Mic Full Warranty
Mic Full Warranty
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 TRIDENT S20 DUAL MICrophone PREAmplifier  US $649.95
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 Blue Portable Microphones Snowflake Microphone Wired Desktop USB SNOWFLAKE New US $56.99
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 2 Rackmounted Vega R 662A R 662 Wireless Receivers R662A R662 MIC Microphone US $125.00
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 Audio Technica AT853a Podium Condenser Microphone US $39.95
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 YPA M605 Supercardioid Condenser Microphone Toms Congas US $119.99
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 Blue Microphones SNOWBALLALUMINUM USB Microphone Wired Made In Aluminum New US $117.99
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 Blue Microphones USB Microphone SNOWBALLGLOSSBLACK New US $117.99
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 Blue Microphones Snowball iCE Microphone Wired 183 m Cable USB Snowball ICE US $82.99
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 MXL A 55 Kicker Dynamic Kick Drum Microphone New US $97.99
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 LOW PROFILE BOOM MICROPHONE STAND 5 FEET ADJUSTABLE HEIGHT MIKE CLIP TRIPOD NEW US $9.99
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 REALISTIC PZM Pressure Zone Microphone US $9.99
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 Rode Classic II Limited Collectors Edition valve condenser mic ex display MINT US $1,737.76
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 Prodipe TT1 Ludovic Lanen Model Dynamic Microphone US $19.99
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 NEW YPA M613 XLR Cardioid Instrument drum Condenser Mic US $99.95
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 New Nady Dynamic Cable Professional Microphone Model SP 4C Color Black US $1.04
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 Shure SM57 Instrument Microphone Dynamic Uniform Cardioid Extremely Durable US $59.95
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 Sennheiser Microphone Body ME80 Shotgun without K3U US $99.95
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 Samson C01 Studio Condenser Microphone US $20.50
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 Shure Beta 58A Wired Microphone with Case US $64.00
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 Dual Wireless Headset Handheld VHF Microphone System US $154.95
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 Wireless Headset Microphone System BONUS Lapel NEW 1 YR US $124.95
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 Mason Wireless Headset Microphone VHF Bonus Clip On 1YR US $69.95
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 Dual Wireless Microphone System Handheld VHF AC Rec 1YR US $154.95
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 Condenser Instrument Mic YPA M602 Drum Microphone NEW US $59.99
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 New AKG WMS 45 Perception Wireless Presenter UHF Lapel System US $51.00
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 Supercardioid replacement capsule for Elation KM 201 km 201 mics US $189.00
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 Omni pattern replacement capsule for Elation KM 201 km 201 mics OMNI US $189.00
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 Nady SP 4C Wired Vocal Microphone With Switch 20 Foot XLR Mic Cable SP4C US $18.95
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 Rode VIDEOMIC Condenser Cable Professional Microphone Used twice US $113.19
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 Nady DKW 3 wireless system N R NEW US $5.00
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 NEW YPA M605 Condenser drum toms instrument Microphone US $129.95
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 Shure ULXD24 B58 G50 Wireless Digital Handheld System with the BETA58A NIB US $545.00
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 Stagg Tripod Boom Microphone Stand Black MIS 0822BK US $9.99
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 INTELLI TRONICS Dual2 Hand Held VHF Wireless Mic Set NIB FREE USA SHIPPING US $39.00
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 Shure SM58 Microphone | No Reserve US $29.00
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 Samson Q7VP Complete Dynamic Mic System Vocal Pack US $167.28
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 CAD M179 Mic Shockmount Cable Filter Case US $199.99
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 NEW CAD Trion 8000 Mic Power Supply Cable Case US $399.99
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 Blue Yeti USB Microphone US $66.00
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 Vintage Electro Voice EV SlimAir 636 Dynamic Omni Microphone • Works Great US $16.50
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 Used DENON DM A405 A405 AUDYSSEY MICROPHONE US $23.99
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 AUDIO TECHNICA AT4047 SV CARDIOD STUDIO CONDENSER MICROPHONE US $202.50
