Microphone Case Clip

Microphone Case Clip

Applied Microphone Technology VS Clip-On Condenser Microphone with Preamp - Regular $568 The AMT VS Microphone System includes the AMT VS Clip-On condenser microphone and the AMT belt pack preamp. The VS is a ultra miniature, feather weight low profile condenser microphone specially designed for the violin, viola, and mandolin. The microphone attaches to the violin, viola, and mandolin with a clamp designed for be solid on the instrument without harming or dampening the natural sound or vibrations. The microphone provides pure tonal reproduction while being unobtrusive. The reproduction of natural sound of the instrument is the goal. Includes a hardshell Blo-mold protective case and " to XLR cable.The AMT VS can be used with most major brand wireless belt pack transmitters and receivers. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. Requires phantom power.

Applied Microphone Technology Vs Clip On Condenser Microphone With Preamp - Regular $568 The AMT VS Microphone System includes the AMT VS Clip-On condenser microphone and the AMT belt pack preamp. The VS is a ultra miniature, feather weight low profile condenser microphone specially designed for the violin, viola, and mandolin. The microphone attaches to the violin, viola, and mandolin with a clamp designed for be solid on the instrument without harming or dampening the natural sound or vibrations. The microphone provides pure tonal reproduction while being unobtrusive. The reproduction of natural sound of the instrument is the goal. Includes a hardshell Blo-mold protective case and " to XLR cable.The AMT VS can be used with most major brand wireless belt pack transmitters and receivers. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. Requires phantom power.

Applied Microphone Technology Amt Ta2 Studio Clip On Double Microphone System $693 The AMT TA2 Studio Clip-On Double Microphone System includes two AMT TA2 low profile condenser microphones and the AMT AP40 Preamp. The AMT TA2 is a low profile double condenser microphone that attaches to the bell with a low mass clip specifically designed soprano or baritone saxophone. The TA2 microphone provides pure tonal reproduction while being unobtrusive. It's an excellent choice for a principal artist or soloist. The microphone attaches to the bell of instrument, the top or over the keys microphone is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise. The second microphone is placed in front of the bell of the microphone. Both microphones are on goosenecks for optimal placement. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The AP40 Preamp converts all of the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or musical instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. There is a L / G switch on the preamp. This is a Ground Lift switch. If phantom power is not regulated for the correct voltage OR if phantom is reduced by the addition / amount of other condenser microphone connected, the switch disconnects the phantom power and allows it's own battery supply to power the preamp. If the switch is moved to the L position, the preamp is powered by the battery. If the switch is in the G position, phantom will power the preamp. The output of the preamp is an XLR Low Impedance balanced output. AMT TA2 Double Microphone AMT AP40 Preamp 1/4 to XLR Cable Hard shell Blo-mold protective case

Applied Microphone Technology Amt Ws Clip On Double Microphone System $612 The AMT WS Clip-On Double Microphone System includes the WS Double condenser microphone and the BP45 beltpack preamp. The WS is a low-profile double condenser microphone that attaches to the clarinet, alto and bass flute, or oboe with a Ultra- miniature low mass clamp. It is specifically designed for the timbre of the clarinet, The instrument microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The WS features one microphone at the bell and second positioned over the keys to provide a truer reproduction for the musical instrument's tone quality.The WS mic is terminated by a 3.5mm plug which connects to a belt pack preamp. The output is a predetermined mix balanced by the nature of the instrument. The included belt pack houses a volume control, contours the setup for the intended instrument, and powers the microphone system appropriately. A low Z cable and case is included.The AMT WS models including WSW, WS Studio, and the WS all come with TWO isolation rings now. Both microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise.AMT BP45 Beltpack PreampThe WS setup Comes with BP45 beltpack style preamp, case, and AMT disconnecting cable technology which allows the microphone to be used as "Wireless, with beltpack, or Studio" models if needed. Phantom power OR 1 AA battery required. Includes 4 Pin Locking connector, XLR output, and low trim filter. Works with all AMT microphones that include D.C.T. (Disconnecting Cable)Requires phantom power.AMT WS MicrophoneBP45 Belt pack Preamp1/4" to XLR CableHardshell Blo-mold protective case

Applied Microphone Technology Amt Hr2 Clip On Harmonica Microphone $180 The AMT HR-2 mic is a clip-on version of the AMT HR1 hand held microphone system for harmonica. The system is low in profile, which allows it to be used with a standard neck harness. The microphone comes with clips to attach to the harmonica. The AMT HR2 is the only microphone on the market that can be used in combination with a harmonica neck brace.The AMT HR2 can be used with most major brand wireless belt pack transmitters and receivers. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. When ordering the AMT Interface, be sure to know your wireless make, model, and pin out configuration. Interfaces are made to order.Allows use with 9V battery or phantom power battery preferred.Condenser microphone for harmonica / mouth harpCan be used in combination with a harmonica neck braceCompact cylindrical designHandles sound pressure levels well above 141dBRugged and lightweight anodized aviation aluminum constructionIncludes belt-pack preamp and hardshell Blo-mold protective case

