Microphone Filter
Microphone Filter
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 FOUR Rim Mounts Drum Mic Clips High Quality Item NEW  US $24.99
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 SHURE Beta 87C Precision Crafted VOCAL Mic US $139.99
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 Universal Shockmount for Microphones US $29.70
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 Blue Bottle 8 Mic Capsule Kit B0 B1 B2 B3 B4 B5 B7 B8 US $4,299.00
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 UA LA610 MKII Channel Strip Exc NR US $995.00
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 BLUE Kickball Drum Mic US $60.00
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 Studio Projects B1 Condenser Professional Microphone shockmount US $29.00
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 Audio Technica AT803a Condenser Lavalier Microphone US $50.00
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 6 Studio Mic microphone Wind Screen pop filter SHIELD US $9.99
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 Rode Classic II Limited Collectors Edition valve condenser mic ex display MINT US $1,728.74
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 AKG C451 B ST Pair US $800.00
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 Shure SLX24 Beta87 Handheld Wireless System US $675.00
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 Telefunken V72 V 72 Siemens Preamp PowerXLRs ready PERFECT WORKING US $1,295.00
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 Sennheiser MD 441 U MD441 U Mic with Pop Filter MINT CONDITION Worldwide US $375.00
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 PH1 PHANTOM CONDENSER MIC OMNI RECORDING MICROPHONE US $24.99
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 MXL 990s Condenser Cable Professional Microphone US $86.95
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 Samson C01U Professional Condenser Microphone w USB interface US $79.99
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 Blue Baby Bottle Mic with shock mount pop filter cherry box NEW In Box US $200.00
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 Shure 565SD MICROPHONE Classic 5pcs mic used US $198.00
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 GXL2200 CONDENSER MIC With Shock Mount XLR Cord Wind Screen Pop Shield Filter US $26.02
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 POSTAUDIO ARF 32 Ambient Room Microphone Reflection Filter US $89.00
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 Beyerdynamic MC 930 Condenser Microphones Stereo Set US $455.00
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 Blue bird Condenser Wireless Professional Microphone US $400.00
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 Golden Large Diaphragm Studio Microphone Recording Mic US $49.99
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 AKG C 414 B Condenser Microphone with Extras Used Great Condition NO RESERVE US $255.00
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 New Shure PGX24 SM58 Handheld Wireless Microphone Mic SM 58 Free Cable US $349.99
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 Shure 565SD MICROPHONE Classic 1pcs mic US $32.99
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 Shure Beta 87c US $200.00
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 Shure FP 32 3 ENG Field Mixer US $300.00
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 SHURE PG42 USB STUDIO CONDENSER MIC NR 14 DAY RETURN US $111.50
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 Soundelux E47 Condensor Microphone Bock U47 Low Serial US $3,800.00
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 Shure PG48 xlr Dynamic Microphone vocals mic US $5.99
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 NEW AKG PERCEPTION 220 PROFESSIONAL CONDENSER MIC 4834 US $169.99
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 AKG C414 B XLII Matched Stereo Pair US $1,195.00
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 Large Diaphragm Condenser Microphone Windscreen Use4 Podcast Singer Vocalist US $7.75
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 RODE NT2 A Switchable Condenser Microphone US $171.50
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 AKG Perception 120 Condenser Cable Professional Microphone in box US $49.99
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 Shure PG58 XLR Dynamic Vocal Microphone US $55.00
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 Behringer MIC200 TUBE ULTRAGAIN Tube Preamp w Modeling US $45.00
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 Shure Beta Microphone Series Vocal Mic 87C Cardioid Design US $284.95
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 CAD Dual Diaphragm Condenser Mic Microphone CD M179 US $199.95
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 Shure SM86 Cardiod Condenser Handheld Vocal Mic Microphone SM86 US $189.95
