Mic Pre
Mic Pre
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Daking Mic-Pre Iv $2195 The Daking Mic-Pre IV offers four channels of high performance, Class A preamplifiers in a single rack space unit with outboard power supply. Configured for four microphone inputs or four line inputs from XLR/TRS Neutrik combo jacks on the back, plus four line inputs (+10 to -50) or 1/4" hi-z instrument inputs on the front, the Mic-Pre IV utilizes all discrete Class A circuitry with transformer-balanced inputs and outputs. The new Mic-Pre IV from Geoffrey Daking & Co. is the latest example of exemplary audio quality and craftsmanship in the tradition of the great console manufacturers such as Neve, Trident, and API. The latest addition to the company's range of professional recording studio products, the Daking Mic-Pre IV is a highly cost-effective solution for high-end preamps to be used in studio or live applications. Used standalone or in conjunction with a console, each input offers a stepped (5dB) increments) gain control for repeatability, that feature Daking's signature aluminum knobs, a 20-segment LED level meter with +24db peak indicator, switchable mic/line or hi-z instrument, switchable +48V phantom power, switchable input phase and switchable 20dB pad. The Daking Mic-Pre IV is housed in a robust all stainless steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference. The attention to detail extends to the internal components, which include gold bifurcated contacts on all relay switching. The preamp is supplied by a universal power supply that can operate at any voltage for use worldwide. Notable users of Daking preamps and compressors: Includes Grammy winners Joe Chicarelli (Tori Amos, Counting Crows, U2) and Ted Perlman (Chicago, Bob Dylan, Elton John), Butch Vig (Nirvana, Smashing Pumpkins, Garbage) Steve Albini (Nirvana, PJ Harvey, Cheap Trick), master mixers Chris and Tom Lord-Alge (everybody else from James Brown to the Rolling Stones), and William Wittman (Cindy Lauper, Joan Osbourne, The Outfield, The Fixx), who has made entire records with just Daking preamps.All discrete transistor circuitry transformer balanced inputs and outputs 30dB headroom Class "A" amplifiers All relay switching with gold bi-furcated contacts Switchable phantom power 20dB pad on mic input Steel construction for strength and noise immunity Three inputs, Mic-Line-Instrument |
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Daking Mic-Pre One Preamp $765 The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking's 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven't they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding 'DI-style' steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4" front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB. A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4" jack and XLR. Class A amplifier, all-discrete solid state design Jensen transformer-isolated mic input Variable high-pass filter (0-200Hz) 20dB pad Inputs for mic, line, and instrument-level signals Front-panel Hi-Z instrument input Phase reversal switch +48V phantom power Full-width 20-segment, bi-color LED meter Balanced XLR output and 1/4" line output External power supply for noise-free operation and longer component live Rohs Compliant |
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Apogee 8 Mic Pre Amp $1995 The Apogee 8 Mic Preamp Module is part of the Symphony I/O Interface system. The Mic Preamp Module upgrades the functionality of any Analog I/O Module by adding 8 mic preamps to the existing line inputs. A direct connection between the Mic Preamp Module and the Analog I/O Module inserts a mic preamp stage before the line inputs. This impressive module offers 8 Mic preamps with 4 instrument inputs and 8 insert points.MIC PREAMPS8 digitally controlled, 85dB microphone preampsUpgrades functionality of Analog I/O Module by adding mic preamps to the existing line inputsCreates a direct connection between the Mic Preamp Module and the Analog I/O Module by inserting a mic preamp stage before the line inputsINPUTS4 Hi-Z 1/4" instrument inputs capable of handling high level instruments. Instrument inputs may be assigned to any of the 8 mic preamps.INSERTS8 fully balanced insert pointsSend 1-8 and Return 1-8 on 2 DSUB 25-pin connectors |
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Daking Mic Pre One 500 $599 Daking Mic Pre One 500: Geoff Daking, a designer of audio gear in the tradition of the greats; Neve, API, and Trident, has turned his considerable expertise on both sides of the control-room glass into a premier line of preamps, compressors, and custom consoles used by engineers and producers the likes of Joe Chiccarelli and Butch Vig. His latest creation is the Mic Pre One 500, a modular 500-series* preamp based on his popular Mic Pre One. The Mic Pre One 500 features switchable phase, 20dB mic input pad, +48V phantom power, and a selectable 1/4" line/Hi-Z instrument input.Like the Mic-Pre One, the Mic Pre 500 shares the gain structure and Class A, fully-discrete transistor circuitry design of Daking's popular Mic Pre IV. The front panel controls include a variable high-pass filter (with a range of 10-200Hz @ 12db per octave) as well as continuously variable input gain. It also includes an eight-segment tri-color LED meter with simultaneous VU and Peak. In addition, because the home recordist faces challenges that the professional studio owner does not, the Mic-Pre One 500 features a powerful continuously variable high-pass filter with a range of 10-200Hz @ 12db per octaveThe Mic Pre One 500 gives you both the punchy and exciting sound of its prime inspiration, the Trident A Range console (considered to be the best sounding console for rock by Daking himself, and numerous platinum producers), and the convenience of a 500-series module, which gives you the ability to add more great Daking channels as your budget allows.*Note: In order to operate, 500-series units require a VPR**-compliant power suppy, or "lunchbox" such as the Radial Workhorse (#H74107), A Designs Audio 500HR Rackmount Frame (#241582), or Empirical Labs EL 500 (#H72812).