Mic Spare Tube
Mic Spare Tube
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 Lucas CS1 RARE Large Diaphragm Condensor Microphone Mic CS4 AKG C12 sound  US $4,599.00
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 B STOCK WOODEN JEWELLERS BOX FOR APEX 460 VINTAGE MICS OF SIMILAR SIZE US $39.48
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 Rode Classic II Limited Collectors Edition valve condenser mic ex display MINT US $1,737.76
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 10Headset for Motorola GP300 CP200 PR400 SP50 GP68 PTs US $49.70
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 OKTAVA MK 012 Mini Tube STEREO tube mic system LOMO circuit US $1,025.00
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 LOMO 19A18 19A13 19A10 mic SPARE TUBE VALVE oktava mini US $14.95
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 1x Air tube headset for Motorola Spirit MU Series PT s US $6.40
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 WOODEN JEWELLERS BOX FOR APEX 460 VINTAGE MICS OF SIMILAR SIZE US $55.28
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 Vintage RFT microphone tube preamp US $575.00
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 100Headset for Motorola GP300 CP200 PR400 SP50 GP68 Ps US $418.00
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 LOMO 19A19 19A4 RTT MKL mic SPARE TUBE VALVE US $13.95
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 2Headsetfor Motorola GP300 CP200 PR400 SP50 GP68 PTs US $21.70
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 PLANTRONICS H31 STARSET HEADSET MICROPHONE EARSET PHONE US $35.00
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 Vintage RFT microphone tube preamp 2 US $575.00
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 AKG SolidTube Mic Studio Recording Condenser Pro Microphone Set US $579.99
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 MXL 990 LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE NICE PRICE US $29.99
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 STERLING AUDIO Groove Tube ST 51 ST51 STUDIO CONDENSER MICROPHONE USED US $49.99
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 STUDIO PROJECTS VTB1 V SERIES TUBE MIC PREAMP INCLUDEDS POWER SUPPLYUSED GOOD US $74.99
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MXL V69XM Tube Condenser Mic $399 Internally wired with world-class Mogami cable, the MXL V69XM is a versatile vacuum tube condenser microphone with a 32mm capsule and transformer-balanced output for extremely high levels of tonal quality. The MXL mic is a perfect complement to analog and digital recording devices and will give you superb vocal and instrument reproduction for years to come. |
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Studio Projects Vtb-1 Tube Blend Mic Preamp $149.99 The new Studio Projects VTB-1 Tube Blend Mic Preamp is the ultimate in low-cost microphone preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 mic preamp is the Tube Drive circuit based on a a 12AX7 tube that allows the user to blend as little or as much of the Tube Drive as desired. The Studio Projects VTB-1 allows the user the most flexibility of any mic pre in its price class.The VTB-1 preamp allows you to go from a pristine solid state sound to any combination of Tube Drive you choose - even hard distortion for guitars and bass! The Studio Projects VTB-1 is must-have device as the perfect mic preamplifier for any microphone!A superb vocal mic pre with warm transparent characterGreat for use as a tube DI boxIdeal for production, broadcast, and voice over workPerfect for the professional and home project studio |
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Studio Projects VTB-1 Tube Blend Mic Preamp $149.99 The new Studio Projects VTB-1 Tube Blend Mic Preamp is the ultimate in low-cost microphone preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 mic preamp is the Tube Drive circuit based on a a 12AX7 tube that allows the user to blend as little or as much of the Tube Drive as desired. The Studio Projects VTB-1 allows the user the most flexibility of any mic pre in its price class.The VTB-1 preamp allows you to go from a pristine solid state sound to any combination of Tube Drive you choose - even hard distortion for guitars and bass! The Studio Projects VTB-1 is must-have device as the perfect mic preamplifier for any microphone! |
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Summit Audio 2BA-221 Tube Mic and Line Module $679 The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. |
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Summit Audio 2Ba-221 Tube Mic And Line Module $679 The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable mic input impedance from 100 ohms to 10K ohms Variable high-pass filter Hi-Z instrument, line, and mic level inputs Hi-Z input and mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert jack Stackable with more 2BA-221s 1/2 rack size 3 year warranty XLR and 1/4" I/O 3 variable, independent gain stages |
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Art Tube Mp Professional Mic Preamp/Processor $48 The ART Tube MP Professional Mic Preamp/Processor is a 12AX7-based mic preamp that provides high-quality sound and smooth response. You get 70dB of gain while maintaining a low noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, "soft" power up and down, and more. 12AX7 tube-based mic preamp for quality sound70dB of gain while maintaining a low noise floor suitable for digital1/4" balanced and XLR balanced inputs1/4" TRS and XLR balanced outputs, input and output level controlsPhantom power switch"Soft" power up and down |
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ART Tube MP Professional Mic Preamp/Processor $48 The ART Tube MP Professional Mic Preamp/Processor is a 12AX7-based mic preamp that provides high-quality sound and smooth response. You get 70dB of gain while maintaining a low noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, "soft" power up and down, and more. |
