Mic Belt
Mic Belt
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Ultimate Support Smell The Rubber - Custom Mic Topper Black $39.99 Ultimate Support's custom mic stand toppers in die-cast aluminum feature detailed, themed designs that are intended to enhance stage performance and self-expression. Transform your standard mic stand into a personality-driven rig that exudes flair by simply adding a custom mic stand topper to it.What's your personality?The Smell the Rubber custom mic stand topper is a modern symbol for a classic theme: the style and muscle of a '60s stick shift combined with the sweeping smells of laying down rubber in a back-ally drag race. Strap on your seat belt and push your audience to the edge of G-force entertainment with this driving mic stand topper.Customize your mic rig:Ultimate Support designed the custom mic stand topper for singers who want to add a little personality to his or her mic rig. Place the device on top of your favorite mic stand (together with your mic clip and microphone) and more fully express your character through your performance.Plays nice with any mic stand and even better with Live Series stands:Use with any mic stand with US thread or place it on a Live Series mic stand from Ultimate Support and the topper becomes a one-hand clutch that lets you adjust the height of your microphone with a quick, simple squeeze.Take the mic stand topper with you:You can leave your custom mic stand topper on your mic stand at the end of the night or quickly screw it off the stand and place in your gig bag for convenient transport from show to show.Customize your mic stand then take the topper with you after the gigShows your personalityWorks with any mic stand and even better with Ultimate Support's Live Series standsWeight: approx. 1-3/4 lb. |
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Galaxy Audio Headset Mic W/Transmitter L1 $199.99 The Galaxy Audio HS-UBKT combines the freedom of wireless and the convenience of an all-in-one headset mic and wireless transmitter. Imagine no wires running from your headset microphone to a separate body pack. How cool is that?The lightweight, comfortable-to-wear HS-UBKT offers a unidirectional microphone element and features a built-in 5mW fixed-frequency transmitter bud powered by 1 AAA battery. The transmitter bud contains separate power and mute switches, adjustable gain control, and a low battery indicator. The HS-UBKT works great for aerobic instructors and active performers who don't want to worry about a body pack transmitter falling out of a pocket or off of a belt. A flexible microphone stem allows for easy adjustment of the microphone's position as you wear the headset.Choose between two frequencies.Fixed frequency headset mic with transmitterAdjustable gainFlexible 5" boom for Easy FormationOn/Off and Mute switchWindscreen |
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Galaxy Audio Headset Mic W/Transmitter L5 $199.99 The Galaxy Audio HS-UBKT combines the freedom of wireless and the convenience of an all-in-one headset mic and wireless transmitter. Imagine no wires running from your headset microphone to a separate body pack. How cool is that?The lightweight, comfortable-to-wear HS-UBKT offers a unidirectional microphone element and features a built-in 5mW fixed-frequency transmitter bud powered by 1 AAA battery. The transmitter bud contains separate power and mute switches, adjustable gain control, and a low battery indicator. The HS-UBKT works great for aerobic instructors and active performers who don't want to worry about a body pack transmitter falling out of a pocket or off of a belt. A flexible microphone stem allows for easy adjustment of the microphone's position as you wear the headset.Choose between two frequencies.Fixed frequency headset mic with transmitterAdjustable gainFlexible 5" boom for Easy FormationOn/Off and Mute switchWindscreen |
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Used Crown Cm-311A Headset Mic With Beltpack 889406416765 $125 If you want to maintain eye contact and really play while you sing, the Crown CM-311A Headset Microphone is for you. Electret condenser capsule provides full, clear, distortion-free sound. Gain-before-feedback and isolation are exceptional. Lightweight, rugged, and comfortable, the headband and mic boom are adjustable for any vocalist. Includes a battery/phantom power beltpack. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. The CM-311A is the latest version of the Crown's proprietary Differoid technology. Its cardioid pickup pattern rejects sounds from the rear, such as floor monitors. Its noise-canceling ability rejects sounds at a distance, such as instruments on stage and crowd noise. This results in the CM-311A having outstanding gain-before-feedback and isolation. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. Lightweight and comfortable, the mic's headband and boom adjust to fit any singer. An included pop filter greatly reduces breath noise and pops. Because of the boom's unique behind-the-ear design, it does not cover up the singer's face. The CM-311A is powered by a 9V battery or phantom power. It has a battery belt pack with an on/off switch, a programmable mic on/off switch, and a "Mic On" LED. Full, clear, distortion-free sound Outstanding gain-before-feedback and isolation Battery/phantom belt pack |