Applied Microphone Technology Z1 Clip On Condenser Flute Microphone With Preamp - Regular $569 The AMT Z1 is a hardwired single microphone made for flute. The Z1 mic is the perfect choice from soft to louder playing applications. It can be used for featured soloist to miking a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low mass flute clamp and preamp. The preamp uses the chip technology which contours the microphone for the most natural reproduction of sound possible. Perfect for all situations.Requires phantom power.AMT Z1 MicrophoneBelt-pack Preamp1/4 to XLR CableHard shell Blo-mold protective case

Applied Microphone Technology AMT WS Clip-On Double Microphone System 886830177279 $520.2 The AMT WS Clip-On Double Microphone System includes the WS Double condenser microphone and the BP45 beltpack preamp. The WS is a low-profile double condenser microphone that attaches to the clarinet, alto and bass flute, or oboe with a Ultra- miniature low mass clamp. It is specifically designed for the timbre of the clarinet, The instrument microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The WS features one microphone at the bell and second positioned over the keys to provide a truer reproduction for the musical instrument's tone quality.The WS mic is terminated by a 3.5mm plug which connects to a belt pack preamp. The output is a predetermined mix balanced by the nature of the instrument. The included belt pack houses a volume control, contours the setup for the intended instrument, and powers the microphone system appropriately. A low Z cable and case is included.The AMT WS models including WSW, WS Studio, and the WS all come with TWO isolation rings now. Both microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise.AMT BP45 Beltpack PreampThe WS setup Comes with BP45 beltpack style preamp, case, and AMT disconnecting cable technology which allows the microphone to be used as "Wireless, with beltpack, or Studio" models if needed. Phantom power OR 1 AA battery required. Includes 4 Pin Locking connector, XLR output, and low trim filter. Works with all AMT microphones that include D.C.T. (Disconnecting Cable)Requires phantom power.

Applied Microphone Technology AMT WS Clip-On Double Microphone System $612 The AMT WS Clip-On Double Microphone System includes the WS Double condenser microphone and the BP45 beltpack preamp. The WS is a low-profile double condenser microphone that attaches to the clarinet, alto and bass flute, or oboe with a Ultra- miniature low mass clamp. It is specifically designed for the timbre of the clarinet, The instrument microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The WS features one microphone at the bell and second positioned over the keys to provide a truer reproduction for the musical instrument's tone quality.The WS mic is terminated by a 3.5mm plug which connects to a belt pack preamp. The output is a predetermined mix balanced by the nature of the instrument. The included belt pack houses a volume control, contours the setup for the intended instrument, and powers the microphone system appropriately. A low Z cable and case is included.The AMT WS models including WSW, WS Studio, and the WS all come with TWO isolation rings now. Both microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise.AMT BP45 Beltpack PreampThe WS setup Comes with BP45 beltpack style preamp, case, and AMT disconnecting cable technology which allows the microphone to be used as "Wireless, with beltpack, or Studio" models if needed. Phantom power OR 1 AA battery required. Includes 4 Pin Locking connector, XLR output, and low trim filter. Works with all AMT microphones that include D.C.T. (Disconnecting Cable)Requires phantom power.

Applied Microphone Technology Amt P800 Studio Clip On Trumpet Microphone System $742 The AMT P800 Studio microphone system combines the most natural sounding trumpet specific microphone system on the market with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level.The AMT P800 Studio Trumpet microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed their special "Off the bell" clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn. The AMT P800 microphone allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser beltpack transmitters. With a change in a cable, convert your P800 from a "Studio" style preamp, to a "Belt pack" series model, or to the AMT "W"ireless setups. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with AP40 floor or "DI" style preamp, hardshell case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems.)Natural sounding trumpet specific microphone systemSpecial element prevents microphone overload"Off the bell" clamping systemPre-amp regulates voltage to each microphoneConverts microphones to low impedanceGround Lift switchOperates with Phantom power or 9-Volt batteryIncludes hardshell case and cablesConverts from a "Studio" style preamp, to a "Belt pack" series model, or to the AMT "W"ireless setup

Applied Microphone Technology Amt Ws Studio Clip On Double Microphone System $670 The AMT WS Studio version combines the AMT WS Clip-On Double Microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or musical instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level. The AMT WS is a low profile double condenser microphone system that attaches to the clarinet, alto and bass flute, or oboe with a ultra-miniature low mass clamp. It is specifically designed for the timbre of the clarinet. The microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The AMT WS Studio comes with two isolation rings. Both instrument microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise. The AMT WS Studio version is meant to be used either in a Studio setting where close miking of an musical instrument is desired or in a professional level setting where the sound engineer needs control of the microphone. Requires phantom power.2 AMT WS condenser Microphones Flexible Gooseneck AMT AP40 Floor Pre-amp Hard shell protective case

ProLine Standard Microphone Clip $3.99 Standard Microphone Clip with plastic mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black.

