Matched Pair Condenser
Matched Pair Condenser
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 AKG C414 XL II ST Stereo Matched Pair C 414 XL2 XLIIST PROAUDIOSTAR  US $1,475.00
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 Earthworks TC30K Professional Microphones set of 2 w Wooden Case US $999.00
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 Mojave Audio MA 101SP Matched Stereo Pair Small Condenser Mics Excellent US $749.00
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 Beyerdynamic MC 930 Condenser Microphones Stereo Set US $455.00
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 Behringer C 2 Matched Pair Of Studio Condenser Microphones {{ LQQK }} US $60.00
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 AKG C414 B XLII Matched Stereo Pair US $1,195.00
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 Matched Pair of Audix SCX25 Condenser Microphones US $1,100.00
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 Oktava MK 219 Large Diaphram Condenser Mic US $65.00
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 Rode NT5 Matched Pair Cardioid Studio Condenser Microphones Pair US $200.00
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 NEUMANN S KM184 STEREO SET MICS NEW WARRANTY US $1,298.00
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 AKG C414 XLS ST Stereo Matched Pair C 414 C414XLS PROAUDIOSTAR US $1,475.00
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 Rode NT55 Condenser Professional Microphone NR US $380.00
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 Rode NT 5 microphones ACTUAL Stereo pair US $375.00
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 NEW BEHRINGER C 2 STUDIO CONDENSER MICROPHONE C 2 BUY IT NOW FREE SHIPPING USA US $62.88
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 NEW PAIR BEHRINGER C 4 STUDIO CONDENSER MICROPHONE C4 BUY IT NOW FREE FAST SHIP US $72.88
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 BINAURAL EAR MOUNTED ELECTRET CONDENSER MICROPHONE US $45.80
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 Samson 7 Piece Drum Kit Professional Microphone US $52.00
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 Rode Stereo VideoMic Pro Camera Microphone for Video Canon and Nikon DSLR US $299.00
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 Neumann SKM184MT KM184 Stereo Matched Microphone Mic Pair SKM184 KM 184 US $1,599.00
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 matched pair of SE electronics SE 3 SDC microphones US $500.00
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 Rode NT4 Stereo X Y Condenser Studio Mic NT 4 Demo US $424.99
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 Behringer C2 Condenser Microphone Cardioid US $64.99
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 Behringer C2 Studio Condenser Microphones Pair C 2 NEW US $64.99
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 AKG C214 Stereo Set Condenser Mic Microphone Pair c 214 US $697.69
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 Matched pair KAM MC3 multi capsule studio condenser mics3 capsulesmountcase US $360.00
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 AKG C 414 XLS ST Large Diaphragm Condenser Mic Pair US $1,879.00
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 New Superlux S502 ORTF Stereo Microphone US $211.41
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 BEHRINGER B1 C4 STUDIO MIC PACK 1 $15 INSTANT OFF BAND RECORD LIVE HOME THEATER US $174.99
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 Shure PG1288 PG185 Handheld Lavalier Wireless Microphonr System BRAND NEW US $489.95
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 Shure KSM137 SL STEREO Cardioid Condenser Stereo Pair CHAMPAGNE US $665.00
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 Nady SCM 2090 Stereo Condenser Microphone US $129.99
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 Charter Oak SSC Small Studio Collection US $2,799.99
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 Charter Oak S600 Vacuum Tube Condenser Microphone Matched Pair US $1,999.99
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 Miktek C5 Small Diaphragm Microphone US $599.00
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 Charter Oak M900T Tube Microphone Matched Pair US $1,939.99
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 AKG C414 XLS ST Matched Pair C414XLS pr US $2,199.00
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 Oktava MK219 Mic Microphone MK 219 MK 219 US $139.99
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 3 Zigma CHI Lollipop Large Diaphragm Microphone Matched PairTransformer Coupled US $1,195.00
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 3 Zigma CHI Lollipop Large Diaphragm Microphone Matched Pair US $1,095.00
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 AKG C414 XL II ST C414XLII Matched Pair pr US $2,199.00
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 AKG C214ST Stereo Set Studio Condenser Microphones C 214ST Stereo Matched New US $899.00