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 SP Studio Projects C1 microphone in presentation case large diaphram condensor US $56.99
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 Samson C01 Condenser Cable Professional Microphone US $20.50
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 Telefunken Elektroakustik U47 Amazing mic US $6,200.00
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 NEW YPA M601 Dynamic Instrument Microphone Drum Mic US $29.99
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 YPA M613 CLIP ON SAXOPHONE DRUM INSTRUMENT MICROPHONE US $69.99
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 AKG Perception 220 Condenser Cable Professional Microphone US $34.95
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 MXL MXL 990 Condenser Microphone with Shockmount US $59.99
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 Blue Microphones Snowball USB Microphone Gloss black US $59.95
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Rolls MP13 Mini-Mic Preamp $72.99 The Rolls MP13 Mini-Mic is an ideal single-mic preamp with clean phantom power and a crisp, full-frequency sound. |
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Rolls Mp13 Mini-Mic Preamp $72.99 The Rolls MP13 Mini-Mic is an ideal single-mic preamp with clean phantom power and a crisp, full-frequency sound.Single mic preampXLR and 1/4" ins/outs+21V DC phantom powerClip LED indicatorAC adapter included |
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Nady SP-33 Dynamic Mic with 20 FT Mic Cable $19.99 The Nady SP-33 is a dynamic microphone that has a lively full-range response with punchy bass; articulate mids; and detailed, crisp highs. The SP-33 mic features an aluminum alloy voice coil, low handling noise, and an ultra-rugged, shockproof grill. 50Hz-16kHz frequency range. The FREE cable makes a great deal even better. |
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Daking Mic-Pre One Preamp $765 The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking's 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven't they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding 'DI-style' steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4" front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB. A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4" jack and XLR. Class A amplifier, all-discrete solid state design Jensen transformer-isolated mic input Variable high-pass filter (0-200Hz) 20dB pad Inputs for mic, line, and instrument-level signals Front-panel Hi-Z instrument input Phase reversal switch +48V phantom power Full-width 20-segment, bi-color LED meter Balanced XLR output and 1/4" line output External power supply for noise-free operation and longer component live Rohs Compliant |
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Nady SP-33 Mic Stand Package $29.99 This package includes:One Nady SP-33 cardioid dynamic mic with a lively full-range response; punchy bass; articulate mids; and detailed, crisp highs. Features an aluminum alloy voice coil, low handling noise, and an ultra-rugged shockproof grille. 50Hz-16kHz frequency range. One die-cast 10" steel-base mic stand with E-Z grip choke and 34" height (extendable to 60"). One 20' long, durable, flexible, black microphone cable with a male XLR/Cannon plug on one end, a female on the other. |
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Used Royer R-101 Ribbon Mic Matched Pair Black $1499.68 The R-101 is a mono, passive ribbon microphone utilizing a patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built in Royer's Burbank, CA facility and delivered at a price point suitable for home studio use and live applications. The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, a patented offset-ribbon transducer, and an internally shock mounted ribbon transducer system which provides greater isolation from shocks and vibrations, and reduced proximity effect for closer miking with less bass buildup. Throw it on a guitar cabinet, hit record, play it back, smile. The ribbon element's smooth frequency response and phase linearity impart a warm, analog feel to digital recordings, where the depth and realism on playback feels more like tape rolling than digits being computed. A perfect choice for electric guitars, brass instruments and drums, the R-101's figure-8 pattern also conveys superb ambience and depth when used for room miking applications. Patented Offset Ribbon Technology The R-101 incorporates Royer's patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. The ribbon transducer's flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. The R-101's offset-ribbon transducer (Patent # 6,434,252) positions the ribbon element towards the front (logo) side of the microphone body. This proprietary arrangement gives the ribbon element more room to move within the prime magnetic field and maintain full frequency response during high SPL recordings. It's an integral part of the magic in all Royer R-series microphones. The offset-ribbon transducer also gives you the option of a brighter response when recording lower SPL sound sources on the backside (3 feet and