** What is the VPR Alliance?Initiated by API Audio, the VPR Alliance is a program of standardization and consistency guidelines for manufacturers wishing to make products designed to fit into API's 500 series rack format. The program provides complete design specifications for manufacturers interested in producing third party products that physically fit and electronically conform to API's rack specifications.The creation of the VPR Alliance has been encouraged by the overwhelming popularity of API's 500 series racks, including the ten-space 500VPR and the six-space lunchbox, which has led to a proliferation of third party modules to fit the API format. Typically installed into API racks, these third party modules have raised issues of warranty and interaction with API-manufactured modules in the same rack.Because of the variables related to those third party modules, API has previously been forced to declare that including third-party modules into a 500VPR or lunchbox simply voids the warranty of the API rack. Through the VPR Alliance, API is able to eliminate confusion as to which third party products void the API warranty and which do not. This straightforward resolution saves the company both time and money, a |
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Used Daking Mic-Pre Iv $1997.45 The Daking Mic-Pre IV offers four channels of high performance, Class A preamplifiers in a single rack space unit with outboard power supply. Configured for four microphone inputs or four line inputs from XLR/TRS Neutrik combo jacks on the back, plus four line inputs (+10 to -50) or 1/4" hi-z instrument inputs on the front, the Mic-Pre IV utilizes all discrete Class A circuitry with transformer-balanced inputs and outputs. The new Mic-Pre IV from Geoffrey Daking & Co. is the latest example of exemplary audio quality and craftsmanship in the tradition of the great console manufacturers such as Neve, Trident, and API. The latest addition to the company's range of professional recording studio products, the Daking Mic-Pre IV is a highly cost-effective solution for high-end preamps to be used in studio or live applications. Used standalone or in conjunction with a console, each input offers a stepped (5dB) increments) gain control for repeatability, that feature Daking's signature aluminum knobs, a 20-segment LED level meter with +24db peak indicator, switchable mic/line or hi-z instrument, switchable +48V phantom power, switchable input phase and switchable 20dB pad. The Daking Mic-Pre IV is housed in a robust all stainless steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference. The attention to detail extends to the internal components, which include gold bifurcated contacts on all relay switching. The preamp is supplied by a universal power supply that can operate at any voltage for use worldwide. Notable users of Daking preamps and compressors: Includes Grammy winners Joe Chicarelli (Tori Amos, Counting Crows, U2) and Ted Perlman (Chicago, Bob Dylan, Elton John), Butch Vig (Nirvana, Smashing Pumpkins, Garbage) Steve Albini (Nirvana, PJ Harvey, Cheap Trick), master mixers Chris and Tom Lord-Alge (everybody else from James Brown to the Rolling Stones), and William Wittman (Cindy Lauper, Joan Osbourne, The Outfield, The Fixx), who has made entire records with just Daking preamps.All discrete transistor circuitry transformer balanced inputs and outputs 30dB headroom Class "A" amplifiers All relay switching with gold bi-furcated contacts Switchable phantom power 20dB pad on mic input Steel construction for strength and noise immunity Three inputs, Mic-Line-Instrument |
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Used Daking Mic-Pre One Preamp $696.15 The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking's 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven't they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding 'DI-style' steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4" front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB. A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4" jack and XLR. Class A amplifier, all-discrete solid state design Jensen transformer-isolated mic input Variable high-pass filter (0-200Hz) 20dB pad Inputs for mic, line, and instrument-level signals Front-panel Hi-Z instrument input Phase reversal switch +48V phantom power Full-width 20-segment, bi-color LED meter Balanced XLR output and 1/4" line output External power supply for noise-free operation and longer component live Rohs Compliant |
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A Designs Jm3001 Solid State Mic Pre With Eq $2375 The JM-3001 from A-Designs Audio is equally ideal for both studio recording and live sound use. Hand-built in the US, the new A-Designs JM30001 features three inputs: microphone, instrument and EQ/insert, which may be used together or independently. The product is also equipped with a highly musical three-band parametric EQ, high/low filters, and two independent transformer-balanced outputs (microphone and EQ).The heart of the JM-3001 is its C12X discrete-transistor operational amplifier designed by Carl Johnson. Operating on 30VDC rails, the C12X is a high-gain, fast-slew, stable audio block with virtually no DC offset over the audio spectrum, and is capable of driving a 50 ohm load at 50Hz with very little current draw. It is used in the microphone preamp, instrument input amp, and main output/EQ output stages of the product.According to A Designs' Peter Montessi, The JM-3001s preamp is an original design with depth and detail for miles, while the EQ is a full parametric with its own transformer, so you can use it with or without the pre. The freq settings are highly reminiscent of classic console filters and musically complement any source you run through them. The instrument input is totally separate from the pre and EQ and sounds amazing on its own as well." The JM-3001s microphone preamplifier is a single-stage, transformer-coupled and balanced I/O design benefitting from the C12X for ultra-transparent audio. This section feeds the EQ and preamp output mult simultaneously and includes phase reverse, a -20dB pad, +48V phantom power with LED indicator and a plastic conductive gain