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Used Crown Cm-311A Headset Mic With Beltpack 889406739239 $125 If you want to maintain eye contact and really play while you sing, the Crown CM-311A Headset Microphone is for you. Electret condenser capsule provides full, clear, distortion-free sound. Gain-before-feedback and isolation are exceptional. Lightweight, rugged, and comfortable, the headband and mic boom are adjustable for any vocalist. Includes a battery/phantom power beltpack. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. The CM-311A is the latest version of the Crown's proprietary Differoid technology. Its cardioid pickup pattern rejects sounds from the rear, such as floor monitors. Its noise-canceling ability rejects sounds at a distance, such as instruments on stage and crowd noise. This results in the CM-311A having outstanding gain-before-feedback and isolation. Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphones--full, clear, and distortion-free, even with the loudest singers. Lightweight and comfortable, the mic's headband and boom adjust to fit any singer. An included pop filter greatly reduces breath noise and pops. Because of the boom's unique behind-the-ear design, it does not cover up the singer's face. The CM-311A is powered by a 9V battery or phantom power. It has a battery belt pack with an on/off switch, a programmable mic on/off switch, and a "Mic On" LED. Full, clear, distortion-free sound Outstanding gain-before-feedback and isolation Battery/phantom belt pack |
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Ultimate Support Smell The Rubber Custom Mic Stand Chrome $299.99 The "Smell The Rubber" custom mic stand from Ultimate Support features a one-hand height adjustment for maximum flexibility, a super strong and reflective finish that looks stunning under the lights, unique personality-driven designs, and ships with a gig bag that houses the base and the mic shaft (plus whatever else you want to put in it). The Custom Chrome Series are a must-have for any lead singer's arsenal and sure to become the centerpiece of any stage.Stunning and SturdyCustom Chrome mic stands feature a gorgeous chrome finish that looks stunning under stage lights. Additionally, the chrome finish means that your Custom Chrome Series mic stand will not rust or corrode as you take it from gig to gig - even after years of use! Custom Chrome Series mic stands are as sturdy as they are stunning.What's Your Personality?The "Smell the Rubber" Custom Chrome mic stand is a modern symbol for a classic theme ? the style and muscle of a '60s stick shift combined with the sweeping speed of laying down rubber in a back ally drag race. Strap on your seat belt and push your audience to the edge of g-force entertainment with a "Smell the Rubber" Custom Chrome mic stand today.One-hand Height AdjustmentUltimate Support invented the one-hand height-adjustable mic stand nearly two decades ago. Custom Chrome Series mics stands feature Ultimate Support's patented one-hand clutch mechanism housed inside fun and ergonomic designs. Simply squeeze to quickly raise or lower non-slip, die-cast ergonomic clutch.Free Gig Bag IncludedTransport your Custom Chrome mic stand to your gigs, and then store them after, with the included gig bag. Equipped with an internal pocket for the base, and plenty of room for the mic shaft (and whatever else you'd like to store there), the free gig bag will keep your stand free from blemishes and will ensure that you don't lose any pieces and parts of your mic rig ever again.Stunning and SturdyWhat's Your Personality?One-hand Height AdjustmentFree Gig Bag Included |
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Galaxy Audio Headset Mic w/Transmitter L5 $199.99 The Galaxy Audio HS-UBKT combines the freedom of wireless and the convenience of an all-in-one headset mic and wireless transmitter. Imagine no wires running from your headset microphone to a separate body pack. How cool is that?The lightweight, comfortable-to-wear HS-UBKT offers a unidirectional microphone element and features a built-in 5mW fixed-frequency transmitter bud powered by 1 AAA battery. The transmitter bud contains separate power and mute switches, adjustable gain control, and a low battery indicator. The HS-UBKT works great for aerobic instructors and active performers who don't want to worry about a body pack transmitter falling out of a pocket or off of a belt. A flexible microphone stem allows for easy adjustment of the microphone's position as you wear the headset.Choose between two frequencies. |