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 Blue Mouse Large Diameter Cardioid Condenser Microphone US $1,249.00
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 Shure KSM137 SL Cardioid Studio Condenser Microphone Champagne US $229.99
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 Shure SM63 Omnidirectional Dynamic Microphone with Holder US $25.49
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 Stedman XL pop filter pro screen MIC Filter US $34.99
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 Sennheiser MKE 400 Cable Professional Microphone US $100.00
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 Rode NT2 Condenser Cable Professional Microphone with Hard Case Used Nice US $165.99 |
 Art Tube MP Project Series Tube Preamp US $19.38
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 Rode VIDEOMIC Condenser Cable Professional Microphone Used twice US $113.19
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K&M PopKiller Microphone Pop Filter $44.95 K&M PopKiller Microphone Pop Filter has a double nylon screen that ensures superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching your microphone stand. |
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Nady SSPF-4 Microphone Pop Filter $29.95 The Nady SSPF-4 microphone pop filter has an integrated spider shock mount with 8 elastic suspension points to prevent vibration and significantly reduces the noise transmitted from the mic stand. The Nady SSPF-4 mic filter also features a pinch clamp holder than fits any microphone with a diameter of 38–53mm. |
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Nady Sspf-4 Microphone Pop Filter $29.95 The Nady SSPF-4 microphone pop filter has an integrated spider shock mount with 8 elastic suspension points to prevent vibration and significantly reduces the noise transmitted from the mic stand. The Nady SSPF-4 mic filter also features a pinch clamp holder than fits any microphone with a diameter of 3853mm.8 elastic suspension points isolate the mic from vibrationCurved metal pop filter protects your mic from the wildest vocal takesPinch clamp holder fits any microphone with diameter 38-53mmPop filter can be rotated down or removed completelyAdjustable swivel attachment fits standard mic stands |
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Sabra Som Universal Microphone Shockmount With Pop Filter $189.99 The Sabra mic protection kit is just what you need for your studio! The heavy-duty double support system and noise suppressor hold your mics gently, keeping floor rumble at bay. The integral pop filter does what all good pop filters do: it keeps those plosive consonants from overloading the signal or even damaging the mic capsule.Universal double support with 5/8" thread Mechanical noise suppressor support Pop filter for hard phonetic impact sounds |
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Applied Microphone Technology ERTS Percusssion Microphone $343 The AMT ERTS is a 2nd generation microphone system for drums and percussion instruments designed, hand-manufactured, and distributed by Applied Microphone Technology in the USA. Its mini condenser microphone features natural and even sound reproduction, resistance to feedback, and high SPL tolerances, making it perfect for professional live and studio use. The mic system comes with 1 AMT microphone with Iso-Ring technology, an AMT inline preamp (phantom power required), and a clamp that fits onto various drums and percussion instruments. It can even attach to the ropes of hand drums.The ERTS incorporates a flat frequency response, allowing the microphone to reproduce percussion instruments as naturally as possible. The inline preamp can be placed on the floor, a belt clip for mobility, or in your pocket. A low roll-off filter and a dB cut are included on the inline preamp. |
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Blue Cactus Tube Microphone $2499 With detailed information in the midrange area and a soft silky response in the top end, the Cactus Tube Microphone from Blue details and mellows the program material. The Cactus Microphone's amplifier design is based on a single vacuum tube sub-miniature. Multipattern. 20Hz - 20kHz frequency range. Blue includes a power supply, ATA flight case, series one shockmount/pop filter, and Kiwi cord with your Cactus Tube Microphone.Requires phantom power. |
