Mic Preamplifier
Mic Preamplifier
 |
 TRIDENT S20 DUAL MICrophone PREAmplifier  US $649.95
|
 Focusrite Platinum Penta Preset Stereo Compressor US $151.75
|
 Focusrite Tone Factory Mic Pre DI US $150.00
|
 MXL USB006 Condenser Cable Professional Microphone EXCELLENT CONDITION US $35.00
|
 Shure SM98 Mini Condenser Microphone with Gooseneck US $120.00
|
 Neumann SWA microphone preamp KMA condenser capsule relation to Neumann KM83 US $247.50
|
 Sony BC 210 Battery Charger Heavy duty project Case Great for Mic Pre or Pwr Sup US $15.99
|
 YPA M605 Supercardioid Condenser Microphone Toms Congas US $119.99
|
 M AUDIO AUDIO BUDDY DUAL MICROPHONE PREAMP DIRECT BOX US $24.50
|
 TC Helicon VoiceTone Correct Vocal Processor Pedal US $86.00
|
 UA LA610 MKII Channel Strip Exc NR US $995.00
|
 Langevin 116 Tube Mic Preamplifier X Two WESTERN ELECTRIC US $1,650.00
|
 Whirlwind MD 1 US $175.00
|
 PreSonus ADL 600 Dual Channel Mic Preamp ADL600 US $1,850.00
|
 Universal Audio SOLO 610 TUBE Microphone Preamplifier warm vintage tone US $500.00
|
 YPA A65P In Line Microphone Preamplifier for SHURE MIC Pre for Beta Series US $39.95
|
 DOD VoTec Vocal Multi Effects Processor Microphone Pre Amp US $9.99
|
 ART DPS II Preamp System with Dual Tube Mic Preamps US $170.00
|
 MXL USB006 Condenser Cable Professional Microphone US $16.49
|
 NEW YPA M613 XLR Cardioid Instrument drum Condenser Mic US $99.95
|
 Rolls Microphone Preamp Mic Power I 1 48 Volt Phantom Power Supply PB23 US $38.99
|
 YPA MM3 HEADWORN MIC FOR SENNHEISER RADIO MICROPHONES US $34.99
|
 ART TUBE MP PROJECT SERIES INSTRUMENT MICROPHONE PREAMP MIC PREAMPLIFIER US $59.99
|
 SM Pro Audio PR8E Multichannel Microphone Preamplifier US $150.00
|
 Symetrix 528E Voice Processor Compressor Limiter Pre Amp US $215.00
|
 Behringer MIC200 TUBE ULTRAGAIN Tube Preamp w Modeling US $45.00
|
 Elation KM 202 1 km 202 true condenser mic MDC Bass drums Kick mic US $669.00
|
 Elation KM 201 km201 true condenser mic SDC new cheap US $669.00
|
 Elation KM 901 km901 KM 901 true condenser mic LDC made in Russia mic NICE US $1,199.00
|
 Nady Audio TMP 1 Tube Mic Preamp US $48.99
|
 YPA A65P In Line Microphone Preamplifier for SHURE BETA US $34.99
|
 YPA M606 Condenser Vocal Instrument Microphone 2pcs NEW US $49.99
|
 Art Tube MP Project Series Tube Preamp US $19.38
|
 Art Studio MP Microphone Preamp Preamplifier for Ham Radio Microphone US $15.00
|
 PRESONUS BLUE TUBE DP 2 CHANNEL MICROPHONE INSTRUMENT TUBE PREAMPLIFIER US $71.00
|
 AUDITRONICS 110 channel strip with JENSEN output transformer US $170.00
|
 Brent Averill 1272 Mic Preamps 2 channels with DI US $1,365.00
|
 Universal Audio 2 610 mic pre amp US $1,300.00
|
 True Audio 8 Channel Mic Pre Amp US $521.00
|
 Universal Audio Solo 610 Pre Amp Near Mint Excellent with packaging US $699.00
|
 TC Helicon Voicetone Correct Pedal US $130.00
|
 Focusrite ISA 220 Session Pack Mic Preamp US $1,200.00
|
 Audix MicroBoom MB5050 HC 50 Small Hypercardioid Mic US $179.00
|
 Oktava MK 219 Large Diaphram Condenser Mic US $65.00
|
 Universal Audio 610 Solo US $850.00
|
 APHEX 107 2 Channel Thermionic Microphone Preamp Tubessence Rack Mount US $89.00
|
 NEW YPA M605 Condenser drum toms instrument Microphone US $129.95
|
 API A2D Dual 312 Mic Preamps with Digital Output DEMO US $750.00
|
 PPA Audio Tube Condenser Mic w Separate Power Supply US $41.00
|
 ART TUBE MP PROJECT SERIES Tube Mic MICROPHONE PREAMP WBox and adapter free ship US $70.00
|
|
|
Radial Engineering PowerPre Mic Preamplifier $499.99 The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments. |
|
|
Radial Engineering Powerpre Mic Preamplifier $499.99 The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.Hand selected 100% discrete electronicsHammond broadcast transformer outputAccuState low-noise input circuit3-position Vox control for added air or punch |
|
|
Used Radial Engineering Powerpre Mic Preamplifier $454.99 The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments.Hand selected 100% discrete electronicsHammond broadcast transformer outputAccuState low-noise input circuit3-position Vox control for added air or punch |
|
