Microphone Book Vintage
Microphone Book Vintage
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 MXL MXL 990 Condenser Microphone with Shockmount  US $59.99
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 Rode Classic II Limited Collectors Edition valve condenser mic ex display MINT US $1,728.74
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 NADY 1200 VHF Wireless Receiver w Belt Packs Owned Used by STEVE VAI US $.11
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![SET OF 2] VINTAGE VACO MODEL MB 05 ALL PUPOSE CRYSTAL MICROPHONES](http://www.paleroom.com/images/e/290714472665_0.jpg) SET OF 2] VINTAGE VACO MODEL MB 05 ALL PUPOSE CRYSTAL MICROPHONES US $19.99
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 ART PRO MPA II Reference Series US $299.00
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 ELECTRO VOICE RE1 Wireless Receiver Owned Used by STEVE VAI US $3.58
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 NADY U 1000 UB 1000 Wireless System for Flo Evo Bo Ani Owned by STEVE VAI US $52.50
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 NADY 800 GT TX Wireless Instrument Body Pack Owned Used by STEVE VAI US $5.50
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 One of the BEST vintage Recording Technique books Neve Sony C37A UREIAltec US $52.00
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 MXL V900 Stage and Studio Condenser Microphone US $149.99
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 Shure Super 55 Dynamic Microphone US $249.00
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 PreSonus TubePre MXL990 Condenser Microphone US $139.99
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 Universal Audio 2 610S Dual 610 Tube Microphone Studio Preamp Mic Pre Amp NEW US $2,199.00
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 Shure 55SH Series II Mic US $179.00
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 Shure Super 55 Deluxe Vintage style Chrome Mic W Mount NEW US $249.00
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 AKG C1000S Small Diaphram Pencil Condenser Microphone w Hardshell Mic Case US $139.99
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 AKG C414 B XL II Condenser Mic w Original Documents Hard Case w Accessories US $649.99
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 BLUE Snowball USB Professional Desktop Microphone Like New in Original Box US $69.99
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 British German Neumann AKG Beyer Microphone Guide 1968the Classic mics US $25.00
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 MXL V67Q Dual Diaphragm Stereo Condenser Microphone Stereo XLR Cable NEW US $179.95
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 M Audio Fast Track C400 Audio Interface Avid Pro Tools M Powered MP 9 US $263.99
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 RODE CLASSICii LIMITED EDITION CONDENSER MICROPHONE LIFETIME WARRANTY ONLY 500 US $2,099.00
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 SHURE SM81 Small Diaphram Pencil Condenser Microphone US $275.00
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 CAD Joe Satriani Guitar Amp Microphone Pack Ribbon Dynamic New In Box US $199.99
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 Vintage Voice of Music round metal Microphone US $49.99
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 Build a RIBBON VELOCITY Microphone from 1953 a TUBE THEREMIN Circuits here US $55.00
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 BLUE Microphones CACTUS Vacuum Tube Condenser Microphone W Extra Capsule US $1,999.00
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 BLUE MICROPHONES ROBBIE The Mic Preamp Pre US $649.99
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 BLUE MICROPHONES Bluebird Cardioid Condenser Mic Capsule Mod w Extended Range US $499.99
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 BLUE Baby Bottle Cardioid Condenser Microphone Includes Green QUAD Cable US $265.00
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 BLUE MICROPHONES Bottle Rocket STAGE TWO Interchangeable Capsule Caps B2 B3 US $2,499.00
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 BLUE Microphones Bottle Rocket Stage 1 Interchangeable Capsule Mic US $549.00
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 Universal Audio UA Solo610 Solo Channel 610 Tube Mic Instrument Pre Preamp NEW US $999.00
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 Heil Sound Fin RED Dynamic Deco Style LED Light Vocal Microphone NEW US $238.00
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 RODE Classic II Studio Condenser Recording Microphone 2 US $2,099.00
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 RODE Classic II Studio Condenser Microphone 2 BUNDLE US $2,099.00
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 Vintage Rare CROWN Dyanamic Microphone w case Japan Audio Equipment RARE US $9.99
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 Blue B4 Perspex Sphere Pressure Omni Bottle Cap US $599.00
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 Blue B7 Cardioid Single Backplate Bottle Cap 101235539 US $599.00
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 Blue Blueberry Cardioid Condenser Microphone US $999.99
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 Realistic HighBall Unidirectional Dynamic Microphone Case12 XLR cord Holder US $74.95
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 MXL 990 993 Studio Package US $199.99
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 Blue Ringer Universal Shockmount US $49.99
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 Blue B0 Cardioid Large Diaphragm Bottle Cap US $599.00
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 Blue B1 Cardioid Small Diaphragm Bottle Cap US $599.00
