Mic Touring
Mic Touring
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Ultimate Support Tour-T Tripod Mic Stand $149.99 Like the rest of the TOUR Series Tripod Base Mic Stands, the TOUR-T model is designed for professionals, rental facilities, touring, and backline companies. The TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage. The secure rubber footcaps will not fall off.The Tour-T is height adjustable from 41.7" to 64.6" and has a tube diameter of 1.1".Patented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingSecure rubber footcapsParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftSturdy baseLimited lifetime warranty |
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Used Crown Cm-311A Headset Mic With Beltpack 889406416765 $125 If you want to maintain eye contact and really play while you sing, the Crown CM-311A Headset Microphone is for you. Electret condenser capsule provides full, clear, distortion-free sound. Gain-before-feedback and isolation are exceptional. Lightweight, rugged, and comfortable, the headband and mic boom are adjustable for any vocalist. Includes a battery/phantom power beltpack. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. The CM-311A is the latest version of the Crown's proprietary Differoid technology. Its cardioid pickup pattern rejects sounds from the rear, such as floor monitors. Its noise-canceling ability rejects sounds at a distance, such as instruments on stage and crowd noise. This results in the CM-311A having outstanding gain-before-feedback and isolation. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. Lightweight and comfortable, the mic's headband and boom adjust to fit any singer. An included pop filter greatly reduces breath noise and pops. Because of the boom's unique behind-the-ear design, it does not cover up the singer's face. The CM-311A is powered by a 9V battery or phantom power. It has a battery belt pack with an on/off switch, a programmable mic on/off switch, and a "Mic On" LED. Full, clear, distortion-free sound Outstanding gain-before-feedback and isolation Battery/phantom belt pack |
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Used Crown Cm-311A Headset Mic With Beltpack 889406739239 $125 If you want to maintain eye contact and really play while you sing, the Crown CM-311A Headset Microphone is for you. Electret condenser capsule provides full, clear, distortion-free sound. Gain-before-feedback and isolation are exceptional. Lightweight, rugged, and comfortable, the headband and mic boom are adjustable for any vocalist. Includes a battery/phantom power beltpack. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. The CM-311A is the latest version of the Crown's proprietary Differoid technology. Its cardioid pickup pattern rejects sounds from the rear, such as floor monitors. Its noise-canceling ability rejects sounds at a distance, such as instruments on stage and crowd noise. This results in the CM-311A having outstanding gain-before-feedback and isolation. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. Lightweight and comfortable, the mic's headband and boom adjust to fit any singer. An included pop filter greatly reduces breath noise and pops. Because of the boom's unique behind-the-ear design, it does not cover up the singer's face. The CM-311A is powered by a 9V battery or phantom power. It has a battery belt pack with an on/off switch, a programmable mic on/off switch, and a "Mic On" LED. Full, clear, distortion-free sound Outstanding gain-before-feedback and isolation Battery/phantom belt pack |
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Ultimate Support Tour-T-Tall Tripod Mic Stand $179.99 Like the rest of the TOUR Series Tripod Base Mic Stands, the TOUR-TALL model is designed for professionals, rental facilities, touring, and backline companies. As its name suggests, this model was made for those with a larger stature as it's height adjustment goes from 55.1" to a generous 96.5". It's also ideal for overhead micing situations.The TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing (1.1" diameter) that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage. The secure rubber footcaps will not fall off.Patented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingSecure rubber footcapsParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftSturdy baseLimited lifetime warranty |
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Ultimate Support Tour-Rb Round Base Mic Stand $129.99 Like the rest of the TOUR Series Mic Stands, the TOUR-RB Round Base model is designed for professionals, rental facilities, touring, and backline companies. Unlike its counterparts however, the TOUR-RB's zinc, die-cast weighted base is round. It has a height adjustment level of 42.5" to 63.8". Perfect for vocal applications or capturing acoustic instruments when a performer is standing.All TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing (1.1" diameter) that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage.Patented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingRound zinc, die-cast weighted baseParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftLimited lifetime warranty |
