Microphone Mic Mike
Microphone Mic Mike
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Empirical Labs Mike-E Mic Pre With Compression And Saturation $1599 Empirical Labs Dave Derr is no stranger to creating game-changing audio processors, and his Mike-E preamp is no exception. Mike-E is a modern, digitally controlled microphone preamplifier chocked with unusual features to warm and soften sound sources, plus, it also has an excellent compressor/limiter. Mike-E, a transformer-coupled mic preamp, offers an incredible performance with a noise floor is far below any microphones self-noise. And, the one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.Mic Preamp SectionThe preamp section is a super low-noise transformer-input amplifier section with gain digitally controlled gain. This section comes standard with a shielded Lundahl transformer, but allows for a Jensen transformer also.The signal-to-noise ratio far exceeds any microphone in existence; typically over 130dB with the input shorted and 40dB of gain. Having used many mic preamps over the years, Empirical Labs has implemented a unique stepped-gain control that is impervious to the normal flakiness that age causes to pots and detented switches.Counting the output gain of 14dB, a total74 dB of gain is available to you with the CompSat section bypassed. Phantom power (+48V) is provided for condenser mics.Exclusive CompSat SectionThis unique circuitry is what sets Mike-E apart from all other mic preamplifiers. It has four sections:1) Saturator: This is a multi-stage soft clipping circuit. At lower levels, triode-type saturation affects the signal. As the level increases, a second unique clip circuit that includes germanium semiconductors starts to flatten out the peaks more severely. An LED named BAD! indicates harder, un-musical clipping.2) Compressor: This is an uncompromising compressor/limiter circuit with detented control of attack and release for easy repeatability. You adjust the amount of compression with the DRIVE knob, which determines the level going into the compressor. In ways it is like the Empircal Labs Distressor (see #501579), but has differing characteristics including a much longer available attack time and additional circuitry. Four ratios are provided; 2:1 being the gentlest with a long 20dB knee, good for subtle compression, such as while tracking or on the 2-Bus. Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. Nuke is very steep (limiter-like) and has a different attack and release shape.3) Emphasis: Emphasis is actually two circuits that surround the compressor and saturator. Pre-emphasis boosts the high frequencies before the compressor and saturator (CompSat), soft clipping them sooner than normal, while a de-emphasis cuts the complementary frequencies after the CompSat. Emphasis has the added perk of improving signal-to-noise, and is the reason analog tape decks used emphasis to begin with.4) Mix Control: The modern recording engineer often employs the technique of mixing between the compressed and the dry (or |
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K&M Microphone Bar Dual Mic Holder $19.99 The K&M Microphone Bar Dual Mic Holder connects to the top of mic stands and holds 2 microphones or boom arms. 5/8" locking screws, adjustable from 2.3" to 6.7". |
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Heil Sound Windscreen for the Handi Mic Microphone $5 The WSHM is designed to snuggly fit Heil Handi Mic microphones. |
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Heil Sound Windscreen For The Handi Mic Microphone $5 The WSHM is designed to snuggly fit Heil Handi Mic microphones. |
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On-Stage Stands Mic Stand Package $129.99 Complete package includes 6 On-Stage tripod microphone stands with booms and a mic stand bag. (Mic clips not included.) |
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LP Cajon Microphone Mount For Shure Mic $15.6 The LP Cajon Microphone Mount is designed to fit a Shure Beta 91 mic. Accurately capturing the extensive sonic range of a cajon with a single microphone is a daunting task. But thanks to an imaginative new mounting system created by acoustic designer Hector Torres, that task has been accomplished. Accomplished so well, in fact, that LP artist Kevin Ricard is now using it on American Idol. The heart of the patent-pending system is a sculpted hardwood microphone holder. This holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound. Hook-and-loop fastener strips let you position the unit in different locations to enhance a desired effect. The microphone itself is held 3 mm above the surface of the cajon in order to pick up the punch of the bass tones along with all of the more subtle sounds. The compact and flexible design of the LP Cajon Mic system eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way. The greatest cajon playing in the world is wasted if the intended audience can't hear it. Make sure your great playing reaches your audience with the help of the LP Cajon Mic Mount. |
