Fet Recording Studio
Fet Recording Studio
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Nady SCM 800 FET Studio Condenser Microphone Black $49.99 The Nady SCM 800 Studio Condenser Microphone is perfect for recording studio vocals, acoustic instruments, orchestras and choral groups, ambient instrument audio, and many live sound applications. Powerful and versatile, the SCM 800 microphone meets the stringent requirements of even the most demanding digital recording and live broadcasting applications. Requires Phantom Power. |
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Nady Scm 800 Fet Studio Condenser Microphone Black $49.99 The Nady SCM 800 Studio Condenser Microphone is perfect for recording studio vocals, acoustic instruments, orchestras and choral groups, ambient instrument audio, and many live sound applications. Powerful and versatile, the SCM 800 microphone meets the stringent requirements of even the most demanding digital recording and live broadcasting applications. Requires Phantom Power.Ideal for all recording and broadcasting applicationsLarge-diaphragm true condenser designTransformerless low-noise/high-dynamic range outputHigh spl capacityCardioid polar pattern pickupFet preampsprecision-turned brass housingRugged internal shock mounts |
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Mxl 4000 Multi-Pattern Fet Studio Condenser Microphone $199.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power.Warm-sounding, low-noise, classic recording studio mic soundLarge, 6-micron gold-sputtered capsuleSteel head and woven-brass mesh grillHeavy duty metallic blue finished enclosureVintage transformerless designAttractive mahogany colored storage caseSpecially designed MXL 60 shock mount includedCustom foam windscreenMade with Mogami cable |
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Used Mxl 4000 Multi-Pattern Fet Studio Condenser Microphone $181.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power.Warm-sounding, low-noise, classic recording studio mic soundLarge, 6-micron gold-sputtered capsuleSteel head and woven-brass mesh grillHeavy duty metallic blue finished enclosureVintage transformerless designAttractive mahogany colored storage caseSpecially designed MXL 60 shock mount includedCustom foam windscreenMade with Mogami cable |
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MXL 4000 Multi-Pattern FET Studio Condenser Microphone 889406660656 $100 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power. |
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MXL 4000 Multi-Pattern FET Studio Condenser Microphone $199.99 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power. |
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Cakewalk V Studio 100 Recording Package B $849 This Cakewalk V-Studio 100 Recording Equipment Package was assembled for serious musicians who want their own home studio, yet are on a budget. It features a select collection of music gear that gives you everything you need to lay down tracks in no time, including a Cakewalk V-Studio 100 Portable Music Studio, Cakewalk MA-7A Stereo Micro Monitors, MXL 4000 Multi-Pattern FET Studio Condenser microphone, as well as a Musician's Gear Tripod mic stand with fixed boom, a 20' Gear One XLR microphone cable, and a 10' LIveWire 1/4"-to-RCA dual patch cable. Put all the recording equipment together and you're ready to go right out of the box.Cakewalk V-Studio 100 Portable Music StudioThe Cakewalk V-Studio 100 is a portable music production system that lets you create, record, produce, and perform music with or without a Mac or PC.V-Studio 100 works with all the leading digital audio workstations on the market today including Ableton Live, Cubase, Logic, and SONAR. It includes the critically acclaimed V-Studio 100 hardware which combines an audio interface, control surface, digital mixer, and SD WAVE recorder into one compact, portable design. In addition, V-Studio includes the VS Production packa collection of 10 essential effects and instruments that will enhance your productions in any Mac or PC digital audio workstation.V-Studio 100 is based on technology found in Cakewalk's flagship V-Studio 700 music production system with some newly added functionality. Its compact, all-in-one design is portable enough to take anywhere for your mobile recording needs and powerful enough to be the centerpiece of your home studio.With your computerTake control of your music production using the V-Studio 100 as a high-quality audio and MIDI interface and DAW controller. Connect to a Mac or Windows and use your favorite software such as Cubase, Logic, SONAR, and others, or the included SONAR VS digital audio workstation (Windows Only). Take your music to the next level with the VS Production Packa powerful collection of effects and instruments for Mac and Windows.Away from your computerRecord directly to V-Studio 100's SD-card wherever or whenever inspiration strikeswithout the need to boot up your computer. Take the VS-100 to your live gigs and use its digital mixer, reverb, compression, and EQ to mix vocals and other instruments. Use its SD recorder to play backing tracks that you produced on your computer. Even record a mix of your set directly to the SD-card. Then transfer your recorded audio to your computer for additional audio editing and tracking. When you're done, upload it to the internet, burn CDs, and more.Included VS Production PackVS Production Pack In-depth details:VX-64A seven-stage processor specifically fine-tuned for shaping and sculpting incredible sounding vocal tracks. Boost 11Get more volume and punch from your final mix with this easy to use limiter/maximizer. Boost 11 gives you professional results with a simple to use interface.Guitar Rig 3 LEP |
