Microphone Cover
Microphone Cover
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 Sennheiser MKH 418 S Condenser Cable Professional Microphone  US $900.00
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 PylePro PDMIK1 Professional Moving Coil Dynamic Handheld Microphone MIC US $8.79
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 Audio Technica PRO 45 Cardioid Condenser Hanging Mic US $43.00
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 2 JOSEPHSON MICROPHONES C551FA C551 FA C55AF A US $149.99
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 Manley Reference Gold Mic from The Dust Brothers as used by Dr Luke US $4,250.00
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 REALISTIC PZM Pressure Zone Microphone US $26.99
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 Shure UC4 Wireless Receiver US $19.99
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 300PCS KTV Microphone disposable Foam Cover O type US $80.99
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 100PCS KTV Microphone disposable Foam Cover O type US $27.99
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 Shure UXLP4 Wireless headset mic with shirt clip microphone WIRELESS HEADSET US $257.00
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 Numark WS32 Pro Audio Wireless Transmitter US $.99
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 Omni Directional Shotgun Condenser Microphone US $65.00
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 2 x windscreen foam Audio Mic Shield microphone Cover US $.99
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 Vintage SHURE Mic CASE only for PE585 Unisphere A or PE 533SA Spher o dyne US $9.99
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 Audio Technica AT4047 Large diaphragm Cardioid Condenser Mic w Shockmount US $279.00
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 Audio Technica AT835 Shotgun Microphone US $53.00
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 Sony ECM 44B Omnidirectional Lavalier Microphone Clip On Lapel Record Mic Case US $49.99
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 Sennheiser MD 421 MD421 U 5 Microphone Mic with Case and Clip US $250.00
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 NADY 1200 VHF Wireless Receiver w Belt Packs Owned Used by STEVE VAI US $.11
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 Samson Meteor Mic Studio USB Microphone Chrome SAMTR US $28.11
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 Samson Go Mic Portable USB Condenser Microphone SAGOMIC US $7.50
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 Pyle Pro PDMIK1 Dynamic Handheld Microphone 65 XLR to 1 4 Male Cord Musician US $8.95
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 Lot of 2 Shure SM58 Dynamic Microphones FULLY TESTED WORKING US $53.50
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 4 Pcs M 5 Mic Stand Accessory Small Plastic Clip Holder US $8.02
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 New NB 10 Tripod Adjustable Table Mic Microphone Stand Holder High Quality US $9.97
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 Fir microphone cover for shotgun mic or boom Microphone US $49.99
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 Nady SP 4C Wired Vocal Microphone With Switch 20 Foot XLR Mic Cable SP4C US $18.95
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 Audio Technica ATR55 Condenser Cable Professional Microphone US $55.00
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 DS 3 Adjustable Talbe Tripod Mic Microphone Stand Holder Butterfly Style US $12.57
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 SHURE 55 SH 55SH SERIES II MIC MICROPHONE STAGE VOCAL RECORDING STUDIO DYNAMIC US $124.50
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 Vintage New Old Stock Unused In Box Astatic 200 Harp Mic US $82.00
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 ART TUBE MP PROJECT SERIES INSTRUMENT MICROPHONE PREAMP MIC PREAMPLIFIER US $59.99
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 Samson C01 Studio Condenser Microphone US $20.50
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 New US SF 930 CondenserCondenser Microphone Sound High Quality for PC Computer US $12.45
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 2 MICROPHONE MIC WINDSCREEN FOAM COVERS PREMIUM BLUE US $.99
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 VINTAGE ASTATIC MODEL 200 S MICROPHONE WITH STAND CORD GOLD FINISH US $10.00
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 2 pcs black Microphone Grill Foam Cover Mic WINDShield US $.01
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 MXL V69 Condenser Cable Professional Microphone US $20.50
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 MXL Genesis Vacuum Tube Microphone in Orginal Box US $256.00