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 Have a Shure SM81 Condenser Microphone Get this 1978 Catalog for it All Specs US $20.00
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 1969 Beyer Microphone Catalog M500 M160 M260 M69 M88 Audio Transformers ETC US $35.00
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 1965 Beyer Microphone Catalog MINT M130 M260 M65 M66 M100 M61 Headphones etc US $30.00
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 Universal Audio 6176 Channel Stip Mic Pre 1176 Compressor and 610 Preamp US $2,499.00
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 M Audio Fast Track C400 Interface Pro Tools M Powered Toontrack EZdrummer US $315.00
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Hal Leonard The Microphone Handbook $40.46 This is the only guide you will ever need to the latest in microphone technology, application and technique. The new edition features new information on microphone arrays and wireless microphones; a new chapter on classic old models; the latest developments in surround sound; extra advice on studio set up, recording and mic selection; an improved layout for ease of reference and even more illustrations. John Eargle provides detailed analysis of the different types of microphones available. He then addresses their application through practical examples of actual recording sessions and studio operations. Surround sound is covered from both a creative and a technical viewpoint. Recording and sound reinforcement engineers at all levels of expertise will find The Microphone Book an invaluable resource for learning the why as well as the how of choosing a microphone for any situation. |
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Audio-Technica At4047 Condenser Microphone $699 The Audio-Technics AT4047 Condenser Microphone is designed for professional recording and critical applications in broadcast and live sound. Transformer-coupled output and a specially tuned element provide sonic characteristics reminiscent of early FET studio mic designs. The AT4047 mic has exceptionally low self-noise, wide dynamic range and high SPL capability. It sports a vintage silver-matte finish on the microphone and shock mount. Audio-Technica includes a protective case and AT8449/SV shock mount with the AT4047 microphone. Requires phantom power.Gold-plated, specially contoured and aged, dual-diaphragms Switchable 80 Hz hi-pass filter and 10 dB pad Includes AT8449/SV shockmount |
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Mxl V900 Stage And Studio Condenser Microphone $149.99 The MXL V900 is a large diaphragm condenser microphone that is as comfortable to use and as effective on stage as it is in the studio. The heavy duty custom grille assembly has been carefully tuned to optimize the MXL V900 microphone's premium condenser element. Internally shock mounted, the MXL V900 mic has a unique stand mounting design that isolates vibration and reduces handling noise. The MXL V900 microphone has a classic, vintage look that will complement your performance and stage presence. The MXL V900 is a Class A microphone designed to exhibit a wide dynamic range and a low noise floor. The MXL V900 is also a perfect microphone for digital recording.Requires phantom power.Gold-sputtered, vintage modeled diaphragmLow-noise solid state preampEasy-to-move swivel mount attaches to any mic standIncludes 25' Mogami microphone cable & aluminum carrying caseWired with Mogami cable |
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Used Mxl V900 Stage And Studio Condenser Microphone $136.49 The MXL V900 is a large diaphragm condenser microphone that is as comfortable to use and as effective on stage as it is in the studio. The heavy duty custom grille assembly has been carefully tuned to optimize the MXL V900 microphone's premium condenser element. Internally shock mounted, the MXL V900 mic has a unique stand mounting design that isolates vibration and reduces handling noise. The MXL V900 microphone has a classic, vintage look that will complement your performance and stage presence. The MXL V900 is a Class A microphone designed to exhibit a wide dynamic range and a low noise floor. The MXL V900 is also a perfect microphone for digital recording.Requires phantom power.Gold-sputtered, vintage modeled diaphragmLow-noise solid state preampEasy-to-move swivel mount attaches to any mic standIncludes 25' Mogami microphone cable & aluminum carrying caseWired with Mogami cable |
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Audio-Technica At4060 Tube Microphone $1349 The Audio-Technica AT4060 Tube Microphone combines advanced engineering with vintage tube technology. You get valve sound with the performance and versatility required by the most demanding studio applications. The AT4060 mic's superior dynamic range, low noise, and high SPL capability make it a premier vocal microphone. And whether recording soft string sections or screaming guitars, the Audio-Technica AT4060s output is always clear and consistent, lush and uncolored. Each tube is hand-selected, aged, and individually tested to ensure peak performance. Dual gold-vaporized, large-diaphragm elements provide extended frequency response. In every respect, the AT4060 microphone continues the tradition of excellence established by the critically acclaimed 40 series mics. Audio-Technica includes power supply, shockmount, cable for connecting mic to power supply, AC power cable, rackmount adapters for power supply, and protective carrying case with the AT4060 Tube Microphone. Requires phantom power. |