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 Matched Pair Neumann Gefell MV692 Condenser Mics KM83 US $1,199.00
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 Matched Pair Neumann Gefell MV692 Condenser Mics KM84 US $1,199.00
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 RODE NT5 Condenser Microphones Stereo Matched Pair US $379.00
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 AKG C414B XLII PAIR OF CONDENSER PROFESSIONAL RECORDING MICROPHONES C414 XL ST US $1,499.00
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 New AKG C414 XLII ST US $2,199.00
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 Rode NT1A MP Recording Studio Matched Pair CONDENSER MICROPHONES US $549.99
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 Neumann KM184 PAIR SDC Condenser Mic Microphone Nickel Stereo KM 184 US $1,249.99
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 Rode NT4 Stereo XY Recording Mic CONDENSER MICROPHONE US $529.99
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 Audix CX112B Large Diaphragm Condenser Matched Pair US $699.00
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Audix Cx112b Large Diaphragm Condenser Matched Pair $699 This matched pair of the versatile Audix CX-112B mic allows for a wide variety of stereo miking techniques.The CX-112B is a large diaphragm condenser microphone with a contemporary design and excellent performance characteristics. It is an exceptional tool for professional audio production, project studiosand live stage performances.Delivering a smooth, uniform frequencyresponse from 20 Hz - 20 kHz, the CX-112B offers a rich, full-bodied sound delivered by its 35mm capsule.The CX-112B is equipped with a bass roll-off filter to help eliminaterumble in the lower frequencies and a 10 dB pad for use in highersound pressure levels up to 148 dB.The CX-112B is ideal for a wide variety of acoustic instruments, vocals,string sections, guitar, ensembles, guitar cabinets, ambient room mikingand live stage.Designed with discreet low noise preamp circuitry, the CX-112B operates on phantom power of 48-volts. For optimum results, use the CX-112B with a high quality mic preamplifier and microphone cable.Gold-sputtered diaphragm 35 mm (1.37) capsule 27.5 mm (1.08) gold vapor diaphragm Low noise electronics 10 dB pad and bass roll-off High SPL capability of 138 dB (148 dB with 10 dB pad) Rich warm tones - ideal for digital recording Adjustable metal clip allows for secure positioning 3 year warrantySupplied accessories:Adjustable one-piece metal clip (MC-112) Foam-lined wood case (CASE-WOOD)Applications:Studio vocals, lead and backingVoice overChoirAmbient room micDrum overheadsOrchestraBells, chimes, marimba, vibesAcoustic instrumentsElectric guitar cabinets |
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Audix Scx25a-Mp Large Diaphragm Condenser - Matched Pair $1489 The Audix SCX25A-MP large diaphragm condenser microphone is uniquely shockmounted within an intricate machined brass ring. Its capsule is completely isolated from the mic body and electronics. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism.With a smooth uniform frequency response from 20Hz - 20kHz, the SCX25A is very consistent when responding to on and off-axis signals, exhibiting excellent phase coherence and minimal proximity effect. The SCX25A condenser mic is characterized with a wide cardioid polar pattern, which enables the sound engineer the opportunity to blend the sound of the instrument or vocal with the sound of the room. Other features include a one-inch (25 mm) gold vapor capsule, miniaturized electronics, and an extremely small footprint. The SCX25A will handle sound pressure levels in excess of 135 dB and will provide up to 20 dB of ambient noise rejection.In addition to vocals, the Audix SCX25A microphone is ideally suited to capture acoustic instruments such as piano, guitar, vibes, woodwinds, brass, percussion toys, drum overheads, orchestra and symphony sectionals.The SCX25A features a precision machined brass body, innovative capsule suspension system, steel mesh grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector, and heavy duty nylon clip, making it a state-of-the-art recording mic manufactured to exacting standards and tight tolerances.Innovative DesignIsolated Capsule Suspension SystemLow Noise ElectronicsExtremely Small Footprint With A Brass Body Only 4" Long Applications:Studio VocalsVoice OverChoirsPianoDrumsOverheadsSaxGuitar |
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Rode Microphones Matched Pair Of Nt5 Microphones $429 The RDE Matched Pair of NT5 Mics are very sensitive and will give you very accurate sound reproduction. The NT5 is a true condenser mic specifically designed for optimum instrument recording. It performs well on all instruments including guitar, flute, violin, saxophone, drums, etc. Its compact size and design allow for effective and subtle positioning, which is crucial when close miking. NT5's are supplied as closely matched pairs. The package is shipped as a matched pair and includes a custom case, 2 RM5 standmounts, and 2 WS5 windscreens. True condenser microphone design Designed for optimum instrument recording Performs well on all instruments including guitar, flute, violin, saxophone, drums Compact size and design allow easy close miking Supplied as closely matched pairs Package includes: Custom case 2 RM5 standmounts 2 WS5 windscreens |
