Mic Preamp
Mic Preamp
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 TRIDENT S20 DUAL MICrophone PREAmplifier  US $649.95
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 Focusrite Platinum Penta Preset Stereo Compressor US $151.75
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 Focusrite Tone Factory Mic Pre DI US $150.00
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 MXL USB006 Condenser Cable Professional Microphone EXCELLENT CONDITION US $35.00
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 Shure SM98 Mini Condenser Microphone with Gooseneck US $120.00
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 Neumann SWA microphone preamp KMA condenser capsule relation to Neumann KM83 US $247.50
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 Sony BC 210 Battery Charger Heavy duty project Case Great for Mic Pre or Pwr Sup US $15.99
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 M AUDIO AUDIO BUDDY DUAL MICROPHONE PREAMP DIRECT BOX US $24.50
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 TC Helicon VoiceTone Correct Vocal Processor Pedal US $86.00
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 UA LA610 MKII Channel Strip Exc NR US $995.00
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 APOGEE MINI ME 2 CHANNEL A D CONVERTER MIC INSTRUMENT PREAMP MICROPHONE PRE US $550.00
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 Langevin 116 Tube Mic Preamplifier X Two WESTERN ELECTRIC US $1,650.00
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 Whirlwind MD 1 US $175.00
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 MXL 990s Condenser Cable Professional Microphone US $86.95
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 PreSonus ADL 600 Dual Channel Mic Preamp ADL600 US $1,850.00
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 Universal Audio SOLO 610 TUBE Microphone Preamplifier warm vintage tone US $500.00
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 YPA A65P In Line Microphone Preamplifier for SHURE MIC Pre for Beta Series US $39.95
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 DOD VoTec Vocal Multi Effects Processor Microphone Pre Amp US $9.99
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 ART DPS II Preamp System with Dual Tube Mic Preamps US $170.00
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 MXL USB006 Condenser Cable Professional Microphone US $16.49
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 Rolls Microphone Preamp Mic Power I 1 48 Volt Phantom Power Supply PB23 US $38.99
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 YPA MM3 HEADWORN MIC FOR SENNHEISER RADIO MICROPHONES US $34.99
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 Earthworks TC30K Professional Microphone Earthworks LAB 101 Preamp US $1,000.00
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 ART TUBE MP PROJECT SERIES INSTRUMENT MICROPHONE PREAMP MIC PREAMPLIFIER US $59.99
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 MXL V67 US $130.00
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 SM Pro Audio PR8E Multichannel Microphone Preamplifier US $150.00
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 MXL 990 USB CONDENSER MIC NR 14 DAY RETURN US $109.00
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 Symetrix 528E Voice Processor Compressor Limiter Pre Amp US $215.00
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 Behringer MIC200 TUBE ULTRAGAIN Tube Preamp w Modeling US $45.00
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 Nady Audio TMP 1 Tube Mic Preamp US $48.99
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 YPA A65P In Line Microphone Preamplifier for SHURE BETA US $34.99
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 Art Tube MP Project Series Tube Preamp US $19.38
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 Art Studio MP Microphone Preamp Preamplifier for Ham Radio Microphone US $15.00
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 PRESONUS BLUE TUBE DP 2 CHANNEL MICROPHONE INSTRUMENT TUBE PREAMPLIFIER US $71.00
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 AUDITRONICS 110 channel strip with JENSEN output transformer US $170.00
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 Brent Averill 1272 Mic Preamps 2 channels with DI US $1,365.00
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 Universal Audio 2 610 mic pre amp US $1,300.00
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 True Audio 8 Channel Mic Pre Amp US $521.00
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 2 BAE 1023 Mic Pres EQ with PSU Amazing Sounding 1073 Clone US $4,200.00
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 Universal Audio Solo 610 Pre Amp Near Mint Excellent with packaging US $699.00
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 TC Helicon Voicetone Correct Pedal US $130.00
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 Focusrite ISA 220 Session Pack Mic Preamp US $1,200.00
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 MXL 550 551 Condenser Cable Microphone US $100.00
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 Universal Audio 610 Solo US $850.00
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 APHEX 107 2 Channel Thermionic Microphone Preamp Tubessence Rack Mount US $89.00
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 SDSYSTEM LCM80EW SOPRANO MICROPHONE US $400.00
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 NEW YPA M605 Condenser drum toms instrument Microphone US $129.95