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Daking Fet Iii Stereo Compressor $1975 The dual channel Daking FET III compressor limiter from Geoff Daking is built in the US with the same audio path and detector circuits as their highly successful single channel Daking FET II limiter. The FET III compressor circuitry and gain stages are all discrete and fully Class "A" with sound quality that will be at the very top of the scale. Our previous single channel FET II was known for its speed, high performance and its unique ability to sound great on an extraordinary variety of sources. The Daking FET III will equal this benchmark plus add several unique features to improve user control. The differences are as follows: The Daking compressor's variable High Pass Filters from 0 to 200Hz are added to the detector stage of each limiter channel to improve and customize limiter behavior. The HPF's tell the limiter NOT to trigger limiting based on content below the set HPF frequency. This is extremely helpful on bass heavy material. This greatly widens the audio compressor's potential application set and the ability of the user to set this new behavior "on the fly". Variable linking between channels is envisioned for use when compressing two different tracks, such as bass and kick, to tie limiter action together to greater or lesser degrees. The compressor's Stereo Link is continuously variable from 0 to ∞. All controls except "Ratio" are pots. The variable pots add the ability to fine tune behaviors in the studio. Mastering engineers may prefer the repeatability of switches, such as those on the FET II, which will continue in the Daking compressor line. The FET II's relied on control voltage summing for the stereo linking. Because the Daking FET III stereo compressor is two independent units in one box, it uses audio summing, which is much more accurate. The Daking FET III compressor uses THAT CORP differential amps in and out (electronically balanced). The FET II has transformers in and out but they are 1:1 input to output so they do not "color" the sound. (A mic input transformer at 1:10 ratio in a mic pre would color the sound significantly.) The common mode rejection in Daking FET III compressor is equal to that of FET II. The FET III output level is +24 while the FET II can be as high as +30. The FET III and FET II both use an outboard power supply. The unit is fully RoHs compliant. Ultra-flexible and easy to use Fast transparent compression Variable filter in the detector circuit High headroom +24 In and Out Easy to read illuminated VU meters Continuously variable stereo linking Attack 250uS to 64MS Release .5 Sec to auto dual time constant Ratios from 1.5:1 to 20:1 |
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Daking Fet Compressor/Limiter $1445 The Daking FET 2 Compressor/Limiter is one of the best-sounding compressors around (because you don't hear it workingnone of the bad artifacts of compression, just the good), the Daking FET is designed to give you transparent performance along with the compression characteristics of highly sought-after vintage compressors well, stellar classics actually including the Neve 33609, Audio & Design Recording Compex*, and the venerable Fairchild 670. Note: The FET 2 is a single-channel compressor. However, for excellent stereo bus compression reminiscent of Neve, Fairchild, or ADR, two can be linked in stereo via a simple 1/4" -1/4" cable. Build quality The versatile Daking FET 2 Compressor/Limiter uses all-discrete transistor Class A circuits, the best transformers available, printed circuit board mounted switches and pots, and custom low distortion inductors. There is no audio in the mute, bypass, phase or pad switches. These functions are accomplished by relays with bifurcated gold contacts. Signal capacitors are precision polypropylene or ultra low-leakage electrolytic types. Circuit boards are assembled on a mil-spec assembly line. Only through-hole construction, not surface mount, is used to ensure long-term reliability and serviceability. The chassis are stainless steel for maximum RF and hum rejection and long-lasting finish. The faceplates are laminated with 10mil polycarbonate with the silk screening on the back so that the printing can never rub off. Every unit is hand finished, tested, burned in, and tested again. Also, Daking just couldn't stand to use plastic knobs, so they designed massive anodized, engraved aluminum knobs that give a much more precise and quality feel. * While Neve and Fairchild are more commonly known names in the recording industry, whose compressors have been used on countless classic and modern records for decades, Audio and Designs Recording is more of an insider's legend. ADR (Audio & Design Recording) is a British company that that made signal-processing gear in the '70s including compressors; one of which, the Compex F760FX, had a