Microphone Pole
Microphone Pole
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 RODE VideoMic Pro Mic Kit Boom Wind Muff 10 Cable  US $349.00
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 1p Microphone Speaker Balance Snake Patch Cable XLR Male 3 pin Plug ConnectorM3 US $.90
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 Shure 104C Indoor Outdoor Communication Microphone US $39.00
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 Sony URX P1 and UTX B1 Wireless Mic System US $129.05
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 Sanken CS 3E Condenser Cable Microphone US $1,450.00
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 Rode NTG 2 Shotgun Microphone Location Sound Package US $499.95
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 Focusrite ISA ONE isaone Single Channel Mic PreampPROAUDIOSTAR US $389.99
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 Audio Technica AT871RW Cable Professional Microphone US $12.50
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 Sony ECM 678 Condenser Shotgun Microphone US $599.00
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 iPad2 Microphone Stand Adapter Holder Mount Music Mic Clamp Griffin US $32.95
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 Campro SM3 Low Profile Microphone ShockMount With Solid Metal Hotshoe Mount US $14.95
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 Samson G Track GTrack USB Mic Podcast Deluxe Kit Pak w Stand US $164.95
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 For Ever Fishpole boom Pole US $26.99
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 Focusrite ISA ONE isaone Single Channel Mic Preamp PROAUDIOSTAR US $377.00
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 Rode Boomplole for NTG 2 and other shotgun microphones 33 to 10 feet US $65.00
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 RODE VideoMic Pro Compact Shotgun Microphone NEW US $229.00
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 RODE VideoMic Pro Shotgun Mic with DeadCat Wind Fuzzy US $259.00
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 Microphone stand to 1 3 8 Tripod Pole Mount Adaptor PR US $6.95
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 K M Microphone Studio Desk Boom Arm US $120.00
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 Rode NTG 2 Shotgun Condenser Microphone USED Free US Ship LK US $214.99
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 Rode Video Mic VideoMic Video Mic Directional On Camera Microphone US $139.90
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 HEIL PL2T TOPLESS MOUNT MICROPHONE BOOM POLE US $108.00
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 RODE NTG 2 Shotgun Condenser Video Camera Boom Pole Microphone Mic NTG2 US $269.00
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 Focusrite ISA828 isa 828 8ch Mic Preamp Pre Amp PROAUDIOSTAR US $1,999.99
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 1pcsMicrophone Straight XLR Female Plug Connector US $2.49
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 1pcs Microphone Patch XLR Male 3 pin Plug ConnectorM3 US $2.95
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 Clip Type Microphone Holder or Butterfly Clip 5 8 NEW US $5.95
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 Microphone stand headset holder Stand Clamp 5757 US $15.95
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 Wireless Microphone 1 4 Wave Ground Plane Antenna TNC US $39.99
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 Rode VMP VideoMic Pro Compact Shotgun Microphone US $229.00
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 2 Mogami 2534 Neglex Quad Mic cable with Neutrik XLR US $14.50
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 1pcs 7 Pin XLR Male Inline Connector Plug Adapter M7 US $2.98
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 RODE Blimp with Sanken CS 3E Short Shotgun Microphone US $1,624.95
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 Focusrite ISA One Classic 1 Channel Mic Pre Amplifier US $377.00
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 Atlas SMS5B Stacking Microphone Stand Black Finish US $25.50
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 Focusrite ISA One Analogue ISA1 Analog Mic Preamp Headphones Extended Warranty US $499.99
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 RODE Video Mic Pro Camcorder Mounted Compact Cardioid Condenser Microphone US $529.00
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 ESL 002 Mic Sensitivity Volume Adjustable Extension Cable W Earphone Jack 5M US $34.99
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 Rode NTG 2 Dual Powered Directional Shotgun Microphone NTG2 US $269.00
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 Royer SF 12 Stereo Coincident Ribbon Mic US $2,695.00
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 Sony UWPV1 Lavalier Microphone Bodypack Transmitter UWPV13032 US $569.00
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 4 Canare Star Quad Microphone Cable w Neutrik XLR US $15.00
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 15 Canare Star Quad Patch Cable w Neutrik 1 4 TRS US $28.50