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Rode Microphones Matched Pair of NT5 Microphones $429 The RØDE Matched Pair of NT5 Mics are very sensitive and will give you very accurate sound reproduction. The NT5 is a true condenser mic specifically designed for optimum instrument recording. It performs well on all instruments including guitar, flute, violin, saxophone, drums, etc. Its compact size and design allow for effective and subtle positioning, which is crucial when close miking. NT5's are supplied as closely matched pairs. The package is shipped as a matched pair and includes a custom case, 2 RM5 standmounts, and 2 WS5 windscreens. |
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Mojave Audio Ma-101Fet Small-Diaphragm Condenser Microphones (Matched Pair) $1195 The MA-101fet is a small diaphragm, solid-state condenser microphone with interchangeable cardioid and omnidirectional capsules. Designed by renowned microphone designer David Royer, the MA101fet combines the features of two of Mojave Audio's popular models - the cardioid and omnidirectional capsules from the MA-100 with the electronics from the MA-201fet. New to the MA-101fet is an internally switchable -15dB pad, increasing the headroom to an ear shattering 135dB SPL. This makes the MA-101fet suitable for everything from capturing the subtle nuances of acoustic instruments to the loudest of electric guitars and drums - great for location recording, too.Featuring hand selected, 3-micron cardioid and omni capsules, a high quality Jensen audio transformer and military-grade FET and custom designed low noise resistors; the MA-101fet is designed to offer excellent performance for a wide variety of applications. Each MA-101fet microphone is carefully tested and evaluated, then packaged in its protective case.Interchangeable cardioid and omnidirectional hand-selected 3-micron capsulesInternally switchable -15dB attenuatorJensen audio transformerMilitary-grade FETCustom designed low-noise resistorsUltra clean signal pathRecommended applicationsAcoustic InstrumentsLocation RecordingHigh SPL sources, such as Kick Drums and Bass Guitar AmpsElectric GuitarsPianoSnare Drums, Toms, Drum Overheads |
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Royer R-122 Matched Pair Nickel $3575 The R-122 is the world's first phantom powered, active ribbon microphone. This matched R-122 pair will produce recordings of unsurpassed stereo imaging. Yes, you need to turn phantom power on when you use an R-122! The payback is far more output than you've ever imagined from a ribbon microphone. More importantly, the R-122's electronics place a perfect impedance load on the ribbon element, greatly expanding the number of preamps that will match up well with the R-122. Before the R-122, all ribbon microphones were passive devices, meaning that they were 15 to 30 dB less sensitive than average phantom powered condenser mics. In addition, passive ribbon mics depend entirely on the input impedance of the preamp they're mated with to set the proper impedance to the ribbon element. Simply put, even the best ribbon mics can sound mediocre if they're plugged into the wrong mic pre. With the R-122, gain and impedance issues are a thing of the past. GainConventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources like acoustic instruments, vocals and room ambience. The R-122 is as sensitive as a condenser microphone, allowing you to use practically any mic preamplifier or board record even the quietest sounds. The R-122 contains a fully balanced, discrete head amplifier system utilizing a specially wound toroidal transformer and ultra-low noise FET's. This system is extremely quiet, can handle 135 dB SPL, and brings the R-122's output to 38 dB! Go ahead and plug an R-122 into any preamplifier with average gain - you'll get full Royer performance and you'll have enough level to drive any recording medium.The R-122's higher sensitivity does not create additional self-noise. All of the R-122's increased level comes from its large, specially wound toroidal transformer - that wonderful thing called "free gain." The level at the transformer is actually hotter than the level at the output of the microphone. The phantom powered circuitry provides impedance conversion only, adding no noise of its own. This system took years to perfect and is currently in patent pending status.Impedance MatchingThe R-122's active electronics provide a perfect load to the ribbon element at all times, allowing the R-122 to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, R-122s can be used on extremely long cable runs with minimal signal loss.A good impedance match is critical to getting the most from a ribbon microphone. An impedance mis-match will load the ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and overall compromised performance. The R-122's ribbon element lives in a perfect world - it sees the optimal impedance at all times regardless of the following equipment, so its performance is never compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by |