Proline Standard Microphone Clip $3.99 Standard Microphone Clip with plastic mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black.

Applied Microphone Technology AMT WSW Clip-On Double Microphone for Shure Systems $404.04 The AMT WSW - Shure is a special version of the AMT WS. The microphone element remains with the same high level of quality that the WS achieves however is specially adapted to work with any Shure belt pack transmitter/wireless system such as the ULXS14 or ULXP14. The WS comes wired directly with a 4 pin connector to connect directly to any Shure wireless belt pack. The WS is a low profile double condenser microphone that attaches to the clarinet, alto and bass flute, or oboe with a ultra-miniature low mass clamp. It is specifically designed for the timbre of the clarinet. The microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The WSW features one microphone at the bell and second positioned over the keys to provide a truer reproduction for the musical instrument's tone quality. The AMT WSW mic also comes with two isolation rings. Both microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise. A low Z cable and case is included. Requires phantom power.

Applied Microphone Technology AMT P800 Studio Clip-On Trumpet Microphone System $742 The AMT P800 Studio microphone system combines the most natural sounding trumpet specific microphone system on the market with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level.The AMT P800 Studio Trumpet microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed their special "Off the bell" clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn. The AMT P800 microphone allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser beltpack transmitters. With a change in a cable, convert your P800 from a "Studio" style preamp, to a "Belt pack" series model, or to the AMT "W"ireless setups. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with AP40 floor or "DI" style preamp, hardshell case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems.)

Applied Microphone Technology Amt Lsw Clip-On Mic For Shure Systems $394 The AMT LSW Clip On Condenser Microphone is the ultimate in a woodwind or brass microphone and designed for direct connection to Shure or Sabine belt pack wireless systems. The mic system is meant to clip onto a flanged bell instrument. (Saxophones and Brass). The AMT LSW - Shure Microphone System is meant to be used by the player that requires a multi-channel professional level wireless system. (AMT Recommends the Shure ULXS14 and the ULXP14 wireless units). The AMT LSW allows the player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless beltpack. This LSW system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless mic systems). Requires phantom power.Clip-On Condenser Microphone for a woodwind or brass instrument"Off the bell" clamping systemConverts from an LS "W"ireless setup , to a "Belt pack" model, or the AMT Studio setupIncludes soft case and cables

Applied Microphone Technology Amt Z1 Studio Clip On Condenser Microphone System $651 The AMT Z1 Studio version combines the smallest and only specific flute microphone system on the market with the AMT AP40 floor preamp. The AP40 converts the microphones to low impedance. It regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound and the most gain before feedback in a live applications. An XLR low-impedance balanced output sends a mic level signal. The AMT Z1 is a hardwired single microphone made for flute. It is the perfect choice for soft or louder playing applications. It can be used for featured soloist or miking a section of flutes. This studio version is meant to be used either in a studio setting where close miking of an instrument is desired or in a professionalsetting where a sound engineer controls the microphone.Requires phantom power.AMT Z1W MicrophoneAMT AP40 floor pre-ampHard shell protective case

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Flair Phenomenon

Better known as "Media FLAIR", audio and video adds an impressive touch of professionalism to your business that makes all other attempts to increase conversions pale by comparison.

We'll delve into more of the proper implementation of "FLAIR". This is of paramount importance because even though adding flair can potentially improve the performance of your website more than any other change, if done poorly or incorrectly it can significantly hurt your conversions.

Have you ever been to a website that looked great and offered a useful product then... all of a sudden a crackly and static filled recording of the site creator's voice blasts through your speakers and startles the daylights out of you? It's not a fun experience is it? When this happens, the visitor gets a negative taste in his/her mouth about the entire experience and that clearly will not encourage them to make a purchase.

The same goes with video. A video should compliment the site by adding an engaging and multidimensional aspect to an otherwise one dimensional website. The video should set off buying triggers in the prospect and create positive emotions. The video should be fun and informative. It should be easy on the ears and the eyes. Videos that are hard to see, hear or understand will only defeat the purpose of increasing conversions. In many cases you're better off not putting up a video at all if the quality is poor.