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 10 Canare Star Quad Patch Cable w Neutrik 1 4 TRS US $24.50
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 20 Canare Star Quad Patch Cable w Neutrik 1 4 TRS US $32.50
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 12 Canare Star Quad Patch Cable w Neutrik 1 4 TRS US $26.50
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 30 7 Pin XLR Male Inline Connector Plug Adapter M7 US $59.00
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 20 7 Pin XLR Male Inline Connector Plug Adapter M7 US $33.99
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 100 7 Pin XLR Male Inline Connector Plug Adapter M7 US $148.00
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 SHURE 450 Series II Voice Communication Microphone US $109.99
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Shure 527B Omni Lo-Z Microphone $74.99 The Shure 527B Omni Lo-Z Microphone is wired for balanced-line operation and recommended for use where long cable lengths are required. Also excellent in areas where strong noise fields may exist. The 527B microphone can be fed directly into a standard low-impedance amplifier. (A 2-conductor shielded cable can be used for extending only the microphone circuit. If both the microphone circuit and the remote circuit are to be extended, a 4-conductor cable, having 2 shielded conductors for the microphone, should be used.)The modular construction of this microphone allows the cartridge, switch, and cable to be replaced in a matter of minutes.It fits naturally and comfortably in the hand and is not adversely affected by heat or humidity. The ARMO-DUR case is immune to oil, grease, fumes, salt spray, sun, rust, and corrosion, and is outstanding in its ability to withstand mechanical shocks and vibration. The "Million Cycle" leaf-type switch is double-pole, single-throw, designed to withstand severe operating conditions and constant usage.Radio communicationVoice recognitionPagingTalkbackPublic addressProfessional designSmall sizeLightweightModular constructionIncredibly tough and durable |
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Rode Microphones Stereo Videomic On-Camera Microphone $249 Like the VideoMic (VM), now the world's biggest selling on-camera shotgun microphone, the Stereo VideoMic is destined to become an industry standard and not only offers the same sound quality and performance as its predecessor, but also meets the industry demand for stereo recording. Now videographers may use true studio stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the SVM as a remote mic on a stand, or with an optional R0DE boom pole, which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), weddings, sports events, and interviews. Stereo X/Y condenser microphone Broadcast sound quality Rugged cast aluminum body 9V battery operation Custom designed integral windshield Low-noise circuitry Low handling noise Integral camera-shoe mount Designed and manufactured in Australia Full 10-year guarantee |
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Used Rode Microphones Stereo Videomic On-Camera Microphone $211.65 Like the VideoMic (VM), now the world's biggest selling on-camera shotgun microphone, the Stereo VideoMic is destined to become an industry standard and not only offers the same sound quality and performance as its predecessor, but also meets the industry demand for stereo recording. Now videographers may use true studio stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the SVM as a remote mic on a stand, or with an optional R0DE boom pole, which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), weddings, sports events, and interviews. Stereo X/Y condenser microphone Broadcast sound quality Rugged cast aluminum body 9V battery operation Custom designed integral windshield Low-noise circuitry Low handling noise Integral camera-shoe mount Designed and manufactured in Australia Full 10-year guarantee |
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Audio-Technica Bp4073 Shotgun Condenser Microphone $699 The Audio-Technica BP4073 is a shotgun condenser microphone that adds virtually no heft to the end of your fish pole boom or to the top of a minicam. The BP4073 mic's overall length is just 9.17" and it weighs just 3.5 oz. Through the use of an innovative Audio-Technica design, the interference tube of the BP4073 microphone provides a narrow acceptance angle, effective for long-distance pickup. This highly directional mic offers low self-noise and is fully RoHS-compliantfree from all substances specified in the EU directive on the reduction of hazardous substances (RoHS). Requires 48V DC phantom power.Designed for use in broadcasting, film/TV production and theater sound reinforcement applications Direct-coupled, balanced output ensures a clean signal even in high-output conditions Innovative acoustic design provides same directivity as mics up to 50% longer Switchable 80 Hz hi-pass filter & 10 dB pad Rugged housing made of lightweight structural-grade aluminum alloy RoHS-compliant free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS) |