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 4 Sony ECM 44B Microphones US $400.00
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 4 Pcs Plastic Microphone MIC Clip Stand Holder Black US $5.99
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 LOT 3 SHURE Microflex Cardioid Condenser Microphones MX393 C US $27.33
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 NEW AKG C 100 S Condenser Microphone US $100.00
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 2PCs Studio Microphone Foam Cover Mic Wind Shield RED US $.99
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 FREE SHIPPING 2pcs BlUE Microphone Grill Foam Cover Audio Mic Shield Protection US $1.99
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 2 RED Microphone Grill Foam Cover Audio Mic Shield NEW US $1.69
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 MXL Genesis Microphone US $410.00
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![SET OF 2] VINTAGE VACO MODEL MB 05 ALL PUPOSE CRYSTAL MICROPHONES](http://www.paleroom.com/images/e/290714472665_0.jpg) SET OF 2] VINTAGE VACO MODEL MB 05 ALL PUPOSE CRYSTAL MICROPHONES US $19.99
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 SW05SHCM SAMSON STAGE 5H WIRELESS MICROPHONE SYSTEM CHANEL 11 NIB US $57.60
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 BLIMP ZEPPLIN SHOTGUN MICROPHONE HIGH WIND COVER SHIELD SHOCK MOUNT SYSTEM US $36.00
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Audix F5 Instrument Microphone $79.99 The all-purpose Audix f5 Fusion Series dynamic instrument microphone is designed to mic a wide variety of musical instruments, including snare, toms, percussion, guitar and bass cabinets, brass, flute, and woodwinds, as well as vocals and speech. Assembled and tested by Audix in the USA, the f5 is an ideal mic for both stage and studio applications. With a wide frequency response of 55Hz-15kHz, the versatile Audix f5 mic provides clear, accurate, natural sound reproduction without having to rely on EQ. The f5 mic handles sound pressure levels in excess of 137dB without distortion, which lets you mic anything from guitar and bass cabinets to heavy brass with supreme confidence. Sturdy, compact, and easy to position, the f5's roadworthy construction includes a precision-cast zinc-alloy body, black finish, laser etched model number, steel mesh grill, gold XLR connector, and a tension-fit heavy-duty-nylon mic clip.Using in Audix f5:The f5 has a tight (hypercardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from bleeding into the microphone. For this reason, it the f5 is exceptionally effective for drums and percussion in be able to capture the sound of each component of the kit. Snare:Start with the f5 about 2 inches above the head and aimed towards the center of the drum. For more "rim" effect, the f5 can be aimed less towards the center and more towards the rim. It is not uncommon for engineers to place the mic practically right on the drumhead to achieve a very tight, cracking sensation. Toms, congas:Similar to snare. For tighter sound and more attack place, the mic closer to the head. For more decay and overtones pull the mic further away from the head. Guitar cabs:The f5 can be placed within 1-2 inches of the grill cover at a 90 angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer towards the center of the speaker, but avoid the middle of the speaker.Horns:Place the mic within 1 - 2 inches of the bell, especially when on a stage with drums, bass, guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed further away for a richer, fuller, sound. Operation:The f5 is a low impedance microphone and should be plugged into a mic-level input on your console, mixer, or recording device. Please note that your microphone does not require phantom power and will not be effected in any way by phantom power should it be running simultaneously when the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud popping noise, which could seriously damage the speakers in the PA system. Hypercardioid pickup pattern for isolation and feedback controlLow-mass diaphragm for clear, natural, ac |
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Shure Ulx2/87 Wireless Handheld Transmitter Microphone M1 $363 The Shure ULX2/87 Handheld Transmitter Microphone is comprised of the ULX2 Wireless transmitter fitted with the SM87A microphone capsule. The ULX2 features include a 3-segment battery fuel gauge, backlit LCD shows group and channel, frequency and power settings, control lockout, 8 hour battery life, and a 300 ft (92 m) operating range. The ULX2 transmitter is designed to allow for interchangeable microphone cartridges. The Shure SM87A microphone is a professional-quality, handheld condenser microphone for use in sound reinforcement, broadcasting, and studio recording installations.ULX2 transmitter8-9 Hour Battery LifePower: On/Off Switch, BatteryLED-Green When ON, Red When Battery LowThree-segment Battery Power IconPEAK Icon-Appears When Audio Signal OverloadsGroup/Channel DisplaysSET Button for Saving SettingsAdjustable Audio Gain ControlInput Attenuation Switch-Select 0dB for Voice/Low Output; 20dB for High Output4-pin Mini ConnectorBattery Cover Unscrews to Expose Battery and Gain Control9V Battery Included |
