Mic Condenser Studio
Mic Condenser Studio
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Nady PCM-100 Classic Condenser Mic $99.99 The Nady PCM-100 Classic Condenser Mic is perfect for broadcasting and stage vocal use. It is versatile in the studio, too. The Nady PCM-100 mic features a high-quality electret condenser element, cardioid polar pattern, and a smooth frequency response tailored for vivid vocal reproduction with a perfectly positioned presence peak. Switchable low-cut filter. Integral mic holder mount. Comes with foam-padded plastic carrying case. Requires phantom power. |
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Sterling Audio ST77 Large Diaphragm Studio Condenser Mic $199.99 Certain vintage and modern German mics are lusted after for their ability to produce full-bodied vocals with a unique sheen that has come to be known as "air." Of course they also come with a throat-clogging price tag (and that's just the modern ones, vintage market prices bring you closer to cardiac arrest). However, Sterling Audio has found a way to bring you that vintage FET sound without the mind-numbing price tag the Sterling ST77 large-diaphragm condenser. Sterling designed the ST77 condenser mic around a Class-A discrete FET mic amp specially chosen to match its cardioid, large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm mid-range reminiscent of vintage microphones. Hand-selected internal components create a sound that flatters vocals and instruments.Requires phantom power. |
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Nady SCM 960 Studio Condenser Microphone $69.99 The Nady SCM 960 Studio Condenser Microphone is a large, pressure-gradient condenser mic with a gold-sputtered diaphragm, FET preamplifier, and internal shock mount construction for structural integrity and reliability. It has selectable cardioid/omni polar patterns and selectable -10dB or -20dB attenuation. 48V phantom power required. |
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Nady Scm 960 Studio Condenser Microphone $69.99 The Nady SCM 960 Studio Condenser Microphone is a large, pressure-gradient condenser mic with a gold-sputtered diaphragm, FET preamplifier, and internal shock mount construction for structural integrity and reliability. It has selectable cardioid/omni polar patterns and selectable -10dB or -20dB attenuation. 48V phantom power required.True condenser pressure-gradient microphone1" gold-sputtered diaphragmFET pre-amplifierCardioid/omni polar patterns0, -10dB, -20dB attenuation pad3-pin gold-plated XLR connection |
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CAD Equitek E100S Large Diaphram Condenser Mic $536.99 Engineered and built in the USA, the CAD Equitek E100S large diaphragm supercardioid condenser microphone has an extremely low noise floor for its class (3.7 dBA) and the smooth, vintage tone and robust low end CAD is known for. The bootstrapped, full-differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The CAD microphone's nickel-plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low-frequency response. Features include an 80Hz high-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S condenser mic will prove to be one of the most versatile tools in your microphone locker, in the studio, or onstage. The CAD Equitek E100S condenser microphone comes in a vintage woodgrain cherry case and has a stealth shockmount included. 48V Phantom power is required. |
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MXL 990 Large Diaphragm Stereo Condenser Mic $149.99 The MXL 990 Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response. The MXR 990 also has a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. A heavy-duty wire mesh grill with an integrated pop filter protects the instrument's capsule, and an LED activity light aids users in properly orienting the microphone toward the sound source.Based upon the MXL 990--a top selling studio condenser microphone--the MXL 990 Stereo Condenser Microphone is ideal for location recording and is optimized for capturing a wide range of musical performances--both vocal and instrumental--with stunning realism and broad spatial imaging, thanks to its 90-degree X/Y stereo pick-up pattern. The MXL 990 Stereo Condenser Microphone also has a maximum SPL (Sound Pressure Level) rating of 137 dB--making it an excellent choice for capturing loud instruments such as trumpet, saxophone, or electric guitar. Requires phantom power. |
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Mxl Mxl V88 Large Diaphragm Condenser Mic $199 The MXL V88 studio condenser microphone captures the rich, beautiful harmonics produced by the human voice and fine musical instruments with a quality that is usually found only in classic tube microphones. The MXL V88 gives vocalists added warmth, and gives radio DJ's and Podcasters a fuller, deeper sound. This makes the V88 perfect for studio and broadcast recording alike.Requires 48V phantom power.32mm large capsule condenserGold-sputtered, 6 micron diaphragmLow noise FET preampFully balanced transformerless outputLess than 6" tallIncludes high-isolation shockmount and aluminum flight case20 20 kHz frequency responseClass A ElectronicsRequires 48V phantom powerMade with Mogami cable |