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Lp Cajon Microphone Mount For Shure Mic $15.6 The LP Cajon Microphone Mount is designed to fit a Shure Beta 91 mic. Accurately capturing the extensive sonic range of a cajon with a single microphone is a daunting task. But thanks to an imaginative new mounting system created by acoustic designer Hector Torres, that task has been accomplished. Accomplished so well, in fact, that LP artist Kevin Ricard is now using it on American Idol. The heart of the patent-pending system is a sculpted hardwood microphone holder. This holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound. Hook-and-loop fastener strips let you position the unit in different locations to enhance a desired effect. The microphone itself is held 3 mm above the surface of the cajon in order to pick up the punch of the bass tones along with all of the more subtle sounds. The compact and flexible design of the LP Cajon Mic system eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way. The greatest cajon playing in the world is wasted if the intended audience can't hear it. Make sure your great playing reaches your audience with the help of the LP Cajon Mic Mount. Fits a Shure Beta 91 Designed by Hector Torres Used by Kevin Ricard on American Idol Sculpted hardwood microphone holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound Hook-and-loop fastener strips let the player position the unit in different locations to enhance the desired effect Compact and flexible design eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way |
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Apogee Mic Usb Microphone For Ipad, Iphone And Mac $199 MiC by Apogee is a super-compact studio quality USB microphone for use with iPad, iPhone and Mac. About the size of an iPhone, MiC makes it easy to capture your best take with incredible quality, anywhere your music takes you. Record any sound you can imagine, from vocals to vibraphones, acoustic to lap steel guitars, pianos to percussion and everything in between, and build a track right on your iPad with GarageBand. MiC is also the perfect companion to JAM, Apogees studio quality guitar input. Never before has the personal studio been so portable or so powerful.PureDIGITAL technology delivers pristine sound qualityMiC is a premium digital converter featuring PureDIGITAL technology, which delivers your voice, or acoustic instruments true tone to your iPad, iPhone or Mac without compromise. You will notice the amazing sonic qualities of MiC the instant you press record.Is this thing on? Status and level indicationIts easy to tell if MiC is connected properly by the status LED on the front of MiC. If its green, you are ready to record and the light becomes your input level indicator. If it turns red, you are rockin' the MiC too hard and need to turn your level down with the input gain control knob.Check 1, 2... dial it in with easy level controlMiC features an input gain control knob. This rotary style wheel is conveniently located on the side of MiC for easy thumb access. With the level indication LED as your guide, the gain control knob allows you to fine tune for the perfect level without having to look at software.PureDIGITAL connection for pristine sound qualityStudio quality cardioid condenser microphone44.1/48 kHz, 24-bit analog-to-digital conversionStudio quality microphone preamp with up to 40dB of gainControl knob allows easy input level adjustmentMulticolor LED for status indication and input level monitoringDesigned for vocal and acoustic instrument recordingAlso great for recording interviews, podcasts, voice overs, and audio for DSLR videoAll metal constructionExtremely compact and portableWorks with GarageBandBus-powered by iPad, iPhone or Mac (no batteries or external power required) |
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Tama Ms205stb Short Mic Boom $29.99 The Tama MS205STB short microphone boom is 20" long. Mounts on any standard thread mic stand. Compatible only with Tama microphone stands. |
