Microphone Pre Amp
Microphone Pre Amp
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 UA LA610 MKII Channel Strip Exc NR  US $995.00
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 Langevin 116 Tube Mic Preamplifier X Two WESTERN ELECTRIC US $1,650.00
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 Whirlwind MD 1 US $175.00
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 PreSonus ADL 600 Dual Channel Mic Preamp ADL600 US $1,850.00
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 Universal Audio SOLO 610 TUBE Microphone Preamplifier warm vintage tone US $500.00
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 YPA A65P In Line Microphone Preamplifier for SHURE MIC Pre for Beta Series US $39.95
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 DOD VoTec Vocal Multi Effects Processor Microphone Pre Amp US $20.50
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 MXL 990 Condenser Cable Professional Microphone US $54.99
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 ART DPS II Preamp System with Dual Tube Mic Preamps US $130.00
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 MXL USB006 Condenser Cable Professional Microphone US $22.80
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 Beyerdynamic drums microphones 3x Opus 88 TG D58c 1x Opus 99 TG D70d US $310.00
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 Rolls Microphone Preamp Mic Power I 1 48 Volt Phantom Power Supply PB23 US $38.99
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 YPA MM3 HEADWORN MIC FOR SENNHEISER RADIO MICROPHONES US $34.99
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 ART TPS ii Mic Tube Pre Amp US $95.00
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 MXL 990 Condenser Professional Microphone NEW US $75.00
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 ART TUBE MP PROJECT SERIES INSTRUMENT MICROPHONE PREAMP MIC PREAMPLIFIER US $59.99
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 SM Pro Audio PR8E Multichannel Microphone Preamplifier US $150.00
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 Symetrix 528E Voice Processor Compressor Limiter Pre Amp US $215.00
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 MXL MXL 990 Condenser Microphone with Shockmount US $59.99
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 Nady Audio TMP 1 Tube Mic Preamp US $48.99
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 YPA A65P In Line Microphone Preamplifier for SHURE BETA US $34.99
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 Art Tube MP Project Series Tube Preamp US $20.50
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 Art Studio MP Microphone Preamp Preamplifier for Ham Radio Microphone US $15.00
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 AUDITRONICS 110 channel strip with JENSEN output transformer US $170.00
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 Brent Averill 1272 Mic Preamps 2 channels with DI US $1,365.00
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 Universal Audio 2 610 mic pre amp US $1,300.00
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 True Audio 8 Channel Mic Pre Amp US $521.00
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 Universal Audio Solo 610 Pre Amp Near Mint Excellent with packaging US $699.00
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 TC Helicon Voicetone Correct Pedal US $130.00
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 Focusrite ISA 220 Session Pack Mic Preamp US $1,200.00
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 Groovetube GT55 Pro Studio Condensor Microphone US $350.00
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 Universal Audio 610 Solo US $850.00
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 APHEX 107 2 Channel Thermionic Microphone Preamp Tubessence Rack Mount US $89.00
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 SDSYSTEM LCM80EW SOPRANO MICROPHONE US $400.00
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 NEW YPA M605 Condenser drum toms instrument Microphone US $129.95
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 API A2D Dual 312 Mic Preamps with Digital Output DEMO US $1,000.00
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 MXL 990 Condenser Microphone US $40.00
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 ART TUBE MP PROJECT SERIES Tube Mic MICROPHONE PREAMP WBox and adapter free ship US $70.00
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 Chandler limited germanium pre amp with PSU US $800.00
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 Avalon M5 MONO Pure Class A Mic Preamp US $1,099.99
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 HEADSET MIC YPA MM5 BLACK Headworn FOR SHURE Wireless US $29.99
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 Marshall MXL990 Condenser FET Professional Microphone US $40.00
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 Bellari MP105 Tube Microphone Preamp US $39.99
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 ART TPS II 2 Channel Variable Impedance Tube Preamp US $125.00
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 Blue Robbie Class A Discrete Tube Mic instrument preamp US $799.95
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 En Voice MindPrint Tube Mic Pre Amp Pristine Condition US $330.00
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 GATES DUALUX discrete transformer in MIC PREAMPLIFIER preamp PAIR US $26.00
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 2 Pieces Guavatone Orange 86 DIY EF86 Tube Mic Preamp PCB Redd 47 Circuit US $75.00