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 API A2D Dual 312 Mic Preamps with Digital Output DEMO US $750.00
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 ART TUBE MP PROJECT SERIES Tube Mic MICROPHONE PREAMP WBox and adapter free ship US $70.00
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 Sterling Audio ST51 Condenser Cable Microphone US $39.95
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Rolls MP13 Mini-Mic Preamp $72.99 The Rolls MP13 Mini-Mic is an ideal single-mic preamp with clean phantom power and a crisp, full-frequency sound. |
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Nady PRA-8 Mic Preamp $109.99 The Nady PRA-8 Mic Preamp gives you 8 independent preamps in one rackspace with servo-balanced XLR inputs. 1/4" outputs for each preamp. Each channel on the Nady PRA-8 has its own gain control, peak LED indicator, and phantom power with on/off switch and LED power-on indicator. |
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Rolls Mp13 Mini-Mic Preamp $72.99 The Rolls MP13 Mini-Mic is an ideal single-mic preamp with clean phantom power and a crisp, full-frequency sound.Single mic preampXLR and 1/4" ins/outs+21V DC phantom powerClip LED indicatorAC adapter included |
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Nady Pra-8 Mic Preamp $109.99 The Nady PRA-8 Mic Preamp gives you 8 independent preamps in one rackspace with servo-balanced XLR inputs. 1/4" outputs for each preamp. Each channel on the Nady PRA-8 has its own gain control, peak LED indicator, and phantom power with on/off switch and LED power-on indicator.8 independent preamps in one rackspaceServo-balanced XLR inputs1/4" TS outputsGain control on each channelPeak LED indicator for each channelPhantom power with individual on/off switches for each channel and LED indicatorFrequency response: 20Hz - 20kHzS/N ratio: better than 80dBDistortion: 0.02% |
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Manley TNT 2-channel Mic Preamp $2700 The Manley TNT (Tubes No Tubes) 2-Channel Mic Preamp has two different and discrepant mic preamps in one box for two different sound colors. By popular demand, one channel is the exact same mic pre as in the Manley SLAM! with tubes and transformers. The second preamp is a fresh "No Tubes" design from Hutch and is inspired by old British console preamps with a tasty combination of "No Tubes" design with transformers. This one is not a clone of anything preexisting. It is a new flavor but reminiscent of that classic discrete sound. Both channels on the Manley TNT preamp are designed around the basic goal of "just plug a mic in and it sounds great." The tube channel excels on traditionally difficult sources like some bright guitars, reed and brass, cymbals and some vocals. The "No Tubes" channel might be more suited for smoother vocals, drums, bass and raunchy guitars, but you never really knows which preamp is best for the job at hand until you try them. At least you'll have two qualified candidates in one handy 1U chassis.The Manley TNT is a new concept in microphone preamplification for those who don't always need stereo everything but often need choices and often need the best. Besides, you probably have a number of typical stereo preamps and are still looking for that one killer preamp. Manley participated in 3D Audio's "Preamps in Paradise" forum, which was a remarkable opportunity to discuss preamps in depth and more importantly listen to what top engineers liked, disliked, and desired in the next generation of preamps. Manley Labs saw a need for a different unit that truly offered a rainbow of high-end preamp colors at an affordable price. The "T" (Tubes) channel starts off with the highly acclaimed vacuum tube micpre from the SLAM! that is certainly a contender amongst the best cost-no-object tube preamps. The "NT" (No Tubes) channel adds a no-compromise solid-state preamp that sets new sonic standards. Because the solid-state side uses two opposite topologies in tandem that are user controllable, it is like getting two preamp 'sounds' on that side alone.The number one request was variable input impedance somewhat tempered by the number one complaint that so far, the typical gain changes associated with that feature were not fun. Manley offers variable impedance done right, with typically near-zero gain changes. In fact, on the solid-state side a current-mode preamp is used for the lowest impedance and a voltage mode preamp is used for the highest impedance, and these two preamps are appropriately blended for the medium impedance settings. All of the microphone signal is used and almost none thrown away. Both the voltage-mode and current-mode stages are truly optimized and when one changes impedance settings, one hears the effects of how this changes microphone and cable characteristics as opposed to other approaches which mostly take the mic preamp out of its ideal conditions. In other words, doing va |