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Audix Om11 Premium Dynamic Vocal Microphone $239 The Audix OM11 Premium Dynamic Vocal Microphone is useful in a wide variety of live, studio, and broadcast applications. This OM11 is a reissue of the original Audix OM1, a hand-made microphone first issued in 1985. Designed, assembled, machined, and tested by Audix in the USA, the OM11 mic is known for sharp, crisp vocal sound, resistance to feedback and ability to handle high sound pressure levels without distortion.The Audix OM11 microphone has a tight and uniformly controlled hypercardioid polar pattern which helps to isolate vocals from the rest of the instruments on stage. With a wide frequency range of 50Hz18kHz, the Audix OM11 mike uses a VLM (Very Low Mass) diaphragm for a very clean and natural sound with exceptional transient response.The Audix OM11 microphone's response is tailored to cut through the mix, providing presence and articulation to vocals even at very high stage volumes. In addition to having extremely low handling noise, the durable Audix OM11 mic is well-balanced, comfortable to hold,and made with very high standards and tight tolerances.The Audix OM11 mic's oadworthy construction includes a two stage machined brass body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy-duty nylon clip.Ideal for live, studio, and broadcastClear, accurate sound reproduction |
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Used Audix Om11 Premium Dynamic Vocal Microphone $119.5 The Audix OM11 Premium Dynamic Vocal Microphone is useful in a wide variety of live, studio, and broadcast applications. This OM11 is a reissue of the original Audix OM1, a hand-made microphone first issued in 1985. Designed, assembled, machined, and tested by Audix in the USA, the OM11 mic is known for sharp, crisp vocal sound, resistance to feedback and ability to handle high sound pressure levels without distortion.The Audix OM11 microphone has a tight and uniformly controlled hypercardioid polar pattern which helps to isolate vocals from the rest of the instruments on stage. With a wide frequency range of 50Hz18kHz, the Audix OM11 mike uses a VLM (Very Low Mass) diaphragm for a very clean and natural sound with exceptional transient response.The Audix OM11 microphone's response is tailored to cut through the mix, providing presence and articulation to vocals even at very high stage volumes. In addition to having extremely low handling noise, the durable Audix OM11 mic is well-balanced, comfortable to hold,and made with very high standards and tight tolerances.The Audix OM11 mic's oadworthy construction includes a two stage machined brass body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy-duty nylon clip.Ideal for live, studio, and broadcastClear, accurate sound reproduction |
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Gibraltar Microphone Gooseneck 6 $5.99 This 6" black microphone gooseneck fits standard mic holders and boom arms. |
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 NEW AUDIO SPECTRUM AS 400 VOCAL MICROPHONE  US $5.00
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 Superlux PRA628 MKII Guitar Amp Instrument Microphone e609 e906 D2 SM57 US $59.00
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 LOW PROFILE BOOM MICROPHONE STAND 5 FEET ADJUSTABLE HEIGHT MIKE CLIP TRIPOD NEW US $9.99
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 schoeps straesser cm060 condenser microphone 48 volt phantom US $303.00
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 Samson C03U Condenser Cable Professional Microphone US $99.00
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 CARVIN SM68 UNIDIRECTIONAL MICROPHONE GREAT VOCAL MIKE US $54.99
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 Brand New Desk Top Tripod Microphone Stand Table Floor US $4.75
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 New Desk Top Tripod Mic Stand and Spring Type Mic Clip US $8.95
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 New Desk Top Tripod Mic Stand and SM58 Style Mic Clip US $8.95
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 New Desk Top Tripod Mic Stand and Expandable Mic Clip US $9.95
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 Astatic JT 30 C Harmonica Microphone w stand and original boxpaperwork US $195.95
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 SHURE PG 58 Microphone US $34.99
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 REALISTIC Electret Condenser Stereo MICROPHONE No 33 919 One Piece System US $14.99
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 Shure SM5B Micophone RARE In Excellent Condition US $499.00
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 Vintage orig Shure Model 51 Microphone w A86A in line transformer EXC US $100.00
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 Samson 5KIT Cable Professional Microphone US $150.00
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 AN E V AND A FOSTEX MICROPHONE AND A RADIO SHACK MIXER US $20.00
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 Behringer C 3 Condenser Cable Professional Microphone US $40.00
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 Switchcraft 332A 5 8 1 4 Microphone Adapter for Vintage Harmonica Harp Mic JT 30 US $12.99
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 Audio Technica’s Freeway 200 Series Wireless System with Handheld Mic US $.99
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 6 50ft COLOR XLR Mic Cables GLS AUDIO 50ft Mike 6P50 US $103.99