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Applied Microphone Technology HR3 Harmonica Microphone $239 The AMT HR3 is Applied Microphone Technology's 3rd generation of harmonica microphone systems. It's designed and manufactured by hand in the USA to reproduce the sound of the harmonica as naturally as possible.The HR3 microphone is intended to fit different-sized harmonicas from diatonic to 16-hole. The HR3, unlike its predecessors, has a clamp that adjusts by a thumb and allen screw to fit different instruments. The HR3 mic also includes AMT's DCT (Disconnecting Cable Technology), allowing for easy replacement of the cable from the harmonica microphone and giving it the ability to interface with various wireless systems on the market.The included AMT inline preamp can be used on the floor, with a belt clip, or in a pocket, and it has a low roll-off filter as well as a dB cut. The system includes a soft carrying pouch, AMT inline preamp (phantom power required), and adjustable clamp. |
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Applied Microphone Technology Erts Percusssion Microphone $343 The AMT ERTS is a 2nd generation microphone system for drums and percussion instruments designed, hand-manufactured, and distributed by Applied Microphone Technology in the USA. Its mini condenser microphone features natural and even sound reproduction, resistance to feedback, and high SPL tolerances, making it perfect for professional live and studio use. The mic system comes with 1 AMT microphone with Iso-Ring technology, an AMT inline preamp (phantom power required), and a clamp that fits onto various drums and percussion instruments. It can even attach to the ropes of hand drums.The ERTS incorporates a flat frequency response, allowing the microphone to reproduce percussion instruments as naturally as possible. The inline preamp can be placed on the floor, a belt clip for mobility, or in your pocket. A low roll-off filter and a dB cut are included on the inline preamp.Mini percussion condenser microphone for live and studio applicationsIncludes carrying pouch, 6' cable, ERTS clamp, and AMT inline preamp (phantom power required) |
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Neumann Kms105 Microphone Black $699.95 The Neumann KMS105 Microphone provides superior voice resolution with extended frequency response and accurate transient detail. A studio condenser capsule delivers vocal nuances with focus and power. This Neumann microphone features a supercardioid polar pattern, low self-noise, and colorless off-axis pickup complement in-ear personal monitor systems. The KMS105 mic has a 4-layer acoustic filter that virtually eliminates unwanted pops and handling noise.Requires phantom power. |
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Shure Pg48-Qtr Microphone With Switch $39 The Shure PG48-QTR Vocal Microphone comes complete with a 15', 1/4" phone cable and clip for plug and play convenience. The dynamic cartridge offers rugged, reliable performance and its cardioid pattern rejects noise and minimizes feedback. Built-in pop filter and on-off switch. Includes clip, mic pouch, and educational guide.Dynamic cartridge offers rugged, reliable performanceCardioid pattern rejects noise and minimizes feedbackNeodymium magnet produces high outputBuilt-in pop filter and on/off switchIncludes 15' cable, clip, and storage bag |
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Applied Microphone Technology Hr3 Harmonica Microphone $239 The AMT HR3 is Applied Microphone Technology's 3rd generation of harmonica microphone systems. It's designed and manufactured by hand in the USA to reproduce the sound of the harmonica as naturally as possible.The HR3 microphone is intended to fit different-sized harmonicas from diatonic to 16-hole. The HR3, unlike its predecessors, has a clamp that adjusts by a thumb and allen screw to fit different instruments. The HR3 mic also includes AMT's DCT (Disconnecting Cable Technology), allowing for easy replacement of the cable from the harmonica microphone and giving it the ability to interface with various wireless systems on the market.The included AMT inline preamp can be used on the floor, with a belt clip, or in a pocket, and it has a low roll-off filter as well as a dB cut. The system includes a soft carrying pouch, AMT inline preamp (phantom power required), and adjustable clamp.Fits microphones of all sizes, from diatonic to 16-holeDisconnecting Cable Technology allows for easy cable replacementIncludes carrying pouch, inline preamp (phantom power required), and adjustable clamp |
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Rode Microphones Procaster Dynamic Microphone $229 The RDE Procaster is a professional broadcast quality dynamic microphone, specifically designed to offer uncompromising performance for voice applications in the broadcast environment. Featuring a tight polar pattern and tailored-for-voice frequency response, the Procaster microphone is great for every application where a great-sounding, rugged microphone with great ambient noise rejection is demanded.Broadcast quality soundHigh output dynamic capsuleBalanced, low impedance outputInternal shock mounting of capsule for low handling noiseInternal pop-filter to reduce plosivesRobust, all metal constructionDesigned and manufactured in AustraliaTen year warranty |