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Galaxy Audio Headset Mic w/Transmitter L1 $199.99 The Galaxy Audio HS-UBKT combines the freedom of wireless and the convenience of an all-in-one headset mic and wireless transmitter. Imagine no wires running from your headset microphone to a separate body pack. How cool is that?The lightweight, comfortable-to-wear HS-UBKT offers a unidirectional microphone element and features a built-in 5mW fixed-frequency transmitter bud powered by 1 AAA battery. The transmitter bud contains separate power and mute switches, adjustable gain control, and a low battery indicator. The HS-UBKT works great for aerobic instructors and active performers who don't want to worry about a body pack transmitter falling out of a pocket or off of a belt. A flexible microphone stem allows for easy adjustment of the microphone's position as you wear the headset.Choose between two frequencies. |
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Applied Microphone Technology Amt Lsw Clip-On Mic For Shure Systems $394 The AMT LSW Clip On Condenser Microphone is the ultimate in a woodwind or brass microphone and designed for direct connection to Shure or Sabine belt pack wireless systems. The mic system is meant to clip onto a flanged bell instrument. (Saxophones and Brass). The AMT LSW - Shure Microphone System is meant to be used by the player that requires a multi-channel professional level wireless system. (AMT Recommends the Shure ULXS14 and the ULXP14 wireless units). The AMT LSW allows the player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless beltpack. This LSW system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless mic systems). Requires phantom power.Clip-On Condenser Microphone for a woodwind or brass instrument"Off the bell" clamping systemConverts from an LS "W"ireless setup , to a "Belt pack" model, or the AMT Studio setupIncludes soft case and cables |
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Applied Microphone Technology AMT LSW Clip-On Mic for Shure Systems $394 The AMT LSW Clip On Condenser Microphone is the ultimate in a woodwind or brass microphone and designed for direct connection to Shure or Sabine belt pack wireless systems. The mic system is meant to clip onto a flanged bell instrument. (Saxophones and Brass). The AMT LSW — Shure Microphone System is meant to be used by the player that requires a multi-channel professional level wireless system. (AMT Recommends the Shure ULXS14 and the ULXP14 wireless units). The AMT LSW allows the player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless beltpack. This LSW system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless mic systems). Requires phantom power. |
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Applied Microphone Technology Amt Z1w Clip On Condenser Mic For Sennheiser Systems $391 Applied Microphone Technology's special version of the AMT Z1 flute microphone is designed to work with any Sennheiser transmitter/wireless system. The Z1W flute microphone comes wired directly with a 4-pin connector to connect directly to any Sennhieser wireless mic belt pack. The AMT Z1 is a hardwired single microphone made for flute. The Z1W is the perfect choice from soft to louder playing applications. It can be used for featured soloist to miking a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low-mass clamp, and preamp. The preamp uses the chip technology which contours the microphone for the most natural reproduction of sound possible. Requires phantom power.AMT Z1W Microphone 4 pin connector for Sennheiser transmitters Soft carrying AMT pouch for microphone |
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Applied Microphone Technology Amt Ta2w Double Condenser Mic For Sennheiser Systems $465 The AMT TA2W - Sennheiser is a low profile double condenser microphone system designed to work with Sennheiser Wireless Systems. The first microphone attaches to the bell of the musical instrument, the top or over the keys microphone is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise. The second microphone is placed in front of the bell of the microphone. Both TA2W microphones are on goosenecks for optimal placement. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The AMT interface lets the artist use AMT microphones with most Sennheiser wireless transmitters. In most cases the interface will eliminate the beltpack that has come with your microphone system. The AMT Interface will replace the belt pack and can be fastened using velcro to the belt pack of whichever wireless system that you are using. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. Requires phantom power.Element: Condenser Polar Pattern: Cardioid Frequency: 50Hz - 18kHz Sensitivity: -65dB+ 4dB Impedance: 150 Ohms Phantom Power: 12 to 52 vDC, Self-powered battery Max input SPL: 120 dB Dimension: 3.5" Flex Arm Cable: 6' Weight (Mic only): 36 grams |