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Manley Tnt 2-Channel Mic Preamp $2700 The Manley TNT (Tubes No Tubes) 2-Channel Mic Preamp has two different and discrepant mic preamps in one box for two different sound colors. By popular demand, one channel is the exact same mic pre as in the Manley SLAM! with tubes and transformers. The second preamp is a fresh "No Tubes" design from Hutch and is inspired by old British console preamps with a tasty combination of "No Tubes" design with transformers. This one is not a clone of anything preexisting. It is a new flavor but reminiscent of that classic discrete sound. Both channels on the Manley TNT preamp are designed around the basic goal of "just plug a mic in and it sounds great." The tube channel excels on traditionally difficult sources like some bright guitars, reed and brass, cymbals and some vocals. The "No Tubes" channel might be more suited for smoother vocals, drums, bass and raunchy guitars, but you never really knows which preamp is best for the job at hand until you try them. At least you'll have two qualified candidates in one handy 1U chassis.The Manley TNT is a new concept in microphone preamplification for those who don't always need stereo everything but often need choices and often need the best. Besides, you probably have a number of typical stereo preamps and are still looking for that one killer preamp. Manley participated in 3D Audio's "Preamps in Paradise" forum, which was a remarkable opportunity to discuss preamps in depth and more importantly listen to what top engineers liked, disliked, and desired in the next generation of preamps. Manley Labs saw a need for a different unit that truly offered a rainbow of high-end preamp colors at an affordable price. The "T" (Tubes) channel starts off with the highly acclaimed vacuum tube micpre from the SLAM! that is certainly a contender amongst the best cost-no-object tube preamps. The "NT" (No Tubes) channel adds a no-compromise solid-state preamp that sets new sonic standards. Because the solid-state side uses two opposite topologies in tandem that are user controllable, it is like getting two preamp 'sounds' on that side alone.The number one request was variable input impedance somewhat tempered by the number one complaint that so far, the typical gain changes associated with that feature were not fun. Manley offers variable impedance done right, with typically near-zero gain changes. In fact, on the solid-state side a current-mode preamp is used for the lowest impedance and a voltage mode preamp is used for the highest impedance, and these two preamps are appropriately blended for the medium impedance settings. All of the microphone signal is used and almost none thrown away. Both the voltage-mode and current-mode stages are truly optimized and when one changes impedance settings, one hears the effects of how this changes microphone and cable characteristics as opposed to other approaches which mostly take the mic preamp out of its ideal conditions. In other words, doing variable impedance the right way requir |
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Art Tube Mp Professional Mic Preamp/Processor $48 The ART Tube MP Professional Mic Preamp/Processor is a 12AX7-based mic preamp that provides high-quality sound and smooth response. You get 70dB of gain while maintaining a low noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, "soft" power up and down, and more. 12AX7 tube-based mic preamp for quality sound70dB of gain while maintaining a low noise floor suitable for digital1/4" balanced and XLR balanced inputs1/4" TRS and XLR balanced outputs, input and output level controlsPhantom power switch"Soft" power up and down |
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Studio Projects Vtb-1 Tube Blend Mic Preamp $149.99 The new Studio Projects VTB-1 Tube Blend Mic Preamp is the ultimate in low-cost microphone preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 mic preamp is the Tube Drive circuit based on a a 12AX7 tube that allows the user to blend as little or as much of the Tube Drive as desired. The Studio Projects VTB-1 allows the user the most flexibility of any mic pre in its price class.The VTB-1 preamp allows you to go from a pristine solid state sound to any combination of Tube Drive you choose - even hard distortion for guitars and bass! The Studio Projects VTB-1 is must-have device as the perfect mic preamplifier for any microphone!A superb vocal mic pre with warm transparent characterGreat for use as a tube DI boxIdeal for production, broadcast, and voice over workPerfect for the professional and home project studio |
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ART Tube MP Professional Mic Preamp/Processor $48 The ART Tube MP Professional Mic Preamp/Processor is a 12AX7-based mic preamp that provides high-quality sound and smooth response. You get 70dB of gain while maintaining a low noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, "soft" power up and down, and more. |
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Studio Projects VTB-1 Tube Blend Mic Preamp $149.99 The new Studio Projects VTB-1 Tube Blend Mic Preamp is the ultimate in low-cost microphone preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 mic preamp is the Tube Drive circuit based on a a 12AX7 tube that allows the user to blend as little or as much of the Tube Drive as desired. The Studio Projects VTB-1 allows the user the most flexibility of any mic pre in its price class.The VTB-1 preamp allows you to go from a pristine solid state sound to any combination of Tube Drive you choose - even hard distortion for guitars and bass! The Studio Projects VTB-1 is must-have device as the perfect mic preamplifier for any microphone! |
