Microphone Mike
Microphone Mike
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Audix Om11 Premium Dynamic Vocal Microphone $239 The Audix OM11 Premium Dynamic Vocal Microphone is useful in a wide variety of live, studio, and broadcast applications. This OM11 is a reissue of the original Audix OM1, a hand-made microphone first issued in 1985. Designed, assembled, machined, and tested by Audix in the USA, the OM11 mic is known for sharp, crisp vocal sound, resistance to feedback and ability to handle high sound pressure levels without distortion.The Audix OM11 microphone has a tight and uniformly controlled hypercardioid polar pattern which helps to isolate vocals from the rest of the instruments on stage. With a wide frequency range of 50Hz18kHz, the Audix OM11 mike uses a VLM (Very Low Mass) diaphragm for a very clean and natural sound with exceptional transient response.The Audix OM11 microphone's response is tailored to cut through the mix, providing presence and articulation to vocals even at very high stage volumes. In addition to having extremely low handling noise, the durable Audix OM11 mic is well-balanced, comfortable to hold,and made with very high standards and tight tolerances.The Audix OM11 mic's oadworthy construction includes a two stage machined brass body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy-duty nylon clip.Ideal for live, studio, and broadcastClear, accurate sound reproduction |
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Used Audix Om11 Premium Dynamic Vocal Microphone $119.5 The Audix OM11 Premium Dynamic Vocal Microphone is useful in a wide variety of live, studio, and broadcast applications. This OM11 is a reissue of the original Audix OM1, a hand-made microphone first issued in 1985. Designed, assembled, machined, and tested by Audix in the USA, the OM11 mic is known for sharp, crisp vocal sound, resistance to feedback and ability to handle high sound pressure levels without distortion.The Audix OM11 microphone has a tight and uniformly controlled hypercardioid polar pattern which helps to isolate vocals from the rest of the instruments on stage. With a wide frequency range of 50Hz18kHz, the Audix OM11 mike uses a VLM (Very Low Mass) diaphragm for a very clean and natural sound with exceptional transient response.The Audix OM11 microphone's response is tailored to cut through the mix, providing presence and articulation to vocals even at very high stage volumes. In addition to having extremely low handling noise, the durable Audix OM11 mic is well-balanced, comfortable to hold,and made with very high standards and tight tolerances.The Audix OM11 mic's oadworthy construction includes a two stage machined brass body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy-duty nylon clip.Ideal for live, studio, and broadcastClear, accurate sound reproduction |
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Empirical Labs Trak Pak Mike-E And Lil Freq Combo $2999 The Empirical Labs Trak Pak combines the Mike-E mic preamp and EL-Q Lil FrEQ equalizer to give you a stellar and versatile recording channel combining mic and instrument input, compression, tape-like saturation, and equalization - Empirical Labs style, which means tons sound and color variations with easy to use, dramatically effective controls that take you from subtle to extremewherever your creative muse leads you.Mike-E microphone preampEmpirical Labs Dave Derr is no stranger to creating game-changing audio processors, and his Mike-E preamp is no exception. Mike-E is a modern, digitally controlled microphone preamplifier chocked with unusual features to warm and soften sound sources, plus, it also has an excellent compressor/limiter. Mike-E, a transformer-coupled mic preamp, offers an incredible performance with a noise floor is far below any microphones self-noise. And, the one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.Mic Preamp SectionThe preamp section is a super low-noise transformer-input amplifier section with gain digitally controlled gain. This section comes standard with a shielded Lundahl transformer, but allows for a Jensen transformer also.The signal-to-noise ratio far exceeds any microphone in existence; typically over 130dB with the input shorted and 40dB of gain. Having used many mic preamps over the years, Empirical Labs has implemented a unique stepped-gain control that is impervious to the normal flakiness that age causes to pots and detented switches.Counting the output gain of 14dB, a total 74dB of gain is available to you with the CompSat section bypassed. Phantom power (+48V) is provided for condenser mics.Exclusive CompSat SectionThis unique circuitry is what sets Mike-E apart from all other mic preamplifiers. It has four sections:1) Saturator: This is a multi-stage soft