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 AKG C 518 M miniature condenser microphone US $199.99
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 Universal Audio LA 610 Lightly Used in Original Box w Vintage USA Tubes US $787.77
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Focusrite Isa828 8-Channel Mic Pre-Amp $2499.99 The Focusrite ISA828 eight-channel microphone pre-amplifier provides eight original ISA transformer-based pre amps in a single robust 2U chassis. Offers you the Focusrite signature sound at its lowest cost-per-channel to date.The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs, and an optional eight-channel 192kHz ADC. The preamps feature exactly the same vintage microphone preamplifier design as the original ISA110 module from Focusrite's critically acclaimed Forte console (including the original Lundahl L1538 transformer and bespoke zobel network). Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.The ISA828's optional eight-channel 192kHz ADC is the first audio ADC to utilize Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite's own custom analogue circuitry to provide eight channels of unparalleled A/D conversion, delivering a dynamic range of 122dB and jitter at < 250 picoseconds.Finally, every channel features a six LED input meter, complete with precise meter trim. Metering has been designed to utilize the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.8-channel microphone pre-amp8 original ISA transformer-based preamps in a single robust 2U chassisSwitchable impedance and direct instrument inputs8 line inputs8 line outputsAn optional 8-channel 192kHz ADC25-pin D-Type connectorsIntegrates quickly and seamlessly with ProTools HD and other hard disc recorders and mixing desksThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four input impedance settings, including the original ISA 110 setting, to suit any microphone4 front panel direct instrument inputs feature high and low impedance options to provide a comprehensive and accessible DI solut |
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Used Focusrite Isa828 8-Channel Mic Pre-Amp $2274.99 The Focusrite ISA828 eight-channel microphone pre-amplifier provides eight original ISA transformer-based pre amps in a single robust 2U chassis. Offers you the Focusrite signature sound at its lowest cost-per-channel to date.The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs, and an optional eight-channel 192kHz ADC. The preamps feature exactly the same vintage microphone preamplifier design as the original ISA110 module from Focusrite's critically acclaimed Forte console (including the original Lundahl L1538 transformer and bespoke zobel network). Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.The ISA828's optional eight-channel 192kHz ADC is the first audio ADC to utilize Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite's own custom analogue circuitry to provide eight channels of unparalleled A/D conversion, delivering a dynamic range of 122dB and jitter at < 250 picoseconds.Finally, every channel features a six LED input meter, complete with precise meter trim. Metering has been designed to utilize the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.8-channel microphone pre-amp8 original ISA transformer-based preamps in a single robust 2U chassisSwitchable impedance and direct instrument inputs8 line inputs8 line outputsAn optional 8-channel 192kHz ADC25-pin D-Type connectorsIntegrates quickly and seamlessly with ProTools HD and other hard disc recorders and mixing desksThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four input impedance settings, including the original ISA 110 setting, to suit any microphone4 front panel direct instrument inputs feature high and low impedance options to provide a comprehensive and accessible DI solut |
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Apogee 8 Mic Pre Amp $1995 The Apogee 8 Mic Preamp Module is part of the Symphony I/O Interface system. The Mic Preamp Module upgrades the functionality of any Analog I/O Module by adding 8 mic preamps to the existing line inputs. A direct connection between the Mic Preamp Module and the Analog I/O Module inserts a mic preamp stage before the line inputs. This impressive module offers 8 Mic preamps with 4 instrument inputs and 8 insert points.MIC PREAMPS8 digitally controlled, 85dB microphone preampsUpgrades functionality of Analog I/O Module by adding mic preamps to the existing line inputsCreates a direct connection between the Mic Preamp Module and the Analog I/O Module by inserting a mic preamp stage before the line inputsINPUTS4 Hi-Z 1/4" instrument inputs capable of handling high level instruments. Instrument inputs may be assigned to any of the 8 mic preamps.INSERTS8 fully balanced insert pointsSend 1-8 and Return 1-8 on 2 DSUB 25-pin connectors |