|
Presonus Digimax D8 8-Channel Preamplifier $399.95 The DigiMax D8 is an 8-channel preamplifier featuring 8 award-winning class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization.The DigiMax D8 is the perfect solution to add eight professional microphone preamplifiers to any digital recording system with ADAT optical lightpipe expansion capability including Digidesign's HD and 003 systems, RME, YAMAHA, Alesis, Mackie, and many others.8 XMAX Class A Preamplifiers |
|
|
Millennia HV-3C Stereo Microphone Preamplifier $1843.99 The HV-3C Stereo Microphone Preamplifier is an entirely double-balanced, extremely wide dynamic range stereo microphone preamplifier intended for demanding audio recording. In it Millenia combines precisely matched, discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3C never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assured |
|
|
Millennia Hv-3C Stereo Microphone Preamplifier $1843.99 The HV-3C Stereo Microphone Preamplifier is an entirely double-balanced, extremely wide dynamic range stereo microphone preamplifier intended for demanding audio recording. In it Millenia combines precisely matched, discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3C never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assuredHigh-speed transformerless design23dB input and 32dB output headroom No attenuation pads requiredEntirely balanced audio pathLaser trimmed FET-based outputTHD+N less than 5 PPM (.0005%)Matched discrete transistor octet front endPrecision components throughoutGold audio connectors and switchesStandard 36-step gain control (1.5dB per step)Stereo gain matched to .08dBOFC audio wiring, silver Teflon power wiringUltra-clean torroid power supplyWelded 16-gauge chassisUnsurpassed ambience retrievalEffortless lifelike musical performance at all dynamic levels |
|
|
Millennia HV-3D-8 8-Channel Microphone Preamplifier $4012.99 The Millennia HV-3D-8 is a microphone preamplifier of superb sonic character, technical specification, and mechanical workmanship. It offers 8 double-balanced, extremely wide dynamic range stereo microphone preamplifiers intended for demanding acoustic recording. It combines precisely matched, discrete bipolar transistors with a laser trimmed, DC-coupled, FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3D never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3D is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assured. |
|
|
Shure Beta 181 Microphone Preamplifier $249 The Shure Beta RPM181/Pre preamp is the base unit for the Shure 181 microphone. This compact preamp attaches to the four interchangeable capsules that are available for the Shure 181 microphone.The Shure Beta 181 a multipurpose instrument microphone and can be used on a wide variety of applications including guitars, bass and drums (overheads and snares). It has a small diaphragm design that provides superior audio with textbook polar responses in a form factor compact enough to get close to the source in the tightest conditions. The Beta 181 has a precision-engineered, side-address design that features an innovative locking ring to provide secure connection between the capsule and RPM181/Pre preamplifier with integrated XLR connections.There are four different capsules available for the Beta 181 microphone: Cardioid (RPM181/C), Supercardioid (RPM181/S), Bi-directional (RPM181/BI), Omni-directional (RPM181/S). This makes the Beta 181 an extremely versatile and cost-effective mic that allows the user to interchange capsules according to the application. (Capsules sold separately). This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.The base unit for the Shure 181 microphoneAttaches to the four interchangeable capsules (sold separately)An innovative locking ring to provides secure connection to capsules with integrated XLR connectionsExceptional low-frequency reproductionExtremely high SPL handlingHigh output levelNo crossover distortionTransformer output |
|
|