clipping circuit. At lower levels, triode-type saturation affects the signal. As the level increases, a second unique clip circuit that includes germanium semiconductors starts to flatten out the peaks more severely. An LED named BAD! indicates harder, un-musical clipping.2) Compressor: This is an uncompromising compressor/limiter circuit with detented control of attack and release for easy repeatability. You adjust the amount of compression with the DRIVE knob, which determines the level going into the compressor. In ways it is like the Empircal Labs Distressor (see #501579), but has differing characteristics including a much longer available attack time and additional circuitry. Four ratios are provided; 2:1 being the gentlest with a long 20dB knee, good for subtle compression, such as while tracking or on the 2-Bus. Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. Nuke is very steep (limiter-like) and has a different attack and release shape.3) Emphasis: Emphasis is actually two circuits that surround the compressor and saturator. |
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Empirical Labs Mike-E Mic Pre With Compression And Saturation $1599 Empirical Labs Dave Derr is no stranger to creating game-changing audio processors, and his Mike-E preamp is no exception. Mike-E is a modern, digitally controlled microphone preamplifier chocked with unusual features to warm and soften sound sources, plus, it also has an excellent compressor/limiter. Mike-E, a transformer-coupled mic preamp, offers an incredible performance with a noise floor is far below any microphones self-noise. And, the one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.Mic Preamp SectionThe preamp section is a super low-noise transformer-input amplifier section with gain digitally controlled gain. This section comes standard with a shielded Lundahl transformer, but allows for a Jensen transformer also.The signal-to-noise ratio far exceeds any microphone in existence; typically over 130dB with the input shorted and 40dB of gain. Having used many mic preamps over the years, Empirical Labs has implemented a unique stepped-gain control that is impervious to the normal flakiness that age causes to pots and detented switches.Counting the output gain of 14dB, a total74 dB of gain is available to you with the CompSat section bypassed. Phantom power (+48V) is provided for condenser mics.Exclusive CompSat SectionThis unique circuitry is what sets Mike-E apart from all other mic preamplifiers. It has four sections:1) Saturator: This is a multi-stage soft clipping circuit. At lower levels, triode-type saturation affects the signal. As the level increases, a second unique clip circuit that includes germanium semiconductors starts to flatten out the peaks more severely. An LED named BAD! indicates harder, un-musical clipping.2) Compressor: This is an uncompromising compressor/limiter circuit with detented control of attack and release for easy repeatability. You adjust the amount of compression with the DRIVE knob, which determines the level going into the compressor. In ways it is like the Empircal Labs Distressor (see #501579), but has differing characteristics including a much longer available attack time and additional circuitry. Four ratios are provided; 2:1 being the gentlest with a long 20dB knee, good for subtle compression, such as while tracking or on the 2-Bus. Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. Nuke is very steep (limiter-like) and has a different attack and release shape.3) Emphasis: Emphasis is actually two circuits that surround the compressor and saturator. Pre-emphasis boosts the high frequencies before the compressor and saturator (CompSat), soft clipping them sooner than normal, while a de-emphasis cuts the complementary frequencies after the CompSat. Emphasis has the added perk of improving signal-to-noise, and is the reason analog tape decks used emphasis to begin with.4) Mix Control: The modern recording engineer often employs the technique of mixing between the compressed and the dry (or |
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Audix Dp Elite 8 Drum Microphone Pack $2199 The DP Elite 8, as the name implies, is the ultimate combination of 8 microphones needed to mike up a 5-piece drum kit. All mics perform equally well whether it be on a live stage or in the studio. Included in the DP Elite 8 drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, the i5 for snare, a pair of SCX1C's for overhead miking, and the SCX1-HC for high-hat. Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the SCX1 microphones. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use. THE MICS:1-D6 for kick drum1-i5 for snare2-D2 for toms1-D4 for floor tom2-SCX1-C for overheads>1-SCX1HC for high-hatD6 - Kick DrumThe D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.i5 - SnareThe i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.D2(two) - Rack TomsFor bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounded harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.D4 - Floor TomThe D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size and performance. versatility. The D4 is characterized with a flat linear response from 40 Hz - 18 kHz making it the most versatile of all the D-series microphones.SCX1-C (two)OverheadsThe SCX1-C, a pencil condenser requiring 48-52 Volts phantom power, is a highly sensitive microphones that will provide imagining and audio detail beyond your expectations. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40Hz-20kHz, the SCX1-C has been a secret weapon for many sound engineers who have become envious for their drum sound.SCX |
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Mike Balter Band Director's Special $64.99 Mike Balter Band Director's Special Michael Balter Behind every Mike Balter Mallet, there is Michael Balter. As a first-call percussionist and drummer, based in Chicago, Mike was acutely aware of the need for quality mallets. Drawing upon his years of experience as a professional percussionist and drummer, Mike has developed the finest quality and most extensive line of mallets produced today. |
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Mike Balter Gong Mallet Heavy $26.99 Mike Balter Gong MalletsConcert mallets for discriminating playersMike Balter Bass Drum Mallets, Timpani Mallets, Gong Mallets and Chime Mallets have become the choice of even the most discriminating of players! Each Series offers an ideal selection for every musical situation, as well as the distinction and excellence one expects from Mike Balter Mallets. |
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Mike Balter Gong Mallet Light $22.99 Mike Balter Gong MalletsConcert mallets for discriminating playersMike Balter Bass Drum Mallets, Timpani Mallets, Gong Mallets and Chime Mallets have become the choice of even the most discriminating of players! Each Series offers an ideal selection for every musical situation, as well as the distinction and excellence one expects from Mike Balter Mallets. |
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Mike Balter Gong Mallet General $24.99 Mike Balter Gong MalletsConcert mallets for discriminating playersMike Balter Bass Drum Mallets, Timpani Mallets, Gong Mallets and Chime Mallets have become the choice of even the most discriminating of players! Each Series offers an ideal selection for every musical situation, as well as the distinction and excellence one expects from Mike Balter Mallets. |
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Vater Big Mike Clemons Model $8.99 The Vater Big Mike Clemons Model's design comes from one of the most respected musicians in the Gospel scene. Mike Clemons is the drummer for Israel Houghton and New Breed. Mike's design measures out just under a 5B in the grip with an extra 1/2" in length for added reach around the kit. With a quick taper and a classic acorn style tip for full drum and cymbal tones, this model is very durable and responsive. Mike's model also features Vater's Nude Series finish for a comfortable, unlaquered grip. "My stick model works well for me and I believe it will work well for you too. It's durable for the power player and not too big and not too small...great for any hand size. It has the length that every drummer wants and has no finish so it doesn't slip out your hands." - Mike Clemons |
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Vater Mike Wengren Drumsticks $8.69 Designed by the multi-platinum drummer of the band Disturbed, Mike Wengren's stick measures in between a 5B and a 2B with a quick taper to an oval nylon tip. The extra length gives some added weight and a bit more reach. Nicely weighted and durable, this is a great Vater stick for hard-hitting drumming. Stick is finished in a black stain with artwork featuring Disturbed's album logos. "I've been playing Vater for my entire career. There simply isn't anyone else out there that crafts wood better than they do. My playing requires a lot of power, precision, and intensity. The added length and thickness combined with the beefier shoulder and shorter taper of my stick model was designed to help me do just that. It gives me that extra edge to push me to the limits of my performances night after night." - Mike Wengren (Disturbed) |
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Gibraltar Microphone Gooseneck 6 $5.99 This 6" black microphone gooseneck fits standard mic holders and boom arms. |
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 NEW AUDIO SPECTRUM AS 400 VOCAL MICROPHONE  US $5.00