closer; phase reversed in this position). The backside of the mic is often preferred on vocals, acoustic guitars and other stringed instruments.Like all Royer mics, the R-101 comes with a lifetime warranty to the original owner and the first re-ribbon is free.High SPL capabilities for electric guitar and percussionMulti-layered windscreen provides superior protection to ribbon elementNo internal electronics to overload or produce distortion up tomaximum SPL ratingExtremely low residual noiseRibbon element not affected by heat or humidityAbsence of high-frequency peaks, "ringing" and phase shiftsEqual sensitivity from front or back of elementLifetime warranty, 1st re-ribbon is freeApplications:Close mikingElectric & acoustic guitarsDrum overheads, kick drum Percussion instrumentsBrass, horn sectionsStrings-solo & sectionsAcoustic pianoVocalsLive events-recording and soun |
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Sennheiser E822 Mic With Stand, Cable & Clip $79.99 The Sennheiser e822S is a dynamic hand-held vocal mic with a cardioid pickup pattern that rejects rear-axis sounds. Mic features metal construction, internal shockmounting, hum-compensating coil, neodymium ferrous magnet with boron, and on/off switch with on-lock. 80Hz-12kHz. Precision manufactured in Germany. The Dynamic includes a 10-year warranty!The included Tripod Mic Stand with Boom is a basic tripod mic stand with a 33" fixed boom, and the mic clip is also included!20' cable with and-soldered connectors. 2-conductor, 24-gauge, low-impedance black cable with copper spiral shield.Dynamic micPrecision-manufactured in GermanyCardioid patternMetal constructionInternal shockmountingHum-compensating coilNeodymium ferrous magnet with boronOn/off switch that can be locked in on position80Hz-12kHz frequency responseIncludes 10-year warranty |
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Daking Mic Pre One 500 $599 Daking Mic Pre One 500: Geoff Daking, a designer of audio gear in the tradition of the greats; Neve, API, and Trident, has turned his considerable expertise on both sides of the control-room glass into a premier line of preamps, compressors, and custom consoles used by engineers and producers the likes of Joe Chiccarelli and Butch Vig. His latest creation is the Mic Pre One 500, a modular 500-series* preamp based on his popular Mic Pre One. The Mic Pre One 500 features switchable phase, 20dB mic input pad, +48V phantom power, and a selectable 1/4" line/Hi-Z instrument input.Like the Mic-Pre One, the Mic Pre 500 shares the gain structure and Class A, fully-discrete transistor circuitry design of Daking's popular Mic Pre IV. The front panel controls include a variable high-pass filter (with a range of 10-200Hz @ 12db per octave) as well as continuously variable input gain. It also includes an eight-segment tri-color LED meter with simultaneous VU and Peak. In addition, because the home recordist faces challenges that the professional studio owner does not, the Mic-Pre One 500 features a powerful continuously variable high-pass filter with a range of 10-200Hz @ 12db per octaveThe Mic Pre One 500 gives you both the punchy and exciting sound of its prime inspiration, the Trident A Range console (considered to be the best sounding console for rock by Daking himself, and numerous platinum producers), and the convenience of a 500-series module, which gives you the ability to add more great Daking channels as your budget allows.*Note: In order to operate, 500-series units require a VPR**-compliant power suppy, or "lunchbox" such as the Radial Workhorse (#H74107), A Designs Audio 500HR Rackmount Frame (#241582), or Empirical Labs EL 500 (#H72812).** What is the VPR Alliance?Initiated by API Audio, the VPR Alliance is a program of standardization and consistency guidelines for manufacturers wishing to make products designed to fit into API's 500 series rack format. The program provides complete design specifications for manufacturers interested in producing third party products that physically fit and electronically conform to API's rack specifications.The creation of the VPR Alliance has been encouraged by the overwhelming popularity of API's 500 series racks, including the ten-space 500VPR and the six-space lunchbox, which has led to a proliferation of third party modules to fit the API format. Typically installed into API racks, these third party modules have raised issues of warranty and interaction with API-manufactured modules in the same rack.Because of the variables related to those third party modules, API has previously been forced to declare that including third-party modules into a 500VPR or lunchbox simply voids the warranty of the API rack. Through the VPR Alliance, API is able to eliminate confusion as to which third party products void the API warranty and which do not. This straightforward resolution saves the company both time and money, a |