A Designs 500-Silver Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Silver The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Silver has a custom wound steel output transformer, which outputs a darker sound than the P-1, EM-Red, and EM-Blue, great for adding body to thin vocals. The EM-Silver is also very good match with ribbon microphones, which makes sense because steel transformers were widely used in the early days of recording and broadcast along with ribbon microphones. The sound/color/flavor you'll receive depends which ribbon mic you have. With today's influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need. Another feature of the EM-Silver is a DI (direct inject) for use with electric instruments. Thanks to the DI and its darker sound, the EM-Silver is a great pre for bass guitar and keyboards. Also, you may like to try the EM-Silver (depending on microphone) for your kick when recording drums! All in all, the Silver is a very versatile tool. Solid build quality and functionality The A-Designs EM-Silver features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and ph |
|
|
Slate Pro Audio Fox 2-Channel Microphone Preamplifier $1699.99 Covering the range from classic “British Class A-style” vintage tone to ultra-clean modern sparkle, the Slate Pro Audio Fox 2-channel microphone preamplifier is one of the most versatile mic pres out there. The way the Fox shapes tone is brilliant. There are two completely independent microphone preamplifier circuits in each of the Fox’s channels. The Vintage circuit calls up the sound of the legendary 1073-style preamp – warm, fat, and full of lush harmonics. Conversely, the Modern setting gives you a sparkling clean sound that’s perfect for capturing acoustic instruments in picture-perfect detail. What’s more, the Fox features two Combo modes, which combine the input and the output sections of both circuits, giving you a pair of completely unique preamp sounds. |
|
|
Avalon Ultra Five Direct Box Instrument Preamplifier $585 The Avalon Ultra Five is the most powerful direct box available. Variable gain Class A preamplifier to boost low-level pickup signals and a high-level speaker input for capturing the live sound of the instrument's amplifier. Six passive tone-EQ curves enhance a variety of acoustic and electric instruments. Twin DC-coupled Class A output amplifiers drive both low-level mic preamp inputs and high-level +4dB inputs for direct-to-tape recording or processing. Direct box has dual mic and line outs, very low noise -100dB, high headroom +30dB, low-pass filter, LED active signal indicator, headphone out.Variable gain Class A preamplifier High-level speaker input for pristine amp capture 6 passive tone-EQ curves enhance a variety of acoustic and electric instrumentsTwin DC-coupled Class A outDual mic and line outs Very low noise -100dB, high headroom +30dB, low-pass filter, LED active signal indicator, headphone out |
|
|
A Designs 500-Red Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Red The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Red comes with a 50/50 output transformer. A Designs Audio added a little kick to this one by changing the input transformer as well. The result is more "up front mids"! You'll find this very useful when recording acoustic guitar with a condenser microphone. You can also use the EM-Red for recording toms, both rack and floor. As with all the A Designs Audio modules, the EM-Red is VPR Alliance compliant, and features a 48V phantom power switch, DI input, and phase reversal switch. Solid build quality and functionality The A-Designs EM-Red features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Red is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromise. Requires the A Designs R52 (product # 180038) dual slot external power supply (See accessory box below). The EM-Re |
|
|