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Rode Microphones NT1-A Condenser Mic Bundle $229 To celebrate 15 years of the RØDE NT1 and NT1-A, RØDE Microphones has created a revised NT1-A package including a premium shock mount, pop filter, cable, microphone dust cover, and a bonus instructional DVD. Originally released in 1995, the RØDE NT1 mic is found in professional and project studios the world over. Its combination of clarity, warmth, extended dynamic range and high SPL capability made it an instant classic with professional engineers and home recording artists alike. Following heavy investment in precision manufacturing, RØDE revised the microphone capsule and electronic design of the NT1, resulting in only 5dB SPL (A-weighted per IEC651) of self noise. Released in 2003 as the NT1-A, it has since become one of the world's biggest selling and most recognizable condenser microphones. Now RØDE has truly made the NT1-A the complete recording solution by including a premium shock mount with integrated pop filter, high-quality 6m (20') XLR cable, microphone dust cover and even a bonus instructional DVD. Presented by RØDE founder and company president, Peter Freedman, The NT1-A Studio Secrets DVD features a range of tips and techniques to help RØDE NT1-A owners get the most from their new microphone. |
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MXL V900 Stage and Studio Condenser Microphone $199.99 The MXL V900 is a large diaphragm condenser microphone that is as comfortable to use and as effective on stage as it is in the studio. The heavy duty custom grille assembly has been carefully tuned to optimize the MXL V900 microphone's premium condenser element. Internally shock mounted, the MXL V900 mic has a unique stand mounting design that isolates vibration and reduces handling noise. The MXL V900 microphone has a classic, vintage look that will complement your performance and stage presence. The MXL V900 is a Class A microphone designed to exhibit a wide dynamic range and a low noise floor. The MXL V900 is also a perfect microphone for digital recording.Requires phantom power. |
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Mxl V900 Stage And Studio Condenser Microphone $149.99 The MXL V900 is a large diaphragm condenser microphone that is as comfortable to use and as effective on stage as it is in the studio. The heavy duty custom grille assembly has been carefully tuned to optimize the MXL V900 microphone's premium condenser element. Internally shock mounted, the MXL V900 mic has a unique stand mounting design that isolates vibration and reduces handling noise. The MXL V900 microphone has a classic, vintage look that will complement your performance and stage presence. The MXL V900 is a Class A microphone designed to exhibit a wide dynamic range and a low noise floor. The MXL V900 is also a perfect microphone for digital recording.Requires phantom power.Gold-sputtered, vintage modeled diaphragmLow-noise solid state preampEasy-to-move swivel mount attaches to any mic standIncludes 25' Mogami microphone cable & aluminum carrying caseWired with Mogami cable |
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Used Mxl V900 Stage And Studio Condenser Microphone $136.49 The MXL V900 is a large diaphragm condenser microphone that is as comfortable to use and as effective on stage as it is in the studio. The heavy duty custom grille assembly has been carefully tuned to optimize the MXL V900 microphone's premium condenser element. Internally shock mounted, the MXL V900 mic has a unique stand mounting design that isolates vibration and reduces handling noise. The MXL V900 microphone has a classic, vintage look that will complement your performance and stage presence. The MXL V900 is a Class A microphone designed to exhibit a wide dynamic range and a low noise floor. The MXL V900 is also a perfect microphone for digital recording.Requires phantom power.Gold-sputtered, vintage modeled diaphragmLow-noise solid state preampEasy-to-move swivel mount attaches to any mic standIncludes 25' Mogami microphone cable & aluminum carrying caseWired with Mogami cable |
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MXL V63M Condender Studio Mic with Mogami Mic Cable $99.99 The MXL V63M Condenser Studio Microphone has a 1" diameter, 6-micron thick diaphragm that delivers high sensitivity and detailed recordings. One of the best of the MXL line, the V63M can be used very effectively for drum overheads as well as vocals. Wired with Mogami wire for added clarity, the V63M features a balanced, transformer-less output for low noise. Encased in a heavy duty brass enclosure. The MXL V63M mic has a cardioid pickup pattern and a frequency response of 30Hz- 20kHz. 48V phantom power required. Includes a Mogami Gold Stage mic cable with Neutrik XLR connectors. |
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Applied Microphone Technology AMT S3G Studio Low-Profile Condenser Mic System $570 The AMT S3G Studio version combines AMT's Omni Guitar specific microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and creates a specific frequency curve in order to maintain the most natural reproduction of sound in conjunction with the achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The AMT S3G Studio version is meant to be used either in a studio setting where close miking of an instrument is desired or in a professional level setting where the "Sound Engineer" needs control of the microphone. The S3G Studio is a unique, low-profile condenser microphone that can only be used with an acoustic guitar that has a sound-hole under the strings. This microphone incorporates an omni pattern to capture the sound from inside the guitar. The S3G Studio Mic features a flexible gooseneck, allowing the player or sound engineer to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. Requires phantom power. |