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Nady SCM 1000 Microphone $129.99 The Nady SCM 1000 Microphone is equipped with transformerless output and true condenser design for exceptionally low self-noise and increased dynamic range. It provides enhanced low- and high-end response with improved linearity across the frequency range and high SPL capacity. The Nady microphone features a large dual-diaphragm capsule, selectable low-cut filter, 10dB attenuation pad, and 3 polar patterns (omni, cardioid, and figure 8). Uses an FET specially chosen for its low distortion and superior S/N ratio.Requires phantom power. |
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Shure Sm48s-Lc Microphone $59.99 The Shure SM48S-LC Mic is for those who want to step up to the quality of a Shure vocal microphone, but can't fit an SM58 into their budget. The SM48S-LC has a voice-contoured presence boost for that trademark Shure vocal sound, plus a unidirectional polar pattern to prevent feedback, cartridge shockmounting to suppress handling noise, and a pop filter to handle those "p" peaks. An on/off switch makes the SM48S-LC microphone particularly handy for solo and lounge gigs. Excellent for vocals, but also works well on many instruments. This same Shure mic is also available without the on/off switch. |
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Behringer B-5 Condenser Microphone $75.99 The Behringer B-5 Condenser Microphone features interchangeable cardioid and omnidirectional capsules and a gold-sputtered diaphragm. It is perfect for acoustic instruments, vocals, and overhead miking. Its ultralow-noise, transformerless FET input eliminates low-frequency distortion. The -10dB attenuator can be used with high-volume signal sources, while the low-cut filter eliminates floor rumble. Behringer delivers the B-5 Condenser Microphone in a rugged hard case with stand adapter and windscreen.Requires phantom power.Condenser typeInterchangeable capsules, for cardioid and omnidirectional patternsGold-sputtered diaphragmLow-noise transformerless FET input-10dB attenuatorLow-cut filterIncludes hard case, stand adapter, and windscreen |
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Nady MPF-6 6-Inch Clamp On Microphone Pop Filter List Price: $24.99 Sale Price: $13.34 Used From: $19.29  |
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Mic Pop Filter With Boom |
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Blue Microphones The Pop Universal Pop Filter List Price: $79.00 Sale Price: $26.62 Used From: $40.49 |
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The Pop is a universal windscreen for use with any microphone. Simply clamp it to the mic stand and position where desired. The sturdy wire mesh and frame ensure years of durability. Blue Microphones The Pop Universal Pop Filter Do not Miss!! The Pop is a universal windscreen for use with any microphone... |
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Shure Popper Stopper Pop Filter with Metal Gooseneck and Heavy Duty Microphone Stand Clamp List Price: $38.00 Sale Price: Too low to display |
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Attenuates unwanted breath noise and plosives and can be clamped onto most stands. |
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Studio Microphone Mic Wind Screen Pop Filter Mask Shied Sale Price: $17.99 |
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Features: 1.100% Brand new and high quality 2.Defense against distorting 'P' and 'B' consonants 3.Protects your microphone from surplus spit caused by over eager performers 4.360°Flexible gooseneck holder, convenient for use 5... |
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PS01 - Microphone Pop Filter List Price: $84.99 Sale Price: $24.95 Used From: $18.95 |
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Nylon mesh screen reduces vocal popping and sibilance / Universal mic stand mounting bracket / Flexible metal gooseneck |
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On Stage ASVS4B 4-Inch Pop Filter List Price: $30.99 Sale Price: $11.04 Used From: $14.99 |
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On Stage ASVS4B 4 inch pop filter features a plastic hood, and a micro-weave black nylon diffuser. Perfect and must have accessory for the active vocalist! With support from the gooseneck and clothespin-style shaft clip, this On Stage pop filter provides proper placement in front of the microphone... |
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CAD Audio EPF-15A Pop Filter on 15-Inch Gooseneck List Price: $29.00 Sale Price: Too low to display |
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The CAD Audio EPF15A is one of the most well-recognized "pop" filters in the world |