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Blue Drum Mic Kit $2747 Inspired by some of the most important recordings in music history, Blue Microphones has created the Blue Drum Kit Kit for an easy solution to replicate the fabled '3-mic' drum miking technique that professional engineers have used for years. The Blue Drum Kit Kit consists of the award-winning Mouse and a stereo matched pair of Dragonfly microphones. These three microphones complete the sonic spectrum needed in producing a full-bodied, live recording session for the most discerning drummer and engineer.Mouse MicrophoneThe Mouse's hand-tuned capsule is specifically designed to capture the thundering lows of bass and baritone vocals and low-end instrument sources. Enclosed within a rotating spherical grille, the capsule can also be positioned and adjusted into the smallest of spaces for applications where versatility is paramount. The Mouse is perfectly suited for kick drums, acoustic bass, electric bass amplifiers, snare drums, broadcast and voiceover work, and any other sources where accurate reproduction of low frequency transients is paramount.Dragonfly MicrophonesThe Dragonfly generates a silky extended top-end, contoured midrange and a bump at the upper end of the lower frequencies that thickens thin signal sources. With an integrated elastic shockmount and rotating head, the Dragonfly utilizes its innovative industrial design to enable quick and precise mic placement on the fly. The Dragonfly is ideally suited for high-frequency sources like alto and soprano vocals, percussion, electric guitar, drum overheads, and "difficult" sources such as stringed instruments.All three mics and their schockmounts come in a protective metal case with a plush interior that had cutouts to keep your mics safe between uses. |
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Ultimate Support Tour-T Tripod Mic Stand $149.99 Like the rest of the TOUR Series Tripod Base Mic Stands, the TOUR-T model is designed for professionals, rental facilities, touring, and backline companies. The TOUR Series mic stands are roadworthy and feature patented universal mic attachments that feature top threads that fit both U.S. and metric threaded mic clips and accessories. Each stand is made of heavy-walled, oversized steel tubing that is super strong and takes the abuse of the road. All parts on the Ultimate TOUR series are interchangeable and field replaceable. In fact, the bases have a modular design with a quick-release connection system that allows you to mix and match any base or shaft within the series with other models for fast and convenient set-up, tear-down, and storage. The secure rubber footcaps will not fall off.The Tour-T is height adjustable from 41.7" to 64.6" and has a tube diameter of 1.1".Patented mic attachment with top threads that fit U.S. and metric threaded mic clips and accessoriesHeavy-walled oversized steel tubingSecure rubber footcapsParts are interchangeable and field replaceableHeavy-duty chrome finishDie-cast 1/4-turn clutch adjust systemBase and shaft can be mixed and matched with any Tour Series base and shaftSturdy baseLimited lifetime warranty |
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Used Daking Mic-Pre One Preamp $696.15 The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking's 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven't they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding 'DI-style' steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4" front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB. A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4" jack and XLR. Class A amplifier, all-discrete solid state design Jensen transformer-isolated mic input Variable high-pass filter (0-200Hz) 20dB pad Inputs for mic, line, and instrument-level signals Front-panel Hi-Z instrument input Phase reversal switch +48V phantom power Full-width 20-segment, bi-color LED meter Balanced XLR output and 1/4" line output External power supply for noise-free operation and longer component live Rohs Compliant |
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Summit Audio 2Ba-221 Tube Mic And Line Module $679 The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable mic input impedance from 100 ohms to 10K ohms Variable high-pass filter Hi-Z instrument, line, and mic level inputs Hi-Z input and mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert jack Stackable with more 2BA-221s 1/2 rack size 3 year warranty XLR and 1/4" I/O 3 variable, independent gain stages |
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Lr Baggs Anthem Tru-Mic Acoustic Microphone/Piezo Pickup System $299 After 30 years of effort, LR Baggs has created the Anthem Tru-Mic acoustic guitar microphone which does what every amplified acoustic guitarist has dreamed about and no other pickup manufacturer has been able to create yetunlocked the potential of a microphone to capture the very essence of your guitar with high-feedback resistance for demanding stages. Not obvious, but equally important, is that the natural ease and dynamics of the Anthem Tru-Mic guitar microphone liberates you to play freely without having to compensate for the pickup system. Now you're free to play the way you like, plugged in or not. For the Anthem acoustic guitar mic, LR Baggs used no modeling or illusions. It's not "like" a mic. It's not "like" your guitar. This