Microphone Mic Clip
Microphone Mic Clip
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ProLine Standard Microphone Clip $3.99 Standard Microphone Clip with plastic mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black. |
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Proline Standard Microphone Clip $3.99 Standard Microphone Clip with plastic mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black. |
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On-Stage Stands Clothespin Microphone Clip $6.99 On-Stage Stands crafts the Clothespin Microphone Clip from tough ABS plastic. The sure-grip mic clip is versatile and can be positioned just about anywhere. Works with any standard mic and microphone stand. |
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ProLine Rubber Microphone Clip $5.99 Rubber mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black. |
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Proline Rubber Microphone Clip $7.49 Rubber mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black. |
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Applied Microphone Technology AMT VSW Clip On Condenser Mic for Shure Systems $391 The AMT VSW - Shure Clip-On Condenser Microphone System was designed to operate with Shure wireless systems. The VS is an ultra miniature, feather-weight, low-profile condenser microphone specially designed for the violin, viola, and mandolin. The AMT mic attaches firmly to instrument with a clamp designed to not harm it or dampen its natural sound or vibrations. The clip on microphone provides pure tonal reproduction without being obtrusive. With the included AMT Interface, the microphone can plug directly into the interface which then plugs directly into Shure wireless transmitter. Requires phantom power. |
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Applied Microphone Technology Amt Vsw Clip On Condenser Mic For Shure Systems $391 The AMT VSW - Shure Clip-On Condenser Microphone System was designed to operate with Shure wireless systems. The VS is an ultra miniature, feather-weight, low-profile condenser microphone specially designed for the violin, viola, and mandolin. The AMT mic attaches firmly to instrument with a clamp designed to not harm it or dampen its natural sound or vibrations. The clip on microphone provides pure tonal reproduction without being obtrusive. With the included AMT Interface, the microphone can plug directly into the interface which then plugs directly into Shure wireless transmitter. Requires phantom power. |
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Applied Microphone Technology Amt Lsw Clip-On Mic For Shure Systems $394 The AMT LSW Clip On Condenser Microphone is the ultimate in a woodwind or brass microphone and designed for direct connection to Shure or Sabine belt pack wireless systems. The mic system is meant to clip onto a flanged bell instrument. (Saxophones and Brass). The AMT LSW - Shure Microphone System is meant to be used by the player that requires a multi-channel professional level wireless system. (AMT Recommends the Shure ULXS14 and the ULXP14 wireless units). The AMT LSW allows the player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless beltpack. This LSW system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless mic systems). Requires phantom power.Clip-On Condenser Microphone for a woodwind or brass instrument"Off the bell" clamping systemConverts from an LS "W"ireless setup , to a "Belt pack" model, or the AMT Studio setupIncludes soft case and cables |
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Applied Microphone Technology AMT LSW Clip-On Mic for Shure Systems $394 The AMT LSW Clip On Condenser Microphone is the ultimate in a woodwind or brass microphone and designed for direct connection to Shure or Sabine belt pack wireless systems. The mic system is meant to clip onto a flanged bell instrument. (Saxophones and Brass). The AMT LSW — Shure Microphone System is meant to be used by the player that requires a multi-channel professional level wireless system. (AMT Recommends the Shure ULXS14 and the ULXP14 wireless units). The AMT LSW allows the player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless beltpack. This LSW system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless mic systems). Requires phantom power. |
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Applied Microphone Technology Amt Z1w Clip On Condenser Mic For Sennheiser Systems $391 Applied Microphone Technology's special version of the AMT Z1 flute microphone is designed to work with any Sennheiser transmitter/wireless system. The Z1W flute microphone comes wired directly with a 4-pin connector to connect directly to any Sennhieser wireless mic belt pack. The AMT Z1 is a hardwired single microphone made for flute. The Z1W is the perfect choice from soft to louder playing applications. It can be used for featured soloist to miking a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low-mass clamp, and preamp. The preamp uses the chip technology which contours the microphone for the most natural reproduction of sound possible. Requires phantom power.AMT Z1W Microphone 4 pin connector for Sennheiser transmitters Soft carrying AMT pouch for microphone |
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Atlas Sound Microphone Clip $14.99 The MICCLIP is an outstanding microphone clip from an industry-standard brand, Atlas Sound, whose mic stands have been used for the past 70 years by artist such as the Beatles and Elvis to todays hottest bands like Gym Class Heros, Fall Out Boy, and The Academy Is. This mic clip is made from rugged molded plastic and is just as durable as it is reliable. Available in black, it can accommodate microphones with a tapered diameter of 1" to 1-1/2". |
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Musician's Gear Heavy Duty Basic Mic Clip $1.95 Here's a heavy duty black microphone grip with plastic mic swivel retainer and brass insert. |
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GLS Audio Mic Clip - Heavy Duty Microphone Clips - "U" Style Mike Clip - Fits all standard size Mics - 10 PACK List Price: $29.99 Sale Price: $17.95 |
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These Mic Clips are designed to fit all standard size microphones such as the Shure SM58, our GLS Audio ES-58, ES-58-S, ES-57, and all standard size mics. These Mic Clips retail at 9.95 per 10 pack. Most retail music stores and online stores sell them for about 9... |
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Guardian Flexible-Fit Clip (SC-106) List Price: $2.39 Sale Price: $2.39 |
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Flexible-fit clip made of grip-fast rubber with brass 5/8" thread. |
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Musician's Gear Heavy Duty Basic Mic Clip List Price: $4.95 Sale Price: $1.75 |
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Here's a heavy duty black microphone grip with plastic mic swivel retainer and brass insert.. |
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On Stage MY325 Dynamic Shock Mount Microphone Clip List Price: $23.99 Sale Price: $5.89 |