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MXL V900 Stage and Studio Condenser Microphone $199.99 The MXL V900 is a large diaphragm condenser microphone that is as comfortable to use and as effective on stage as it is in the studio. The heavy duty custom grille assembly has been carefully tuned to optimize the MXL V900 microphone's premium condenser element. Internally shock mounted, the MXL V900 mic has a unique stand mounting design that isolates vibration and reduces handling noise. The MXL V900 microphone has a classic, vintage look that will complement your performance and stage presence. The MXL V900 is a Class A microphone designed to exhibit a wide dynamic range and a low noise floor. The MXL V900 is also a perfect microphone for digital recording.Requires phantom power. |
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Manley Reference Cardioid Microphone $2457 The Manley Reference Cardioid Microphone shares the same electronic attributes as the Gold Reference Series, but has a center-fixed cardioid-only capsule with a thicker gauge (6 micron) gold sputtered diaphragm. With similar film thickness and construction; high frequency resonance (a little edge); proximity effect; and pretty good immunity from pops and sibilance problems, the Reference Cardioid more closely recalls how many of the vintage European tube mics such as the beloved U47 sounded like when they were new.The Manley mic's rich tonal balance and liquid character is consistently admired for instruments such as guitars, drum overheads, saxophone, and especially vocals. With your present mic, if you find yourself leaning on your compressors and boosting 5 or 10K to score a bit more testosterone, then the Reference Cardioid just might be the mic you're looking for. If you seem to be constantly boosting 12-18K and trying to get a clean, intimate sound, then the Reference Gold is definitely a safe bet.A proven hit-maker, the Manley Reference Cardioid Microphone was used to record all the vocals for Britney Spears, N'Sync, and The Backstreet Boys. |
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Course Technology Ptr Getting Great Sounds: The Microphone Book $35.99 How to choose and use microphones was once a skill passed down from senior sound engineers to their assistants as they would listen and learn by observation. Today, few large studios have assistant engineers, and an overwhelming number of studios are operated by their owners who are self-taught and do not have the benefit of the big studio tutelage.Getting Great Sounds: The Microphone Book imparts these microphone tips and tricks of the pros to make them available to any sound engineer or home studio enthusiast. It explains all aspects of all kinds of microphones, how they work, and how to use them in session recording. The conversational narrative style presents technical aspects in an easy-to-understand, humorous fashion, based on the real-life experiences of its author, a well-known recording engineer.ContentsIntro - A Place To BeginChapter 1 - The first link in the sonic chain - Early microphone developmentChapter 2 - Microphone types and pick-up patternsChapter 3 - Polarity and phase what it is and what it meansChapter 4 - High- low impedance/ Balanced-unbalanced microphonesChapter 5 - Other types of transducers direct boxes, guitar pickups, etcChapter 6 - Accessories & necessary hardware stands, booms, shockmountsChapter 7 - Stereo microphone techniquesChapter 8 - Setting up a sessionChapter 9 - Good sound- Bad soundChapter 10 - Miking drumsChapter 11 - Miking guitarChapter 12 - Miking pianosChapter 13 - Miking solo instrument and vocalsChapter 14 - Miking classical sessionsCoda - Vibrations in the universeAbout the authorTom Lubin has held numerous positions in the recording and educational spheres throughout his long and illustrious career. Most recently, he was the Western Australian representative for the Australian Film Television and Radio School, after working as head of professional development and training at the Film and Television Institute in Western Australia. Before working as an educator, Tom worked as field sales manager for Fostex, and as part of their design team, he helped introduce some of the first recordable multitrack and digital recording systems. Tom has also worked as managing editor of Recording Engineer/Producer magazine (at the time the premier music and sound production trade publication in the U.S.), where he had the opportunity to interview some of the most prominent music producers of the time. Tom has also held positions at CBS Records Studios - San Francisco, The College of Recording Arts - San Francisco, Jimi Hendrix's Electric Lady Studios, and Gold Star. He is a lifetime member of the National Academy of Recording Arts and Sciences.Provides strategies on what microphone to use regardless of specific brands and models.Explains how to set-up microphones for all types of sessions regardless of the type of studio and the microphones available.Covers technicalities and techniques that are applicable in a wide range of sound recording situations.Presents technical aspects in an easy-to-understand fashi |