is a mic, and what you will experience is your guitarloud and with the fidelity and dynamics that come from a real microphone. Tru-Mic Technology At the heart of the LR Baggs Anthem guitar mic is a revolutionary type of microphone. Using a proprietary noise-canceling mic, the Anthem Tru-Mic eliminates any annoying honky or boxy qualities that have been previously associated with internal miking, leaving the pure and natural sound of your guitar the way only a real mic is capable of doing. Because this LR Baggs acoustic mic is positioned within a few millimeters of the guitar top, it has very high gain before feedback. The mic housing mounts easily to the bridge plate and the mic capsule hovers just 3mm above its surface to take advantage of the PZM or boundary effect. This Tru-Mic technology picks up the sound of the vibrations of the entire soundboard and makes the LR Baggs guitar mic unusually free from placement issues. Mic and Piezo Pickup: A Radical Technology The sound quality and feedback resistance of the Anthem Tru-Mic acoustic microphone now allows the mic to be the primary sound source in a mic/pickup system. This is unlike previous systems where only a small amount of the mic could be used to add some air to the dominant pickup signal. This is a radical new relationship between a mic and a pickup, as all of the detail, warmth, and personality of your guitar is captured by the Tru-mic. The mic is augmented, for only the very lowest frequencies, capturing the punch and authority of your playing, by the LR Baggs Element under saddle pickup. Controls The featherweight control unit controls all of the essentials, volume, mix, and phase. It nestles securely just inside of the soundhole for easy fingertip access. The mix control allows a full-blend between the augmented mic and full-range pickup. A multi-segment battery check allows you to maximize battery life and peace of mind. Under the hood is an all-discrete preamp/mixer with the pure, clean LR Baggs signature sound that is trusted by top artists around the world. Thanks to it's intelligent engineering, you can just plug in and enjoy the real sound of your acoustic guitar and the way you play, night after night.Designed to work with standard acoustic |
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Used Crown Cm-311A Headset Mic With Beltpack 889406416765 $125 If you want to maintain eye contact and really play while you sing, the Crown CM-311A Headset Microphone is for you. Electret condenser capsule provides full, clear, distortion-free sound. Gain-before-feedback and isolation are exceptional. Lightweight, rugged, and comfortable, the headband and mic boom are adjustable for any vocalist. Includes a battery/phantom power beltpack. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. The CM-311A is the latest version of the Crown's proprietary Differoid technology. Its cardioid pickup pattern rejects sounds from the rear, such as floor monitors. Its noise-canceling ability rejects sounds at a distance, such as instruments on stage and crowd noise. This results in the CM-311A having outstanding gain-before-feedback and isolation. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. Lightweight and comfortable, the mic's headband and boom adjust to fit any singer. An included pop filter greatly reduces breath noise and pops. Because of the boom's unique behind-the-ear design, it does not cover up the singer's face. The CM-311A is powered by a 9V battery or phantom power. It has a battery belt pack with an on/off switch, a programmable mic on/off switch, and a "Mic On" LED. Full, clear, distortion-free sound Outstanding gain-before-feedback and isolation Battery/phantom belt pack |
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Used Crown Cm-311A Headset Mic With Beltpack 889406739239 $125 If you want to maintain eye contact and really play while you sing, the Crown CM-311A Headset Microphone is for you. Electret condenser capsule provides full, clear, distortion-free sound. Gain-before-feedback and isolation are exceptional. Lightweight, rugged, and comfortable, the headband and mic boom are adjustable for any vocalist. Includes a battery/phantom power beltpack. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. The CM-311A is the latest version of the Crown's proprietary Differoid technology. Its cardioid pickup pattern rejects sounds from the rear, such as floor monitors. Its noise-canceling ability rejects sounds at a distance, such as instruments on stage and crowd noise. This results in the CM-311A having outstanding gain-before-feedback and isolation. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. Lightweight and comfortable, the mic's headband and boom adjust to fit any singer. An included pop filter greatly reduces breath noise and pops. Because of the boom's unique behind-the-ear design, it does not cover up the singer's face. The CM-311A is powered by a 9V battery or phantom power. It has a battery belt pack with an on/off switch, a programmable mic on/off switch, and a "Mic On" LED. Full, clear, distortion-free sound Outstanding gain-before-feedback and isolation Battery/phantom belt pack |