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Hohner Hoodoo Wireless Harmonica Mic and Amp with 5ft Cable $379.99 This cost-saving bundle for harmonica players features the Hoodoo Box 5W Harmonica Tube Amp, Hoodoo Harmonica Wireless Microphone System, and a 5-foot 1/4" straight phone plug cable.Hoodoo Box 5W Harmonica Tube AmpThe Hoodoo Box is a 5W, Class A, hand-wired tube amp combo designed especially for harmonica players. Built from the ground up to produce the fat, distorted tones that are the cornerstone of the electric blues harp sound, it is equipped with a single EL84 power tube and a 12 AX7 plus 12 AU7 tube complement in the preamp stage. Its classic spring reverb will add drama and air to your performances while the Celestion Super 8 8" speaker is especially suited to reproduce the entire range of harp tones. The XLR direct output can be used for recording or as a send to the front of house PA.The Tone control helps you dial in the right sound with a range that goes from Dark to Bright to Scooped, the latter setting giving you a flat-out, heavily distorted sound. The Hoodoo Box will bring out the best in your harp technique as well as your mics. From growls and soulful wailing to dynamic virtuosity, the Hoodoo Box will bring these sounds and more to your harmonica playing.The roadworthy Hoodoo Box cabinet features classic styling with rugged Tolex covering, white piping, and special Hohner grille cosmetics.Hoodoo Hand Harmonica Wireless Microphone SystemConsisting of a bodypack transmitter with belt clip, a dual diversity UHF receiver, and the innovative Hoodoo Ring microphone, the Hoodoo Hand Harmonica Wireless Microphone System frees you from being tethered to your microphone. You can roam the stage while enjoying perfect mic placement at all times.The Hoodoo Hand system allows you to use your natural hand cupping and playing techniques while eliminating the need to deal with bulky bullet-style wired microphones that have traditionally been the primary choice for live performance among blues harp players. The patented Hoodoo Ring Microphone is a tiny Lavalier mic that's been tweaked to produce the low-fi, overdriven sound most blues players crave, while still being capable of producing relatively clean output when the music or your style requires it. The mic nestles in a clip with two finger holes that slip over your middle and ring fingers. Hohner includes two clips with different finger hole diameters to fit a wide range of finger sizes. The beauty of the design becomes obvious the moment you begin playing. Without a bulky mic occupying most of the cavity formed by your cupped hands, an acoustic space is created for producing a wide range of effects like flutters and tremolos. And because it's easy to create a tight seal between your hands and mouth, your sound has all the punch and dynamics you could hope for. The dual-diversity UHF-band receiver has both 1/4" and balanced XLR outputs so you can send your signal to eit |
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Hohner Hoodoo Wireless Harmonica Mic And Amp With 5Ft Cable $379.99 This cost-saving bundle for harmonica players features the Hoodoo Box 5W Harmonica Tube Amp, Hoodoo Harmonica Wireless Microphone System, and a 5-foot 1/4" straight phone plug cable.Hoodoo Box 5W Harmonica Tube AmpThe Hoodoo Box is a 5W, Class A, hand-wired tube amp combo designed especially for harmonica players. Built from the ground up to produce the fat, distorted tones that are the cornerstone of the electric blues harp sound, it is equipped with a single EL84 power tube and a 12 AX7 plus 12 AU7 tube complement in the preamp stage. Its classic spring reverb will add drama and air to your performances while the Celestion Super 8 8" speaker is especially suited to reproduce the entire range of harp tones. The XLR direct output can be used for recording or as a send to the front of house PA.The Tone control helps you dial in the right sound with a range that goes from Dark to Bright to Scooped, the latter setting giving you a flat-out, heavily distorted sound. The Hoodoo Box will bring out the best in your harp technique as well as your mics. From growls