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Audio-Technica At4050 50Th Anniversary Multi-Pattern Studio Condenser Mic $769 To celebrate Audio-Technicas 50th Anniversary, A-T has introduced a special limited edition AT4050/LE Anniversary Microphone in a silver-colored metallic finish with blue accents. A unique serial number is etched on the surface of each AT4050/LE. The limited edition offering comes with a beautifully crafted wooden carrying case. With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050/LE exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity. Ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more. Special 50th anniversary edition in silver-colored metallic finishCarefully crafted wooden carrying caseTransparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest qualityDual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphoneThe 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics achieved remain constant over years of useThree switchable polar patterns: omni, cardioid, figure-of-eightTransformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transientsState-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standardsSwitchable 80 Hz hi-pass filter and 10 dB padCustom shock mount provides superior isolation |
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ART Phantom I Studio Mic Power Supply $50 The ART Phantom I is a 48V Phantom power supply for studio microphones. The Phantom I has a wide frequency response and features a female XLR input and a male XLR output. 18V DC power adaptor included. Different condenser microphones specify different amounts of required phantom power. As a rule these ratings can range from 48 volts all the way down to 9 volts. Fortunately, there is some flexibility in terms of matching phantom voltage to your mic. A rough rule of thumb would be "more is better." For example, a 24-volt condenser mic will run perfectly on 48 volts. In fact, mics rated at as little as 9 volts can often operate on 48 volts, but you should check with the manufacturer first. Conversely, a mic will generally perform best driven by not less than its rated voltage so, for a 48V mic, you would obtain best results with 48 volts of phantom power. The Phantom I is a great choice for the above needs. |
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Art Phantom I Studio Mic Power Supply $50 The ART Phantom I is a 48V Phantom power supply for studio microphones. The Phantom I has a wide frequency response and features a female XLR input and a male XLR output. 18V DC power adaptor included. Different condenser microphones specify different amounts of required phantom power. As a rule these ratings can range from 48 volts all the way down to 9 volts. Fortunately, there is some flexibility in terms of matching phantom voltage to your mic. A rough rule of thumb would be "more is better." For example, a 24-volt condenser mic will run perfectly on 48 volts. In fact, mics rated at as little as 9 volts can often operate on 48 volts, but you should check with the manufacturer first. Conversely, a mic will generally perform best driven by not less than its rated voltage so, for a 48V mic, you would obtain best results with 48 volts of phantom power. The Phantom I is a great choice for the above needs. Input Connectors: XLR female Output Connectors: XLR male Frequency Response: 10Hz - 25kHz Output Phantom Power: 48V DC +/- 2V Output Noise: -115 dBV Current Drain: 14mA Power: 18V DC (Adapter included) Dimensions: 5.25 x 2.75 x 1.75 inches (130mm x 74mm x 45mm) Weight: 1.3 lbs. (315g) |
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 Audio Technica AT2020 Condenser Cable Professional Microphone  US $50.00
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 AUDIO TECHNICA AT4050 CM5 MICROPHONE US $335.01
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 NEW Shure SM81 Condenser Mic US $230.00
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 Neumann TLM 49 Condenser Cable Professional Microphone US $945.00
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 Sennheiser MKH 40 Condenser Recording and PA Microphone US $510.00
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 MXL USB006 Condenser Cable Professional Microphone EXCELLENT CONDITION US $25.49
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 Shure SM98 Mini Condenser Microphone with Gooseneck US $120.00
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 Behringer C 1U Condenser Cable Professional Microphone US $14.99
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 Nady SCM900 Condenser Cable Professional Microphone US $40.00
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 MXL GENESIS Recording Studio Mic TUBE CONDENSER MICROPHONE GOLD US $202.50
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 Neumann N 80 48 Volt Power Supply US $65.00
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 Audio Technica AT2020 Condenser Microphone US $70.00
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 Apex APEX 460 Recording Studio Mic TUBE CONDENSER MICROPHONE US $160.50
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 YPA M605 Supercardioid Condenser Microphone Toms Congas US $119.99
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 Neumann TLM103 condenser microphone TLM 103 mic w wooden box and shockmount US $700.00
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 USED Audio Technica AT2020 Studio Condenser Microphone w original box FREE XLR US $97.00
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 Studio Projects TB1 Tube Condenser Microphone US $310.00
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 Earthworks TC30K Professional Microphones set of 2 w Wooden Case US $999.00