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Beyerdynamic Mce 86 S Ii Condenser Shotgun Microphone $399 The MCE 86 II shotgun microphones can be used for video recordings, lecterns or theatre applications. The microphones are extremely light and rugged and therefore ideal for mounting onto cameras or camcorders. They can be used for outdoor applications and in studios with fish pole booms or as handhelds.The electrostatic transducer element and the hypercardioid/lobe polar pattern result in an excellent polar pattern with high sensitivity. Due to its construction and integrated active filter the microphone is insensitive towards wind and vibrations caused by zoom motors. Each sound source is reproduced absolute clearly. The MCE 86 II can be powered from balanced phantom source. If phantom power is not available the MCE 86 II S version should be used. This microphone can be phantom powered or battery powered with an integrated 1.5 V battery.High sensitivityExcellent off-axis rejectionRugged yet lightweight designNon-glare durable polymer coating |
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Rode Microphones Stereo VideoMic On-Camera Microphone $249 Like the VideoMic (VM), now the world's biggest selling on-camera shotgun microphone, the Stereo VideoMic is destined to become an industry standard and not only offers the same sound quality and performance as its predecessor, but also meets the industry demand for stereo recording. Now videographers may use true studio stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the SVM as a remote mic on a stand, or with an optional R0DE boom pole, which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), weddings, sports events, and interviews. |
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Rode Microphones Stereo VideoMic On-Camera Microphone 889406404878 $211.65 Like the VideoMic (VM), now the world's biggest selling on-camera shotgun microphone, the Stereo VideoMic is destined to become an industry standard and not only offers the same sound quality and performance as its predecessor, but also meets the industry demand for stereo recording. Now videographers may use true studio stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the SVM as a remote mic on a stand, or with an optional R0DE boom pole, which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), weddings, sports events, and interviews. |
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Shure 104C Indoor/Outdoor Communication Microphone $59.99 The Shure Model 104C is a small, pressureactuated, diaphragmtype, carbon microphone specially designed for clear, efficient speech reproduction. The 104C fits naturally and comfortably in the hand, and retains this feel in hot or cold weather. The sturdy, highimpact ARMODUR case is light and compact, and occupies minimal space in portable or mobile equipment. The 104C mic is equipped with a heavy-duty, push-to-talk switch and a long life, rubber-jacketed coil cord cable. The Shure Model 104C is especially recommended for all types of outdoor and indoor communication activity: in mobile and fixed station use (as in police, fire, utility, forestry and transportation services), and in commercial and industrial applications--including radiotelephone, amateur radio and similar uses. Frequency response from 300 to 4,000 Hz, specifically designed for voice communications use Small, light and compact case, takes minimum space in portable and mobile equipment, fits comfortably and firmly in the hand Extremely rugged, high-impact ARMO-DUR case, stronger and lighter than die-cast metal, comfortable to the touch in hot or cold weather Double-pole, single-throw, leaf-type switch designed to stand up under rigorous operating conditions and constant usage Long life, rubber-jacketed coil cord Rugged and dependable under all operating conditions |
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Rode Microphones Videomic Pro Super Cardioid Condenser Microphone $229 The RDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.At the heart of the VideoMic Pro is a high resolution 1/2" condenser capsule that provides broadcast quality audio via a 3.5mm mini-jack connector (outputting the mono signal to both left and right channels). A super-cardioid polar pattern ensures that surrounding audio is minimized, and your recording is focused on the subject in front of the camera.An innovative suspension system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. A lightweight and flexible yet robust multi-strand cable provides significantly lower noise transference than traditional audio cable while ensuring a high definition signal. Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras such as the Canon 5DMkII, Canon 7D, Canon 1D, Canon 550D/T2i, Canon 60D, Nikon D7000, Nikon D5100, Panasonic GH1 and Panasonic GH2. This boost in the microphone output allows the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting. Note that cameras with proprietary shoe mounts will require an adaptor or alternative mounting solution.The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery. The RDE VideoMic Pro compact directional on-camera microphone is covered by RDE Microphones' industry leading 10 year warranty.Broadcast recording quality condenser microphoneCompact form factor (150mm/6 length)Ultra lightweight (85g/3oz)9V battery powered - over 70 hours use (alkaline)Integrated shock mountingIntegrated foam windscreen3.5mm stereo mini-jack output (dual mono)Two step High Pass Filter (flat, 80Hz)Three position level control (-10dB, 0, +20dB)Camera shoe mount with 3/8 thread for easy boompole mounting10 year warranty |