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Used Ultimate Support Tour-Rb Round Base Mic Stand $118.29 Like the rest of the TOUR Series Mic Stands, the TOUR-RB Round Base model is designed for professionals, rental facilities, touring, and backline companies. Unlike its counterparts however, the TOUR-RB's zinc, die-cast weighted base is round. It has a height adjustment level of 42.5" to 63.8". Perfect for vocal applications or capturing acoustic instruments when a performer is standing.All TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing (1.1" diameter) that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage.Patented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingRound zinc, die-cast weighted baseParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftLimited lifetime warranty |
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Ultimate Support Tour-T-Short Tripod Mic Stand $129.99 Like the rest of the TOUR Series Tripod Base Mic Stands, the TOUR-SHORT model is designed for professionals, rental facilities, touring, and backline companies. As its name suggests, this model has a shorter height adjustment level of 19" to 30.7". It's ideal for setting up your mics to capture drums and other instruments, or for children's performances.All TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing (1.1" diameter) that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage. The secure rubber footcaps will not fall off.Patented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingSecure rubber footcapsParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftSturdy baseLimited lifetime warranty |
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Ultimate Support Tour-Mt Standard Weighted Base Mic Stand $129.99 Like the rest of the TOUR Series Mic Stands, the TOUR-MT Standard Weighted Base model is designed for professionals, rental facilities, touring, and backline companies. As its name suggests, this model has a strong, zinc, die-cast weighted base for stability. It has a height adjustment level of 42.5" to 63.8". Perfect for vocal applications or capturing acoustic instruments when a performer is standing.All TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing (1.1" diameter) that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage.Patented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingStandard-sized zinc, die-cast weighted baseParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftLimited lifetime warranty |
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Ultimate Support Tour-Lt Oversized Weighted Base Mic Stand $144.99 Like the rest of the TOUR Series Mic Stands, the TOUR-LT Oversized Weighted model is designed for professionals, rental facilities, touring, and backline companies. As its name suggests, this model has a large, zinc, die-cast weighted base for superior stability. It has a height adjustment level of 42.5" to 63.8". Perfect for vocal applications or capturing acoustic instruments when a performer is standing.All TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing (1.1" diameter) that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage.Patented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingOversized zinc, die-cast weighted baseParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftLimited lifetime warranty |
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Ultimate Support Tour-T-T Tripod Mic Stand With Telescoping Boom $189.99 This Ultimate Support TOUR-T-T package pairs the TOUR-T Tripod Mic Stand with the ULTI-BOOM TB telescoping boom so you can get your mic set up right where you need it. The combination of quality stand and boom will be an asset to any stage or studio setup.TOUR-T Tripod Mic StandLike the rest of the TOUR Series Tripod Base Mic Stands, the TOUR-T model is designed for professionals, rental facilities, touring, and backline companies. The TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage. The secure rubber footcaps will not fall off.The Tour-T is height adjustable from 41.7" to 64.6" and has a tube diameter of 1.1".ULTI-BOOM TBThis telescoping boom features an oversized rotation hub to increase friction and reduce slippage. Like the stand, it has top threads which fit U.S. and metric threaded mic clips and accessories. Its ergonomic knobs allow for quick adjustment without fear of pinching precious fingers before a performance. The ULTI-BOOM TB is made of extruded and anodized aluminum tubing with internal glides for fast, smooth, and noise-free adjustment. A metal counterweight gives it true balance. The boom length can be adjusted between 18.9" - 34.6".TOUR-T mic standPatented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingSecure rubber footcapsParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftSturdy baseULTI-BOOM TBOversized rotation hub increases friction, reducing slippagePatented top threads fit U.S. and metric threaded mic clips and accessoriesErgonomic knobs for quick adjustmentExtruded and anodized aluminum tubingInternal glides for fast, smooth, and noise-free adjustmentMetal counterweight for true balanceLimited lifetime warranty |