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Nady SCM-2090 Stereo Condenser Microphone $129.99 The Nady SCM-2090 stereo condenser microphone boasts a pair of closely matched, large-diaphragm condenser elements, angled at 90° in an X/Y stereo configuration. Each mic element is unidirectional (cardioid) in polar pattern creating superb channel separation, a vivid stereo sound field, smooth, linear 20Hz-20kHz frequency response with high SPL capability, and ultra-low self-noise. The Nady SCM-2090 mic has a 5-pin XLR connector for balanced left and right output. The supplied stereo XLR Y-cable outputs 2 balanced 3-pin XLR, in-phase, low impedance signals that can be connected to 2 channels of your mixing console or recording equipment. Placing the Nady SCM-2090 mic closer to the sound source creates a more pronounced stereo image while moving the mic further away lessens the stereo image and results in more room ambiance. Placing the mic too close to a multi-voice source may result in some voices being more dominant than others. For recording instruments like drum kits, hand percussion, pianos, and kotos, the Nady SCM-2090 Stereo Condenser Microphone does the work of two ordunary microphones. |
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Nady Scm-2090 Stereo Condenser Microphone $129.99 The Nady SCM-2090 stereo condenser microphone boasts a pair of closely matched, large-diaphragm condenser elements, angled at 90 in an X/Y stereo configuration. Each mic element is unidirectional (cardioid) in polar pattern creating superb channel separation, a vivid stereo sound field, smooth, linear 20Hz-20kHz frequency response with high SPL capability, and ultra-low self-noise. The Nady SCM-2090 mic has a 5-pin XLR connector for balanced left and right output. The supplied stereo XLR Y-cable outputs 2 balanced 3-pin XLR, in-phase, low impedance signals that can be connected to 2 channels of your mixing console or recording equipment. Placing the Nady SCM-2090 mic closer to the sound source creates a more pronounced stereo image while moving the mic further away lessens the stereo image and results in more room ambiance. Placing the mic too close to a multi-voice source may result in some voices being more dominant than others. For recording instruments like drum kits, hand percussion, pianos, and kotos, the Nady SCM-2090 Stereo Condenser Microphone does the work of two ordunary microphones.Utilizes two gold-sputtered large diaphragm condenser elements for warm, crisp response with improved linearity across the frequency spectrumOffers ultra-low self-noise with increased dynamic range and maximum SPL capacity for recording loud audio such as brass, drums, and high-powered amplifiersManufactured with the finest materials featuring a machined housing for structural integrity and rugged reliabilitySuperb channel separation, with 5-pin XLR to dual 3-pin XLR cable (included) |
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Royer R-122V Matched Ribbon Microphone Pair Nickel $6290 The Matched R-122V Tube Ribbon Microphone Pair from Royer offers unsurpassed warm, realistic stereo imaging. The R-122V takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum tube electronics into the same proven transducer system used in the venerable R-121 and R-122 ribbon microphones. The high operating voltage of the vacuum tube provides a headroom capability far beyond that capable from a standard phantom power supply. In real-world use, this translates into unmatched clarity, detail and airiness.The ElectronicsThe R-122V's head amplifier consists of a low-noise, triode-connected military grade 5840 vacuum tube. Designed for a wide range of applications, the Royer R-122V offers superb transient response and the drive capabilities only a vacuum tube head amplifier can provide. The circuit is devoid of typical vacuum tube coloration.The R-122V's triode-configured cathode follower circuitry enables the microphone to drive long cable runs without sonic degradation or high-frequency loss. This capability is further enhanced by the R-122V ribbon mic's dedicated power supply that provides ample current to the vacuum tube electronics. Induced noise is virtually eliminated by the microphone's fully balanced output that is electrically isolated with a special purpose Jensen output transformer.Like our phantom powered R-122, the R-122V has far more level than non-powered ribbon microphones and its impedance matching circuitry places a perfect load on the ribbon element at all times. This allows the use of a wide variety of mic preamps without concern for gain and impedance matches, two critical issues