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 Superlux PRA628 MKII Guitar Amp Instrument Microphone e609 e906 D2 SM57 US $59.00
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 LOW PROFILE BOOM MICROPHONE STAND 5 FEET ADJUSTABLE HEIGHT MIKE CLIP TRIPOD NEW US $9.99
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 schoeps straesser cm060 condenser microphone 48 volt phantom US $303.00
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 Samson C03U Condenser Cable Professional Microphone US $99.00
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 CARVIN SM68 UNIDIRECTIONAL MICROPHONE GREAT VOCAL MIKE US $54.99
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 Brand New Desk Top Tripod Microphone Stand Table Floor US $4.75
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 New Desk Top Tripod Mic Stand and Spring Type Mic Clip US $8.95
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 New Desk Top Tripod Mic Stand and SM58 Style Mic Clip US $8.95
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 New Desk Top Tripod Mic Stand and Expandable Mic Clip US $9.95
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 Astatic JT 30 C Harmonica Microphone w stand and original boxpaperwork US $195.95
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 SHURE PG 58 Microphone US $34.99
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 REALISTIC Electret Condenser Stereo MICROPHONE No 33 919 One Piece System US $14.99
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 Shure SM5B Micophone RARE In Excellent Condition US $499.00
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 Vintage orig Shure Model 51 Microphone w A86A in line transformer EXC US $100.00
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 Samson 5KIT Cable Professional Microphone US $150.00
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 AN E V AND A FOSTEX MICROPHONE AND A RADIO SHACK MIXER US $20.00
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 Behringer C 3 Condenser Cable Professional Microphone US $40.00
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 Switchcraft 332A 5 8 1 4 Microphone Adapter for Vintage Harmonica Harp Mic JT 30 US $12.99
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 Audio Technica’s Freeway 200 Series Wireless System with Handheld Mic US $.99
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 6 50ft COLOR XLR Mic Cables GLS AUDIO 50ft Mike 6P50 US $103.99
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 weltron model 37 105 cardiod dynamic mike with 20 cord nice condition used US $5.00
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 Amperite Microphone RL H US $89.00
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 Shure Genuine Replacement Blue Ring Beta58 Beta87 US $5.00
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 Electro Voice Mercury Microphone US $9.99
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 Samson 5KIT 5 Piece Drum Microphone System5 XLR Cables US $138.00
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 VINTAGE SHURE BROTHERS DYNAMIC MICROPHONE MODEL 51 HAM RADIO ITEM WORKS NOS US $63.00
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 10 PACK GLS Audio ES 58 ES58 Vocal Mic Mike 37 205 SM US $279.99
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 Microphone Mic Mike stand Drink Cup Holder FREE Sticker US $15.95
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 SPARKLE MICROPHONE SKIN SPARKLY MIKE SLEEVE COVER SHURE SENHEISER etc US $7.78
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 NEW WIRELESS MICROPHONE MIKE CLIP LARGE AKG RODE ma3 US $6.27
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 10 25ft XLR MIC CABLES Cords 25 ft Mike GLS AUDIO MC25 US $93.99
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 Radio Shack Super Cardioid Vocal Microphone Brand New US $25.99
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 Neumann KM85i KM 85i KM84 Classic Vintage Studio Condenser Microphone System US $1,349.95
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 Shure Controlled Magnetic Mike Element Good Harp US $41.00
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 Vintage SHURE Model 549 UNIDYNE Mark IV Microphone USA Free Ship US $61.00
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 Campro SM3 Low Profile Microphone ShockMount With Solid Metal Hotshoe Mount US $14.95
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 PYLE HANDHELD WIRELESS MICROPHONE SYSTEM MIKE AUDIO MIC US $27.95
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 3 GLS Audio ES 57 ES57 Microphone Mic Mike P37 206 SM US $98.99
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 2 NEW SHURE PG81 CONDENSER MICROPHONES mike mics US $185.00
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 NEW 10 PACK 25ft XLR MIC CABLES MIKE CORDS 25 ft 3 pin US $47.49