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B-Band UKKO-S Single Snare Drum Contact Mic $99.99 The B-Band UKKO-S snare drum contact mic system is a remarkable way to capture the true tonality of your drum consistently, conveniently, and with extreme isolation. This system consists of two important components: the UKKO DMS preamp, built with high-quality class-A electronics, and the UKKO DST2 Contact mic for superb tone. This system will work with any size snare drum, and gives you high-resolution sound, and easy setup!This mic system was designed to be able to blend-in visually with the drum kit. That is why B-Band designed the DMS preamp to be chrome colored to match most drum hardware. It is an extremely lightweight system that does not add any noticeable weight to the drum, or get in the way while performing like most other drum mic systems. It also very robust and durable, and will endure rigorous touring.Setting up and tearing down have never been this easy. The DST2 has an adhesive back that mounts easily and discreetly on the inside of the drum shell near the batter head. The DST2 lead wire is fed through the drum air hole to the DMS preamp. The preamp comes with two different mounting options: mounting at the air hole outside of the drum, or a rim clamp mounting. The air hole mounting option was specially designed to not interrupt the flow of air as the drum breathes. Being as the DMS preamp is so small in size, there is no need to remove it to put the drum in its case, leave it on and be ready for the next gig or studio session. Inside the DMS preamp there are two mini switches that contour the sound for a choice of tone. One switch controls a +3dB mid boost at 500 Hz and the other is for a 6dB high cut. |
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B-Band UKKO-T Single Tom Drum Contact Mic $99.99 The B-Band UKKO-T single tom drum contact mic system is a remarkable way to capture the true tonality of your tom consistently, conveniently, and with extreme isolation. This system consists of two important components: the UKKO DMT preamp, built with high-quality class-A electronics, and the UKKO DST2 Contact mic for superb tone. This system will work with any size tom, and gives you high-resolution sound, and easy setup!This mic system was designed to be able to blend-in visually with the drum kit. That is why B-Band designed the DMT preamp to be chrome colored to match most drum hardware. It is an extremely lightweight system that does not add any noticeable weight to the drum, or get in the way while performing like most other drum mic systems. It also very robust and durable, and will endure rigorous touring.Setting up and tearing down have never been this easy. The DST2 has an adhesive back that mounts easily and discreetly on the inside of the drum shell near the batter head. The DST2 lead wire is fed through the drum air hole to the DMT preamp. The preamp comes with two different mounting options: mounting at the air hole outside of the drum, or a rim clamp mounting. The air hole mounting option was specially designed to not interrupt the flow of air as the drum breathes. Being as the DMT preamp is so small in size, there is no need to remove it to put the drum in its case, leave it on and be ready for the next gig or studio session. Inside the DMT preamp there are two mini switches that contour the sound for a choice of tone. One switch controls a -6dB mid cut at 1 kHz and the other is for a +6dB high boost at 5kHz. |
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B-Band UKKO-T Single Tom Drum Contact Mic 889406481107 $50 The B-Band UKKO-T single tom drum contact mic system is a remarkable way to capture the true tonality of your tom consistently, conveniently, and with extreme isolation. This system consists of two important components: the UKKO DMT preamp, built with high-quality class-A electronics, and the UKKO DST2 Contact mic for superb tone. This system will work with any size tom, and gives you high-resolution sound, and easy setup!This mic system was designed to be able to blend-in visually with the drum kit. That is why B-Band designed the DMT preamp to be chrome colored to match most drum hardware. It is an extremely lightweight