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Shure Ulx2/87 Wireless Handheld Transmitter Microphone J1 $363 The Shure ULX2/87 Handheld Transmitter Microphone is comprised of the ULX2 Wireless transmitter fitted with the SM87A microphone capsule. The ULX2 features include a 3-segment battery fuel gauge, backlit LCD shows group and channel, frequency and power settings, control lockout, 8 hour battery life, and a 300 ft (92 m) operating range. The ULX2 transmitter is designed to allow for interchangeable microphone cartridges. The Shure SM87A microphone is a professional-quality, handheld condenser microphone for use in sound reinforcement, broadcasting, and studio recording installations.ULX2 transmitter8-9 Hour Battery LifePower: On/Off Switch, BatteryLED-Green When ON, Red When Battery LowThree-segment Battery Power IconPEAK Icon-Appears When Audio Signal OverloadsGroup/Channel DisplaysSET Button for Saving SettingsAdjustable Audio Gain ControlInput Attenuation Switch-Select 0dB for Voice/Low Output; 20dB for High Output4-pin Mini ConnectorBattery Cover Unscrews to Expose Battery and Gain Control9V Battery Included |
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CAD Pro-4 Drum Microphone Pack $99.99 The CAD Pro-4-Drum Mic Pack is designed to cover the miking needs of the touring drummer or percussionist with ease, excellence, and economy. The pack consists of one CAD KM 212 dynamic kick drum microphone, 2 CAD TM 211 tom mics, and one CAD SN 210 dynamic snare mic with a frequency response specifically tweaked for snare. The CAD TM 211 tom mics and CAD SN 210 snare mics include integral shockmount mic clips for optimal sound and easy mounting. |
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Electro-Voice Re20 Dynamic Cardioid Microphone $449 The Electro-Voice RE20 Microphone is well-suited for recording and sound reinforcement applications. This Variable-D design dynamic cardioid microphone features a heavy-duty internal pop filter to reduce proximity effects, while an internal element shockmount reduces vibration-induced noise. Integral blast and wind filters cover each acoustic opening. Bass roll-off switch. 45Hz-18kHz frequency response.Professional-quality dynamic cardioid microphoneHeavy-duty internal pop filter reduces proximity effectsInternal element shock mount reduces vibration-induced noiseBlast and wind filters cover each acoustic openingBass roll-off switchFrequency response: 45Hz-18kHz |
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Cad Pro-4 Drum Microphone Pack $99.99 The CAD Pro-4-Drum Mic Pack is designed to cover the miking needs of the touring drummer or percussionist with ease, excellence, and economy. The pack consists of one CAD KM 212 dynamic kick drum microphone, 2 CAD TM 211 tom mics, and one CAD SN 210 dynamic snare mic with a frequency response specifically tweaked for snare. The CAD TM 211 tom mics and CAD SN 210 snare mics include integral shockmount mic clips for optimal sound and easy mounting.One KM 212 dynamic kick drum mic2 TM 211 tom mics with integral shockmount mic clipsOne SN 210 dynamic snare mic with integral shockmount mic clip |
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Rode Microphones VideoMic Shotgun Condenser Microphone $135.59 The RØDE VideoMic is a professional-grade shotgun condenser microphone. Based on the latest film industry technology, the RØDE VideoMic is designed specifically for use with high-quality digital video cameras. The microphone offers low noise and has an unusually wide bandwidth for its size. It is ultralightweight, yet rugged as a result of its ABS construction. Powered by a standard 9V battery with a low-battery LED-status indicator and switchable high-pass filter to reduce unwanted low-frequency rumble. The RØDE VideoMic attaches to any camcorder that has a standard hot-shoe fitting and has a stereo mini jack for audio output. Power The VideoMic is designed by RØDE to operate with a 9V battery. The battery is conveniently located within the support arm of the microphone. A fully removable access cover and an insertion mechanism enables easy loading. The battery will provide more than 100 hours of continuous use because of the mic's low power consumption of only 5.0 mA. Output impedance This RØDE video shotgun microphone will operate satisfactorily into a load impedance as low as 1 kOhms. If a load below this is used, the output signal level will be reduced. Requires phantom power. |