with ribbon microphones. All of the Royer R-122V's increased output comes from its large, specially designed toroidal transformer, so there is no additional noise associated with the microphone's higher output.Like all Royer products, the R-122V ribbon microphone comes with a lifetime warranty to the original owner (the tube warranty is 10 years).Matched vacuum tube ribbon microphone pairVacuum tube electronics provide high output capability, optimal impedance to the ribbon element and low output impedanceExtremely low self-noiseOperates from a dedicated power supplyHigh SPL capabilities for electric guitar and percussion instrumentsAbsence of high-frequency peaks, "ringing" and phase shiftsRibbon element unaffected by impedance/load, heat or humidityVery low magnetic leakageEqual sensitivity from front or back of elementConsistent frequency response regardless of distanceRear side of mic records slightly brighter when three feet or closer to sound source |
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Shure Ksm137 Cardioid Condenser Microphone Champagne $665 The Shure KSM137/SL STEREO includes a matched stereo pair of KSM137/SL instrument microphones, two foam windscreens, A27M stereo microphone adapter, and a carry case.KSM137/SL Instrument MicrophoneThe KSM137/SL is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137/SL can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording instruments.Versatile, durable, and precise, the KSM137/SL is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar.A27M Stereo Microphone AdapterThe included A27M Stereo Microphone Adapter holds two microphones in selectable positions, allowing them to share a stand without losing independent positioning flexibility.Highly consistent cardioid polar patternUltra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient responseClass A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortionPremium electronic components, including gold-plated internal and external connectorsSubsonic filter eliminates low frequency rumble (less than 17Hz) caused by mechanical vibrationSwitchable 15dB pad for handling extremely high sound pressure levels (SPLs)3-position switchable pad (0dB, 15dB, and 25dB) for handling extremely high-sound pressure levels (SPLs)3-position switchable low-frequency filter reduces background noise and counteracts proximity effectPerformance CharacteristicsExtended frequency responseExceptional reproduction of low-frequency soundsCan withstand high sound pressure levels (SPL)Superior common mode rejection and suppression of radio frequency interferenceCommon ApplicationsAcoustic instruments: piano, guitar, drums, percussion, stringsWind instruments: brass and woodwindLow frequency instruments: such as double bass, electric bass, kick drumOverhead miking: drums or percussionEnsembles: choral or orchestralRoom ambiance pick up: guitar amplifier or drums |
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Royer R-121 Matched Ribbon Microphone Pair Nickel $2640 The R-121 is Royer's flagship microphone and the worlds first radically redesigned ribbon microphone. The R-121 gives all of the warm, natural tonal response for which top engineers have always loved ribbon mics, but in a compact, lightweight, higher output, tough-as-nails package that was unheard of in a ribbon mic before the Royer R-121.Like many of the best loved classic ribbon mics, the R-121 has a figure-8 pattern, sensitivity in the dynamic mic range, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school hand-build construction techniques, the R-121 is a far more versatile and user-friendly ribbon mic that can stand up to the most demanding tasks, including live stage use. It's built solid enough for us to give it a lifetime warranty. The R-121 redefined ribbon microphones so thoroughly that Recording Magazine wrote "...the Royer R-121 is destined to become one of the classic microphones of the 21st century".Patented Offset Ribbon TechnologyThe R-121 microphone's proprietary offset ribbon transducer (Patent Number: 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.Recording With The R-121Tonally, an Royer R-121 hears things the way your ears hear them. Most microphones add their own characteristics to your recordings; some have a hyped high and low end response with scooped out mids, some are super sizzly in the highs, some accent midrange and give very little upper and lower end frequency response, some respond to nothing but low end. They all serve a purpose and have their place in recording and live work. But if you've ever heard something brilliant - an unbelievable electric guitar, an inspiring trumpet, a sweet flute, an amazing kit - and found that getting that sound to tape or hard drive was impossible, you owe it to yourself to try a Royer ribbon. The R-121 mic's response is flat and well balanced; low end is deep and full without being boomy, mids are well defined and realistic, and the high end response is sweet and natural sounding, never edgy or sibilant.On playback you'll find the sound is natural and alive, with a panoramic, ambient feel much like what you heard when you were standing in the room with the instruments(s) you were recording.Recording LOUD! Need to record at insane levels? No problem! The R-121's maximum SPL rating is 135dB at 20 Hz and it can handle that for years. In practical terms, that means you can put your R-121 ribbon mic directly in front of a souped up 100-watt Marshall and open it up without microphone distortion or damage to the ribbon. Royer doesn't recommend trying this with other ribbon mics, but the |