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Radial Engineering PowerPre Mic Preamplifier $499.99 The Radial PowerPre Microphone Preamp is one of the eight modules designed to be comprise the Radial Workhorse Rack and Mixer System that combines the popular 500 series platform with an incredibly flexible patching system to let you create the ultimate studio environment. The Radial PowerPre is a high performance microphone preamplifier designed to be used with the Radial Workhorse and other 500 series modular racks. It features 100% discrete components for optimal signal transfer and employs a 'vintage' Hammond broadcast output transformer for warmth and exceptionally smooth tone.The design begins with a front mounted XLR for instant connectivity plus a recessed 48V phantom power switch for safety. Unlike most mic preamps that require careful gain adjustment to avoid troublesome noise, the PowerPre is equipped with the newly developed AccuState input stage that automatically optimizes signal-to-noise at all levels with up to 55dB of gain. This is supported with a full 10 segment LED meter for precise signal monitoring.To add extra character; a 3-position Vox control lets you set the PowerPre to 'breath' for added high frequency air such as when accentuating a vocal track or adding harmonic content to an acoustic guitar. The 'punch' setting adds body when recording electric guitar or can be used to fatten a voice. When set to linear, the PowerPre delivers a truly natural rendering for orchestral recording that will suit the most demanding purist. This is augmented with a gentle high-pass filter that helps control low end resonance when layering acoustic instruments. |
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Sennheiser HD201 Lightweight Over-Ear Binaural Headphones List Price: $29.00 Sale Price: $16.00 Used From: $9.99  |
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The Sennheiser HD201 Stereo Headphones prove to be a low priced alternative to high-end studio headphones.With great clarity, the Sennheiser HD201 headphones are the ideal entry into the world of powerful stereo sound... |
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MEElectronics M6-BK Sport Sound-Isolating In-Ear Headphones (Black) List Price: $49.99 Sale Price: $19.50 Used From: $107.43 |
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Acoustically advanced MEElectronics M6 series earphones deliver clear, accurate sound from any portable music or DVD player. Over-the-ear design leaves the wires behind your body, best for your sports activities... |
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Skullcandy FMJ Earbuds with In-Line Mic (Black) List Price: $69.95 Sale Price: $34.99 Used From: $37.95 |
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Don't give away your smoking jacket just because you own a pair of Skullcandy Full Metal Jacket ear buds. The FMJ features an inline mic with a one-button call control that can take and end calls as well as work with Apple devices to play and pause your music, and track forward and back... |
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Skullcandy S2INCZ-033 INK'd Earbuds - Black List Price: $19.95 Sale Price: $7.99 Used From: $18.03 |
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The INK'd in-ear bud allows for passive noise isolation, and includes three separate sizes of silicone gel earbud sleeves, so you can get a perfect, comfortable fit for your ears.Skullcandy squeezed an 11mm driver into these earbuds, which, when coupled with a neodymium magnet, delivers serious full-range sound, with a hefty low end, and a wide frequency response of 20 Hz - 20 kHz. |
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Philips Rich Bass Neckband Headphones SHS5200/28 (Replaces SHS5200) List Price: $24.99 Sale Price: $14.49 Used From: $9.99 |
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Be seen with this reflective neckband headphone that give you extra visibility - and safety -as well as great performance and comfort. |
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ARCTIC Sound ORACO-ERM28-GBA01 Headphones P311 (Black and Gray) List Price: $29.99 Sale Price: $24.95 Used From: $24.64 |
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Bluetooth connectivity & built-in microphone making P311 an ideal portable companion for PC & mobile devices. Integrated 95dB amplifier and 28mm drivers excel by their high fidelity with outstanding bass... |
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Skullcandy INK'd Earbuds (Blue) List Price: $19.95 Sale Price: $9.99 Used From: $14.31 |
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Skullcandy's best-selling INK’D earbuds feature a customizable fit and 11mm speaker drivers that tattoo your temporal lobes with full-color sonic art. Select colors include an inline mic and control switch to keep you in touch with your tunes and the outside world... |
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Skullcandy INK'd Earbuds (Silver/Black) List Price: $19.95 Sale Price: $10.79 |