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Shure 55Sh Series Ii Microphone $179 An unmistakable stage icon for 70 years, the Shure 55SH Series II Unidyne Vocal Microphone features a signature satin chrome-plated die-cast casing for pure vintage look and feel with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.The 55SH Series II microphone has a cardioid (unidirectional) polar pickup pattern that minimizes sound pickup from the rear of the microphone. This allows the Model 55SH Series II to be used in close proximity to loudspeakers without creating feedback problems, and it can perform under adverse acoustic conditions where omnidirectional microphones cannot.The 55SH Series II has a low-impedance balanced output designed for connection to microphone inputs rated at 75 to 300 ohms. The microphone features a cartridge shockmount to reduce stand noise, an On/Off switch, and an attached, self-tensioning, 5/8"-27 thread swivel mount. This microphone is ideal for public address or theater-stage sound systems, as well as for broadcasting, recording, and other sound applications where a stand-mounted microphone with a classic look is desirable.Classic appearance, modern performanceFrequency response tailored for speech, vocals and instrumental musicCardioid directional pattern for optimum performance in adverse acoustic environmentsShock-mounted cartridge minimizes stand-transmitted noise, ensures quiet operationRugged chrome-plated die-cast casing and mechanical design for reliability under rigorous conditionsSelf-tensioning swivel mount, permits tilting through 45 forward and 80 backward |
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Course Technology PTR Getting Great Sounds: The Microphone Book $35.99 How to choose and use microphones was once a skill passed down from senior sound engineers to their assistants as they would listen and learn by observation. Today, few large studios have assistant engineers, and an overwhelming number of studios are operated by their owners who are self-taught and do not have the benefit of the big studio tutelage.Getting Great Sounds: The Microphone Book imparts these microphone tips and tricks of the pros to make them available to any sound engineer or home studio enthusiast. It explains all aspects of all kinds of microphones, how they work, and how to use them in session recording. The conversational narrative style presents technical aspects in an easy-to-understand, humorous fashion, based on the real-life experiences of its author, a well-known recording engineer.ContentsIntro - A Place To BeginChapter 1 - The first link in the sonic chain - Early microphone developmentChapter 2 - Microphone types and pick-up patternsChapter 3 - Polarity and phase what it is and what it meansChapter 4 - High- low impedance/ Balanced-unbalanced microphonesChapter 5 - Other types of transducers direct boxes, guitar pickups, etcChapter 6 - Accessories & necessary hardware stands, booms, shockmountsChapter 7 - Stereo microphone techniquesChapter 8 - Setting up a sessionChapter 9 - Good sound- Bad soundChapter 10 - Miking drumsChapter 11 - Miking guitarChapter 12 - Miking pianosChapter 13 - Miking solo instrument and vocalsChapter 14 - Miking classical sessionsCoda - Vibrations in the universeAbout the authorTom Lubin has held numerous positions in the recording and educational spheres throughout his long and illustrious career. Most recently, he was the Western Australian representative for the Australian Film Television and Radio School, after working as head of professional development and training at the Film and Television Institute in Western Australia. Before working as an educator, Tom worked as field sales manager for Fostex, and as part of their design team, he helped introduce some of the first recordable multitrack and digital recording systems. Tom has also worked as managing editor of Recording Engineer/Producer magazine (at the time the premier music and sound production trade publication in the U.S.), where he had the opportunity to interview some of the most prominent music producers of the time. Tom has also held positions at CBS Records Studios - San Francisco, The College of Recording Arts - San Francisco, Jimi Hendrix's Electric Lady Studios, and Gold Star. He is a lifetime member of the National Academy of Recording Arts and Sciences. |
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Backbeat Books Vintage Synthesizers Book $26.96 This new edition is the ultimate exploration of the upstart instruments - and their unique analog growls and screams - that paved the way over the last four decades for today's fast-paced electronic music world. Explores the development of the modern synthesizer from 1962 on, with in-depth interviews with pioneering designers Bob Moog and Alan R. Pearlman of Moog Music and ARP Instruments fame. These and other designers reveal their initial ideas, reflect on their hits and misses, and discuss how star performers have used their creations. Histories of groundbreaking instruments examine modular, analog & digital synths and samplers, plus more unusual instruments like the Mellotron. Noted synthesist Keith Emerson and composer Wendy Carlos (Switched-On Bach) offer musical insights and performance techniques. Includes fully updated pricing and production info, and more than 200 photos and a stunning color section. |
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Blue Blueberry Cardioid Condenser Microphone $999.99 The Blueberry Cardioid Condenser Microphone from Blue consists of a Class A discrete mic amp perfectly chosen to match the single pattern, cardioid, hand-built, large diaphragm capsule. The mic capsule has been tuned to provide a silky-bright and airy top end reminiscent of the best vintage microphones. The result is a recorded signal such as a vocal, minus unwanted low end resonance that can cause a compressor to breathe or pump, or a vocal or instrument track that sits and blends with the basic tracks of recorded program material.Requires phantom power. |
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COSMOS ® Silver Retro Classic Elvis Style Mini 3.5mm Flexible Microphone Mic for PC Macbook pro/Laptop/PC/Desktop computers/Skype/VOIP/MSN/Yahoo + Cosmos cable tie List Price: $39.99 Sale Price: $11.99  |
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50's Old School Retro Microphone On your PC desktop! High sensitivity & Noise Cancelling Condition: Brand New Connectivity: Wired Cord Length: 2.5m Material : ABS Plastic interface: Analog (3.5mm Jack)... |