unique way of adding punch to drums. And of all the vintage compressors, is spoken about most highly in that regard. One version of the ADR compressor, the Vocal Stressor) was reputedly used on John Bonham's drums. Records such as the Knack's "My Sharonna," and albums by The Sweet, Pat Benatar (first album) had the Compex used in several roles. According to engineers who've used the original Compex, the Daking FET compressor does a fine job of providing the Compex punch. Channel Strips of the Stars: Ted Perlman Ted Perlman, renowned Grammy-winning producer, musician, arranger, engineer, and programmer, has a resume that reads like a who's who of popular music. His credits include Bob Dylan, Chicago, Burt Bacharach, Elton John, Dave Mason, Brian Wilson, Carole King, Albert Hammond, Jr. (The Strokes), Desmond Child, Young M.C., Dolly Parton, and the list goes on. Ted was kind |
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Used Daking Fet Compressor/Limiter $1314.95 The Daking FET 2 Compressor/Limiter is one of the best-sounding compressors around (because you don't hear it workingnone of the bad artifacts of compression, just the good), the Daking FET is designed to give you transparent performance along with the compression characteristics of highly sought-after vintage compressors well, stellar classics actually including the Neve 33609, Audio & Design Recording Compex*, and the venerable Fairchild 670. Note: The FET 2 is a single-channel compressor. However, for excellent stereo bus compression reminiscent of Neve, Fairchild, or ADR, two can be linked in stereo via a simple 1/4" -1/4" cable. Build quality The versatile Daking FET 2 Compressor/Limiter uses all-discrete transistor Class A circuits, the best transformers available, printed circuit board mounted switches and pots, and custom low distortion inductors. There is no audio in the mute, bypass, phase or pad switches. These functions are accomplished by relays with bifurcated gold contacts. Signal capacitors are precision polypropylene or ultra low-leakage electrolytic types. Circuit boards are assembled on a mil-spec assembly line. Only through-hole construction, not surface mount, is used to ensure long-term reliability and serviceability. The chassis are stainless steel for maximum RF and hum rejection and long-lasting finish. The faceplates are laminated with 10mil polycarbonate with the silk screening on the back so that the printing can never rub off. Every unit is hand finished, tested, burned in, and tested again. Also, Daking just couldn't stand to use plastic knobs, so they designed massive anodized, engraved aluminum knobs that give a much more precise and quality feel. * While Neve and Fairchild are more commonly known names in the recording industry, whose compressors have been used on countless classic and modern records for decades, Audio and Designs Recording is more of an insider's legend. ADR (Audio & Design Recording) is a British company that that made signal-processing gear in the '70s including compressors; one of which, the Compex F760FX, had a unique way of adding punch to drums. And of all the vintage compressors, is spoken about most highly in that regard. One version of the ADR compressor, the Vocal Stressor) was reputedly used on John Bonham's drums. Records such as the Knack's "My Sharonna," and albums by The Sweet, Pat Benatar (first album) had the Compex used in several roles. According to engineers who've used the original Compex, the Daking FET compressor does a fine job of providing the Compex punch. Channel Strips of the Stars: Ted Perlman Ted Perlman, renowned Grammy-winning producer, musician, arranger, engineer, and programmer, has a resume that reads like a who's who of popular music. His credits include Bob Dylan, Chicago, Burt Bacharach, Elton John, Dave Mason, Brian Wilson, Carole King, Albert Hammond, Jr. (The Strokes), Desmond Child, Young M.C., Dolly Parton, and the list goes on. Ted was kind |
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Avid Recording Studio $99.99 Powered by the same technology behind many of today's greatest hits, Avid Recording Studio instantly transforms your Mac or PC into a full-featured studio. Capture guitars, instruments, and vocals in pristine, 24-bit/48 kHz quality with the included Pro Tools SE recording software and M-Audio Fast Track audio interface. Then fatten your guitar sound, deepen the groove, and get clean, pristine tones with Pro Tools SE. You can also add backing tracks with loops from the huge included library, then polish your songs and share them with the world. Avid Recording Studio makes it easy to create stunning audio projectseven if you've never recorded before.Make music in minutes With integrated learning and creation tools, Pro Tools SE makes it easy to start creating all styles of musicfrom hip-hop and electronic, to pop, funk, jazz, rock, and blues. There's a wide array of music creation templates and a huge (3 GB!) audio loop library so you can play along with drum grooves or add your own percussion, bass and instrument lines. Record guitar, vocals, and more The included Fast Track audio interface delivers the same M-Audio technology used by the pros, giving you far better sound than most standard-issue PC audio cards. Just plug it into your computer's USB port, connect speakers