and soulful wailing to dynamic virtuosity, the Hoodoo Box will bring these sounds and more to your harmonica playing.The roadworthy Hoodoo Box cabinet features classic styling with rugged Tolex covering, white piping, and special Hohner grille cosmetics.Hoodoo Hand Harmonica Wireless Microphone SystemConsisting of a bodypack transmitter with belt clip, a dual diversity UHF receiver, and the innovative Hoodoo Ring microphone, the Hoodoo Hand Harmonica Wireless Microphone System frees you from being tethered to your microphone. You can roam the stage while enjoying perfect mic placement at all times.The Hoodoo Hand system allows you to use your natural hand cupping and playing techniques while eliminating the need to deal with bulky bullet-style wired microphones that have traditionally been the primary choice for live performance among blues harp players. The patented Hoodoo Ring Microphone is a tiny Lavalier mic that's been tweaked to produce the low-fi, overdriven sound most blues players crave, while still being capable of producing relatively clean output when the music or your style requires it. The mic nestles in a clip with two finger holes that slip over your middle and ring fingers. Hohner includes two clips with different finger hole diameters to fit a wide range of finger sizes. The beauty of the design becomes obvious the moment you begin playing. Without a bulky mic occupying most of the cavity formed by your cupped hands, an acoustic space is created for producing a wide range of effects like flutters and tremolos. And because it's easy to create a tight seal between your hands and mouth, your sound has all the punch and dynamics you could hope for. The dual-diversity UHF-band receiver has both 1/4" and balanced XLR outputs so you can send your signal to either an amp or the PA. The front panel has a convenient rotary volume knob for fast onstage adjustments and indicators for po |
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Applied Microphone Technology Amt Lsw Clip-On Mic For Sennheiser Systems $394 The AMT LSW - Sennheiser Microphone System is a special version of the AMT LS. It is meant to be used by the player that requires a multi-channel professional level wireless system. The microphone element remains the same with the same high level of quality that the LS achieves however is specially adapted to work in this Sennheiser configuration. The AMT system is meant to clip onto a flanged bell instrument. (Saxophones and Brass) and was designed for direct connection to Sennheiser belt pack wireless systems.The AMT LSW allows the brass instrument player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless belt pack. This system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems). Requires phantom power.Clip-On Condenser Microphone for a woodwind or brass instrument"Off the bell" clamping systemConverts from an "Belt pack" model, to a LS "W"ireless setup or AMT Studio setupIncludes soft case and cables |
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Used Applied Microphone Technology Amt Lsw Clip-On Mic For Sennheiser Systems $358.54 The AMT LSW - Sennheiser Microphone System is a special version of the AMT LS. It is meant to be used by the player that requires a multi-channel professional level wireless system. The microphone element remains the same with the same high level of quality that the LS achieves however is specially adapted to work in this Sennheiser configuration. The AMT system is meant to clip onto a flanged bell instrument. (Saxophones and Brass) and was designed for direct connection to Sennheiser belt pack wireless systems.The AMT LSW allows the brass instrument player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless belt pack. This system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems). Requires phantom power.Clip-On Condenser Microphone for a woodwind or brass instrument"Off the bell" clamping systemConverts from an "Belt pack" model, to a LS "W"ireless setup or AMT Studio setupIncludes soft case and cables |
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Applied Microphone Technology AMT LSW Clip-On Mic for Sennheiser Systems $394 The AMT LSW — Sennheiser Microphone System is a special version of the AMT LS. It is meant to be used by the player that requires a multi-channel professional level wireless system. The microphone element remains the same with the same high level of quality that the LS achieves however is specially adapted to work in this Sennheiser configuration. The AMT system is meant to clip onto a flanged bell instrument. (Saxophones and Brass) and was designed for direct connection to Sennheiser belt pack wireless systems.The AMT LSW allows the brass instrument player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless belt pack. This system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems). Requires phantom power. |