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Shure Ulx2/58 Wireless Handheld Transmitter Microphone M1 $253 The Shure ULX2/58 Handheld Transmitter Microphone is comprised of the ULX2 Wireless transmitter fitted with the SM58 microphone capsule. The ULX2 features include a 3-segment battery fuel gauge, backlit LCD shows group and channel, frequency and power settings, control lockout, 8 hour battery life, and a 300 ft (92 m) operating range. The ULX2 transmitter is designed to allow for interchangeable microphone cartridges. The Legendary Shure SM58 vocal microphone, tuned to accentuate the warmth and clarity of lead and back-up vocals. Consistently the first choice of performers everywhere.ULX2 transmitter8-9 Hour Battery LifePower: On/Off Switch, BatteryLED-Green When ON, Red When Battery LowThree-segment Battery Power IconPEAK Icon-Appears When Audio Signal OverloadsGroup/Channel DisplaysSET Button for Saving SettingsAdjustable Audio Gain ControlInput Attenuation Switch-Select 0dB for Voice/Low Output; 20dB for High Output4-pin Mini ConnectorBattery Cover Unscrews to Expose Battery and Gain Control9V Battery Included SM58 microphoneCardioid (unidirectional) dynamicFrequency response: 50 to 15,000 HzLegendary Shure quality, ruggedness and reliability |
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Shure Ulx2/Beta58 Wireless Handheld Transmitter Microphone M1 $303 The Shure ULX2/BETA58 Handheld Transmitter Microphone is comprised of the ULX2 Wireless transmitter fitted with the Beta 58A microphone capsule. The ULX2 features include a 3-segment battery fuel gauge, backlit LCD shows group and channel, frequency and power settings, control lockout, 8 hour battery life, and a 300 ft (92 m) operating range. The ULX2 transmitter is designed to allow for interchangeable microphone cartridges. The Beta 58A capsule accentuates the warmth and clarity of lead and backup vocals. Its supercardioid design provides maximum isolation from other onstage sounds.ULX2 transmitter8-9 Hour Battery LifePower: On/Off Switch, BatteryLED-Green When ON, Red When Battery LowThree-segment Battery Power IconPEAK Icon-Appears When Audio Signal OverloadsGroup/Channel DisplaysSET Button for Saving SettingsAdjustable Audio Gain ControlInput Attenuation Switch-Select 0dB for Voice/Low Output; 20dB for High Output4-pin Mini ConnectorBattery Cover Unscrews to Expose Battery and Gain Control9V Battery IncludedBeta58A Vocal MicrophoneSupercardioid, DynamicFrequency response: 50 to 16,000 HzNeodymium magnet for high signaltonoise output Beta58A Vocal Microphone |
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Shure Ulx2/Beta58 Wireless Handheld Transmitter Microphone J1 $303 The Shure ULX2/BETA58 Handheld Transmitter Microphone is comprised of the ULX2 Wireless transmitter fitted with the Beta 58A microphone capsule. The ULX2 features include a 3-segment battery fuel gauge, backlit LCD shows group and channel, frequency and power settings, control lockout, 8 hour battery life, and a 300 ft (92 m) operating range. The ULX2 transmitter is designed to allow for interchangeable microphone cartridges. The Beta 58A capsule accentuates the warmth and clarity of lead and backup vocals. Its supercardioid design provides maximum isolation from other onstage sounds.ULX2 transmitter8-9 Hour Battery LifePower: On/Off Switch, BatteryLED-Green When ON, Red When Battery LowThree-segment Battery Power IconPEAK Icon-Appears When Audio Signal OverloadsGroup/Channel DisplaysSET Button for Saving SettingsAdjustable Audio Gain ControlInput Attenuation Switch-Select 0dB for Voice/Low Output; 20dB for High Output4-pin Mini ConnectorBattery Cover Unscrews to Expose Battery and Gain Control9V Battery IncludedBeta58A Vocal MicrophoneSupercardioid, DynamicFrequency response: 50 to 16,000 HzNeodymium magnet for high signaltonoise output Beta58A Vocal Microphone |