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Applied Microphone Technology Amt P800 Studio Clip On Trumpet Microphone System $742 The AMT P800 Studio microphone system combines the most natural sounding trumpet specific microphone system on the market with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level.The AMT P800 Studio Trumpet microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed their special "Off the bell" clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn. The AMT P800 microphone allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser beltpack transmitters. With a change in a cable, convert your P800 from a "Studio" style preamp, to a "Belt pack" series model, or to the AMT "W"ireless setups. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with AP40 floor or "DI" style preamp, hardshell case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems.)Natural sounding trumpet specific microphone systemSpecial element prevents microphone overload"Off the bell" clamping systemPre-amp regulates voltage to each microphoneConverts microphones to low impedanceGround Lift switchOperates with Phantom power or 9-Volt batteryIncludes hardshell case and cablesConverts from a "Studio" style preamp, to a "Belt pack" series model, or to the AMT "W"ireless setup |
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Applied Microphone Technology AMT S18C Cello Condenser Microphone $663 The S18C is an electret-condenser microphone that has been designed for cello. All of the mic'ing parameters that are problematic for string instruments have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the cello. As placement is especially important with an instrument that has a fine finish and varying dimensions, this microphone's attachment mechanism is designed to secure the mic to the cello in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument.Made from aluminum to keep the mass low yet extremely strong, this microphone will remain durable through many years of use. The flex arm is easy to position yet retains it's placement throughout the most active of performances. The mic has an LED that can be easily seen while performing. This indicates status of a battery or phantom power. The pre-amp for the microphone is rugged anodized aviation aluminum, which houses the electronics that can be placed on the floor. This pre-amp utilizes a circuit that can change EQ, curve, and gain by exchanging EPROM-like chip. The preamp runs off of battery or phantom power. The output is terminated with a male XLR type connector for balanced use. The mic is connected to the preamp by a 4-pin locking connector. |
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Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter $1955.59 The single channel Summit Audio MPC-1OOA tube preamplifier and compressor/limiter accepts line, microphone, and Hi-Z input signals. Using both tubes and solid state technology in synch with the Jensen mic transformer, the MPC-100A lends a detailed sound with harmonically complex overtones. The ultra-fast compressor is ideal for optimizing signals prior to entering the digital domain. Other details include impedance matching (loading) control on the Hi-Z input so passive guitars and bass pickups have a whole new level of tone control, true VU metering, and multiple outputs. And with the Summit Audio MPC-100A tube preamp's 3 separate gain controls, you have endless tonal variations from clean to saturated for whatever sound you need. |
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Daking Mic-Pre Iv $2195 The Daking Mic-Pre IV offers four channels of high performance, Class A preamplifiers in a single rack space unit with outboard power supply. Configured for four microphone inputs or four line inputs from XLR/TRS Neutrik combo jacks on the back, plus four line inputs (+10 to -50) or 1/4" hi-z instrument inputs on the front, the Mic-Pre IV utilizes all discrete Class A circuitry with transformer-balanced inputs and outputs. The new Mic-Pre IV from Geoffrey Daking & Co. is the latest example of exemplary audio quality and craftsmanship in the tradition of the great console manufacturers such as Neve, Trident, and API. The latest addition to the company's range of professional recording studio products, the Daking Mic-Pre IV is a highly cost-effective solution for high-end preamps to be used in studio or live applications. Used standalone or in conjunction with a console, each input offers a stepped (5dB) increments) gain control for repeatability, that feature Daking's signature aluminum knobs, a 20-segment LED level meter with +24db peak indicator, switchable mic/line or hi-z instrument, switchable +48V phantom power, switchable input phase and switchable 20dB pad. The Daking Mic-Pre IV is housed in a robust all stainless steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference. The attention to detail extends to the internal components, which include gold bifurcated contacts on all relay switching. The preamp is supplied by a universal power supply that can operate at any voltage for use worldwide. Notable users of Daking preamps and compressors: Includes Grammy winners Joe Chicarelli (Tori Amos, Counting Crows, U2) and Ted Perlman (Chicago, Bob Dylan, Elton John), Butch Vig (Nirvana, Smashing Pumpkins, Garbage) Steve Albini (Nirvana, PJ Harvey, Cheap Trick), master mixers Chris and Tom Lord-Alge (everybody else from James Brown to the Rolling Stones), and William Wittman (Cindy Lauper, Joan Osbourne, The Outfield, The Fixx), who has made entire records with just Daking preamps.All discrete transistor circuitry transformer balanced inputs and outputs 30dB headroom Class "A" amplifiers All relay switching with gold bi-furcated contacts Switchable phantom power 20dB pad on mic input Steel construction for strength and noise immunity Three inputs, Mic-Line-Instrument |
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Applied Microphone Technology AMT VS Studio Clip-On Condenser Microphone System $663 The AMT VS Studio version combines the natural AMT VS Studio Clip-On microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level. The AMT VS Studio version is meant to be used either in a studio setting where close miking of an instrument is desired OR in a professional level setting where the sound engineer needs control of the microphone.Requires phantom power. |