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 weltron model 37 105 cardiod dynamic mike with 20 cord nice condition used US $5.00
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 Amperite Microphone RL H US $89.00
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 Shure Genuine Replacement Blue Ring Beta58 Beta87 US $5.00
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 Electro Voice Mercury Microphone US $9.99
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 Samson 5KIT 5 Piece Drum Microphone System5 XLR Cables US $138.00
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 VINTAGE SHURE BROTHERS DYNAMIC MICROPHONE MODEL 51 HAM RADIO ITEM WORKS NOS US $63.00
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 10 PACK GLS Audio ES 58 ES58 Vocal Mic Mike 37 205 SM US $279.99
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 Microphone Mic Mike stand Drink Cup Holder FREE Sticker US $15.95
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 SPARKLE MICROPHONE SKIN SPARKLY MIKE SLEEVE COVER SHURE SENHEISER etc US $7.78
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 NEW WIRELESS MICROPHONE MIKE CLIP LARGE AKG RODE ma3 US $6.27
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 10 25ft XLR MIC CABLES Cords 25 ft Mike GLS AUDIO MC25 US $93.99
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 Radio Shack Super Cardioid Vocal Microphone Brand New US $25.99
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 Neumann KM85i KM 85i KM84 Classic Vintage Studio Condenser Microphone System US $1,349.95
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 Shure Controlled Magnetic Mike Element Good Harp US $41.00
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 Vintage SHURE Model 549 UNIDYNE Mark IV Microphone USA Free Ship US $61.00
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 Campro SM3 Low Profile Microphone ShockMount With Solid Metal Hotshoe Mount US $14.95
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 PYLE HANDHELD WIRELESS MICROPHONE SYSTEM MIKE AUDIO MIC US $27.95
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 3 GLS Audio ES 57 ES57 Microphone Mic Mike P37 206 SM US $98.99
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 2 NEW SHURE PG81 CONDENSER MICROPHONES mike mics US $185.00
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 NEW 10 PACK 25ft XLR MIC CABLES MIKE CORDS 25 ft 3 pin US $47.49
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 MBrace Guitar Holder works with Strat Les Paul Acoustic US $65.85
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 10 50ft GLS AUDIO 3 Pin XLR Mic Cables Mike 50 MC5010 US $143.99
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 PAIR 2 NEW 20 FT foot XLR Mic CABLES FREE PRIORITY SHIP US $12.73
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 6 GLS AUDIO 50ft XLR COLORED MIC Cables Mike 50ft 6P50 US $103.95
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 UNUSUAL TURNER 98 VINTAGE DYNAMIC MICROPHONE WITH TILTING HEAD WORKS GREAT US $140.00
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 HEARTY RESLO RBH VINTAGE RIBBON MICROPHONE WITH TILTING HEAD AND GREAT SOUND US $295.00
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 35MM Plug Condenser Microphone for Recording Vocals Acoustic Instruments 2344 US $5.69
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 Ultimate Jamstands JS MCFB6PK Stand Package NEW Free Shipping US $109.95
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 Modified Circuit Bent Carbon Dynamic Telephone XLR Studio Dual Mic Microphone US $64.99
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GLS Audio Mic Windscreens - Black Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Black Wind Screens - 5 PACK List Price: $24.95 Sale Price: $9.95  |
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Are your old wind screens deteriorating on you? Try our GLS Audio 5 pack of new black wind screens today! They come vacuum packed for freshness and longevity. Once they are opened from the package, allow for them to reform to their natural shape and beauty... |
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Logitech USB Desktop Microphone List Price: $29.99 Sale Price: $19.54 |
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Experience plug and play convenience and enhanced audio quality of USB technology with the Logitech USB Desktop Microphone. The noise canceling microphone improves sound quality by blocking out unwanted noise... |
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Rode VideoMic Directional Video Condenser Microphone w/Mount List Price: $249.00 Sale Price: $149.00 Used From: $119.00 |
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The RØDE VideoMic is a professional grade shotgun microphone. Based on the latest 'Film industry' technology, the VideoMic is designed specifically for use with high quality Digital Video Cameras. Designed specifically for use with high quality Digital Video Cameras... |