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Used Audio-Technica At4050st Stereo Condenser Microphone $1182.09 The side-address Audio-Technica AT4050ST Stereo Condenser Microphone is externally polarized (DC bias). Its independent cardioid and figure-eight elements are configured in a mid-side arrangement with switch-selectable internal matrixing. Select from either a left-right stereo output (wide 127 or narrow 90) via the microphone's internal matrixing system, or choose discrete mid-side signals for later manipulation. The Audio-Technica 4050ST mic is designed to meet the most critical acoustic requirements of professional recording, broadcast and sound reinforcement. The AT4050ST microphone includes a 5.0m (16.5') dual output cable terminating in a 5-pin XLRF-type to 2 standard 3-pin XLRM-type connectors. The microphone output is a 5-pin XLRM-type connector. The AT4050ST microphone is equipped with a switchable 10 dB pad and a switch selects flat response or low-frequency roll-off (via integral 80Hz high-pass filter). Audio-Technica encloses the AT4050 microphone in a rugged housing. The included AT8449 shock mount provides superior isolation and permits mounting on any microphone stand with 5/8"-27 threads. A dust cover and a protective carrying case are also included. Operation and Maintenance The AT4050ST requires 48V phantom power on pins 2 and 3 of both XLR3M-type connectors for operation. Wiring must be balanced throughout, and all mic cables in the system must be wired consistently: pin 1-to-pin 1, etc. If connecting to unbalanced inputs, good-quality balanced line transformers must be used. Mid-Side Operation: In M-S mode, the microphone provides independent Mid and Side signals. This allows the width of the stereo image to be adjusted in post production or in the field with a matrix mixer. Matrixed Stereo: The microphone offers two internally matrixed modes which provide traditional "left-right" stereo without the need for external mixers. To accommodate varying acoustic environments, the user may select between a wide pattern (127) with increased ambient pickup, and a narrow pattern (90) which offers more rejection and less ambience. Output phase is "Pin 2 hot." For correct left-right stereo orientation, position the microphone so the raised Audio-Technica emblem is facing the sound source. In the internally matrixed modes, locating the microphone nearer the sound source enhances the apparent width of the stereo image, while decreasing room ambience. Moving away from the sound source will result in a narrower stereo image and more room sound.Innovative side-address Mid-Side stereo microphone engineered for professional recording, broadcast and sound reinforcement Independent cardioid and figure-of-eight condenser elements Switch selection of Mid-Side mode and two internally matrixed stereo modes Dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range of the microphone Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed tr |
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Audio-Technica At4050st Stereo Condenser Microphone $1299 The side-address Audio-Technica AT4050ST Stereo Condenser Microphone is externally polarized (DC bias). Its independent cardioid and figure-eight elements are configured in a mid-side arrangement with switch-selectable internal matrixing. Select from either a left-right stereo output (wide 127 or narrow 90) via the microphone's internal matrixing system, or choose discrete mid-side signals for later manipulation. The Audio-Technica 4050ST mic is designed to meet the most critical acoustic requirements of professional recording, broadcast and sound reinforcement. The AT4050ST microphone includes a 5.0m (16.5') dual output cable terminating in a 5-pin XLRF-type to 2 standard 3-pin XLRM-type connectors. The microphone output is a 5-pin XLRM-type connector. The AT4050ST microphone is equipped with a switchable 10 dB pad and a switch selects flat response or low-frequency roll-off (via integral 80Hz high-pass filter). Audio-Technica encloses the AT4050 microphone in a rugged housing. The included AT8449 shock mount provides superior isolation and permits mounting on any microphone stand with 5/8"-27 threads. A dust cover and a protective carrying case are also included. Operation and Maintenance The AT4050ST requires 48V phantom power on pins 2 and 3 of both XLR3M-type connectors for operation. Wiring must be balanced throughout, and all mic cables in the system must be wired consistently: pin 1-to-pin 1, etc. If connecting to unbalanced inputs, good-quality balanced line transformers must be used. Mid-Side Operation: In M-S mode, the microphone provides independent Mid and Side signals. This allows the width of the stereo image to be adjusted in post production or in the field with a matrix mixer. Matrixed Stereo: The microphone offers two internally matrixed modes which provide traditional "left-right" stereo without the need for external mixers. To accommodate varying acoustic environments, the user may select between a wide pattern (127) with increased ambient pickup, and a narrow pattern (90) which offers more rejection and less ambience. Output phase is "Pin 2 hot." For correct left-right stereo orientation, position the microphone so the raised Audio-Technica emblem is facing the sound source. In the internally matrixed modes, locating the microphone nearer the sound source enhances the apparent width of the stereo image, while decreasing room ambience. Moving away from the sound source will result in a narrower stereo image and more room sound.Innovative side-address Mid-Side stereo microphone engineered for professional recording, broadcast and sound reinforcement Independent cardioid and figure-of-eight condenser elements Switch selection of Mid-Side mode and two internally matrixed stereo modes Dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range of the microphone Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed tr |