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 SHURE UR4D with 2 UR1 BELT PACKS G1 Band 470 530Mhz Complete Sys  US $2,025.00
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![OEM Original [MB770G] Apple Earphones Stereo Headset with Mic and Remote inlcudes a FREE Black Heavy Duty Canvas Cell Phone Case Pouch for Apple iPhone 3G / 3GS / 4 / 4S / iPod Touch 4](http://www.paleroom.com/images/i/318TnghxyQL._SL160_.jpg) |
OEM Original [MB770G] Apple Earphones Stereo Headset with Mic and Remote inlcudes a FREE Black Heavy Duty Canvas Cell Phone Case Pouch for Apple iPhone 3G / 3GS / 4 / 4S / iPod Touch 4 Sale Price: $8.59  |
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This is the 3.5MM Headset for the Apple iPhone that is compatible with all models of the iPod, iPhone and iPad. It comes with a handy remote and mic which are only compatible with iPod Nano (5th Gen and later), iPod Classic (120GB/160GB), iPod Touch (3rd Gen and later), iPhone 3GS, iPhone 4, 4S and iPad 1 & 2... |
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Tune Belt Vertical Microphone Transmitter Carrier Belt List Price: $21.99 Sale Price: $16.95 |
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This neoprene carrier belt holds microphone transmitters vertically. The design was finalized after being tested by experts in the fitness sound industry. It features bound (reinforced) edges for increased durability and a longer life... |
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Tune Belt Microphone Transmitter Belt List Price: $19.99 Sale Price: $14.95 |
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For workout instructors - a slimmer model designed specifically to fit and protect wireless microphone transmitters. Dimensions: Pocket size - 2.75" x 5.75" x .625" Fits up to - 3.125" x 6" x 1" |
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Tune Belt iPod Carrier Belt List Price: $19.95 Sale Price: $14.95 |
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For those who would rather carry their iPod discretely around their waist, then consider this lightweight and comfortable iPod Carrier which securely holds and protects your iPod while you enjoy hands-free active listening... |
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Sennheiser HD 202 II Professional Headphones (Black) List Price: $29.95 Sale Price: $19.58 Used From: $22.00 |
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The Sennheiser HD202II are closed, dynamic hi-fi stereo headphones. Good insulation against ambient noise and a deep bass response make them the ideal companion for DJs - or anyone who likes to listen to modern, powerful music without disturbing others... |
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Motorola MH230R 23-Mile Range 22-Channel FRS/GMRS Two-Way Radio (Pair) List Price: $59.99 Sale Price: Too low to display |
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The Motorola Talkabout MH230 is a great choice for nearly any outdoor enthusiast. With a powerful range of up to 23 miles, this radio is perfect for family and friends to stay in touch, whether you're tackling a back country trail or trying to brave a crowded shopping mall... |
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The ECW X-Press: A Walkthough of the Entire Show on 1/27/09
1/27/2009
Pre-show run-through:
Well, I figure why not use the pre-show white space to rant a bit about happenings outside of ECW?
-Randy Orton wins the Royal Rumble. Excellent stuff. It honestly wasn't nearly as exciting as last year's Rumble. I blame that on two things. One, they had way too many guys in the ring at the same time for the majority of the match. I feel to keep things interesting there should NEVER be more than a dozen guys active in the Rumble. They went well past that for a long stretch. Two, they didn't have a Rumble anchor. That guy who's flying around for 45 minutes taking bumps and being awesome. HBK is a great candidate who has done it in the past; last year it was my boy John Morrison, and frankly it should have been Morrison again, but he lasted only 19 minutes and didn't get to do much. Rey Mysterio lasted a while and had his moments, but he wasn't quite the big-time anchor I was looking for. The Rumble did have two redeeming qualities...the RVD surprise cameo and the awesome RKO buffet. Randy Orton is, honest to god, becoming one of my favorite wrestlers, which is amazing considering that barely two years ago there was not a guy in the WWE I thought was more overrated. Y'know, I think next week I'll put together an actual list of my favorite wrestlers. Tune in for that.