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Shure Pg27-Usb Usb Condenser Microphone $199 The PG27USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording. Designed with a flat frequency response, the PG27USB naturally reproduces a wide variety of acoustic, amplified and vocal sound sourceswith professional clarity and guaranteed "Plug and Play" Shure quality. Includes a 9.8ft (3m) USB cable, stand adapter and a zippered pouch.USB Plug and Play connectivity allows the convenience of digital recording, anywhere your computer can go.Compatible with Windows Vista, XP, 2000 and Mac OS X (10.1 or later)Integrated pre-amp with Microphone Gain Control allows control of input signal strengthZero Latency Monitoring for real-time playback and multi-tracking without disorientation1/8" Headphone jack for monitoringMonitor Mix Control for blending microphone and playback audioIncludes a 9.8ft (3m) USB cable, stand adapter and a zippered pouch |
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Used Summit Audio Mpc-100A Tube Pre-Amp And Compressor/Limiter $1955.59 The single channel Summit Audio MPC-1OOA tube preamplifier and compressor/limiter accepts line, microphone, and Hi-Z input signals. Using both tubes and solid state technology in synch with the Jensen mic transformer, the MPC-100A lends a detailed sound with harmonically complex overtones. The ultra-fast compressor is ideal for optimizing signals prior to entering the digital domain. Other details include impedance matching (loading) control on the Hi-Z input so passive guitars and bass pickups have a whole new level of tone control, true VU metering, and multiple outputs. And with the Summit Audio MPC-100A tube preamp's 3 separate gain controls, you have endless tonal variations from clean to saturated for whatever sound you need."Clean" to "Saturated" valve soundsSoft Clipping LED indicatorsHI-Z instrument input with impedance matching controlTwo stages of vacuum tube gain controls3 Position attack and release controlsHigh quality VU meter for output and gain reduction meteringContinuously variable output level control+4 dB balanced and -10 dB unbalanced outputStereo linkable with a second MPC-100AJensen mic transformer |
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Summit Audio Mpc-100A Tube Pre-Amp And Compressor/Limiter $2149 The single channel Summit Audio MPC-1OOA tube preamplifier and compressor/limiter accepts line, microphone, and Hi-Z input signals. Using both tubes and solid state technology in synch with the Jensen mic transformer, the MPC-100A lends a detailed sound with harmonically complex overtones. The ultra-fast compressor is ideal for optimizing signals prior to entering the digital domain. Other details include impedance matching (loading) control on the Hi-Z input so passive guitars and bass pickups have a whole new level of tone control, true VU metering, and multiple outputs. And with the Summit Audio MPC-100A tube preamp's 3 separate gain controls, you have endless tonal variations from clean to saturated for whatever sound you need."Clean" to "Saturated" valve soundsSoft Clipping LED indicatorsHI-Z instrument input with impedance matching controlTwo stages of vacuum tube gain controls3 Position attack and release controlsHigh quality VU meter for output and gain reduction meteringContinuously variable output level control+4 dB balanced and -10 dB unbalanced outputStereo linkable with a second MPC-100AJensen mic transformer |
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Applied Microphone Technology Amt Ws Studio Clip On Double Microphone System $670 The AMT WS Studio version combines the AMT WS Clip-On Double Microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or musical instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level. The AMT WS is a low profile double condenser microphone system that attaches to the clarinet, alto and bass flute, or oboe with a ultra-miniature low mass clamp. It is specifically designed for the timbre of the clarinet. The microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The AMT WS Studio comes with two isolation rings. Both instrument microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise. The AMT WS Studio version is meant to be used either in a Studio setting where close miking of an musical instrument is desired or in a professional level setting where the sound engineer needs control of the microphone. Requires phantom power.2 AMT WS condenser Microphones Flexible Gooseneck AMT AP40 Floor Pre-amp Hard shell protective case |
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Applied Microphone Technology AMT P800 Studio Clip-On Trumpet Microphone System $742 The AMT P800 Studio microphone system combines the most natural sounding trumpet specific microphone system on the market with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level.The AMT P800 Studio Trumpet microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed their special "Off the bell" clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn. The AMT P800 microphone allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser beltpack transmitters. With a change in a cable, convert your P800 from a "Studio" style preamp, to a "Belt pack" series model, or to the AMT "W"ireless setups. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with AP40 floor or "DI" style preamp, hardshell case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems.) |