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Royer Sf-12 Stereo Ribbon Microphone Black Chrome $2695 The SF-12 stereo coincident ribbon microphone from Royer combines high-quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.The Royer SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12 ribbon mic's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower," for the upper and lower capsules of the microphone (when held vertically).Recording with the SF-12The SF-12 is uncanny for creating "you-are-there" stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay careful attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 mic in that place and you will capture that sound.The Royer SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you'd like to capture the meat of the kit but with more air on the cymbals to help them cut more aggressively, simply open the top end up with EQ. Ribbons take EQ extremely well because they generate virtually no self-distortion. When you boost a frequency, even by many dB, you'll bring up only the musical response you're looking for without unpleasant distortion artifacts joining the party.Recording in MonoPhase compatibility between the two sides of the SF-12 ribbon mic is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the sweet spot of a mono microphone. Either side of the Royer SF-12 can also be used individually as a mono microphone.What the pros are saying about the SF-12:"The SF-12 as a drum overhead mic gives me something I've never been able to get before. God, I love this mic!" Chuck Ainlay (Vince Gill, George Strait, Reba McEntire, Mark Knopfler)Literally since the day I got my SF-12 I've used i |
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Astatic By Cad 119S Gooseneck Cardioid Dynamic Microphone Push-To-Talk Switch $99.99 The 119S is a dynamic cardioid microphone with a momentary push button switch, designed especially for gooseneck mounting in quality sound reinforcement and communication installations. A slightly rising high frequency response and a gentle low frequency roll-off, assure excellent voice reproduction. The 119S mic's superior cardioid directional pattern minimizes feedback, background noise, reverberation, off-axis coloration and placement problems. An internal vibration isolation system, consisting of a special rubber mounting ring as a support for the element, reduces gooseneck, stand and handling noise. An effective multi-stage blast filter controls breath pop and wind disturbances. The gooseneck mic has a high quality push-to-talk switch. The momentary push button switch is a double-pole, double-throw snap action type with gold-plated contacts. The microphone element is wired normally open. The push button switch also connects to an extra pair of leads in the cable for any additional switching requirements. The 119 Series microphones by Astatic feature all metal construction and are extremely rugged and reliable. They will stand up under the most strenuous handling conditions to provide years of dependable service. The 119 Series features balanced line wiring to allow use with long runs of cable without hum or noise pickup. The cable length for the 119S-19 is 5-1/2'. The 119S-19 is finished in satin chrome and includes a 20" chrome gooseneck and flange. |
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Royer Sf-24 Active Stereo Ribbon Microphone Black Chrome $4295 The Royer SF-24 stereo ribbon microphone is a phantom powered version of Royer's popular SF-12 (#581146) stereo ribbon microphone. It combines the SF-12's high quality audio performance, outstanding stereo separation and imaging with Royer exclusive active electronics system for ribbon microphones. The SF-24's output of -38dB is a full 14dB more sensitive than Royer's non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET's used in the SF-24 mic allow for ultra-quiet operation, with self-noise of lower than 18 dB.The SF-24 is actually two matched ribbon microphones placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.The Royer SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower" for the upper and lower capsules of the microphone (when held vertically).GainRoyer active ribbon mics are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording softer sound sources like acoustic instruments, vocals and room ambiance. The SF-24 contains two fully balanced, discrete head amplifier systems utilizing specially wound toroidal transformers and ultra-low noise FET's, each delivering a sensitivity of 38dB. This lets you mate an SF-24 microphone to any preamplifier with average