control pot.The instrument input preamplifier is a single-stage, single-ended, high impedance input designed primarily with guitar and bass pickups in mind. Similarly utilizing a C12X discrete op amp, this section is separate from the mic pre and includes a 1/4-inch phone jack and gain pot on the front panel. Like the mic preamp, this section also feeds the EQ and preamp output mult simultaneously.The equalizer input/insert return is a direct-coupled, balanced input that is post the mic pre and the instrument input. Inserting a TRS 1/4" phone jack into this connection allows for direct input to the equalizer, bypassing both the mic pre and instrument input.The JM-3001s three-band parametric equalizer is a unique design featuring 33 frequencies with three bands of overlapping ranges covering from 50Hz to 15KHz. Both the frequency selection and the 12 dB equalization controls are step-type switches for precise and repeatable settings. Each band has a Q switch with three fixed positions: sharp (S), wide (W) and narrow (N). The low and high bands are normally of a peak/dip type, but flipping the shelf switch to the up position on those bands changes the characteristic to shelf type. The shelving switch disables the Q feature on high and low bands only.When in the up position, the high/low filters insert the fixed 12dB/octave high- and low-cut filters. These filters work |
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Joemeek Sixq Mic Pre With Digital Out $499.99 The Joemeek SixQ is a mic channel strip that packs a wealth of features into a single rack space studio channel.Joemeek SixQThis single channel mic pre is based on a high-quality Burr-Brown IC, and has 3 bands of highly musical EQ, Joemeek's signature optical compressor, and a front-panel instrument DI making it a highly capable recording instrument. And, along with an analog output, the SixQ microphone preamp also lets you output digitallydirect to your sound card or DAW. Digital Interface:The Joemeek Digital Audio Interface provides high quality digital audio outputs. The digital audio outputs are compatible with most digital recorders, as well as Digital Audio Workstations and mixers. S/PDIF format is available from the optical and RCA phono connectors. The Joemeek Digital Interface has highly stable onboard master clocks for low-jitter, hi-fi results. Internal sample rates of 44.1kHz, 48kHz, 88.2kHz or 96kHz are selected by means of rear panel switches.Ultra-clean microphone preamp with Burr-Brown IC"Iron" switch (add transformer-coupling)Highly musical 3-band EQ with swept Low and Mid bands, and selectable high band (6k or 12k)Full-featured optical compressor, from "silk" to "in your face!"Accurate LED metering24-bit/ 96kHz samplingOptical and S/PDIF, and Word Clock inBalanced and unbalanced I/OFront-panel instrument input |
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Ik Multimedia Irig Pre Mic Pre For Ios Devices $39.99 IK Multimedia has created a solution for integrating any type of microphone with any iOS device, and that solution is the iRig PRE. The iRig PRE gives you ultimate flexibility in mobile recording with your iPhone, iPod touch, or iPad, allowing you to connect any type of microphone from regular stage dynamic types, to professional studio-quality condensers, giving you an extremely wide range of options. iRig PRE is the first high-quality microphone preamp designed specifically for iOS devices that allows musicians to use their favorite high-quality stage or studio mics with their iOS device. You simply plug-in your favorite microphone directly into the standard XLR connector of iRig PRE with no need for extra cables or adapters.Its adjustable thumbwheel gain control allows the user to easily make precise level settings. The onboard 9V battery provides the necessary voltage for phantom-powered studio condenser microphones allowing up to 15 hours of continuous use. The 3.5mm (1/8) standard stereo headphone output allows monitoring while recording, and the lightweight housing sports a convenient cable for iOS device connection. The iRig PRE also includes a Velcro strip slot for easy mounting on a mic stand or other stage locations.Like all other IK Multimedia microphones, it includes 2 free apps: iRig Recorder (an easy-to-use recording/editing app) and VocaLive (an effects processing app for singers). And like the entire range of iRig accessories, its highly portable thanks to its pocket-sized form factor for recording anywhere.40 cm (15.75) TRRS cable to connect to any iOS device headset jackXLR input connector for microphonesGain control+48 V phantom powerHeadphone outputOn/Off switchPower/Phantom Power provided by 9V batteryBattery life is approximately 40 hours with dynamic microphones and 15 hours with phantom powered condenser studio microphonesIncludes 2 free apps: iRig Recorder, an easy-to-use voice recording/editing app, and VocaLive, a multi-effects processing app for singers.Compatible with iPhone/iPod touch/iPad. |
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Chameleon Labs 7602 Mkii Mic Pre / Eq Mic And Transformer Upgrade $968 The Model 7602 MKII is the sequel to Chameleon Labs smash hit 7602 Microphone Preamplifier/Equalizer. The 7602 MKII new features include: selectable mic impedance, LED input metering, upgraded knob styles, and two different power options - all of this for the same price as the original unit. The 7602 MKII ships with an inline power transformer (all regulation is done inside the unit). The rackmountable CPS-1 can also still be used, but is no longer required. The Model 7602 MKII Microphone Preamplifier/Equalizer is based on a classic and revered design utilizing pure Class 'A' circuitry. This unit is made with 100% discrete components, hand wound transformers and was fabricated to precisely match vintage counterparts manufactured in the early to mid 70's. The Model 7602 MKII represents a dramatic breakthrough in delivering vintage audio performance at an affordable price. The 7602 MKII Microphone Preamp and EQ adds a factory installed Carnhill mic and output transformers to the 7602 unit. This upgrade adds increased performance and functionality to the 7602 MKII (sold