system that does not add any noticeable weight to the drum, or get in the way while performing like most other drum mic systems. It also very robust and durable, and will endure rigorous touring.Setting up and tearing down have never been this easy. The DST2 has an adhesive back that mounts easily and discreetly on the inside of the drum shell near the batter head. The DST2 lead wire is fed through the drum air hole to the DMT preamp. The preamp comes with two different mounting options: mounting at the air hole outside of the drum, or a rim clamp mounting. The air hole mounting option was specially designed to not interrupt the flow of air as the drum breathes. Being as the DMT preamp is so small in size, there is no need to remove it to put the drum in its case, leave it on and be ready for the next gig or studio session. Inside the DMT preamp there are two mini switches that contour the sound for a choice of tone. One switch controls a -6dB mid cut at 1 kHz and the other is for a +6dB high boost at 5kHz. |
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B-Band UKKO-K Single Kick Drum Contact Mic $99.99 The B-Band UKKO-K kick drum contact mic system is a remarkable way to capture the true tonality of your kick drum consistently, conveniently, and with extreme isolation. This system consists of two important components: the UKKO DMK preamp, built with high-quality class-A electronics, and the UKKO DST1 Contact mic for superb tone. This system will work with any size kick drum, and gives you high-resolution sound, and easy setup!This mic system was designed to be able to blend-in visually with the drum kit. That is why B-Band designed the DMK preamp to be chrome colored to match most drum hardware. It is an extremely lightweight system that does not add any noticeable weight to the drum, or get in the way while performing like most other drum mic systems. It also very robust and durable, and will endure rigorous touring.Setting up and tearing down have never been this easy. The DST1 has an adhesive back that mounts easily and discreetly on the inside of the drum shell near the batter head. The DST1 lead wire is fed through the drum air hole to the DMK preamp. The preamp mounts in the air hole outside of the drum, and was specially designed to not interrupt the flow of air as the drum breathes. Being as the DMK preamp is so small in size, there is no need to remove it to put the drum in its case, leave it on and be ready for the next gig or studio session. To better capture the low frequencies of the kick drum there are two mini switches inside the DMK preamp that contour the sound for a choice of tone. One switch controls a -6dB mid cut at 330 Hz and the other is for a +6dB high boost at 5 kHz.If you have a hole cut on your resonant head or if there is no resonant head on your kick drum, this will make the UKKO-K sound thinner. It is recommended to have a solid resonant head for maximum tonal quality. |
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Rane Empath Touring/Club Mixer Black $999 Versatile 3-channel, 10" format DJ mixer. Durable Lexan top plate. Universal internal power supply accepts 100 to 240 VAC, 50/60Hz power, for use anywhere in the world without adapters. Auto-gain prevents performance-wrecking swings in program level when changing sources. The music is never too soft or clipped. FlexFX is a post-fader external stereo effects loop with individual dry/wet pan controls for mic and input channels 1, 2, and 3. Smooth, accurate and reliable mixing is made possible by employing the most respected name in audio faders, Penny & Giles. 2 kinds of fader caps are provided for different mixing preferences: soft rubber caps for smooth mixing and hard plastic caps for fast mixing. Flash-Cue allows the DJ to rapidly select Crossfader A-Cue-sum or Crossfader B-Cue-sum with the flick of a switch, a normally slow and complicated operation on other mixers. Nothing is more frustrating than arriving at a club and finding their jacks don't match. House systems may have XLR, TRS, or RCA connectors. The Empath provides all 3. Low and high headphone tone controls allow the DJ to match their mixer to their headphones. Both 1/8" and 1/4" headphone jacks are simultaneously usable. 