gain characteristics. Even with quiet sound sources, you'll have enough level to drive any recording medium.It is important to note that the SF-24's higher sensitivity does not create additional self-noise. All of the SF-24's increased level comes from its large, specially wound toroidal transformers - that wonderful thing called "free gain." The level at the each of the transformers is actually hotter than what comes out of the microphone. The phantom powered system operates at less than unity, adding no noise of its own. This system took years to develop and is in patent pending status.Impedance MatchingThe electronics in the Royer SF-24 provide a perfect load to the ribbon elements at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic pre. Due to its low-impedance output, SF-24's can also be used on extremely long cable runs with minimal signal loss.A good impedance match is critical to ribbon microphones. Impedance |
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Gemini Speaker Pole 1M $14.95 This black steel speaker pole is designed to make mounting a Gemini PA and DJ speaker to a subwoofer, and is 1-meter long with a 35mm diameter. |
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Mackie SPM200 Speaker Pole Mount $39.99 The Mackie SPM200 Speaker Pole Mount is a heavy-duty pole for mounting your loudspeaker on a subwoofer. It's ideal for use with the following Mackie speakers: TH15A, SRM350 (v2), SRM450 (v2), HD1221, HD1521 and HD1531 speakers with SRM1801, HD1501, HD1801 subs, and more. The speaker pole mount can hold up 100 pounds. |
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Gibraltar Microphone Gooseneck 6 $5.99 This 6" black microphone gooseneck fits standard mic holders and boom arms. |
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Rode Micro Boom Pole Telescopic Microphone Extension List Price: $149.00 Sale Price: $45.00  |
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The Rode Micro Boompole provides ultimate boom pole performance in a convenient and portable size. Intuitive twist locks allow the Micro Boompole's three sections to smoothly extend to 2063mm (6.75 inches), while the ergonomic grip provides comfort during use. |
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OnStage MBP7000 Professional Microphone Boom Pole List Price: $84.99 Sale Price: $49.99 |
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Our Professional Microphone Boom Pole (also know as a fishpole) is ideal for School Plays/Drama Departments, Newscasters, Film/Video Production and Houses of Worship for Choir Miking. Boom Pole is made from sturdy, lightweight aircraft aluminum making it easy to maneuver... |
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Audio-Technica ATR-6550 Video Camera Condenser Shotgun Microphone List Price: $99.95 Sale Price: $58.00 |
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Designed especially for use with video cameras, this condenser shotgun mic features a switchable polar pattern for effectively capturing nearby or distant sound sources. Get crisp and intelligible pickup in the studio or in the field... |
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StarTech.com MUYHSMFF 3.5mm 4-Pin to 2x 3-Pin 3.5mm Headset Splitter Adapter - M/F List Price: $10.99 Sale Price: $3.99 |
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The MUYHSMFF 4-Pin 3.5mm to dual 3-pin 3.5mm Headset Splitter Adapter features one 3.5mm Male and two 3.5mm Female connectors, allowing you to add a microphone input as well as an audio output to your PC or Laptop, through a single 3... |
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Headset Buddy:(01-PC35-PH35) PC Headset to 3.5mm Smartphone Adapter: Convert Dual 3.5mm to 3.5mm, PC Computer Headset to iPhone, Blackberry, Droid, Palm, Samsung, LG, HTC List Price: $14.95 Sale Price: $12.95 |
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If you already have a nice PC Headset, why buy another headset for your smartphone, tablet, or netbook? Just buy the PC Headset Buddy Adapter and save yourself money, clutter, and time! Just plug in the PC Headset Buddy for Smartphones and use your existing PC computer headset with 3... |
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Rode Boompole Microphone Boom Arm List Price: $199.00 Sale Price: $149.00 Used From: $133.00 |
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Designed for the professional, the Rode Boompole is a high grade professional boom pole for location recording. The boom pole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source... |
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Rode Mini Boompole Microphone Boom Pole List Price: $169.99 Sale Price: $129.00 |
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The Mini Boom-Pole was developed due to a request from the UK's largest broadcaster. The engineers there asked for a shorter version of Rode's standard pole which would be lighter. In many applications such as news gathering, there is no need for a long mic pole, and by removing sections; the Mini is considerably lighter and so easier to use over long periods... |