separately). Equalizer Section (Selectable 3-band design with a flexible filter section): Filter - This is a high pass filter with 3db loss at 300Hz, 160Hz, 80Hz, and 50Hz with an 18dB cut per octave slope. Low Equalization - This section has a shelving slope with four frequency selections: 220Hz, 110Hz, 60Hz, and 35Hz. This equalizer affects the selected frequency and all others below it. The gain control provides 20dB of boost or cut. Mid Equalization - This section has a peaking characteristic with six frequency selections: 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz. The gain control provides 20dB of boost or cut. High Equalization - This section has a shelving characteristic with five frequency selections: 16kHz, 12kHz, 7kHz, 4.9kHz and 3.4kHz. This section adjusts the selected frequency and all others above it. The gain control provides 20dB of boost or cut. Electronics: By employing classic circuit design, polystyrene capacitors, a gold contact ELMA gain selector and custom wound transformers, Chameleon Labs ensures that the Model 7602 MKII will exhibit classic audio sound. The Model 7602 MKII has a transformer-balanced input with a range between 20dB and 80dB of gain. The separate line input is transformer balanced and accepts input levels from -20 to +10dB. What Makes Chameleon Labs Different? Chameleon Labs is a new type of company, focused on delivering performance and value at a price previously thought impossible. How do they do it? By reinventing how global manufacturing is approached. Chameleon Labs engineers are not inexperienced kids in a garage, buying products that are designed and built in China. Chameleon Labs is comprised of audio professionals with many decades of experience in high-end pro audio gear. From its inception seven years ago, they pioneered the idea of "blended technology", using top-notch parts from the US, |
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Focusrite Isa828 8-Channel Mic Pre-Amp $2499.99 The Focusrite ISA828 eight-channel microphone pre-amplifier provides eight original ISA transformer-based pre amps in a single robust 2U chassis. Offers you the Focusrite signature sound at its lowest cost-per-channel to date.The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs, and an optional eight-channel 192kHz ADC. The preamps feature exactly the same vintage microphone preamplifier design as the original ISA110 module from Focusrite's critically acclaimed Forte console (including the original Lundahl L1538 transformer and bespoke zobel network). Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.The ISA828's optional eight-channel 192kHz ADC is the first audio ADC to utilize Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite's own custom analogue circuitry to provide eight channels of unparalleled A/D conversion, delivering a dynamic range of 122dB and jitter at < 250 picoseconds.Finally, every channel features a six LED input meter, complete with precise meter trim. Metering has been designed to utilize the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.8-channel microphone pre-amp8 original ISA transformer-based preamps in a single robust 2U chassisSwitchable impedance and direct instrument inputs8 line inputs8 line outputsAn optional 8-channel 192kHz ADC25-pin D-Type connectorsIntegrates quickly and seamlessly with ProTools HD and other hard disc recorders and mixing desksThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four input impedance settings, including the original ISA 110 setting, to suit any microphone4 front panel direct instrument inputs feature high and low impedance options to provide a comprehensive and accessible DI solut |
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Used Focusrite Isa828 8-Channel Mic Pre-Amp $2274.99 The Focusrite ISA828 eight-channel microphone pre-amplifier provides eight original ISA transformer-based pre amps in a single robust 2U chassis. Offers you the Focusrite signature sound at its lowest cost-per-channel to date.The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs, and an optional eight-channel 192kHz ADC. The preamps feature exactly the same vintage microphone preamplifier design as the original ISA110 module from Focusrite's critically acclaimed Forte console (including the original Lundahl L1538 transformer and bespoke zobel network). Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.The ISA828's optional eight-channel 192kHz ADC is the first audio ADC to utilize Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite's own custom analogue circuitry to provide eight channels of unparalleled A/D conversion, delivering a dynamic range of 122dB and jitter at < 250 picoseconds.Finally, every channel features a six LED input meter, complete with precise meter trim. Metering has been designed to utilize the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.8-channel microphone pre-amp8 original ISA transformer-based preamps in a single robust 2U chassisSwitchable impedance and direct instrument inputs8 line inputs8 line outputsAn optional 8-channel 192kHz ADC25-pin D-Type connectorsIntegrates quickly and seamlessly with ProTools HD and other hard disc recorders and mixing desksThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four input impedance settings, including the original ISA 110 setting, to suit any microphone4 front panel direct instrument inputs feature high and low impedance options to provide a comprehensive and accessible DI solut |