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Applied Microphone Technology Amt Sp25b Acoustic Bass Condenser Microphone $972 The SP25B is an electret-condenser microphone that has been designed for acoustic bass. All of the parameters that are problematic for the double bass have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the bass. As placement is especially important with an instrument that has a fine finish and varying dimensions, this microphone's attachment mechanism is designed to secure the mic to the bass in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument.The SP25B uses the "super pre-amp" which has 2 XLR outputs, one of which has a ground lifted isolation transformer split. A quarter inch line driver output with volume control is also included. The pre-amp runs off of battery, phantom power, or optional power supply. However it is recommended using the 9-volt battery all the time. The line driver and isolation transformer will not work unless you have a 9-volt battery in the pre-amp. The external volume control is for the line driver/1/4 inch output. The preamp also has an internal volume control that you can adjust with a screw driverMade from aluminum to keep the mass low yet extremely strong, this microphone will remain durable through many years of use. The flex arm is easy to position yet retains it's placement throughout the most active of performances. The mic has an LED that can be easily seen while performing. This indicates status of a battery or phantom power.Condenser microphone designed for acoustic bassFlexible arm for optimal placementHigh rejection to surrounding noiseRugged anodized aviation aluminum constructionSpecial Clamp design for acoustic bass mounting.Super Preamp with 2 XLR outputs and 1 " outputRuns off of battery or phantom powerIncludes hardshell blo-mold protective case |
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Applied Microphone Technology Amt S18c Cello Condenser Microphone $663 The S18C is an electret-condenser microphone that has been designed for cello. All of the mic'ing parameters that are problematic for string instruments have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the cello. As placement is especially important with an instrument that has a fine finish and varying dimensions, this microphone's attachment mechanism is designed to secure the mic to the cello in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument.Made from aluminum to keep the mass low yet extremely strong, this microphone will remain durable through many years of use. The flex arm is easy to position yet retains it's placement throughout the most active of performances. The mic has an LED that can be easily seen while performing. This indicates status of a battery or phantom power. The pre-amp for the microphone is rugged anodized aviation aluminum, which houses the electronics that can be placed on the floor. This pre-amp utilizes a circuit that can change EQ, curve, and gain by exchanging EPROM-like chip. The preamp runs off of battery or phantom power. The output is terminated with a male XLR type connector for balanced use. The mic is connected to the preamp by a 4-pin locking connector.A Condenser Microphone Specifically Designed For CelloFlexible Gooseneck ArmLED Indicates Status Of A Battery Or Phantom PowerFloor Preamp With XLR OutputTerminated With A Male XLR Type Connector For Balanced UseRugged Anodized Aviation Aluminum ConstructionHardshell Blo-Mold Protective Case |
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Applied Microphone Technology Amt S3g Studio Low-Profile Condenser Microphone System $570 The AMT S3G Studio version combines AMT's Omni Guitar specific microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and creates a specific frequency curve in order to maintain the most natural reproduction of sound in conjunction with the achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The AMT S3G Studio version is meant to be used either in a studio setting where close miking of an instrument is desired or in a professional level setting where the "Sound Engineer" needs control of the microphone. The S3G Studio is a unique, low-profile condenser microphone that can only be used with an acoustic guitar that has a sound-hole under the strings. This microphone incorporates an omni pattern to capture the sound from inside the guitar. The S3G Studio Mic features a flexible gooseneck, allowing the player or sound engineer to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. Requires phantom power.AMT S3G Studio Microphone with Iso Ring Technology AMT AP40 Floor Pre-amp Flexible Gooseneck 3.5mm Plug Which Connects To Belt Pack Preamp Rugged Construction Of Light-Weight Anodized Aviation Aluminum Hard shell protective case |