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Used Studio Projects Vtb-1 Tube Blend Mic Preamp $136.49 The new Studio Projects VTB-1 Tube Blend Mic Preamp is the ultimate in low-cost microphone preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 mic preamp is the Tube Drive circuit based on a a 12AX7 tube that allows the user to blend as little or as much of the Tube Drive as desired. The Studio Projects VTB-1 allows the user the most flexibility of any mic pre in its price class.The VTB-1 preamp allows you to go from a pristine solid state sound to any combination of Tube Drive you choose - even hard distortion for guitars and bass! The Studio Projects VTB-1 is must-have device as the perfect mic preamplifier for any microphone!A superb vocal mic pre with warm transparent characterGreat for use as a tube DI boxIdeal for production, broadcast, and voice over workPerfect for the professional and home project studio |
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Used Summit Audio 2Ba-221 Tube Mic And Line Module $578.68 The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable mic input impedance from 100 ohms to 10K ohms Variable high-pass filter Hi-Z instrument, line, and mic level inputs Hi-Z input and mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert jack Stackable with more 2BA-221s 1/2 rack size 3 year warranty XLR and 1/4" I/O 3 variable, independent gain stages |
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Used Art Tube Mp Professional Mic Preamp/Processor $36.75 The ART Tube MP Professional Mic Preamp/Processor is a 12AX7-based mic preamp that provides high-quality sound and smooth response. You get 70dB of gain while maintaining a low noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, "soft" power up and down, and more. 12AX7 tube-based mic preamp for quality sound70dB of gain while maintaining a low noise floor suitable for digital1/4" balanced and XLR balanced inputs1/4" TRS and XLR balanced outputs, input and output level controlsPhantom power switch"Soft" power up and down |
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ART Tube MP Studio V3 Mic Preamp $75 The ART Tube MP StudioV3 Mic Preamp features ART's V3 (Variable Valve Voicing) technology that provides optimized reference points to begin recording. The V3 presets were created by some of the industry's top studio and live-sound engineers, along with ART's veteran engineering department. It allows you to select among a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals, and more. It also features an Output Protection Limiter (OPL) to control and maintain the output peak signal; crucial when recording to hard disk or using a sound card. Also can serve as an exceptional direct box for impedance matching or simply improving the sound of any instrument plugged into it. |
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Art Tube Mp Studio V3 Mic Preamp $75 The ART Tube MP StudioV3 Mic Preamp features ART's V3 (Variable Valve Voicing) technology that provides optimized reference points to begin recording. The V3 presets were created by some of the industry's top studio and live-sound engineers, along with ART's veteran engineering department. It allows you to select among a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals, and more. It also features an Output Protection Limiter (OPL) to control and maintain the output peak signal; crucial when recording to hard disk or using a sound card. Also can serve as an exceptional direct box for impedance matching or simply improving the sound of any instrument plugged into it.V3 presets provide fine-tuned presets designed by top studio and live-sound engineers allowing you to quickly optimize your recordings Features ART's Output Protection Limiter, which precisely and accurately controls and maintains the output peak signal In addition to preamplification, the Tube MP Studio can be used as an exceptional direct box for impedance matching, amplifying, and improving the sound of any instrument plugged into it Dynamic range: 100dB Frequency response: 10Hz-20kHz Maximum gain: 70dB |
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ART Pro Channel Tube Mic Preamp $290.29 The Pro Channel from ART is the latest offering from the world's most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product - creating the world's best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART's pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART's award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters - now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry's top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe. |
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Manley DMMP Dual Mono Tube Mic Preamp $2970 The Manley DMMP Dual Mono Microphone Preamp is an all-tube microphone primarily intended for use with modern capacitor (condenser) microphones. Now, 40 to 60dB gain, enough for most ribbon mics, is selectable in precise 5dB steps by varying the amount of overall negative feedback on the GAIN switch. This is a very interesting feature, allowing you to change the slew rate (speed), placement, and tonal balance of the sound from mellow and "tubey-er" through to faster, punchier, and more aggressive. Tube complements include 1 x 12AX7EH hand-selected for lowest noise, and 1 x 6414 per channel for each high-current output stage. Each tube preamp in the Manley DMMP is painstakingly hand-wired using silver solder and audiophile-grade components. Double-shielded custom-built power transformers and custom-built high-capacity reservoir capacitors demonstrate Manley's modern power supply design approach. When you need to get your tunes through some tubes before hitting a sterile digital recorder, the front-panel 1/4" Direct Input jack lets the Dual Mono Mic Pre serve double duty as a pure tube line stage for instruments such as bass, drum machines, and keyboards. Total gain in this mode becomes 20dB less than indicated on the Gain