2 assignable CD triggers work with any CD player with fader-start ability. Accelerated-slope, full-cut, 3-band tone controls are the most flexible and highest quality available. Crossfader assign switches allow any input channel to be mixed on the A-side, B-side, or post crossfader. Level meters show stereo cue, stereo master mix, split cue, or main output signals. The Auto-Gain circuit is a built-in 3:1 ratio compressor, keeping your levels consistent. All of these features are wrapped in the smallest, most portable chassis of any 3-channel mixer. Excellent control ergonomics allow this small package to feel as open and comfortable as much larger units.3-channel, 10" formatDurable Lexan top plateUniversal internal power supply accepts 100 to 240 VAC, 50/60Hz powerAuto-gain FlexFX post-fader external stereo effects loop with individual dry/wet pan controls for mic and Input channels 1, 2, and 3Penny & Giles faders2 kinds of fader caps for different mixing preferences: soft rubber caps for smooth mixing, and hard plastic caps for fast mixingFlash-Cue to select Crossfader A-Cue-sum or Crossfader B-Cue-sumXLR, TRS, or RCA connectorsLow and high headphone tone controlsBoth 1/8" and 1/4" headphone jacks are simultaneously usable2 assignable CD triggers work with any CD player with fader-start abilityAccelerated-slope, full-cut, 3-band tone controlsCrossfader assign switches allow any input channel to be mixed on the A-side, B-side, or post crossfaderLevel meters show stereo cue, stereo master mix, split cue, or main output signalsAuto-gain 3:1 ratio compressor |
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Rane Empath Touring/Club Mixer Blue $999 Versatile 3-channel, 10" format DJ mixer. Durable Lexan top plate. Universal internal power supply accepts 100 to 240 VAC, 50/60Hz power, for use anywhere in the world without adapters. Auto-gain prevents performance-wrecking swings in program level when changing sources. The music is never too soft or clipped. FlexFX is a post-fader external stereo effects loop with individual dry/wet pan controls for mic and input channels 1, 2, and 3. Smooth, accurate and reliable mixing is made possible by employing the most respected name in audio faders, Penny & Giles. 2 kinds of fader caps are provided for different mixing preferences: soft rubber caps for smooth mixing and hard plastic caps for fast mixing. Flash-Cue allows the DJ to rapidly select Crossfader A-Cue-sum or Crossfader B-Cue-sum with the flick of a switch, a normally slow and complicated operation on other mixers. Nothing is more frustrating than arriving at a club and finding their jacks don't match. House systems may have XLR, TRS, or RCA connectors. The Empath provides all 3. Low and high headphone tone controls allow the DJ to match their mixer to their headphones. Both 1/8" and 1/4" headphone jacks are simultaneously usable. 2 assignable CD triggers work with any CD player with fader-start ability. Accelerated-slope, full-cut, 3-band tone controls are the most flexible and highest quality available. Crossfader assign switches allow any input channel to be mixed on the A-side, B-side, or post crossfader. Level meters show stereo cue, stereo master mix, split cue, or main output signals. The Auto-Gain circuit is a built-in 3:1 ratio compressor, keeping your levels consistent. All of these features are wrapped in the smallest, most portable chassis of any 3-channel mixer. Excellent control ergonomics allow this small package to feel as open and comfortable as much larger units.3-channel, 10" formatDurable Lexan top plateUniversal internal power supply accepts 100 to 240 VAC, 50/60Hz powerAuto-gain FlexFX post-fader external stereo effects loop with individual dry/wet pan controls for mic and Input channels 1, 2, and 3Penny & Giles faders2 kinds of fader caps for different mixing preferences: soft rubber caps for smooth mixing, and hard plastic caps for fast mixingFlash-Cue to select Crossfader A-Cue-sum or Crossfader B-Cue-sumXLR, TRS, or RCA connectorsLow and high headphone tone controlsBoth 1/8" and 1/4" headphone jacks are simultaneously usable2 assignable CD triggers work with any CD player with fader-start abilityAccelerated-slope, full-cut, 3-band tone controlsCrossfader assign switches allow any input channel to be mixed on the A-side, B-side, or post crossfaderLevel meters show stereo cue, stereo master mix, split cue, or main output signalsAuto-gain 3:1 ratio compressor |
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B-Band UKKO-KIT 5-piece Contact Drum Mic Set $436.79 The B-Band UKKO-KIT 5-Piece contact drum mic system is a remarkable way to capture the true tonality of your drums consistently, conveniently, and with extreme isolation. This system consists of two important components: UKKO DM preamps, built with high-quality class-A electronics, and UKKO DST Contact mics for superb tone. This system works with any size drums, and gives you high-resolution sound, and easy setup!This mic system was designed to be able to blend-in visually with your drum kit. That is why B-Band designed the DM preamps to be chrome colored to match most drum hardware. It is an extremely lightweight system that does not add any noticeable weight to the drum, or get in the way while performing like most other drum mic systems. It also very robust and durable, and will endure rigorous touring.Setting up and tearing down have never been this easy. The DST mics have an adhesive back that mounts easily and discreetly