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 SHURE Beta 87C Precision Crafted VOCAL Mic US $139.99
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 Blue Microphones Mikey Stereo Mic for iPod and 3G iPhone other compatibles US $1.50
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 Blue Bottle 8 Mic Capsule Kit B0 B1 B2 B3 B4 B5 B7 B8 US $4,299.00
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 Shure KSM 27 Mic US $175.00
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 Oktava MK 012 Condenser Professional Microphone US $179.00
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 Blue Mouse Condenser Professional Microphone US $400.00
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 Samson Studio USB Condenser Microphone C01 CES High Grade Pro Low Noise Cabl US $15.50
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 Samson model C02 Condenser Microphone with case US $10.00
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 BLUE Kickball Drum Mic US $60.00
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 Studio Projects B1 Condenser Professional Microphone shockmount US $29.00
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 Rode NTK Microphone Professional Vocal Condenser Studio Recording Power Supply US $127.50
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 Yeti Blue Microphone US $99.00
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 Used Behringer C 1 Condenser Cable Microphone MINT CONDITION US $45.00
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 Sterling Audio Sterling ST6050 FET Studio Condenser Mic Ocean Way Edition US $850.00
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 M Audio Nova Condenser A STEAL US $53.00
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 PH1 PHANTOM CONDENSER MIC OMNI RECORDING MICROPHONE US $24.99
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 Audio Technica AT4047 Large diaphragm Cardioid Condenser Mic w Shockmount US $315.00
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 DPA 4099 B Bass Condenser Mic w Clip for Acoustic Upright Double Bass US $299.00
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 Samson C03U Condenser Cable Professional Microphone US $99.00
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 Samson C01U Professional Condenser Microphone w USB interface US $79.99
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 Samson C01U USB Studio Condenser Microphone US $18.50
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 AKG C441B XLS Professional Condenser Microphone C 441B Mic Recording Vocal Drum US $202.50
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 MXL 990 991 Studio Condenser Microphone KIT of 2 Mics Case No Reserve US $79.00
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 AKG Perception 100 Condenser Cable Professional Microphone US $5.50
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 Blue Snowball Condenser Cable Professional Microphone US $20.50
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 Home Studio Recording Techniques Tips great for Neumann KM 184 U87 TLM49 users US $10.99
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 Rode VIDEOMIC Condenser Cable Professional Microphone US $61.00
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 MXL USB006 Condenser Cable Professional Microphone US $16.49
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 Samson Meteor Mic Studio USB Microphone Chrome SAMTR US $22.50
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 Samson Studio USB Condenser Microphone C01UCW US $17.50
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 Marshall MXL V12 large diaphram condenser Siicon Valve mic w Tube sound US $449.99
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 Earthworks TC30K Professional Microphone Earthworks LAB 101 Preamp US $1,000.00
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CAD GXL2200SP Studio Condenser Mic Recording Pack List Price: $249.00 Sale Price: Too low to display  |
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The GXL2200 is great for recording studio vocals, voice-overs, choirs, acoustic instrument, strings, piano, cymbals, or as an overhead microphone. The GXL1200 is best used for recording choirs, orchestras, acoustic instruments, guitar cabinets, strings, piano, cymbals, hi-hat and, also as an overhead microphone... |
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CAD U37 USB Studio Condenser Recording Microphone List Price: $79.00 Sale Price: Too low to display |
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Record studio-quality audio directly to your computer via USB with the CAD U37 side-address condenser microphone--a great choice for both vocal and instruments as well as for creating podcasts and voiceovers for videos... |
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Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic List Price: $169.00 Sale Price: Too low to display Used From: $69.99 |
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The price/performance standard in side-address studio condenser microphone technology, Audio Technica's AT2020 studio mic has a low-mass diaphragm that is custom-engineered for extended frequency response and superior transient response... |
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On Stage Stands MS7701 Tripod Boom Microphone Stand List Price: $50.99 Sale Price: $19.20 Used From: $22.67 |
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The On Stage 7701B Microphone Stand is a durable tripod mic stand and boom combination and just about the best value we've ever offered. These stands use the highest quality components. The legs fold down for the most compact storage... |