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Drawmer 1969 Mercenary Edition Mic Pre Amp/Tube Compressor $2575 The 1969 Mercenary Edition, derived from a collaboration between two of the audio industry's most established names, Drawmer (UK) and Mercenary Audio (USA), Fletcher - Producer/Engineer, Mercenary Audio incorporates new tube circuits designed to add warmth to mic/line signals, and the instrument (DI) pre-amp has its own tube stage enabling classic overdrive effects when inserting guitar, bass and other instruments. Retaining the concept of twin mic pre-amps, the 1969 uses 'Burr-Brown'op amps for a silkier sound - and a phase reverse switch available in instrument, mic and line modes increases versatility. The 1969 employs true stereo link operation with channel one's threshold, attack and release controls becoming master to both channels. Stereo link also offers a BIG position which retains bass frequencies by rolling off the detection signal at 100 Hz minimizing undesirable pumping during compression. Output gain make-up can be independently controlled on each channel. 2 mic/line pre-amps with variable gain, 48V phantom power, filters and phase reverse Instrument tube pre-amp with variable gain, EQ, phase reverse and brightness boost 2 soft-knee tube compressors with variable threshold, attack, release and output gain True stereo link operation with BIGposition for retaining bass frequencies Side chain access and side chain listen facility VU metering of gain reduction and output levels Individual +4dB/-10dB inserts Balanced +4dB XLR input/output connectors |
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Used Drawmer 1969 Mercenary Edition Mic Pre Amp/Tube Compressor $2343.25 The 1969 Mercenary Edition, derived from a collaboration between two of the audio industry's most established names, Drawmer (UK) and Mercenary Audio (USA), Fletcher - Producer/Engineer, Mercenary Audio incorporates new tube circuits designed to add warmth to mic/line signals, and the instrument (DI) pre-amp has its own tube stage enabling classic overdrive effects when inserting guitar, bass and other instruments. Retaining the concept of twin mic pre-amps, the 1969 uses 'Burr-Brown'op amps for a silkier sound - and a phase reverse switch available in instrument, mic and line modes increases versatility. The 1969 employs true stereo link operation with channel one's threshold, attack and release controls becoming master to both channels. Stereo link also offers a BIG position which retains bass frequencies by rolling off the detection signal at 100 Hz minimizing undesirable pumping during compression. Output gain make-up can be independently controlled on each channel. 2 mic/line pre-amps with variable gain, 48V phantom power, filters and phase reverse Instrument tube pre-amp with variable gain, EQ, phase reverse and brightness boost 2 soft-knee tube compressors with variable threshold, attack, release and output gain True stereo link operation with BIGposition for retaining bass frequencies Side chain access and side chain listen facility VU metering of gain reduction and output levels Individual +4dB/-10dB inserts Balanced +4dB XLR input/output connectors |
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Drawmer 1960 Mic Pre/Tube Compressor $2250 Combining eight active tube stages and the low noise and reliability of solid state electronics, the Drawmer 1960 provides the ultimate direct interface between the sound source and the recording medium. The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding "soft knee" vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided. This powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console. The Compressor: Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title 'Threshold' has been retained for the "amount of compression" control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold._The attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a-choice of slow, medium and fast whilst release has six settings. Positions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear. Because compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch. The side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal. By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having. In addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives dir |
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Used Rupert Neve Designs Portico 5015 Mic Pre/Compressor Module $1982.89 The fully analog Rupert Neve Designs Portico 5015 Mic Pre/Compressor Module combines the outstanding sound quality expected from a Rupert Neve design with the total flexibility required by modern recording studios. The Portico 5015 features independent transformer-coupled mic preamp and compressor-limiter sections identical to those found in the Neve Designs 5012 and 5043 modules.Available in both vertical and horizontal configurations, when used with the 5033 five band EQ it is possible to create a Portico channel strip with preamplification, dynamics processing and equalization. As an additional routing option, the microphone preamp output may be routed directly to the compressor section without patching by pressing the "To Compressor" switch.Portico Series Awards:Rupert Neve Designs has been honored with three TEC Awards since its inception in 2005. The Portico 5015 Mic Pre/Compressor won for achievement in the category of Mic Preamplifier Technology. The Portico 5042 "True Tape" Emulator (#482649) won for achievement in the category of Signal Processing Technology/Hardware. The 5088 Discrete Analogue Mixer won for achievement in the category of Large Format Console Technology.Rupert Neve Designs received the Mix Certified Hit Award in 2006 for the 5088 Console and the Portico Range.Rupert Neve Designs received the Future Music Platinum Award for the Portico Range in 2007.Microphone PreamplifierThe microphone input is balanced but not floating, being a variant of an instrumentation amplifer using a "Transformer-Like-Amplifier" (T.L.A.) configuration with a toroidal Common Mode Rejection Low Pass Filter that excludes frequencies above 150 kHz. The T.L.A. is followed by an actual input transformer designed by Mr. Neve that permits a full +25 dBu input signal to be handled at unity gain without an input pad over the whole audio spectrum. This innovative solution combines the advantages of both an "Electronically Balanced" and true transformer input.In addition to the 72 dB of gain, the Neve Portico 5015 mic preamp includes individually selectable phase, mute, phantom power, a swept high pass filter from 20-250 Hz, and the "Silk" circuit which yields the rich warmth and presence of the renowned classic designs.The Compressor SectionThe Portico 5015 microphone preamp's compressor has fully variable threshold, ratio, attack, release and makeup gain with two selectable VCA modes that provide for exceptional control of any source material. How it Works. In order to control gain, a VCA or voltage controlled amplifier (or attenuator) is used. There are many types of voltage control including the use of tubes, discrete and integrated solid state circuits and naturally non-linear devices, each one having its characteristic behavior that reflects sonically on the final performance, and gives it a character or signature that can be musically attractive or not.The Portico 5043 makes use of a very accurate, low noise, low distortion V.C.A. having, essentially |