on the inside of the drum shell near the batter head. The DST lead wires are fed through the drum's air holes to the DM preamps. The DM preamps for the snare drum and toms come with two different mounting options: mounting at the air hole outside of the drum, or a rim clamp mounting. The air hole mounting option was specially designed to not interrupt the flow of air as the drum breathes. Being as the DM preamps are so small in size, there is no need to remove them to put the drums in their cases, leave them on and be ready for the next gig or studio session. Inside the DM preamps there are two mini switches, which contour the sound for choice of tone. The DMS, DMT, and the DMK preamps all have 2 different frequency choices from each other because snare drums, toms, and kick drums all have different tonal characteristics. |
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 Shure SM86 Handheld Condenser Vocal Mic SM 86 NEW FREE NEXT DAY AIR US $179.00
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 Beyerdynamic TG X 61 mic tgx61 FREE SHIP PROAUDIOSTAR US $299.00
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 Shure PGX14 Wireless System w Crown CM311AE SH Headset US $759.99
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 Atlas AD 12BE Surface Mount Male Microphone Flange Black US $7.99
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 Shure Beta 58A Supercard Mic No Reserve Must Sell US $41.00
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 Shure Beta 58A Dynamic Supercardioid High Output Microphone US $159.00
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 MicFX® Microphone Sleeve Vegas Lights shure audio technica sennheiser US $15.00
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 Micro Mini Earset Headset Headworn Microphone Mic for SHURE wireless system us US $69.99
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 MicFX® Microphone Sleeve Gold Sensation shure audio technica sennheiser US $26.00
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 MicFX® Microphone Sleeve Pink Purple Crocodile shure audio technica sennheiser US $18.00
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HOSA STEREO 3.5mm (M) - TWO XLR(M), 3m (9.9 ft.) List Price: $29.99 Sale Price: $9.29 Used From: $23.42  |
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The CYX-400 Series are perfect for accessing personal portables via line or mic level Stereo IN's and OUT's. Tip to PIN 2 LEFT, Ring to PIN 2 RIGHT, and sleeve to PINS 1 & 3 of both XLRs, whether male or female. |
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CAD DMTP4 4 Piece Mic Drum Touring Pack List Price: $159.00 Sale Price: $109.99 |
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DMTP4 Four-piece Drum Mic Touring Pack Contains two TM211s, one SN210, and one KM212 in protective travel case. |
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Beats by Dr. Dre Solo White On-Ear Headphones with ControlTalk List Price: $199.95 Sale Price: $179.00 Used From: $130.00 |
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Hear All The Music: In Comfort and Style Headphones that could reproduce the true dynamics of today's music were a rarity until the legendary Beats Studio hit the scene. Now, a new headphone in the Beats tradition, Beats Solo... |
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Audiovox IR2CFF IR Wireless Dual Channel Headset List Price: $49.99 Sale Price: $39.99 |
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Features Auto Shut-Off, Foam Earpiece, Fold Flat Design for storage, Batteries included. |
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CAD Audio TOURING7 Premium 7-piece Drum Microphone Pack List Price: $379.00 Sale Price: Too low to display |
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The CAD Touring7 Premium Pack is a seven-piece drum mic pack that includes one D12 dynamic large diaphragm kick drum mic, four TSM411 dynamic tom mics, with clips, 2 GXL1200 instrument condensers for high hats, cymbals or overheads and 4 DMC1 drum mic clips... |
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Ultimate Ears MetroFi 220vi Noise Isolating Earphones w/ Microphone List Price: $99.99 Sale Price: $53.99 |
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More than just a pretty package¿the MetroFi 220vi headset give you clarity, smooth range and a clean thump in a sleek design. The 220 keeps you in touch with the world around you while letting you hear your music clearly... |
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Ultimate Ears MetroFi 170 Noise-Isolating Earphones List Price: $49.99 Used From: $14.99 |
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Listen to your personal soundtrack as you commute, run errands or do whatever it is that makes you ¿you.¿ With MetroFi 170 earphones, you get three different-sized ear cushions to customize your fit that delivers clear sound that doesn't need to blast your ears in order to hear every note... |