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Royer R-101 Ribbon Microphone Matched Pair Black $1648 The R-101 is a mono, passive ribbon microphone utilizing a patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built in Royer's Burbank, CA facility and delivered at a price point suitable for home studio use and live applications. The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, a patented offset-ribbon transducer, and an internally shock mounted ribbon transducer system which provides greater isolation from shocks and vibrations, and reduced proximity effect for closer miking with less bass buildup. Throw it on a guitar cabinet, hit record, play it back, smile. The ribbon element's smooth frequency response and phase linearity impart a warm, analog feel to digital recordings, where the depth and realism on playback feels more like tape rolling than digits being computed. A perfect choice for electric guitars, brass instruments and drums, the R-101's figure-8 pattern also conveys superb ambience and depth when used for room miking applications. Patented Offset Ribbon Technology The R-101 incorporates Royer's patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. The ribbon transducer's flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. The R-101's offset-ribbon transducer (Patent # 6,434,252) positions the ribbon element towards the front (logo) side of the microphone body. This proprietary arrangement gives the ribbon element more room to move within the prime magnetic field and maintain full frequency response during high SPL recordings. It's an integral part of the magic in all Royer R-series microphones. The offset-ribbon transducer also gives you the option of a brighter response when recording lower SPL sound sources on the backside (3 feet and closer; phase reversed in this position). The backside of the mic is often preferred on vocals, acoustic guitars and other stringed instruments.Like all Royer mics, the R-101 comes with a lifetime warranty to the original owner and the first re-ribbon is free.High SPL capabilities for electric guitar and percussionMulti-layered windscreen provides superior protection to ribbon elementNo internal electronics to overload or produce distortion up tomaximum SPL ratingExtremely low residual noiseRibbon element not affected by heat or humidityAbsence of high-frequency peaks, "ringing" and phase shiftsEqual sensitivity from front or back of elementLifetime warranty, 1st re-ribbon is freeApplications:Close mikingElectric & acoustic guitarsDrum overheads, kick drum Percussion instrumentsBrass, horn sectionsStrings-solo & sectionsAcoustic pianoVocalsLive events-recording and soun |
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MXL 993 Condenser Microphones Stereo Pair 886830142987 $125 The MXL 993 Condenser Mics Stereo Pair includes the latest in quality instrument microphone technology. Using transformerless FET circuitry and a gold diaphragm capsule design, the 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate, instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and sturdy brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clips.Requires phantom power. |
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MXL 993 Condenser Microphones Stereo Pair 889406512504 $125 The MXL 993 Condenser Mics Stereo Pair includes the latest in quality instrument microphone technology. Using transformerless FET circuitry and a gold diaphragm capsule design, the 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate, instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and sturdy brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clips.Requires phantom power. |
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MXL 993 Condenser Microphones Stereo Pair 886830130137 $125 The MXL 993 Condenser Mics Stereo Pair includes the latest in quality instrument microphone technology. Using transformerless FET circuitry and a gold diaphragm capsule design, the 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate, instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and sturdy brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clips.Requires phantom power. |
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MXL 993 Condenser Microphones Stereo Pair 889406466715 $125 The MXL 993 Condenser Mics Stereo Pair includes the latest in quality instrument microphone technology. Using transformerless FET circuitry and a gold diaphragm capsule design, the 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate, instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and sturdy brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clips.Requires phantom power. |