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 MBrace Guitar Holder works with Strat Les Paul Acoustic US $65.85
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 10 50ft GLS AUDIO 3 Pin XLR Mic Cables Mike 50 MC5010 US $143.99
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 PAIR 2 NEW 20 FT foot XLR Mic CABLES FREE PRIORITY SHIP US $12.73
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 6 GLS AUDIO 50ft XLR COLORED MIC Cables Mike 50ft 6P50 US $103.95
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 UNUSUAL TURNER 98 VINTAGE DYNAMIC MICROPHONE WITH TILTING HEAD WORKS GREAT US $140.00
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 HEARTY RESLO RBH VINTAGE RIBBON MICROPHONE WITH TILTING HEAD AND GREAT SOUND US $295.00
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 35MM Plug Condenser Microphone for Recording Vocals Acoustic Instruments 2344 US $5.69
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 Ultimate Jamstands JS MCFB6PK Stand Package NEW Free Shipping US $109.95
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 Modified Circuit Bent Carbon Dynamic Telephone XLR Studio Dual Mic Microphone US $64.99
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GLS Audio 25ft Mic Cable Patch Cords - XLR Male to XLR Female Black Microphone Cables - 25' Balanced Mike Snake Cord - SINGLE List Price: $24.99 Sale Price: $14.99  |
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Professional Series Noise Free Mic Cables. They have a thick, high quality, flexible rubber jacket. They are heavy duty Noise Free "True Balanced LO-Z" and have 3 pin XLR connectors on each end. These cables have dual insulated copper conductors plus they are shielded... |
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GLS Audio Mic Windscreens - Black Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Black Wind Screens - 5 PACK List Price: $24.95 Sale Price: $9.95 |
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Are your old wind screens deteriorating on you? Try our GLS Audio 5 pack of new black wind screens today! They come vacuum packed for freshness and longevity. Once they are opened from the package, allow for them to reform to their natural shape and beauty... |
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Panasonic KX-TCA60 Hands-Free Headset with Comfort Fit Headband List Price: $14.95 Sale Price: Too low to display Used From: $7.50 |
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Designed for use with any cordless phone possessing a standard 2.5 mm jack, Panasonic's KX-TCA60 is an excellent way for you to talk hands-free while you work. Its boom-style microphone adjusts to an optimum level for your mouth... |
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Logitech USB Desktop Microphone List Price: $29.99 Sale Price: $19.54 |
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Experience plug and play convenience and enhanced audio quality of USB technology with the Logitech USB Desktop Microphone. The noise canceling microphone improves sound quality by blocking out unwanted noise... |
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UpRight Mighty Mike - Wireless Lapel Clip-On Microphone & Camcorder Set Sale Price: $23.95 |
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One set includes the clip-on microphone, transmitter (with on / off switch & LED light indicator), and wireless receiver (with on / off switch & LED light indicator) - even the batteries are included! The sets are coded green or red (with different frequencies), so it is possible to use two microphones at the same location... |
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GLS Audio Mic Windscreens - Color Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Color Wind Screens - 7 PACK List Price: $21.95 Sale Price: $13.95 Used From: $12.68 |
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Make life easy on yourself when you're working the sound board. 7 different Vibrant Colors of wind screens to keep the mics on stage more than bearable to work with. They come vacuum packed for freshness and longevity... |
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GLS Audio 25ft Mic Cable Patch Cords - XLR Male to XLR Female Black Microphone Cables - 25' Balanced Mike Snake Cord - 5 PACK List Price: $124.99 Sale Price: $54.00 |
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5 PACK of Professional Series Noise Free Mic Cables. They have a thick, high quality, flexible rubber jacket. They are heavy duty Noise Free "True Balanced LO-Z" and have 3 pin XLR connectors on each end... |
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GLS Audio 50ft Mic Cable Patch Cords - XLR Male to XLR Female Black Microphone Cables - 50' Balanced Mike Snake Cord - 2 PACK List Price: $39.99 Sale Price: $39.99 |
