a while, don't anticipate to develop a mic technique overnight just take it one gig at a time.

About the Author

Discover the latest microphone for kids reviews and more at http://kidmicrophone.com

.