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Blue Microphones Yeti USB Condenser Plug-and-Play Microphone with Studio Headphones and Microphone Pop Filter Sale Price: $149.95 |
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Create unparalleled recordings and send them directly to your computer with Blue Microphone's Yeti USB Microphone. As the world's first THX-Certified microphone, the Yeti uses Blue Microphone's proprietary tri-capsule technology to produce pristine, studio-quality recordings... |
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Blue Microphones Snowball Plug-and-Play USB Microphone in Brushed Aluminum with Studio Headphones and Microphone Pop Filter Sale Price: $109.99 |
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Create studio-quality recordings with Blue Microphone's Snowball, a USB microphone with exceptional sound-capture capabilities. Using Blue Microphone's award-winning dual-capsule and circuit design, the Snowball produces crisp, clean recordings that are free of feedback and distortion... |
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Blue Microphones Snowball Plug-and-Play USB Microphone in White with Studio Headphones and Microphone Pop Filter Sale Price: $109.95 |
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Create studio-quality recordings with Blue Microphone's Snowball, a USB microphone with exceptional sound-capture capabilities. Using Blue Microphone's award-winning dual-capsule and circuit design, the Snowball produces crisp, clean recordings that are free of feedback and distortion... |
Filters Make Your Voice Smooth As Butter
Your speaking voice is one of the biggest assets you have when developing an online business. It's true. There are a number of different applications where you can use your voice to enhance your online presence and your business model. In particular, you can use your voice to record podcasts, add audio messages to your website and create audio information products.
Modern technology has made the recording of your voice very easy indeed. You can download a free version of the Audacity software and purchase a microphone and quickly record digital audio files with whatever spoken message you like. This article will discuss a few techniques you should use to make those spoken messages smoother and buttery, just like those radio announcers.
The first thing you need to do is purchase a pop filter. Pop filters eliminate the plosives in your speech like P's, B's and D's. All three of these tend to pop into the microphone, thereby popping into the ears of listeners as well. Pops can be extremely distracting when listening to an audio recording and can even discourage your audience from listening to any more of it. A simple $10 pop filter looks like a big foam rubber cover for your microphone and it can eliminate the distracting plosives quickly and easily.
Next, it's time to start recording. And after your recording is complete, there are three electronic effects you can use to make your voice sound all milky like the radio announcers. The most effective one is called the compressor. It compresses the dynamic range of your audio file so that the loud parts are softer while keeping the volume of the softer parts the same. The net result is that you voice sounds smoother to the audience.
I usually lower the pitch slightly as well. On Audacity, you have four ways to specify the change you want: musical note, semitone, frequency or percentage. I only lower it by half a semitone which works out to a 2.87% drop in my voice pitch so it's a small change but I think my voice sounds better afterwards. You can play around with this to see what pitch suits your voice best.
The last effect I use is the bass boost. Predictably, it amplifies the bass frequencies of the audio file. Now, it does NOT lower the pitch of the file. It only amplifies the bass frequencies while leaving the treble frequencies unchanged. This effect rounds out the bottom and takes the tin out of the recording. Sometimes, my voice can sound tinny and shallow. The bass boost eliminates that and leaves my voice sounding like honey.
At the time of this writing, my audio files have been downloaded over 17,000 times in 27 countries. I don't use these effects to completely alter my voice. If you listened to my recordings, it sounds just like me. But the effects I've described above make it incredibly smooth and pleasing to the ear, allowing the listener to absorb the content rather than being distracted by a poor voice quality.
I have two pieces of advice. First, find a way of incorporating voice recordings into your business. It adds a personal dimension to your online presence and enhances trust. Second, use the effects I've described above to improve the sound quality of your recordings. Your audience will respect you more as a result.
About the Author
Find tips about swollen gums remedy and receding gums treatment at the Painful Gums website.