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 AUDIO TECHNICA AT4050 CM5 MICROPHONE  US $335.01
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 TRIDENT S20 DUAL MICrophone PREAmplifier US $649.95
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 Sennheiser MKH 40 Condenser Recording and PA Microphone US $510.00
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 Focusrite Platinum Penta Preset Stereo Compressor US $151.75
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 Focusrite Tone Factory Mic Pre DI US $150.00
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 MXL USB006 Condenser Cable Professional Microphone EXCELLENT CONDITION US $35.00
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 Audio Technica ATW 3110b Microphone US $370.00
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 Neumann SWA microphone preamp KMA condenser capsule relation to Neumann KM83 US $247.50
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 Sony BC 210 Battery Charger Heavy duty project Case Great for Mic Pre or Pwr Sup US $15.99
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 M AUDIO AUDIO BUDDY DUAL MICROPHONE PREAMP DIRECT BOX US $24.50
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 TC Helicon VoiceTone Correct Vocal Processor Pedal US $86.00
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 UA LA610 MKII Channel Strip Exc NR US $995.00
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 Shure ULXP 14 Instrument Wireless System US $699.99
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 APOGEE MINI ME 2 CHANNEL A D CONVERTER MIC INSTRUMENT PREAMP MICROPHONE PRE US $550.00
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 SHURE 55 55SH SERIES II MIC MICROPHONE STAGE VOCAL RECORDING STUDIO DYNAMIC BOX US $96.00
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 Langevin 116 Tube Mic Preamplifier X Two WESTERN ELECTRIC US $1,650.00
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 Whirlwind MD 1 US $175.00
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 Audio Technica 3000 Series Wireless Package with HEADSET added US $450.00
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 PreSonus ADL 600 Dual Channel Mic Preamp ADL600 US $1,850.00
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 Universal Audio SOLO 610 TUBE Microphone Preamplifier warm vintage tone US $500.00
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 Samson C01U USB Studio Condenser Microphone US $18.50
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 YPA A65P In Line Microphone Preamplifier for SHURE MIC Pre for Beta Series US $39.95
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 AKG C441B XLS Professional Condenser Microphone C 441B Mic Recording Vocal Drum US $202.50
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 DOD VoTec Vocal Multi Effects Processor Microphone Pre Amp US $9.99
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 MXL 990 Condenser Cable Professional Microphone US $54.99
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 ART DPS II Preamp System with Dual Tube Mic Preamps US $170.00
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 MXL USB006 Condenser Cable Professional Microphone US $16.49
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 Rolls Microphone Preamp Mic Power I 1 48 Volt Phantom Power Supply PB23 US $38.99
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 YPA MM3 HEADWORN MIC FOR SENNHEISER RADIO MICROPHONES US $34.99
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 Blue Bottle Tube Mic w custom transformer w B6 capsule US $5,999.95
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 MXL 990 Condenser Professional Microphone NEW US $75.00
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 Audio Technica Microphone Clip Stand Mount Mic Holder US $8.80
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 ART TUBE MP PROJECT SERIES INSTRUMENT MICROPHONE PREAMP MIC PREAMPLIFIER US $59.99
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 Cetacea Sound Wireless Microphones Receivers Transmitters RETAIL $350 US $49.00
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 AKG C414 B XLII Matched Stereo Pair US $1,195.00
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 SM Pro Audio PR8E Multichannel Microphone Preamplifier US $150.00
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 Symetrix 528E Voice Processor Compressor Limiter Pre Amp US $215.00
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 AKG Perception 120 Condenser Cable Professional Microphone in box US $49.99
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 Audio Technica 3141B Wireless Handheld Mic Excellent Condition US $280.00
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 Blue Robbie Class A Discrete Tube Mic instrument preamp US $799.95
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 Nady Audio TMP 1 Tube Mic Preamp US $48.99
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 Neumann KMi85 KM85i Vintage Condenser Microphone US $500.00
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 YPA A65P In Line Microphone Preamplifier for SHURE BETA US $34.99
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 Art Tube MP Project Series Tube Preamp US $19.38
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 Art Studio MP Microphone Preamp Preamplifier for Ham Radio Microphone US $15.00
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 AUDITRONICS 110 channel strip with JENSEN output transformer US $170.00
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 Brent Averill 1272 Mic Preamps 2 channels with DI US $1,365.00