or headphones, and start making music. You can connect a microphone and guitar to record both simultaneously, and much more. Go aheadfree your inner rock star. Over 100 virtual instruments After you record your own tracks, you can use the included "virtual" instruments to add even more depth and variety to your music. Pro Tools SE features over 100 studio-quality virtual instrumentsfrom piano, organ, and synth, to guitars, bass, strings, and percussionso you can create complete songs without a band.Effects galore Pro Tools SE turns your computer into a full-featured recording studio, complete with powerful effects to mix your tracks together. Make professional-sounding mixes by applying reverb, delay, EQ, compression, chorus, flanger, and many others. Pro Tools SE also delivers classic guitar amp and distortion effects to create great guitar soundswithout a noisy amplifier.Ready for the future If you want even more tracks, effects, virtual instruments, and loops in the future, the Producer USB microphone is also compatible with Pro Tools M-Powered softwarethe same recording software used by studio professionals around the world.A complete recording systemM-Audio Fast Track USB interface interfacePro-Tools SE SoftwareOver 100 virtual instrumentsExtensive library of templates and loopsFast Track audio interface2-input, 2-output audio interface24-bit/48 kHz (better-than-CD) sound qualityXLR microphone input with gain control and 48V phantom power for condenser microphones1/4" instrument input with gain control1/4" stereo headphone outputRCA stereo speaker outputsoutput level knob for adjusting volume of headphones and speaker outputsdirect monitoring button for monitoring witho |
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Refurbished Avid Recording Studio $59.99 Powered by the same technology behind many of today's greatest hits, Avid Recording Studio instantly transforms your Mac or PC into a full-featured studio. Capture guitars, instruments, and vocals in pristine, 24-bit/48 kHz quality with the included Pro Tools SE recording software and M-Audio Fast Track audio interface. Then fatten your guitar sound, deepen the groove, and get clean, pristine tones with Pro Tools SE. You can also add backing tracks with loops from the huge included library, then polish your songs and share them with the world. Avid Recording Studio makes it easy to create stunning audio projectseven if you've never recorded before.Make music in minutes With integrated learning and creation tools, Pro Tools SE makes it easy to start creating all styles of musicfrom hip-hop and electronic, to pop, funk, jazz, rock, and blues. There's a wide array of music creation templates and a huge (3 GB!) audio loop library so you can play along with drum grooves or add your own percussion, bass and instrument lines. Record guitar, vocals, and more The included Fast Track audio interface delivers the same M-Audio technology used by the pros, giving you far better sound than most standard-issue PC audio cards. Just plug it into your computer's USB port, connect speakers or headphones, and start making music. You can connect a microphone and guitar to record both simultaneously, and much more. Go aheadfree your inner rock star. Over 100 virtual instruments After you record your own tracks, you can use the included "virtual" instruments to add even more depth and variety to your music. Pro Tools SE features over 100 studio-quality virtual instrumentsfrom piano, organ, and synth, to guitars, bass, strings, and percussionso you can create complete songs without a band.Effects galore Pro Tools SE turns your computer into a full-featured recording studio, complete with powerful effects to mix your tracks together. Make professional-sounding mixes by applying reverb, delay, EQ, compression, chorus, flanger, and many others. Pro Tools SE also delivers classic guitar amp and distortion effects to create great guitar soundswithout a noisy amplifier.Ready for the future If you want even more tracks, effects, virtual instruments, and loops in the future, the Producer USB microphone is also compatible with Pro Tools M-Powered softwarethe same recording software used by studio professionals around the world.A complete recording systemM-Audio Fast Track USB interface interfacePro-Tools SE SoftwareOver 100 virtual instrumentsExtensive library of templates and loopsFast Track audio interface2-input, 2-output audio interface24-bit/48 kHz (better-than-CD) sound qualityXLR microphone input with gain control and 48V phantom power for condenser microphones1/4" instrument input with gain control1/4" stereo headphone outputRCA stereo speaker outputsoutput level knob for adjusting volume of headphones and speaker outputsdirect monitoring button for monitoring witho |
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Sterling Audio ST51 Large Diaphragm FET Condenser Microphone $99.99 The ST51 Condenser Microphone's large capsule with ultrathin 6-micron gold evaporated Mylar diaphragm is built with an exclusive process that extends high frequencies to improve details and depths. The FET Class A electronics provide smooth, warm sound to both vocal and instrument recording. Requires phantom power. |
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Behringer C-1 Studio Condenser Microphone List Price: $87.99 Sale Price: $35.99 Used From: $37.79  |