switch. Both transformer-coupled balanced, and direct (via humongous metalized film MultiCaps) capacitor-coupled unbalanced outputs are provided giving you the choice of audiophile/purist or big iron sounds. Perennial shoot-out winners, Manley single-ended preamp designs have become favorites among top engineers and home recordists looking for "that rich Manley sound with the tight bass and the top end that goes on forever" which begs to go direct to tape. It's a BIG sounding mic preamp.What's so cool about variable Feedback?The Manley tube microphone preamp's global negative feedback takes a small portion of the output signal and re-injects it back into the input stage, which greatly improves linearity and distortion performance of an amplifier. A tasteful amount of negative feedback is the key: too much and you're into poor transient response and phase shift problems. Manley generally uses somewhere between 4 to 14dB of feedback in their line preamplifiers. Within that window is a definite point of maximized stability with optimum sonic performance, giving you the choice of where you want to be. Changing the amount of feedback alters the overall gain of the amplifier as well as the slew rate (speed).In the context of a hifi amplifier or preamplifier with the Variable Feedback feature, EveAnna (Manley) uses variable feedback to suit different CD's and recording styles when she's listening to music at home. "For the most part I keep the variable feedback controls around the middle but sometimes when I'm playing a CD which is kind of harsh and aggressive sounding or I just want to mellow out, I just turn those controls down and apply mor |
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Manley Dmmp Dual Mono Tube Mic Preamp $2970 The Manley DMMP Dual Mono Microphone Preamp is an all-tube microphone primarily intended for use with modern capacitor (condenser) microphones. Now, 40 to 60dB gain, enough for most ribbon mics, is selectable in precise 5dB steps by varying the amount of overall negative feedback on the GAIN switch. This is a very interesting feature, allowing you to change the slew rate (speed), placement, and tonal balance of the sound from mellow and "tubey-er" through to faster, punchier, and more aggressive. Tube complements include 1 x 12AX7EH hand-selected for lowest noise, and 1 x 6414 per channel for each high-current output stage. Each tube preamp in the Manley DMMP is painstakingly hand-wired using silver solder and audiophile-grade components. Double-shielded custom-built power transformers and custom-built high-capacity reservoir capacitors demonstrate Manley's modern power supply design approach. When you need to get your tunes through some tubes before hitting a sterile digital recorder, the front-panel 1/4" Direct Input jack lets the Dual Mono Mic Pre serve double duty as a pure tube line stage for instruments such as bass, drum machines, and keyboards. Total gain in this mode becomes 20dB less than indicated on the Gain switch. Both transformer-coupled balanced, and direct (via humongous metalized film MultiCaps) capacitor-coupled unbalanced outputs are provided giving you the choice of audiophile/purist or big iron sounds. Perennial shoot-out winners, Manley single-ended preamp designs have become favorites among top engineers and home recordists looking for "that rich Manley sound with the tight bass and the top end that goes on forever" which begs to go direct to tape. It's a BIG sounding mic preamp.What's so cool about variable Feedback?The Manley tube microphone preamp's global negative feedback takes a small portion of the output signal and re-injects it back into the input stage, which greatly improves linearity and distortion performance of an amplifier. A tasteful amount of negative feedback is the key: too much and you're into poor transient response and phase shift problems. Manley generally uses somewhere between 4 to 14dB of feedback in their line preamplifiers. Within that window is a definite point of maximized stability with optimum sonic performance, giving you the choice of where you want to be. Changing the amount of feedback alters the overall gain of the amplifier as well as the slew rate (speed).In the context of a hifi amplifier or preamplifier with the Variable Feedback feature, EveAnna (Manley) uses variable feedback to suit different CD's and recording styles when she's listening to music at home. "For the most part I keep the variable feedback controls around the middle but sometimes when I'm playing a CD which is kind of harsh and aggressive sounding or I just want to mellow out, I just turn those controls down and apply more feedback to get a smoother, richer texture. But when I'm the one in the aggressive mood, I c |
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Bowers & Wilkins C5 In-Ear Headphone - Black Gloss List Price: $179.00 Sale Price: $169.99 Used From: $145.99  |
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C5 |
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Plantronics SupraPlus CS361N Noise-Canceling Wireless Headset DECT List Price: $349.95 Sale Price: $499.99 Used From: $129.99 |
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The CS361N SupraPlus dual earpiece wireless system delivers premium audio quality up to 300 feet from a desk phone. The sleek, over-the-head design can be worn comfortably for hours while remote call control provides convenience and flexibility thanks to compatibility with the Plantronics HL10 Handset Lifter (sold separately), making answering easy when not near your desk... |
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ADK Microphones Mounting Ring ADK Tube Mics (TC & TT) List Price: $49.99 Sale Price: $27.00 |
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This high quality shock-mount fits and matches the TC and TT tube models of ADK Audiophile microphones with silver bodies. It screws on to the bottom of the microphone and includes a high-quality swivel mount for attachment to a mic stand. |