A Designs 500-Blue Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Blue The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Blue is equipped with a nickel custom-wound output transformer. This emphasizes the highs and produces a much more "airy" top end tone. When used with a "dark"-sounding microphone or an alto vocalist, it can produce an absolutely heavenly sound. You will also find this pre useful for recording a snare drum for that crisp "crack" sound. Plus, you just might want to hear what an electric guitar sounds like going thru nickel transformers (trust us, you do!). So, to get down and dirty with an electric guitar you'll want to use the EM-Blue's DI and 20dB pad, and crank the gain for a slight growl. Solid build quality and functionality The A-Designs EM-Blue features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Blue is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromis |
|
|
Millennia Hv-3D-8 8-Channel Microphone Preamplifier $4021.99 The Millennia HV-3D-8 is a microphone preamplifier of superb sonic character, technical specification, and mechanical workmanship. It offers 8 double-balanced, extremely wide dynamic range stereo microphone preamplifiers intended for demanding acoustic recording. It combines precisely matched, discrete bipolar transistors with a laser trimmed, DC-coupled, FET-based output driver stage. Unlike standard mic preamplifiers, the HV-3D never unbalances or rebalances the original signal, thus maintaining the highest degree of signal integrity. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3D is precisely optimized to capture the subtlest detail of the music and ambience. With +23 dBu native input headroom, it requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity are assured.High-speed transformerless design23dB input and 32dB output headroomNo pads (attenuators) requiredEntirely balanced audio pathLaser trimmed FET-based outputTHD+N less than 5 PPM (.0005%)Matched discrete transistor octet front endPrecision components throughoutGold audio connectors and switchesStandard 36-step gain control (1.5dB per step)Stereo gain matched to .08dBOFC audio wiring, silver Teflon power wiringUltra-clean toroidal power supplyWelded 16-gauge chassisUnsurpassed ambience retrievalEffortless lifelike musical performance at all dynamic levels |
|
|
Used Presonus Digimax D8 8-Channel Preamplifier $363.95 The DigiMax D8 is an 8-channel preamplifier featuring 8 award-winning class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization.The DigiMax D8 is the perfect solution to add eight professional microphone preamplifiers to any digital recording system with ADAT optical lightpipe expansion capability including Digidesign's HD and 003 systems, RME, YAMAHA, Alesis, Mackie, and many others.8 XMAX Class A Preamplifiers |
 |
Pyle PWMA3003T 3000W Hybrid Pre Amplifier with AM/FM Tuner/USB/Dual Wireless Mic List Price: $437.95 Sale Price: Too low to display Used From: $164.95  |
|
Pyle PWMA3003T 3000W Hybrid Pre Amplifier with AM/FM Tuner/USB/Dual Wireless Mic |
 |
Pyle PWMA2003T 2000W Hybrid Pre Amplifier with AM/FM Tuner/USB/Dual Wireless Mic List Price: $377.95 Sale Price: $128.39 Used From: $128.38 |
|
Dual VHF High Band Wireless Microphones 2000 Watts Peak Power 600 Watts @ 2 Ohms 460 Watts @ 4 Ohms 240 Watts @ 8 Ohms Inputs: RCA (2 Audio Sources) Outputs: Banana Binding Post 1 RCA Dedicated For Record Line Output 2 Mono RCA Dedicated For Subwoofer Output 1 RCA Dedicated For Preamp Output Separate Gain Control For Preamp And Subwoofer Digital Fluorescent Output Display Meter Ipod / MP3 Input With Cable USB Reader Function Removable Rack-Mount ackets Dimensions: 19''w X 3... |
 |
ART Tube MP Studio Mic Preamp List Price: $86.00 Sale Price: $29.99 Used From: $29.00 |
|
The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART's OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards... |
 |
ART Tube MP Studio V3 Microphone Preamp and Limiter with Presets List Price: $119.00 Sale Price: $69.95 Used From: $64.99 |
|
The Tube MP Studio V3 features ART's V3 (variable Valve Voicing) technology - found only in ART microphone preamplification systems. Provides superior preamplification for microphones, instruments, and line level sources... |
 |
PreSonus BlueTube DP 2-Channel Vacuum Tube Dual-Path Mic Pre List Price: $229.95 Sale Price: Too low to display Used From: $185.00 |
|
The new BLUETUBE DP two channel microphone/instrument preamplifier with Dual Path technology delivers the best of both worlds offering a solid state preamplifier stage and a tube preamplifier stage in each channel... |