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Tour Grade Black Ball End Microphone Wind Screen Black $2.95 The Tour Grade Ball End Wind screen eliminates annoying microphone breath sounds and pops from plosive hard syllables. Made of high quality foam, the ball end microphone windscreen protects your favorite mic from moisture and dents. The mic cover's unobtrusive black color looks great on any stage.Tour Grade products combine practical, state-of-the-art features with long term dependability. They're designed in the USA and crafted with the finest quality materials and tried-and-true production methods, Tour Grade has what it takes to live up to its name. One microphone cover per package. |
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Used Shure Ulx2/87 Wireless Handheld Transmitter Microphone M1 $330.33 The Shure ULX2/87 Handheld Transmitter Microphone is comprised of the ULX2 Wireless transmitter fitted with the SM87A microphone capsule. The ULX2 features include a 3-segment battery fuel gauge, backlit LCD shows group and channel, frequency and power settings, control lockout, 8 hour battery life, and a 300 ft (92 m) operating range. The ULX2 transmitter is designed to allow for interchangeable microphone cartridges. The Shure SM87A microphone is a professional-quality, handheld condenser microphone for use in sound reinforcement, broadcasting, and studio recording installations.ULX2 transmitter8-9 Hour Battery LifePower: On/Off Switch, BatteryLED-Green When ON, Red When Battery LowThree-segment Battery Power IconPEAK Icon-Appears When Audio Signal OverloadsGroup/Channel DisplaysSET Button for Saving SettingsAdjustable Audio Gain ControlInput Attenuation Switch-Select 0dB for Voice/Low Output; 20dB for High Output4-pin Mini ConnectorBattery Cover Unscrews to Expose Battery and Gain Control9V Battery Included |
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Bluecell 5 Pack Blue/Green/Yellow/Hot Pink/Orange Handheld Stage Microphone Windscreen Foam Cover + Bluecell Cable Tie Sale Price: $7.99  |
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High Quality handheld stage microphone windscreens cover. Color: Blue/Green/Yellow/Hot Pink/Orange, Quantity: 5 for one order. 2.8" Height x 2.3" Width. |
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Bluecell Pack of 8 PCS Black/Purple/Hot Pink/Brown/Blue/Orange/Yellow/Green Handheld Stage Microphone Windscreen Foam Cover + Free Bluecell Cable Tie Sale Price: $8.59 |
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High Quality handheld stage microphone windscreens foam cover. Color: Black/Purple/Hot Pink/Brown/Blue/Orange/Yellow/Green Quantity:8 for one order. 2.8" Height x 2.3" Width. |
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Bluecell 5 Pack Black/Red/Purple/Hot Pink/Brown Handheld Stage Microphone Windscreen Foam Cover + Bluecell Cable Tie Sale Price: $6.99 |
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High Quality handheld stage microphone windscreens foam cover. Color: Black/Red/Purple/Hot Pink/Brown Quantity: 5 for one order. 2.8" Height x 2.3" Width. |
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Bluecell Black 5 Pack Microphone Windscreen Foam Cover + Bluecell Cable Tie Sale Price: $6.97 |
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High Quality microphone windscreens cover. Color: Black, Quantity: 5 for one order. 2.8" Height x 2.3" Width. |
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Blue Parrott Bluetooth Headset Replacement Ear and Microphone Covers List Price: $6.00 Sale Price: $4.11 |
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Blue Parrott Bluetooth Headset Replacement Ear and Microphone Covers. |
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Panasonic RP-HT21 Lightweight Headphones with XBS Port List Price: $5.95 Sale Price: Too low to display Used From: $1,390.00 |
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Take your music on the run with Panasonic's lightweight, low-cost RP-HT21 over-ear headphones. Lightweight, low-cost, over-ear headphones. Click here for a larger image Foam-cushioned earphones and a wide headband for added comfort... |
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ELAGO EL-S4SM-CBL-BA S4 Slim Fit Case for AT&T, Sprint, Verizon iPhone 4/4S - 1 Pack - Retail Packaging - Coral Blue List Price: $19.99 Sale Price: $10.99 |