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 Universal Audio 2 610 mic pre amp US $1,300.00
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 True Audio 8 Channel Mic Pre Amp US $521.00
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 CAD Microphones CAD22A Dynamic Cable Professional Microphone US $24.95
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PreSonus Tubepre Single-Channel Vacuum Tube Mic Pre List Price: $129.95 Sale Price: $99.00 Used From: $59.99  |
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The TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules... |
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PreSonus BlueTube DP 2-Channel Vacuum Tube Dual-Path Mic Pre List Price: $229.95 Sale Price: Too low to display Used From: $185.00 |
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The new BLUETUBE DP two channel microphone/instrument preamplifier with Dual Path technology delivers the best of both worlds offering a solid state preamplifier stage and a tube preamplifier stage in each channel... |
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Palm Stereo Headset for Palm Pixi and Palm Pre List Price: $24.99 Sale Price: $7.75 |
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Palm Pre Stereo Headset |
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For Apple iPhone 3G S Earphones Headphones with Mic Sale Price: $0.01 Used From: $0.01 |
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Compatible With: BlackBerry: PlayBook/Style9670/Bold9780/Bold 9000/9700/Onyx,Curve 8300/8310/8320/8330/8900,Pearl 8110/8120/8130,Pearl Flip 8220,Storm 9500 Thunder,Storm2 9520/9550/Oden;SCH-R810 Finesse/SGH-A867 Eternity/SGH-A897 Mythic/SGH-F490/SGH-F700/SGH-G810/SPH-i350/ACE II/Intrepid/SPH-M800 Instinct/SPH-M810 Instinct S30/SPH-M900/Instinct Q/Moment;SanDisk:C100 series,C200 series,Clip,Connect Connect 4GB,E200 series,E200R series,Fuze 4/8GB/AX840/UX840 Tritan/CT810 Incite/VX11000 enV Touch/VX8575 Chocolate Touch;SCH-R470 TwoStep/SCH-R560 Messager 2/SPH-M560 Reclaim/SPH-M630 Highnote/SGH-T939 Behold II/SCH-R850 Caliber/SCH-R600 Hue II/SCH-R800 Delve/SCH-U490 Trance/SCH-U960 Rogue/SCH-R400/SCH-i920;Nokia N97/5530 XpressMusic/N85/N96/N900/E72/N97 Mini/3711/E75/E63/N76/N81/N82/N810 Internet Tablet/N810 WiMAX Edition; Curve 8520/Pearl Flip 8230/Storm 9530/Tour 9630;Motorola A Series A455/QA Series Hint QA30/Karma QA1/ROKR Z6m/ZINE ZN5/CLIQ/Droid/Backflip/Motorola Crush/Hero CDMA/Droid Eris/Motorola Devour A555... |
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ART Tube MP Studio Mic Preamp List Price: $86.00 Sale Price: $29.99 Used From: $29.00 |
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The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART's OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards... |
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Apple iPhone 3g Charger Port Dock Flex Cable + Mic Microphone + Buzzer Ringer or Loud Speaker + Antenna Sticker PRE-INSTALLED ASSEMBLED + WirelessFinest MicroFiber Cleaning Cloth List Price: $39.95 Sale Price: $2.97 Used From: $19.95 |
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Pre-assembled KIT, including the dock USB charger connector port with flex cable + Mic + Buzzer Ringer or Loud Speaker + Antenna sticker, all OEM parts pre-installed, this whole kit go into the back housing below the main board and battery... |
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Usb Charger Port Dock Flex Cable + Mic + Buzzer Ringer or Loud Speaker + Antenna Sticker Receiver Pre-assembled / Assembly for iPhone 3gS ( not for 3g ) List Price: $49.95 Sale Price: $2.14 Used From: $1.50 |
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Oem replacement parts assembled kit, use for repairing your iPhone 3gS ( not for 3g ) USB charging dock connection problem, antenna not receiving signals, microphone does not work, loud speaker distorted / broken... |
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Usb Charger Port Dock Flex Cable + Mic + Buzzer Ringer or Loud Speaker + Antenna Sticker Receiver Pre-assembled / Assembly for iPhone 3g Sale Price: $0.11 |
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Oem replacement parts assembled kit, use for repairing your iPhone 3g (not for 3gs) USB charging dock connection problem, antenna not receiving signals, microphone does not work, loud speaker distorted / broken... |
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Samsung GT-i9100 Galaxy S 2 Extreme-Performance Mobile Stereo Earphones with Microphone (Black) Sale Price: $0.01 |
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Compatible With SCH-R810 Finesse/SGH-F490/SGH-F700/SPH-i350/ACE II/Intrepid/SPH-M800 Instinct/SPH-M810 Instinct S30/Instinct Q/Moment;SanDisk:Sansa C100 series,Sansa C200 series,Sansa Clip,Sansa E200 series,Sansa E200R series,Sansa Fuze 2/4/8GB/AX840/CT810 Incite/VX11000 enV Touch/VX8575 Chocolate Touch;SCH-R470 TwoStep/SCH-R560 Messager 2/SPH-M560 Reclaim/SPH-M630 Highnote/SCH-R850 Caliber/SCH-U960 Rogue/SCH-R400/SCH-i920;Nokia N97/N85/N96/N900/N97 Mini/3711/N76/N81/N82/N810 WiMAX Edition;Curve 8520/Pearl Flip 8230/Storm 9530/Tour 9630;Motorola A Series A455/QA Series Hint QA30/Karma QA1/ROKR Z6m/ZINE ZN5/CLIQ/Droid/Backflip/Crush/Hero CDMA/Droid Eris/Devour,DefyMB525 Bravo... |
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DBX 286s Mic Pre Amp/ Channel Strip Processor Mic PreAmp List Price: $279.95 Sale Price: $199.00 Used From: $176.99 |
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The 286s Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80 Hz high-pass filter to remove low frequency hum, rumble or wind. |
Need to Record a Music Demo? - Learn Ten Pitfalls You Must Avoid When Recording Your Music Demo!
Recording a music demo is the most vital step in pursuing a record deal. If you want a record deal, you need to really impress the record label and give them something professional, polished, unique and exciting. Finding the right record producer can be a painstaking process, but it's absolutely necessary if you want to have a shot at a successful music career. The following are ten pitfalls you must avoid when recording your music demo.