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Daking Mic-Pre One Preamp $765 The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking's 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven't they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding 'DI-style' steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4" front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB. A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4" jack and XLR. Class A amplifier, all-discrete solid state design Jensen transformer-isolated mic input Variable high-pass filter (0-200Hz) 20dB pad Inputs for mic, line, and instrument-level signals Front-panel Hi-Z instrument input Phase reversal switch +48V phantom power Full-width 20-segment, bi-color LED meter Balanced XLR output and 1/4" line output External power supply for noise-free operation and longer component live Rohs Compliant |
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Blue Icicle XLR to USB Mic Converter/Mic Preamp $59 The Icicle XLR to USB Converter/Mic Preamp lets you easily connect your favorite microphone directly to your Mac or PC. The Blue Icicle performs dual functions as an XLR to USB adapter and a studio-quality microphone preamp. It features an analog gain control and also provides 48V phantom power for condenser microphones. The Icicle converter and preamp is the quick and easy way to perform digital recording, podcasting, and voice messaging. Includes 6-ft USB cable |
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Tonelux Mp5a All-Discrete Mic Preamp $785 The Tonelux MP5A is a discrete mic preamp with a DI (direct input) on the front panel. The MP5As Mic In is transformer coupled in and out, and has a 20dB pad (affects both Mic and DI), 48V Phantom power switch, and Phase or Polarity switch. The pad and polarity switches affect both inputs. The inner, or larger (silver) knob sets the mic pre gain and the outer smaller (black) knob controls the output level. We chose the fader control for the outer knob so the gain knob, once set, won't be bumped when adjusting the output level.The 8-segment LED VU meter follows the balanced output of the preamp. The level of the VU meter is adjustable over the entire range from Off to +28. The Peak LED is set at +14VU or +18dBu and can grab a fast peak and display it. An internal jumper selects the Mic Pre Main Output or the Mic Pre Gain Stage signal to feed the VU Meter. This allows the engineer to monitor the real mic pre gain or output level of the MP5A. When monitoring the Mic Pre Gain, the meter shows the actual gain-stage level, and is not affected by the output fader.The Combo XLR/Direct input is for use with a Hi-Z instrument, etc. The Tilt tone control works with both the Mic in and DI, and has it's own Tilt EQ In switch, which is a hardwire bypass switch when out. When turned up, the Tilt control has a 0 to 6dB boost on the high end while cutting the low end the same amount. If turned down, Tilt will boost the low end up to 6dB and cut the high end up to 6dB. The front-panel XLR is multed to the rear-panel XLR, and is also multed to the D-Sub Input on the rear of the V4 Roadster 500-series rack. The Insert Return input of the V4 is a resistor-isolated mic-level input that can be used when the MP5A is in a live recording situation and there is no splitter. It will bridge the mic line with 10x the impedance to minimize loading the microphone. Included with the MP5A Mic Pre is the ability to PFL (Pre Fader Listen) the output to an external amplifier or to the mixer/master section for previewing the signal directly off the mic pre output. |
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Blue Icicle Xlr To Usb Mic Converter/Mic Preamp $59 The Icicle XLR to USB Converter/Mic Preamp lets you easily connect your favorite microphone directly to your Mac or PC. The Blue Icicle performs dual functions as an XLR to USB adapter and a studio-quality microphone preamp. It features an analog gain control and also provides 48V phantom power for condenser microphones. The Icicle converter and preamp is the quick and easy way to perform digital recording, podcasting, and voice messaging. Includes 6-ft USB cableWorks with Mac or PC computersNo Special Drivers RequiredStudio Quality USB microphone preampSupplies 48V phantom power for . condenser microphonesPhantom power active lightFully balanced low noise analog front endAnalog gain control |
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ART Tube MP Studio V3 Mic Preamp $75 The ART Tube MP StudioV3 Mic Preamp features ART's V3 (Variable Valve Voicing) technology that provides optimized reference points to begin recording. The V3 presets were created by some of the industry's top studio and live-sound engineers, along with ART's veteran engineering department. It allows you to select among a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals, and more. It also features an Output Protection Limiter (OPL) to control and maintain the output peak signal; crucial when recording to hard disk or using a sound card. Also can serve as an exceptional direct box for impedance matching or simply improving the sound of any instrument plugged into it. |
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ART Tube MP Studio Mic Preamp List Price: $86.00 Sale Price: $29.99 Used From: $29.00  |
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The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART's OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards... |
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Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp List Price: $59.00 Sale Price: Too low to display Used From: $47.89 |
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The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation... |