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The C-1 is a cardioid condenser microphone designed to capture your sounds with incredible realism, sensitivity and accuracy. This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials... |
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Nady SCM-800 Large Diaphragm Recording Microphone List Price: $59.95 Sale Price: Too low to display |
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The SCM-800 is a powerful and versatile large diaphragm condenser microphone. Perfect for all recording and broadcasting applications--featuring large-diaphragm true condenser design, transformerless low-noise/high-dynamic-range output, high SPL capacity, cardioid polar pattern pickup, FET preamps, and rugged internal shock mounts... |
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ADK Microphones A6 Class A, FET, Studio Condenser Microphone with Mounting Ring List Price: $399.00 Sale Price: $243.01 Used From: $243.00 |
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The A6 is designed to be reliable and robust with a relatively “neutral” sound coloration. This means that you can use the A6 on almost anything and get a great sound. It is especially good for vocals (including voice-over work), acoustic guitars, fretted instruments, brass, harmonica, and drum overheads... |
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MXL 770 Cardioid Condenser Microphone List Price: $169.95 Sale Price: Too low to display Used From: $100.00 |
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The MXL 770 is the latest in affordable condenser microphone technology. The MXL 770 is a consumer priced microphone, with professional sonics and features. A true, phantom powered, condenser microphone with a 6-micron, 20mm gold-sputtered diaphragm, the MXL 770 delivers a silky up-front high end and a solid low frequency sound... |
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Behringer C-3 Dual-Diaphragm Studio Condenser Microphone List Price: $109.99 Sale Price: Too low to display Used From: $49.49 |
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The C-3 is a home recording enthusiast's dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy... |
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MXL 3000 Mic Bundle List Price: $349.99 Sale Price: $149.95 |
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The MXL 3000 Mic Bundle includes the MXL 3000 microphone, a 25' Mogami mic cable, shock mount, and matching pop filter. The MXL 3000 has a large 25 mm gold-sputtered capsule and an FET preamplifier with premium components within the signal path... |
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Art M-One Cardioid FET Condenser Microphone List Price: $119.00 Sale Price: $89.00 |
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The M-One cardioid condenser microphone delivers a solid quality and outstanding performance in an extremely cost effective microphone. The low-mass diaphragm and upgraded high quality capsule delivers a clear tone with accurate sonic detail making it perfect for a wide range of recording and live sound applications... |
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ADK Microphones S-7B Transformer-less, Class A FET Hi SPL Microphone, Dark/Mellow Voicing List Price: $479.00 Sale Price: $199.00 |
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The frequency response of the S-7B has a smooth, slightly dark top end and a deep low end. The internal EQ is more pronounced than the standard S-7’s, giving a very smooth, pleasantly round frequency response... |
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Behringer B-1 Single Diaphragm Condenser Microphone List Price: $197.99 Sale Price: $88.99 Used From: $98.00 |
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Single-Diaphragm Studio Condenser Microphone |
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MXL 990 USB Powered Condenser Microphone List Price: $249.99 Sale Price: $99.99 Used From: $99.98 |
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MXL 990 USB powered microphone opens up a new era of high quality recording direct to your portable or desktop computer. No mixers, preamps, or special studio gear required. Just plug the MXL 990 mic into your computer, set your preferences, and enjoy instant professional quality recordings... |
Best Condenser Microphone?
I'm recording vocals in my home studio and I'm looking for the best sound quality out of these mic below.
GXL3000$99.99
AKG Perception 120 Condenser Microphone$119.95
Nady SCM 1000 Microphone$119.99
Sterling Audio ST51 Large Diaphragm FET Condenser Microphone$99.99
Audio-Technica AT2020 Large Diaphragm Condenser Microphone$99.99
M-Audio Nova Large-Diaphragm Condenser Mic$99.99
Behringer B-1 Large-Diaphragm Cardioid Condenser Mic$99.99
Shure SM58 Mic$99.99(even though not a condenser)
After making your choice please leave a message explaining why?
For more product info visit...
http://www.musiciansfriend.com
Have a look at the SC boards for some top of the line experience and help.
http://studio-central.com/phpbb/index.php
Youll see me there all the time
depending on what you're recording...choose a mic for the job.
The B1 is a great mic for the price
July 6th, 2010 in
Microphones