-Jack SWAGGA still the champ. Not surprising, though it's a bit sad Matt Hardy will be leaving the brand now. My problem is they're more than willing to raid ECW for talent for the other two brands (see: Bourne, Miz n' Morrison), but never toss the C show a bone in return outside the draft, which also usually ends up with ECW shafted. Anyways, here's to the Swagger era.
(opening video)
GM Teddy Long is here with his still awesome music. We're coming off a historic "Rawl Rumble" pay per view. Rumble video package. It's funny that they used the phrase "guaranteed a championship match" at Mania, considering we're just eleven months removed from the No Way Out debacle with Cena and Orton. Anyways, the video package turns to an emphasis on the Jeff/Edge match, and the debut of Evil Matt Hardy. Teddy confirms that Matt Hardy will be making the jump from ECW to Smackdown. Teddy says we've got a great show tonight, because the Boogeyman is in action. Words cannot describe how funny that was to me. Jack SWAGGA! is here. Haha, I'm becoming quite the Swagger mark. He won't be on next week's top ten list, but he's definitely making headway towards it. Jack says Teddy's right, tonight will be a great show because he is champion. And tonight, he will have an official championship celebration. Watch out for Crazy Mariachis, Jack! Boogeyman enters for his match, up next, and Swagga is all "later, punk."
(ads)
Boogeyman is in the ring. Ricky Ortiz enters to say Boogey doesn't have to eat worms to get people to like him. Just learn to wrestle. Okay, I added that last part. Ricky's solution is a rally towel. Boogeyman does not approve. He punches Ricky and clotheslines him to the outside, and Ricky leaves. Apparently this was "the Boogeyman in action", as these two were supposed to have a match but Ricky bailed. Now that was confusing. Did Ortiz just turn heel? If so, why? If not, what was the point of this segment?
Backstage, Jack SWAGGA informs Teddy Long that he has lost the ECW championship in the last five minutes. Way to take care of your aluminum belt, Jack. I'm just saying in advance here, if it turns out that Hornswoggle stole it I am giving this show an F, right away. Teddy tells Jack to ask Tiffany for help.
(ads)
Promo for the Elimination Chambers at No Way Out.
Paul Burchill vs. Finlay
Finlay works a side headlock and shoulder block. European uppercut and stomp to the groin, then a crossface and more uppercuts. Finlay nails an elbow to the face and Burchill finally fights back with a kick, clothesline, and knee drop. Paul hits a corner clothesline and locks in a headlock (Finlay's pained facial expression is epic here). When Fit gets out, another clothesline for Burchill and he goes to a neck wrench. Burchill whips Finlay to the corner and lands a knee in his back. Midget shenanigans time, as Horny harasses Katie Lea. Paul chases him as he disappears under the ring, which allows Finlay to nail a baseball slide dropkick. Finlay hits clotheslines, the seated senton, and the great ~FINLAY ROLL! He nails a back body drop and finishes with the Celtic Cross.
Winner: Finlay by Celtic Cross @ 4:35
Naturally, if there was good to be found in this match it was thanks to Finlay, not that boring stiff Burchill. And it was okay. It wasn't a great match, but it was a Finlay match which equals at least okay in my book. They also resisted the temptation to have Finlay get the squash in two minutes, which I appreciate. Four and a half minutes wasn't ideal (I'd have liked six for this particular matchup), but it is a hell of a lot better than the 2:40 I was kind of expecting. And like I've said before, can we PLEASE give Burchill some offense that doesn't look like he's in week three of Hulk Hogan's Celebrity Championship Wrestling? I'm pretty sure if he could hit the C-4, he can do a little better than clotheslines and a headlock.
Match Rating: 4.9/10
Backstage, Ricky Ortiz complains to Tiffany about how Boogeyman is a jerk. Jack Swagger interrupts to demand her help in an awesomely arrogant way.