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The MY325 dynamic shock mount clip is excellent for guitar cabinets or any live situation. The MY325 is designed to reduce the effects of low-end rumble and floor vibrations. Make sure the audience hears every note and not any stage noise with the On Stage MY325 dynamic shock mount microphone clip... |
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Zalman Zm-Mic1 High Sensitivity Headphone Microphone Sale Price: $5.94 |
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Compact headphone microphone of excellent sound quality, ease of use, and sensitivity. Clip the microphone onto the headphone cable as close to the mouth as possible. Use the mini clips on the microphone cable to latch the microphone cable onto the headphone cable... |
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On Stage MY250 Shure Type Microphone Clip List Price: $5.99 Sale Price: $2.75 |
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This break-resistant, swivel adapter features a soft cradle for models 849, SM48, SM57, SM58, SM87A, SM94, Beta 57A, Beta 87, 515X, 545, 565, 588SDX, and BG1.1, 2.1, 3.1, 4.1 and 5.1. For nearly 20 years, The Music People! Inc... |
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Tour Grade TMX407 Universal Microphone Clip, Spring Loaded Butterfly Style, Black List Price: $4.50 Sale Price: $0.01 |
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The Tour Grade TMX407 Mic Clip will hold almost any variety of microphone because of it's spring loaded clip design. |
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On Stage MY200 Universal Microphone Clip List Price: $11.99 Sale Price: $4.95 |
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The On Stage MY200 Universal Microphone Clip holds nearly any handheld microphone and is spring-loaded for convenience. For nearly 20 years, The Music People! Inc. has been on of the nation’s leading suppliers of microphones and pro audio equipment... |
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Neewer 3x 3.5mm Hands Free Computer Clip on Mini Lapel Microphone Sale Price: $0.01 |
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3.5mm Hands Free Computer Clip on Mini Lapel Microphone This is a 3.5mm hands Free clip on mini lapel microphone that makes you chat in comfort while using Skype, VOIP, gaming, video conferencing, or while recording your notes... |
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On Stage MY100 Universal Microphone Clip List Price: $18.99 Sale Price: $2.50 |
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The On Stage MY100 Universal Microphone Clip is the same design as the Shure a25cm but made of highly break-resistant rubber. For nearly 20 years, The Music People! Inc. has been on of the nation’s leading suppliers of microphones and pro audio equipment... |
Audio for Films - 10 Easy Tips
Films are an audio visual version, yet most film makers focus solely on the visual part. They tend to forget that without a good audio quality the film would totally loose its impact!
None of your scenes would create that horror or terror or tickle without the right background score! Some of you might think that it can happen just like that - like a magic – but, the news is that nothing in film making happens like a magic!
For a good audio impact what you need is a trained audiophile - a professional who loves to handle the boom of several wanted and unwanted noises with a microphone all through the day.
You must know that almost all the cameras have an in-built mic that records all the dialogues delivered and the other sounds during the shoot but this mic is one of a very poor quality. So, ultimately every film maker lands up working with some external mics.
Here are a few tips to understand your external mics better and enhance the audio quality of your film:
1. Look for a professional in the field who would guide you through all the technical requisites.
2. In case you are planning a lower budget, try working with a friend who is a fresher in the field. He might be inexperienced. But a well trained young talent works wonders at times, better than the far experienced ones.
3. Invest in atleast 2 good quality remote mics that must sync in with your camera. You make your actors wear these remote mics on their body. In order to make them work well, you must place them correctly.
4. Placing the remote mic is rather tricky, but once you know the right way, it is just another daily job for you. You must use your fist with the thumb extended up & pinkie extended down just like the ol' hang's loose hand sign. Now, place your thumb under the actor's chin. Now where your extended pinkie ends, is where you place the mic. It means that the mic close enough in order to capture good sound, but far from enough from the actor's mouth thereby preventing popping and sibilance.
5. For the group scenes, a mic with a boom is just excellent. The audiophiles have a real tough job that is to handle a boom for days together. But these professionals are trained for the same and are really passionate about it.
6. After the shoot and the recording of the sound done there simultaneously, these sounds are carried back to the studio. Here the film maker edits these sounds so as to match with the images. Unlike the olden days of film making, now the filmmakers have 'the Non-Linear Systems to Edit the Non-Linear Sounds.' Popularly this technology is known as the NLE – it enables you to move your sound clips back & forth within the video itself.
7. The sound tracks and sound effects add mood and life to the film. It is always advisable to create fresh music for the film rather than copying it from some where else. Using recorded music could lead to major legal hassles that would affix your film in the post production stage only.
8. Copyrighting laws are quite strict and violating them could cost you far too much to imagine. Remember, anything that belongs to another artist/s or their agent/s, that is if they have an ownership right to the music, no one can use the same without their written permission. There are some ways around this law but not as many and not that easy as well.
9. You can only use the music that is from the public domain. You can only use the music piece or image with no ownership attached to the same, that is there are no person/s or organization/s to claim the proprietary interest of that music or image.
10. To get original work it is always good to hire a professional. To go economical and work rather comfortable try working with a fresher or a friend who is talented enough to compose interesting soundtracks and effects. These days you shall find many budding composers & musicians in search of a chance to work for a film to expose their talent and art.
About the Author
Abhishek is an avid Film Making enthusiast and he has got some great Film Making Secrets up his sleeve! Download his FREE 78 Pages Ebook, "Understanding The Basics Of Film-Making!" from his website http://www.Fun-Galore.com/94/index.htm . Only limited Free Copies available.


US $96.22



























