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Behringer MIC800 Microphone Modeling Preamp List Price: $87.99 Sale Price: $43.99 Used From: $27.98 |
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Tubes can really warm up a signal fast, giving it depth and character. Thanks to digital VTC technology, the MIC800 emulates the tube warmth of a variety of tube mic preamps, all in one feather-light package... |
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VideoSecu High Sensitive Preamp Mini Microphone with Power Bypass for Security Audio Sound Voice Monitoring Recording and Free Warning Decal WD4 List Price: $29.99 Sale Price: $11.99 |
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This high gain mini preamp microphone is the best for CCTV professionals. Line level out put: 6-15 VDC. Power in and Power out design allows the microphone to share the same power source with the camera... |
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Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern. List Price: $249.00 Sale Price: Too low to display |
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The Yeti Pro is the world’s first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output.Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to fourtimes the clarity found on CDs... |
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Technolink TC-770LC High Gain Phono/Mic/Aux Preamp List Price: $189.95 Sale Price: $83.50 |
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The TC-770LC introduces both new features and more sophisticated styling to our extensive preamp line. All of our other MM phono preamps provide the industry standard 38-40 dB of gain, more than enough if your moving magnet cartridge is typical... |
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MXL MICMATEC XLR To USB Preamp for Condenser Microphones List Price: $79.95 Sale Price: Too low to display Used From: $24.00 |
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This pocket-sized device features a 16-bit Delta Sigma A/D converter with a sampling rate of 44.1 and 48.0 kHz. The Mic Mate™ also provides 48V Phantom power to condenser mics directly from your computer's USB port. |
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ART Tube MP Studio V3 Microphone Preamp and Limiter with Presets List Price: $119.00 Sale Price: $69.95 Used From: $64.99 |
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The Tube MP Studio V3 features ART's V3 (variable Valve Voicing) technology - found only in ART microphone preamplification systems. Provides superior preamplification for microphones, instruments, and line level sources... |
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Behringer MIC2200 Component Rack List Price: $217.99 Sale Price: $98.99 Used From: $79.99 |
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High-Precision Vacuum Tube Microphone/Line Preamplifier |
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Rolls MP13 Mini-Mic Preamp List Price: $90.00 Sale Price: $56.00 |
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The MP13 is designed to provide a small, simple, and inexpensive microphone pre amplification for a variety of applications. The unit has both XLR and 1/4" Inputs and Outputs, and a single Gain control with a Clip indicator... |
Digital Mixer – the Revolutionized Mixing Console
A mixer, or mixing consoles, audio mixers, mixing desk, or sound board, is an electronic device that combines or “mixes”, routes, changes level or dynamics of audio signals. There are 2 types of mixer – analog and digital. Though analog mixers remain popular because of its simplicity, digital mixers have remarkably making its way over the past couple of years. Below are just some of the key advantages of digital mixers:
Special Features
Most models include special effects like parametric EQ, gating, automatic feedback reaction, compression, reverb, tap delay and straight delay. Other digital mixers have spectrograph, real time analyzer, and can be integrated with loudspeaker management devices like crossover filtering and limiting.
Remote Access
System technicians can make adjustments from a distant using wired/wireless laptops, tablets or touch screens. Modifications can be easily monitored and controlled thus a more responsive mixing platform to address changing conditions on stage.
Sound Quality
A digital mixer utilizes a mic preamp which is followed by an ADC that quantizes the audio stream. Consequently, overloading and clipping are appropriately managed to produce a more accurate digital streaming. Many digital mixers are also quieter than their analog counterparts. They are more resistant to external interference from radio transmitter for instance walkie-talkies and mobile phones.
Usefulness
It allows groupings of inputs by internally reassigning functions thus providing convenience. Also, space requirements can be saved by sharing channel adjustments. In addition, saved data can be accessed via external storage device such as USB flash drives.
Virtual Mixing
Using special computer software and coupled inputs, recording hardware and output, digital virtual mixers can save cost, physical space and media archival.
About the Author
A website where you can find and download the instructions about digital mixers,Remote control, mobile phones, radio control and many more business products.
December 11th, 2006 in
Microphones | tags: audio, diy, electronics, mic preamp, mic preamp circuit, mic preamp kit, mic preamp reviews, mic preamp schematic, preamp, recording