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Applied Microphone Technology AMT SP25B Acoustic Bass Condenser Microphone $972 The SP25B is an electret-condenser microphone that has been designed for acoustic bass. All of the parameters that are problematic for the double bass have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the bass. As placement is especially important with an instrument that has a fine finish and varying dimensions, this microphone's attachment mechanism is designed to secure the mic to the bass in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument.The SP25B uses the "super pre-amp" which has 2 XLR outputs, one of which has a ground lifted isolation transformer split. A quarter inch line driver output with volume control is also included. The pre-amp runs off of battery, phantom power, or optional power supply. However it is recommended using the 9-volt battery all the time. The line driver and isolation transformer will not work unless you have a 9-volt battery in the pre-amp. The external volume control is for the line driver/1/4 inch output. The preamp also has an internal volume control that you can adjust with a screw driverMade from aluminum to keep the mass low yet extremely strong, this microphone will remain durable through many years of use. The flex arm is easy to position yet retains it's placement throughout the most active of performances. The mic has an LED that can be easily seen while performing. This indicates status of a battery or phantom power. |
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Applied Microphone Technology AMT WS Studio Clip-On Double Microphone System $670 The AMT WS Studio version combines the AMT WS Clip-On Double Microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or musical instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level. The AMT WS is a low profile double condenser microphone system that attaches to the clarinet, alto and bass flute, or oboe with a ultra-miniature low mass clamp. It is specifically designed for the timbre of the clarinet. The microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The AMT WS Studio comes with two isolation rings. Both instrument microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise. The AMT WS Studio version is meant to be used either in a Studio setting where close miking of an musical instrument is desired or in a professional level setting where the sound engineer needs control of the microphone. Requires phantom power. |
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Electro-Voice Re90h Hanging Condenser Microphone Black $304 The Electro-Voice RE90H is a back-electret condenser microphone desinged for hanging. Providies extended, flat frequency response with a controlled cardioid polar pattern for high-quality sound reinforcement. The RE90H is specifically designed for live pickup of choirs, instrumental and vocal groups, and theater. The size and color of the transducer and cable allow the RE90H microphone to blend in with its surroundings. The Electro-Voice RE90H mic offers low self-noise and a high-output signal level for sound-reinforcement and recording. Exceptionally high sensitivity, a uniform cardioid polar response, and smooth frequency response make the RE90H microphone ideally suited for distant sound pick-up.The RE90H mic's cardioid polar pattern is precisely controlled and highly effective in suppressing feedback without coloration of your sound. Power for the RE90H microphone is obtained from any phantom source supplying 9 to 52 volts. The RE90H is furnished with 25 feet of black shielded microphone cable. The cable's design insures that the RE90H microphone will remain horizontal without the need for fish-line tethering.Shielded pre-amp is highly-resistant to electrical noise and radio frequencyinterference25-ft. braided, shielded cable maintains microphone's position (not rotation)Cardioid polar patternThree-pin male XLR-type output connector fits with female bulkhead XLR-typeconnector |
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ART Tube MP Studio Mic Preamp List Price: $86.00 Sale Price: $29.99 Used From: $29.00  |
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The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART's OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards... |
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DMP-2 Dual Microphone Pre-amp List Price: $89.99 Sale Price: $53.75 Used From: $45.01 |
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Excellent stereo imaging, ultra low noise, distortion-free soundRugged lightweight all-metal enclosure Powered by 9V alkaline or NiMH batteryPower On and dual peak LED indicatorsIncludes XLR I/O jacks, phantom power 3-way switch, selectable integrated limiter and dual gain controls. |
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ART Tube MP Studio V3 Microphone Preamp and Limiter with Presets List Price: $119.00 Sale Price: $69.95 Used From: $64.99 |
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The Tube MP Studio V3 features ART's V3 (variable Valve Voicing) technology - found only in ART microphone preamplification systems. Provides superior preamplification for microphones, instruments, and line level sources... |
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VideoSecu High Sensitive Pre-amp Microphone for CCTV Security Camera Surveillance System Audio Sound Monitoring with Free Warning Decal A90 List Price: $39.99 Sale Price: $9.99 |
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Collect audio evidence as important as capturing video evidence, this preamp microphone is a perfect addition to any video security camera system. This high sensitive mini preamp microphone is the best for CCTV professionals, with Preamplifier IC built on board, it increases a microphone's low output voltage to a stronger, more usable level, and it features low noise, high sensitive and auto level adjustment on-board preamp circuit. |
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Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp List Price: $59.00 Sale Price: Too low to display Used From: $47.89 |