(ads)
A look at Cena's 12 Rounds. I laughed when I saw the trailer, because it honestly looks like a slightly more interesting exact copy of The Marine.
Backstage, Big Drippy and Tony Atlas are walking. Jack Swagger asks if they've seen his title. Drippy gives him attitude (Drippy on the mic is still awesome, BTW) and leaves.
RAW Is Orton recap. You know, I love Shane-O more than the average guy, but even I had a hard time buying him (a non-wrestler with graying hair) pounding the crap out of three young, strapping "future/present of the business" wrestlers. The segment was still worth it, though, just for "FIRE ME! FIRE ME NOW! COME ON!"
(ads)
Big Drippy vs. Tommy Dreamer
Hmm, no Evil Colin Delaney around to mess Tommy up this time. Striker corrects Grisham's grammar. The crowd is really into Dreamer. Henry pushes him around a bit, then misses a corner charge. Dreamer tries a schoolboy, but Henry just sits on his arm, then slams it on the mat. Striker is really going kamikaze on the smark references this match, he's already name-dropped Johnny Rodz, Bill DeMott, and Stu Hart/The Dungeon. Hammerlock throw into the turnbuckle, and a headbutt. Henry locks in the dreaded wristlock. Dreamer gets out but eats body block. More wristlock, which is a boring move but this is actually a pretty good rendition of it. Henry hits an armdrag and goes into a hammerlock. He headbutts the arm while doing it, which is a nice touch. Dreamer finally hits a jawbreaker, but by now he's spent. Striker talks about going to a movie with Drippy. Tremendous. Henry hits a scoop slam but misses an elbow drop. Dreamer with a running dropkick, big boot, and second-rope clothesline. Atlas with the distraction, but to no avail as Dreamer lays some dropkicks into Henry's knee, setting up for the E-C-W Dropkick! Dreamer comes off the second rope but gets caught, World's Wettest Slam and we're done!
Winner: Big Drippy by World's Wettest Slam @ 5:28
Honestly, I didn't expect much from these two. Dreamer is better against smaller guys. Drippy, likewise, with the added perk of being bad against them too. However, they worked around their athleticism limitations, incorporated submissions/Dreamer's arm injury nicely, and they actually had me thinking Dreamer might win (given his speech two weeks ago). So this was a more-than-passable midcard match.
Match Rating: 6.3/10
Backstage, Jack and Tiffany bug Teddy some more for help. He decides if they go to the ring, the title might magically appear.
(ads)
In the ring, Teddy says he feels like a third-grade teacher, and says the joke is over. The thief should bring it out now, and no harm will come to him. Swagga says it is lame, and says he wants it back now. Cue Hornswoggle's music. 
Finlay is out with a mic, he says give him a second, and pulls Hornswoggle w/ belt out from under the ring. This segment is 100% fail. Finlay asks Hornswoggle to apologize, which naturally leads to "AH! AH! AAAAAHH!" Correction. This segment is now 200% fail. Swagger calls him an ogre and says Finlay must have put him up to this. Finlay denies it; if he wanted the title he'd just win it. "The only thing worse than your chances of beating me for my title are your abilities as a father". Hornswoggle gives it back and Swagger piefaces him. Cue Finlay beating the crap out of Swagger. Look, I'm sure Finlay vs. Swagger will be a great match, the first one was. But this was depressing in every possible way.
Overall Analysis:
Look, I promised at the beginning that Hornswoggle in main event interview = automatic F. I was kidding, but on further review I have no reason NOT to give this show an F. Dreamer-Henry was actually fun, but we only had two matches, only ten minutes of ring time, and no Miz and Morrison, so no Ackbar either. This was not quality television, and the leprechaun coming in to muck up Swagga's fresh reign with lots of storyline possibilities is a horrible, horrible thing.
Overall Show Grade: F
Overall Show Grade Leprechaun-Free: C-
About the Author
http://www.thewrestlinggame.com/wrestling/articles/the_ecw_xpress_12709.asp