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Rode NTG2 Condenser Shotgun Microphone List Price: $369.00 Sale Price: $269.00 Used From: $242.10 |
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The RODE NTG2 is a new, lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG2 provides a balanced low impedance output stage and operates either from an internal 1... |
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Rode VideoMic Pro VMP Shotgun Microphone List Price: $329.00 Sale Price: $225.00 Used From: $217.55 |
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The Rode VideoMic Pro compact design is ideal for use with HDSLR cameras, camcorders and audio recorders. Noise transference has been significantly reduced using both a revised, more elegant shock mounting system and a lightweight premium cable... |
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Edutige EIM-001 i-Microphone Voice Recorder List Price: $29.99 Sale Price: $22.50 Used From: $14.93 |
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The I-Microphone trumps its competition in build & sound quality. The I-Microphone turns your mobile device into a powerful audio recorder. It was developed specifically for a variety of Apple products, but also works flawlessly with other smartphones and mobile recording devices... |
The Stereo In Stereo Microscopes
Stereo technology started with a theatrical bang. In the movie industry, stereo relates to 3D vision where spectators were required to wear red and green spectacles. The point was to combine separate motion picture images into a single image. It's the same with stereo microscopes, sans the red and green spectacles, of course.
Stereo Technology in Microscopy
The stereo sound was the wave of the 60s. The technology enable the production of three dimensional sound effects with the use of microphones; two microphones recorded sound and these were connected to two separate channels connected loudspeakers. Listening to vinyl records back then, music enthusiasts heard sound coming from different directions.
In stereo microscopes, images not music from two different angles are combined - to create an illusion of depth of the specimen. This happens when different images of the same object are presented to each eye. The microscope offers a lateral and upright view of the object from two dissimilar angles and the eyes sees the object in 3D. With stereoscopy features, two eyepieces plus two objectives, the microscope is a perfect instrument for dissecting specimens or inspecting larger objects, i.e. rock minerals and diamonds.
Stereoscopy gives dissecting convenience. Dissecting the specimen becomes easier because viewing the specimen at same time while dissecting it can be done. Larger specimens like rock minerals can also be conveniently viewed because there is more distance between the objective and the stage. Custom stereo microscopes can also be obtained from some dealers or can be assembled according to specific needs.
Types of Microscopes with Stereo Functions
Microscopy research requirements demand specific functions that can be responded with the different microscopes available. For stereo or for dissecting specimen, such as plant or human tissue, the stereo feature comes useful. However, you don't just get any microscope out there because it has STEREO written all over it.
Concerned dealers inquire what you need for a microscope to ensure that you get that you get exactly what you need for stereo microscopes. There are binocular and trinocular microscopes with stereo features. Different models and brands will come with or without fixed magnification with a magnification selection knob, and easy zoom in and zoom out function.
Digital technology also goes with stereo technology. You can have the best of both worlds in this amazing piece of instrument, and you don't need bulky contraptions to view 3D imaging. With a USB camera added, excellent imaging for live video and still jpg is possible. You might also need an upright rather than an inverted microscope.
If you are a gemologist, stereo binocular microscopes should fit the bill. You can see a 3D image of a tiny diamond and examine it for flaws. Student laboratories will benefit from a pole-mounted microscope.
Stereo Does It
Had it not been for stereoscopy, it would still be tricky to dissect specimens accurately without the aid of the eyepiece. For illumination, the microscope may use a fluorescent bulb, LED ring light or fiber optics. Added to stereo 3D imaging some stereo microscopes have video capability and a digital camera.
Before you dismiss stereo microscopes as adult instrument, let it be known that the microscope is also great for educating young children; prices may range from under 100 dollars or can run up to thousands of dollars. It is your choice.
CanScope - complete solution for all your microscopy needs.
Contact: 1-877-56SCOPE(72673) or info@CanScope.ca
About the Author
Looking for stereo microscopes in Toronto? No problem. You can also find a polarized light microscope in Toronto and the latest in metallurgical microscope in Toronto all the time. Visit CanScope.ca today.