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Keep the iPhone 4/4S safe & protected in style with the S4 Slim Fit Case. Unique design allows easy access to all buttons, controls & ports without having to remove the case. Polyurethane coated to protect from scratches and for better grip, Product designed by elago in California and Made in Korea. |
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20mm Headset & Lapel Lavalier Microphone Windscreens - 8 Pack List Price: $29.95 Sale Price: $3.99 |
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20mm headset & lapel Lavalier microphone windscreen - 8 pieces. Packed in a heat sealed package so you know they are new and have never been used. Fits various microphones including: Audio Technica, Olympus, Shur, Sennheiser, Sony, Hisonic, Samson |
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On Stage Foam Ball-Type Mic Windscreen, Black List Price: $5.99 Sale Price: $0.85 Used From: $3.00 |
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Protect your mics against wind interference and singers' spit with an On Stage Foam Ball-Type Mic Windscreen. Designed for noral sized handheld mics similar in design to a Shure SM58, these colorful foam windscreens fit most mics... |
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Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern. List Price: $249.00 Sale Price: Too low to display Used From: $186.75 |
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The Yeti Pro is the world’s first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output.Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to fourtimes the clarity found on CDs... |
How To Discretely Listen To The Talk Going On In Any Room?
May be that you are a bank manager and want to monitor what people are talking when they enter the safe deposit vaults. Or that you are a private detective and listening to the conversation going on inside a room without getting in there is crucial to solving a case. Or maybe you want to know what your employees discuss in their rest room during recess.
Wall microphones: ears to the wall
Many of us do come across such situations, but we take it for granted that we cannot listen to any conversation going on inside a room by being outside its walls. It is practically impossible to do that. Human ears are not efficient enough for this purpose and deploying any other means like microphones will be an infringement of privacy and is likely to be detected.
Thankfully, hitherto impossible is made possible by cutting edge technology. Endoacustica Europe, expert manufacturers of surveillance equipment, has introduced wall microphones. With the help of these wireless wall microphones, now you can eavesdrop on the talk that is happening inside a room of concrete walls and soundproof doors without physically being in it. .
How it can be done?
Wall microphones come in various different versions. They come with stethoscope earphone, telephonic pick-up and pinhole microphone. These wireless wall microphones can be used as a stethoscope to the walls of the room from which you want to listen to. Pinhole microphones can be inserted in any minute gap in or between the walls.
These microphones are very sensitive to pick up even the slightest noises from the room. The talk can be recorded for repeated listening.
Wall microphones: stunning features
These advanced technology driven wireless wall microphones are one of the best surveillance equipments. Under mentioned features make them very crucial and suitable for such activities.
- They come in variety of models to suit users' distinct requirements.
- Come with microphones of different shapes and sizes to enable use in peculiar locations.
- Enables recording of talks for further reference.
- Has sufficient battery backup to support operations for longer hours.
- Very portable designs make them handy to be carried wherever required.
- Its piezoceramic converter-based external sensors help to pick up softest of the conversations.
- Amplifier sensitivity level can be discretely selected while operating on thin coverings so that overloads can be prevented.
About the Author
Wall microphones can be used on not only wall but also ceilings and floors equally effectively. These enable listening to the conversations going on in the room on the floor below or above yours. These wireless wall microphones are a perfect end to your requirements of discrete listening across the wall without being detected.
December 21st, 2007 in
Microphones | tags: audio, dead cat microphone cover, microphone, microphone cover foam, microphone cover skins, microphone covers, microphone covert, recording, shopping, video