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Panasonic KX-TCA60 Hands-Free Headset with Comfort Fit Headband List Price: $14.95 Sale Price: Too low to display Used From: $7.50 |
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Designed for use with any cordless phone possessing a standard 2.5 mm jack, Panasonic's KX-TCA60 is an excellent way for you to talk hands-free while you work. Its boom-style microphone adjusts to an optimum level for your mouth... |
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GLS Audio 25ft Mic Cable Patch Cords - XLR Male to XLR Female Black Microphone Cables - 25' Balanced Mike Snake Cord - SINGLE List Price: $24.99 Sale Price: $14.99 |
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Professional Series Noise Free Mic Cables. They have a thick, high quality, flexible rubber jacket. They are heavy duty Noise Free "True Balanced LO-Z" and have 3 pin XLR connectors on each end. These cables have dual insulated copper conductors plus they are shielded... |
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GLS Audio Mic Windscreens - Color Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Color Wind Screens - 7 PACK List Price: $21.95 Sale Price: $13.95 Used From: $12.68 |
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Make life easy on yourself when you're working the sound board. 7 different Vibrant Colors of wind screens to keep the mics on stage more than bearable to work with. They come vacuum packed for freshness and longevity... |
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Musician's Gear MS-220 Tripod Mic Stand with Fixed Boom Black List Price: $69.99 Sale Price: $19.99 |
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The MS-220 Tripod Microphone Stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35" to 61-7/8". The 30-1/4" fixed boom is not adjustable. |
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On Stage Foam Ball-Type Mic Windscreen, Black List Price: $5.99 Sale Price: $0.85 Used From: $3.00 |
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Protect your mics against wind interference and singers' spit with an On Stage Foam Ball-Type Mic Windscreen. Designed for noral sized handheld mics similar in design to a Shure SM58, these colorful foam windscreens fit most mics... |
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On Stage Stands MS7701 Tripod Boom Microphone Stand List Price: $50.99 Sale Price: $19.20 Used From: $22.67 |
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The On Stage 7701B Microphone Stand is a durable tripod mic stand and boom combination and just about the best value we've ever offered. These stands use the highest quality components. The legs fold down for the most compact storage... |
The Creation Of Freestyle Rap
So you desire to become a freestyle rapper. We are going to have a look at the history of freestyle rap, so that you've a proper insight of what you are getting into.
A lot of people believe that rap as well as freestyle rap is something new. Actually it's not. It's origins goes back a lot farther than many people. The beginnings of freestyle rap can actually be traced to various tribes in Africa and South America many many years ago.
Lately freestyle rap came from the East Coast hip hop scene in the 1970s. In the 70's MCs would go to the mic to freestyle lyrics at gatherings as a way to keep the guests lively. Rivalry among MCs started eventually rap freestyle battle as we know them today emerged. The aim was simple and has remained unchanged; do what ever you can to outrap your competition together with your lyrics.
Freestyles were often used as a method to disrespect or undermine a rival. With the viewing of the movie 8 Mile, the world was brought into the world of freestyle rap as demonstrated by Eminem.
In the 8 Mile movie, formal organized freestyle battles was shown. These contests involve 2 rappers in each round going head to head where each gets between 30 seconds and a minute on the microphone to do their best. The winner goes thru towards the next round, the loser is out. This continues until there is only 1 rapper left who is declared the winner. A lot of these competitions typically happen in hip-hop clubs or on the radio.
This shows you a bit of background into the freestyle-rapping genre. Before you get started into something new, it will always be good to understand where everything began. So as you go forward in your freestyle rap career, do not forget how it all started.
About the Author
Click here to get free tips on how to freestyle rap better, faster, and longer: http://www.FreestyleMethod.com
March 17th, 2009 in
Microphones | tags: audio, ipod, mic, microphone, microphone mic mike, recording