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The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation... |
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VideoSecu High Sensitive Preamp Mini Microphone with Power Bypass for Security Audio Sound Voice Monitoring Recording and Free Warning Decal WD4 List Price: $29.99 Sale Price: $11.99 |
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This high gain mini preamp microphone is the best for CCTV professionals. Line level out put: 6-15 VDC. Power in and Power out design allows the microphone to share the same power source with the camera... |
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ART Tube MP USB Project Series Tube Microphone Preamp With USB List Price: $129.00 Sale Price: $83.99 Used From: $74.95 |
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The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to audio inputs to digital audio workstations as well as standard analog devices... |
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MXL MICMATEC XLR To USB Preamp for Condenser Microphones List Price: $79.95 Sale Price: Too low to display Used From: $24.00 |
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This pocket-sized device features a 16-bit Delta Sigma A/D converter with a sampling rate of 44.1 and 48.0 kHz. The Mic Mate™ also provides 48V Phantom power to condenser mics directly from your computer's USB port. |
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PreSonus BlueTube DP 2-Channel Vacuum Tube Dual-Path Mic Pre List Price: $229.95 Sale Price: Too low to display Used From: $185.00 |
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The new BLUETUBE DP two channel microphone/instrument preamplifier with Dual Path technology delivers the best of both worlds offering a solid state preamplifier stage and a tube preamplifier stage in each channel... |
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ART Tube MP Project Series Microphone Preamp List Price: $89.00 Sale Price: $56.99 Used From: $45.44 |
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The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to a mixer or other audio input. This hybrid design is the latest in a long line of ART tube preamps... |
What Do You Need To Get Started In Recording?
The innovations that have been brought about since the advent of digital music recording have changed much in the recording industry. One of these big changes is that it is easier than ever for musicians to record themselves rather than go into a studio. If you are looking to record on your own, you can set up a home studio and start working towards putting together a CD. What follows is some of the "must have" equipment to get started with a home studio.
A computer and software - There's a lot of different software out there for the purposes of recording. Regardless of which software package you pick to use in your home studio, you will need something. You'll find that this will become the center of your home studio. You'll need a relatively powerful computer with a lot of RAM and a large hard drive so that you can easily store and work with your recordings.
Foam - Soundproofing is important. The echo which can occur in some rooms can ruin your recordings. Using soundproofing foam will deaden the sound in this room, which depending on size and shape may only need to be partially soundproofed to provide you with the echo dampening you need for your home studio.
A mixer - You'll need this to get the sound from the instruments and voices to your computer. You'll need a mixer with enough channels to handle everything you want to record all at once (it is a good idea to get a mixer with a few more channels than you think you will need).
Pre-amps - These will give your instruments much better sound than can be achieved by running them directly into the mixing board. You can set the sounds of instruments individually using pre-amps, offering you much more control over your recording.
Monitors - While some prefer headphones for this purpose, you may want to consider some high quality full range monitors; these will let you hear the full dynamic range of your recording during the mixing phase, if you do opt for headphones instead of monitors, be sure to use headphones specifically designed for the purpose.
Microphones - You'll want high end microphones for recording which will capture the full range of voice and other sounds recorded in the room. For voice recording you'll want a pop filter - this prevents hard consonants from overloading your recording.
Compression - This can be done either by a separate compression unit or after recording, but shouldn't be neglected. Compression allows you to limit the peaks and valleys of sounds and match these peaks between different tracks.
Using this basic setup will allow you to create good sounding recordings from the get go. You can add in other equipment as you go on, or take out equipment you find yourself not using, but the equipment listed above will get you off to a good start with your home studio.
About the Author
Kevin Sinclair is the publisher and editor of MusicianHome.com, a site that provides information and articles for musicians at all stages of their development.
July 30th, 2005 in
Microphones | tags: audio, diy, microphone, microphone preamp, microphone preamp circuit, microphone preamp reviews, microphone preamp schematic, microphone preamplifier, preamp, recording