But there is a light at the end of the tunnel! You do not have to be a professional broadcaster with a state of the art recording studio or millionaire budget to create effective flair that captivates and engages your audience. As a matter of fact there are lots of effective shortcuts that can drastically improve the production quality of your flair and they don't cost much money to put in place at all. Here are some production tips to get you going:

Tip #1 - Plan - Prepare - Predict For some situations, unrehearsed media can be very effective, however when it comes to sales videos and website audio this is seldom the case. You should always plan what you are going to say and HOW you are going to say it. What points will you stress? etc. You should prepare some bullet points before you begin perhaps write them on a white board directly behind your camera or print them on a sticky note right beside the lens. Predict your audience's emotion and apprehensions and address them in your delivery.

Tip #2 - Control The Environment (Audio) The sounds of your environment will be captured by your microphone just as the sound of your voice will. I recommend that you sit still for a minute and take note of ambient noises that may be recorded along with you. Things like family members in other rooms, baby's crying, lawn mowers and outside vehicle traffic. The idea is to keep the audiences attention on YOU and not on things going on around you.

Tip #3 - Control The Environment (Video) One of the biggest challenges when creating the proper video environment is lighting. Lighting is HUGE. Always pay close attention to the lighting in your videos. Is it clear and well lit or is id dark and gloomy? When lighting the recording area use 2 or three lamps and angle the lamp shades so that they cancel out shadows.

Tip #4 - Consider Outsourcing Segments Regardless of the type of flair you are producing, there are always segments that you can outsource to professionals. For example, you may want to consider outsourcing the creation of a "Title Segment" to a professional. This will be a unique 3-5 second video segment with your name and logo "swooshing in" and some sound effects. You will add a much more professional appearance to your work with this type of intro/outtro.

Also consider a voice over artist to narrate your video. Powerpoint presentations and slideshow videos are an excellent example of this. A professional V.O. will skyrocket the effectiveness of your presentation. You can even edit/splice together professional clips to create your own custom narration. You can use a product like VoxFlair.com to show you how.

Tip #5 - Use Various Elements Be creative. Always seek to keep the viewer or listener engaged by combining multiple elements of media flair. For example, you can splice a "Tittle Segment" with some "on camera" footage and perhaps insert photo stills or even screen capture shots into your sequence. This keeps the production flowing and engages the audience far more than just a redundant and/or monotone recording.

Video flair should always have accompanying audio but in many cases audio alone can add the flair you need. Audio can work on its own but silent video is seldom an effective way to enhance a website. Keep that in mind when creating a recording. Since you'll be creating your flair in stages, you may be unhappy with the early phases of your production (especially if you're a perfectionist like me!) But once all the segments are spliced (edited) together and you have added audio and visual accents, you'll feel alot better about the production.

Accenting is an important part of flair. Accenting breaks up the monotony of continuous media. For example, if you are recording a 15 minute presentation of yourself on camera reading a sales script, the viewer may begin to loose interest after a few minutes. Adding simple accents can solve this challenge.

You may consider switching to a new camera angle once in a while or cutting to a zoomed in version of the same angle. Another effective video accent is cutting to a black and white video clip that coincides with the story line. For example, if you mention in your video that you enjoy playing basketball, that would be a great spot to insert a few seconds of you shooting a basket in black and white. These small accents go a long way to keep the viewer engaged.

With audio only this is a bit harder to do but you can still get the same effect by using sound effects. So if I was only using an MP3 audio as my sales presentation and there was a part that I mentioned my love of basketball I can insert a few seconds of audio recorded at a basketball court, i.e. the sneakers squeaking on the hard wood floor the ball bouncing as players talk to one another and the swish of the net as I score a basket. Then fade back into my narration. You can also use a music bed as a low level background to keep the listener engaged.

The most important thing to consider when using audio alone as a form of flair is your VOICE FLUCTUATION. Speak like you are talking to a friend not like you are reading a book. In general everyday conversation we accentuate certain words, we stress certain points by controlling the pitch of our voices and we even create emotion by bringing down the level to a near whisper then raising it again. Always remember to smile! Yes SMILE. Even if you are not on camera a smile can show through a microphone and convey a positive vibe to the listener.

Overall, the key is to be creative and dynamic when you are producing flair. Be mindful of the recording quality as well as your content and these things will improve your conversions rather than hurt them. In next months issue I'll reveal the actual software and services that I personally use to produce and serve Flair on my websites.

About the Author

Omar Martin is Mike Filsaime's partner & co-owner of Higher Level Strategies, LLC. Based in Florida USA. Omar has built a successful internet business over the past 3 years & now earns over 25k per month online using these tactics. You can learn more about 1 on 1 coaching and mentorship at http://www.HigherLevelStrategies.com and you can get more useful information on producing media flair at http://www.VoxFlair.com