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MXL 993 Condenser Microphones Stereo Pair $149.99 The MXL 993 Condenser Mics Stereo Pair includes the latest in quality instrument microphone technology. Using transformerless FET circuitry and a gold diaphragm capsule design, the 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate, instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and sturdy brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clips.Requires phantom power. |
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MXL 993 Condenser Microphones Stereo Pair 886830170706 $187.49 The MXL 993 Condenser Mics Stereo Pair includes the latest in quality instrument microphone technology. Using transformerless FET circuitry and a gold diaphragm capsule design, the 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate, instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and sturdy brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clips.Requires phantom power. |
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Rode NT5 Matched Pair Recording Condenser Package List Price: $659.00 Sale Price: $425.00 Used From: $357.00  |
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The RODE NT5 is a true condenser microphone specifically designed for optimum instrument recording. It performs well on all instruments including guitar, flute, violin, saxophone, drums etc. It's discrete size and design allows for effective and subtle positioning which is crucial when close mic'ing... |
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Samson CL2 Instrument Condenser Microphones, Matched Pair List Price: $524.99 Sale Price: $249.00 |
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If you're looking for a matched pair of condensers that are both affordable and versatile, look no further than the Samson CL2 Stereo pair. Featuring gold sputtered diaphragms to offer incredibly high definition and detail without shrill high end... |
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Samson C02 Stereo Pair Condenser Microphones List Price: $119.00 Sale Price: $118.99 |
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Samson C02 Condenser mics let you capture and record all the ambience and dynamic depth of acoustic guitars, piano, overhead drums, acoustic instruments, and vocals - in stereo! C02 microphones can be used either individually or in pairs for stereo recordings, neck and sound hole placement for miking acoustic guitars, and low/high octave placement in acoustic pianos... |
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Behringer C-2 Condenser Microphone Cardioid List Price: $129.99 Sale Price: $64.99 Used From: $59.00 |
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2 Matched True Condenser Microphones (price per pair, only sold in pairs) |
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Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs) List Price: $151.99 Sale Price: $69.95 |
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2 Matched Single Diaphragm Condenser Microphones (price per pair, only sold in pairs) |
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Karma Audio Productions K-10 Pencil Condenser Microphone, Matched Pair Sale Price: $159.00 |
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Karma Audio's K-10 is a small diaphragm condenser microphone offering outstanding build quality and excellent value. The lightweight diaphragm delivers outstanding clarity and transient response. Excellent for overhead and instruments. |
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AKG C414 XLS/ST Studio Condenser Microphone, Stereo Matched Pair Sale Price: $1,879.00 Used From: $1,770.58 |
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AKG C214 Condenser Microphones (Matched Pair) List Price: $1,265.00 Sale Price: $748.95 |
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The AKG C214 Condenser Microphone is designed as an inexpensive alternative to other higher-end AKG Microphones. The C214 captures sound combining one side of the legendary C414 dual-capsule system and AKG's patented Back-Plate Technology which results in an outstanding performance... |
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sE Electronics SE1A ST Small Diaphragm Condenser Microphone (Matched Stereo Pair) Sale Price: $399.00 |
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A balanced stereo pair of sE1a mics with stereo bar and flightcase. Building on the incredibly popular sE1, the sE1a retains the same capsule but combines this with all new, super-quiet electronics, all housed in a superbly restyled chassis... |
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February 8th, 2009 in
Microphones | tags: audio, matched pair condenser mics, mics_for_piano_recording, safari_export, technology