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2 PACK of Professional Series Noise Free Mic Cables. They have a thick, high quality, flexible rubber jacket. They are heavy duty Noise Free "True Balanced LO-Z" and have 3 pin XLR connectors on each end... |
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Olympus ME-52W Noise Canceling Microphone List Price: $19.99 Sale Price: $11.99 |
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Noise cancelling microphone for use with Olympus digital voice recorders. Comes with 3.5mm monaural plug, tiepin clip, and extension cord. |
Search Engine Marketing | Getting Started with Videoblogging. By Mike McCoy
Videoblogging is the next generation of posting ideas and products over the internet. Everybody knows about textblogging. Now they use videos for a better way of expression. This form of communication may entail a lot of resources, but it is all worth it. If pictures say a thousand words, videoblogging exceeds that by far. A videoblog requires larger disk spaces on websites, a faster server, and a whole new set of programs to support it. Videoblogs can be fed through RSS. This is technology of syndicating your website to other RSS aggregators. Videoblogging is the Future Videoblogging works with people on the internet expressing themselves. Now if you put this on a business prospective, you are up to a lot of benefits. Think of it as a powerful tool that shows your prospective customers your line of products or your services. It's just like showing a commercial all for free. If you videoblog through RSS, then you are probably getting your target market. People like to see what they are going to buy. Some would like to see proof and be sure that they are getting their money's worth before shelling out their dimes on it. All of us know the influence of a thirty second commercial. The effect of videoblogging is similar to that. You show your product, people watch it. If they like it, they buy it. If you present it well, they'll buy the product even if they don't need it. Now on the Web, things are pretty much static, unlike in television in which all things move. If you post something that is mobile, it would most likely catch attention. Now imagine your product parading in all its royalty through videoblog. You'll get phone call orders in no time. Creating your Own Video Blogs is Cheap and Easy! If your business is just starting up, you can create a videoblog right at your own home. All you need is your webcam, microphone, video software, and lights. As long as you know how to use your camera, then you can create a videoblog. Invest in a good web camera. The higher its resolution is, the better the output. Present your goods in the optimum way so get the best one available. Make a short story, or just capture your goods in one go. Just make sure you are getting the best profile for each. Get those creativity juices flowing. Lights are important in a production. Make sure you illuminate entirely the area you are going to use to create videoblog. The brighter the area, the crispier the images will be. You can also use lighting effects for added appeal to the presentation. Should you require sounds for your videoblog, you need a microphone. Record you voice as a voice over for promoting the product and its benefit to consumers. Sounds are as important as videos on a videoblog. It is advisable to make your sound effects as enticing as the video. Editing Your Video is Fast and Easy! Your video editing software can be any program. You need this to finalize your work. You can add sounds, delete some bad angles, or insert some still pictures in there, too. Some programs are user-friendly and can be used even with zero knowledge on video editing. Even simple video editing programs should do the trick. Select your background carefully, too. The light affects the presentation, so make sure that the background and the light complements each other. Videoblogging is a great tool, but it also has its downside. It may slow down the computer so others may steer clear of it. Download time may also be time consuming, especially if the customer is still on a dial-up connection. But don't let those stop you. Let videoblogging be an alternative for you, though it is best to still keep the text and pictures present in your presentation to accommodate all possible viewers of your site. Nowadays, the more creative you are in presenting your product to the market, the more you are likely to succeed. Videoblogging offers an interactive way of selling. You involve the customers. You instill in them the advantage of your goods. And at times, those are enough to make a sale.
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