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CAD Pro-4 Drum Microphone Pack List Price: $149.99 Sale Price: $99.99 |
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CAD 4 Piece Drum Mic Tour Pack (1) KM-212This dynamic kick mic is new from CAD this year and is perfect for capturing frequencies below 100Hz. Whether from a kick drum or bass guitar, this mic features a large diaphram to capture lows and avoid troublesome interference from highs and pops for the ultimate deep sound generated by kicks... |
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CAD Pro-7 7-Piece Drum Microphone Pack List Price: $299.00 Used From: $160.00 |
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DMTP7 Seven-piece Drum Mic Touring Pack Contains three TM211s, two CM217s, one SN210, and one KM212 in protective travel case. |
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Atlas Sound AD-11BE Surface Mount Female Mic Flange List Price: $15.95 Sale Price: $8.25 |
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5/8-27 female flange with 1-3/4 (4.45 cm) base diameter, ebony. |
Ticket America Has Your Jay-z Tickets
His is a household name in the United States and around the world and even those who aren't fans can sing some of the lyrics to his popular songs because they ring through with words of truth about growing up with hard knocks and having 99 problems. Known to the world as Jay-Z, husband of super celebrity Beyonce, Sean Carter is a power figure like the world has never known. Recipient of more awards for his music than time will allow to mention, endorsed by Reebok with the RBK S. Carter shoe line, the list goes on and on for this one-man show that puts the world on notice with hard core lyrics that defy auto tune made sounds.
Also the business man, Jay-Z is the founder of Roc-A-Fella Records, Roc-A-Fella Films, Rocawear, Armadale and the 40/40 Club. With more than 33 million albums sold to date, Jay-Z was quoted as having retired but seems to be giving no indication of slowing down or stopping the jams that just keep coming year after year. Jay-Z is also a philanthropic with the Shawn Carter Scholarship Fund, Annual Jay-Z Santa Claus Toy Drive and Team Roc; the last of which is a charitable organization that helps underprivileged children from New York City.
Jay-Z and singing sensation Alicia Keys recently performed at Game 2 of the 2009 World Series to a packed house in New York. Baseball fans were treated to more than just an awesome game as Keys and Jay-Z rocked the house. Regarded by many as a unique performer, entertainer, and accomplished business man, there's little you can say about Jay-Z that isn't good. Jay-Z has been the first hip hop artist to meet with Prince Charles and is also the first artist to perform a full-length concerts on live television with his special in 2003 on Showtime.
Getting concert tickets to a Jay-Z tour event can be more than a bit challenging, as has been the case in the past. His Jay-Z and Friends Tour features greats like R. Kelly, Snoop, P. Diddy, Redman, Foxy Brown, T.I., Method Man, Ja Rule, Mary J. Blige and Pharell. Entitled "Best of Both Worlds", this tour was nothing short of phenomenal. Rock The Mic Tour was next in 2003 and sold out consistently around the country. Musical greats featured on this tour included Busta Rhymes, Sean Paul, Missy Elliot and 50 Cent.
The Sprite Liquid Mix Tour was a complete success its first year with Jay-Z as headliner and completely sold out. Performing on the tour with Jay-Z were musical entertainers Hoobastank, The Roots and N.E.R.D. The Blueprint Lounge Tour was a sold out event as well but Jay-Z's most successful hip-hop tour event to date has been the Hard Knock Life Tour. Reaching out to 52 cities across the U.S., the Hard Knock Life Tour featured artists DMX, Memphis Bleek, Method Man, Beanie Siegel, Ja Rule and Redman. The Hard Knock Life Tour gave birth to the behind the scenes DVD "Backstage".
With so much of the road of accomplishment already under his belt with tours, records, businesses, marriage, interviews and more, many question what Jay-Z will do to amaze us next since he has crossed so many boundaries and barriers. One thing is for certain however and that's that anytime Jay-Z chooses to hit the road, the tickets are quickly snatched up and the tours are well worth the price and the way to get to a live performance by this unmistakably top shelf hip hop artist. Don't miss the opportunity to enjoy his next tour by securing your concert tickets right away.
About the Author
Dont miss the opportunity to get your hands on Jay-Z Tickets for his upcoming tour. As history indicates, his Concert Tickets sell like hotcakes fast. Ticket America can put you in the house with Jay-Z.