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Studio Projects B1 Vocal Condenser Microphone, Cardioid List Price: $119.99 Sale Price: $116.00 Used From: $109.00 |
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The Studio Projects B1 condenser microphone is a large diaphragm cardioid microphone in a pressure-gradient transducer employing high quality transformerless design and extremely low noise. Equipped with a true 1 inch 3 um gold sputtered large diaphragm in a pressure gradient transducer capsule, the B1 will deliver the finest quality of vocal and instrumentation recordings in a wide variety of applications while offering a natural extended transparent high end, yet offer the thick bodied low end expected from a quality microphone. |
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Behringer C-1 Studio Condenser Microphone List Price: $87.99 Sale Price: $35.99 Used From: $37.79 |
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The C-1 is a cardioid condenser microphone designed to capture your sounds with incredible realism, sensitivity and accuracy. This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials... |
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Nady MPF-6 6-Inch Clamp On Microphone Pop Filter List Price: $24.99 Sale Price: $13.34 Used From: $19.29 |
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Mic Pop Filter With Boom |
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Samson C01/SR850 Condenser Mic / Headphones Bundle List Price: $69.99 Sale Price: $77.99 Used From: $77.98 |
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Samson R11 - 3 Pack Hyper-Cardioid Handheld Dynamic Microphone |
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MXL MXL 990 Condenser Microphone with Shockmount List Price: $199.99 Sale Price: $59.00 Used From: $57.98 |
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The MXL 990 Condenser Microphone with Shock Mount has a silky, sweet high end while retaining tight, solid low and midrange reproduction. The 3/4" gold-sputtered diaphragm creates a professional sound suited for digital and analog recording... |
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MXL V63M Condenser Studio Microphone with Shockmount Sale Price: $79.99 Used From: $71.00 |
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The MXL V63M is a condenser microphone with a 1" diameter, 6-micron-thick diaphragm that delivers high sensitivity and detailed recordings. Wired with Mogami wire for added clarity. Balanced, transformerless output for low noise... |
Recording: Acoustic Guitar & Mic Technique
Recording acoustic guitar tracks well is one of the most difficult tasks that anyone in music can do. Experimentation is key to achieving perfect results, however there are a few basic, engineer-tested microphone placement techniques and tips that will help you produce high-quality acoustic guitar tracks.
Close-miking Technique
Close-miking is a technique in which a microphone is placed very close to an instrument or sound source - usually inches to 1 foot away. Musicians and engineers use this technique because of the focused sound close-miking provides. Recording instruments using this technique also minimizes bleed from other instruments and musicians in the room, as well as unwanted noise. This technique is commonly used by those recording at home in untreated rooms, or in situations where the room sound is unwanted or detrimental to the recording. Close-miking is generally done with dynamic microphones, as they have a very focused polar pattern and can usually take high volume levels. A commonly used close-miking technique is to place a dynamic microphone approximately 8 inches in front of the 12th fret on an acoustic guitar. Microphones like large diaphragm condensers and ribbon microphones are sometimes used in this way on quieter sources or song passages.
Distant-miking Technique
Distant-miking is a technique in which a microphone is placed further away from a sound source -- often between 5 feet and any greater distance. This technique is used in situations where a combination of the sound of the room's tone and the instrument are desired, usually in recording studios with acoustically tuned rooms. Distant-miking techniques generally cannot be employed in situations where bleed is an issue, and are usually only used when an instrument is recorded overdubbed or recorded in isolation. Microphones like large diaphragm condensers and ribbon microphones with figure-eight patterns are commonly used with this technique, as they tend to pick up the most detail and natural sound.
Combination Miking Technique
Combining close-miking and distant-miking techniques often yields the best result possible if done correctly. Many engineers use a dynamic microphone close to the neck or sound hole of the guitar, while placing another microphone, usually a large diaphragm condenser or a ribbon microphone, further away to capture room sound and reverberation. Using this combination technique will allow you to capture all of the details and full sound created by the guitarist and instrument -- from slight hand movements with a close microphone, to a full, warm sound with the distant microphone. Using two microphones enables you to use more of the distant microphone or the close microphone later during mixing. When using this technique, make sure to space the microphones at least three feet from each other to avoid phase problems that can result in weak signals and poor sound.
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