 |
ART DJPRE II Phono Preamplifier Dual RCA Type Inputs and Outputs Switchable Low Cut Filter List Price: $60.00 Sale Price: $48.00 Used From: $35.00 |
|
The DJ PRE II is a high quality Phono preamp designed for your home and studio. It acts as an interface between your turntable and your audio recording system. The analog input capacitance can be switched between 100pf and 200pf to optimize your phono cartridge response... |
 |
M-Audio 99004077600 Audio Buddy Preamp(Gold) List Price: $119.95 Sale Price: Too low to display Used From: $60.00 |
|
Audio Buddy Budget Microphone Preamp. 2-channel mic/instrument preamp, XLR mic ins; 1/4 instrument ins; balanced 1/4 outs, phantom power, ultra-compact, 5Hz-50kHz frequency response |
 |
Golden Age Project Pre73 MKII Microphone Preamp List Price: $349.99 Sale Price: $349.99 |
|
With circuitry based on the venerable Neve 1073 preamp, considered among the best-sounding preamps of all time, the Golden Age Project PRE-73 MKII version delivers the same vintage sound with lower noise and wider dynamic range... |
 |
Behringer MIC2200 Component Rack List Price: $217.99 Sale Price: $98.99 Used From: $79.99 |
|
High-Precision Vacuum Tube Microphone/Line Preamplifier |
 |
ART Tube MP Project Series Microphone Preamp List Price: $89.00 Sale Price: $56.99 Used From: $45.99 |
|
The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to a mixer or other audio input. This hybrid design is the latest in a long line of ART tube preamps... |
Audio Extender: Stream audio and microphone long distances over Cat5 cable
An Audio Extender is used to extend stereo audio and microphone up to 300 meters away from the source system over Cat5e cables. Since Cat5 cables are used to make the long distance connection, it reduces the cost as well as eliminates the need for multiple cables for audio and microphone. These extension devices consist of a transmitter, receiver and a power supply. While the former unit is connected to the local audio/mic source, the latter is connected to remote speakers.
The audio out setting on these devices support multimedia speakers, headphones or earphones, the Mic in setting supports condenser microphone as well as a dynamic microphone and the audio input supports a 3.5mm stereo audio connection. The CAT5 audio extenders have a built in microphone preamplifier and the microphone gain can be adjustable. The best thing about this device is that it does not change the audio signal and supports high quality audio. Additionally, this device is compatible with any 3.5mm stereo audio system. Most popular amongst the variety of models available is the basic audio extension version. Other varieties include VGA Video/audio extension unit which comes in 2, 4, 8 and 16 port versions and the composite audio/video extension unit which is available in point to point as well as 2 and 4 port versions.
The audio extenders cat5 have a frequency range of 10Hz - 25 KHz / -3dB and can be installed without any additional software requirements. They have a bidirectional transmission for speaker and mic and install using simple plug and play technology. Simply, the audio source is connected to the sender and the speakers are connected to the receiver. These devices help a user to play music through an entertainment system or active speakers in any room of the house by setting up an audio network. Easy installation and stability of use make it a popular device in recording studios as it eliminates the need for noisy PC's in the studios, where uninterrupted sound reproduction is vital. The Audio extender is being used in a variety of arenas such as auditoriums, schools, home theatre systems, airports, hotels, hospitals, bars, conference rooms.
About the Author
Eris Dicosta is an expert writer who brings relevant information on various theme through articles, press release and news world wide. Visit to know about hdmi extender and vga extender.
June 5th, 2006 in
Microphones | tags: audio, diy, electronics, mic, mic preamplifier, mic preamplifier circuit, preamp