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Skullcandy's best-selling INK’D earbuds feature a customizable fit and 11mm speaker drivers that tattoo your temporal lobes with full-color sonic art. Select colors include an inline mic and control switch to keep you in touch with your tunes and the outside world... |
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MEElectronics M31-BK In-Ear Headphones for iPod, iPhone, MP3/CD/DVD Players (Black) List Price: $44.99 Sale Price: Too low to display Used From: $26.37 |
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M31 In-Ear Headphone. Fun is what the M31 is all about, giving you a fun, punchy presentation with good space and enhanced bass. Providing warmth along with 5 color choices of the the cool two-tone housing, this earphone delivers! oThe Original M Series in-ear headphones have a fun sound with enhanced bass that doesn't intrude into the rest of the spectrum, giving you the bass you want along with good clarity; Features: Durable and stylish metal housing with two-tone color; 9... |
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MEElectronics M9-BK Hi-Fi Sound-Isolating In-Ear Headphones (First Generation) - Black List Price: $29.99 Sale Price: Too low to display |
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M9 second generation delivers ultimate sound with stylish color options (black or silver). Improved cable to eliminate microphonics. Redesigned casing provides superb durability. Headphone offers clear, accurate sound from any portable music or DVD player... |
Unique Features Of Sony AIT Tape Cartridge
AIT tape format has introduced a unique technique in which a MIC (memory in cassette) chip is included in the cartridge. 64 Kb of information can be stored in the MIC chip. In traditional tape formats, the tape drives have to rewind and go to the start of tape for reading system log and then finding the required file. MIC memory chip accelerates the data access process in AIT format and therefore lowers the time of file access by 50%. The users of the AIT tape technology are provided with the flexibility of loading and unloading the AIT tape media at any point. AIT tape technology decreases the wear & tears because the AIT media does not need to be rewind to the start of tape. Therefore, the reliability and the performance of AIT tape media format are enhanced. Low priced HP AIT, LTO cleaning tape, and Sony AIT tapes are available at tape4backup dot com. The compression technology of ALDC (Adaptive Lossless Data Compression) was co-developed with IBM. In comparison to the other older algorithms like DLZ and IDRC, the ALDC technology enhances the efficiency of data compression. Compression ratio in AIT tape format reaches up to 2.6:1 because of the ALDC technology. The tape tension should be enough to firmly hold the tape against the assembly head. This results in increased accuracy of data reading/writing and prevents tape debris and head wear. The media reliability and drive system are affected by the media composition, tape tension, design of head and method of cleaning. Sony Corporation is the world’s largest and leading manufacturer of media including AME and other recording technologies as well. Sony has introduced a new mechanism in AIT tape format called the MIG (metal in gap) tape head. The unique geometry of MIG head helps to reduce the tape tension by 50 percent when compared to the other tape technologies. This new technology used in Sony AIT tape format enhances the head life up to 50,000 hours. Sony AIT products are compatible with all the major operating systems including Macintosh, Linux, Sun Solaris, IRIX, OS/2, HP UNIX, SCO UNIX, Netware, Windows (XP, NT, 2000) and AIX. Tape4backup dot com offers special discounts and lifetime warranty on AIT tapes, VXA tapes, LTO tapes and all other data tapes. Sony AIT tape has higher recording capacity and is more cost efficient than other tape formats. The newer versions of Sony AIT offers enhanced features and performance than its previous generation. Sony AIT tape products offer exceptional and unparalleled features because of its superior durability, fast retrieval & access speed, greater capacity, robust cartage and innovative design. The Sony AIT protects the investment and has a well defined roadmap. AIT format also includes an automated cleaning system that cleans the contaminations and pollutants that builds up on the tape head. When the soft errors such as re-writes, re-reads and ECC etc. reach certain threshold, then super head cleaner system of AIT tape starts its function and cleans the tape head. Lowest prices on Sony AIT-4 tape SDX4200CWW, AIT-4 tape, AIT cleaning tape, SDLT tape, LTO-1 tape, HP LTO-2 tape, LTO cleaning tape and VXA tapes at Tape4backup dot com. Call at 1-888-491-4949 and place your order.
About the Author
Sony AIT tape cartridges are very durable that offer increased reliability. Sony AIT media tape format is the ideal choice that provides cost-efficient backup storage solutions.Jessica McIntosh (Marketing Manager)
http://www.tape4backup.com
34972 Newark Blvd, # 501, Newark CA 94560
Tel : 888-491-4949
Fax : 888-449-5050
Email: jessica@tape4backup.com
June 18th, 2009 in
Microphones