1. Be careful of music producers with no real music industry experience or credits.
Anyone can call themselves a music producer. Calling yourself a music producer requires no experience, no degree, no credits and no skill. Do you want to trust your career with this person? Look for a music producer that has actually worked on records with signed artists and record labels. Valuable and necessary music production skills are acquired only through years of hard work on professional recording sessions.
2. Beware of producers who want to record your music demo in their "home studio".
Although home recording equipment has gotten better through the years, there is still a vast difference between a home studio and a professional recording studio. Due to space constraints and budget concerns, a home studio will often make many compromises in sound quality and flexibility that will undoubtedly affect the final product. It's difficult to get a clean sound from someone's basement. A real full service recording studio has certain professional standards that they must adhere to and cannot make such compromises if they expect to stay in business.
3. Watch out for producers who want you to sing in their closet or bathroom.
When you're paying hard earned money for your music demo you shouldn't be shoved into some guys cramped, unventilated closet. How safe would you feel? You need a studio with space to move around and you need to be comfortable when you sing if you really expect to perform your best. In addition, the poor acoustics of a closet will give you a very undesirable vocal sound.
4. Be skeptical of music producers who claim to specialize in 7 or 8 styles of music.
Specialize means to 'devote oneself to a specific area of study.' An experienced music producer may do a few related styles well, but beware when they claim to 'specialize' in Rap, Country, R&B, Folk, Rock, Club music, Blues, Polka, etc. This is like casting a net out to see who bites. Chances are they have no real specialty and will miss the subtle elements of each style. The result is a music demo that sounds stale, stereotypical and boring at best. If you want a producer that will make fantastic music for your specific style, find one who actually specializes in that certain sound.
5. Use a professional engineer to record and mix your music demo, not an amateur.
Engineering is a skill and a talent that takes many years of hard work, study and long grueling hours to acquire. Professional engineers have worked with hundreds of artists and music producers and have learned individual techniques from each of them. They are paid hundreds and thousands of dollars for their technical and creative skill. Engineers are the ones responsible for the sonic quality of a recording. You can have the best producer in the best studio in the world, but with a bad engineer the music will end up sounding like garbage.
6. Be careful with producers who want to charge you by the hour.
While occasionally an hourly rate can be appropriate, it is NEVER done in the real music industry (where we make records, not demos). The music producer is paid a flat fee by the record label to give them a fully produced song for their artist. When a producer charges by the hour, you become the one producing your own track and the producer is reduced to the role of a keyboard player. They count on you making common mistakes and running up the clock because of your lack of experience producing.
7. Watch out for producers who claim they will shop your demo.
Find out exactly what this means. Will they send it to their cousin in Georgia who has a wedding band? Did they meet a guy in the music store who has a cousin at some label in France? If they have any genuine music industry contacts that are really worthwhile, they could not possibly have them very long if they promise to shop every artist they produce before even hearing them. This will ruin their credibility. Do not fall for this one.
8. Be cautious of producers who emphasize equipment over credentials.
All too often people think that by just acquiring some gear they'll get a great production. Don't believe it. Buying a paintbrush doesn't make you an artist. Buying a violin doesn't make you a musician. Why do people think that buying a mixing board makes them an engineer or a music producer? It doesn't. That only comes with hard work and experience. As an artist your only concern should be how your music sounds, not whether producers are using class A mic pre-amps, a tube compressor or Apogee A/D converters.
9. Listen to the music.
Listen to examples of their work and see what moves you and which music producer you connect with. Does the music producer listen to you and share your vision? Do you feel comfortable with them? Do you enjoy being in their studio? Do you trust them? If you do, that's the right music producer for you.
10. You get what you pay for.
Music Demos are NOT like McDonalds hamburgers. They are not massed produced and they are certainly not all alike. While cost is a concern when doing a music demo, you must realize that a bad demo is worse than no demo at all. A bad demo will close doors for you that you may never be able to open again. Like anything in life, garbage is cheap and you pay extra for superior quality. For an experienced music professional, you may end up paying more than that with a bargain basement dirt cheap producer. But if you're really serious about pursuing a record deal you must present yourself in a professional light if you have any hopes of being signed.
About the Author
Arty Skye is head of Skyelab Music Group, an award-winning music demo production and artist development organization located in Times Square, NYC. Skylab makes it easy and affordable for any singer to become a viable recording artist. By using established industry professionals and cutting edge technology, we produce radio ready, high quality music demos and masters at affordable rates. Skyelab also provides professional photography services, music promotion, worldwide online distribution and professional guidance to help propel a singer's career to the next level. Since 1994, Skyelab team members have been providing professional quality music production, songwriting, engineering and/or studio services to every major label and music publishing company. We've topped the Billboard Charts numerous times and been involved in 6 #1 HITS! We've earned 14 Gold and Platinum Records and worked with superstars such as Will Smith, Madonna, Santana, Alicia Keys and many more.
Arty has been producing and engineering music in New York City for over 25 years and has worked on over 1,000 records. Soon after his band recorded with RCA in the early 80's, Skye pursued a career as a recording engineer and music producer. His level of technical excellence and his creative musical talent quickly placed him amongst New York's top engineer/producers, earning him numerous Platinum and Gold records!
If you want our proven industry professionals to produce your music demo, visit our website: http://www.skyelabmusic.com/Music_Production.html