Element Ribbon Microphone
Element Ribbon Microphone
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 Royer R 121 Ribbon Matched Pair  US $1,750.51
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 Cascade FAT HEAD II Single Element Ribbon Microphone US $91.00
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 MXL R144 Ribbon Microphone with Shockmount Case Stand XLR Cable US $99.00
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 CAD Trion 7000 Dynamic Dual Element Ribbon Microphone in case Pre Owned US $52.00
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 AEA R84 Dynamic Cable Microphone US $895.00
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 MXL R144 R 144 RIBBON MICROPHONE CLASSIC STUDIO SOUND USED NICE US $49.99
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 KAM R3 Ribbon Microphone Mic with case and shock mount US $61.00
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 MXL R144 Ribbon Microphone with Shockmount Case US $86.00
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 Heil PR30 Large Diameter Dynamic Microphone Mic Vocals Instruments pr 30 US $249.00
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 SHURE RPW118 Wireless Beta58A Cartridge Housing Assembly And Matte Grille US $122.99
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 MXL R144 Ribbon Microphone Suit vocal or instrumental US $137.01
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 MXL 990 Ribbon Microphone A modern classic New US $127.16
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 Art Pro MPA II Pro MPA 2 Pro MPAll PROAUDIOSTAR US $269.00
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 Beyerdynamic M160 M 160 Hypercardioid Ribbon Mic IN STOCK NYC PROAUDIOSTAR US $559.00
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 Cascade FAT HEAD Short Ribbon Microphone Brown Gold US $99.00
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 New Royer R 101 Matched Pair of Ribbon Microphones Free Shipping US $1,648.00
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 Beyerdynamic M88TG M88 World ClassStage and Studio Mic US $388.00
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 MXL R144 Ribbon Microphone Studio Recording Mic R 144 Cables Extended Warranty US $109.95
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 Cascade 731R Dual Element Ribbon Mic US $299.00
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 CAD Trion 7000 Dual Element Ribbon Microphone Bundle US $199.99
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 HEIL HDK 8 Professional Drum Microphone KIT Awesome US $1,645.00
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 Royer R 101 Ribbon Mic Black US $727.09
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 NEW Cascade X 15 Stereo Ribbon Mic w AMI TR42 Transformers Blumlein 21 MP3s US $699.15
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 Beyerdynamic M160 M 160 Hypercardioid Ribbon Mic IN STOCK NYC PROAUDIOSTAR US $699.00
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 AUDIO TECHNICA ATW 3141bD Wireless Microphone System US $499.01
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 COLES 4104 COMMENTATORS RIBBON MICROPHONE NEW WARRANTY US $595.00
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 Beyerdynamic M260 M 260 World Class Ribbon Mic Beyer US $379.00
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 HEIL HDK 7 Professional Drum Microphone KIT Awesome US $1,529.00
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 Ribbon microphone motor capsule for DIY mic project US $69.00
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 PPA R 2 Stereo Ribbon Microphone US $299.95
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 Avantone Audio CR 14 Ribbon Mic w Shock Mt Case US $259.00
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 Beyerdynamic M 26080 M 260 Ribbon Microphone Great for Vocals Instruments US $345.00
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 Beyerdynamic M 130 Double ribbon microphone figure of eight BRAND NEW US $625.00
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 Beyerdynamic M 260 m260 Dynamic Ribbon Microphone Hypercardioid PROAUDIOSTAR US $469.00
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 Beyer M 130 BEYERDYNAMIC m130 BRAND NEW IN STOCK PROAUDIOSTAR US $699.00
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 Avantone Pro CR 14 CR14 Ribbon Microphone Mic PROAUDIOSTAR US $259.00
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 ART M FIVE Recording Studio Mic RIBBON MICROPHONE B US $149.99
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 Shure KSM313 Dual Voice Roswellite Ribbon Mic US $1,295.00
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 Royer R 121 Nickel Dynamic Ribbon Microphone US $1,295.00
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 CAD Trion 7000 Dual Element Ribbon Microphone US $199.99
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 CAD Trion 7000 Dual Element Ribbon Microphone Deluxe Bundle US $209.99
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 CAD Trion 7000 Dual Element Ribbon Microphone Professional Bundle US $229.99
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 AEA R84 Ribbon Mic EXCELLENT COND SEE PICS warm smooth sound US $799.00
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 Heil Sound PR 30 microphone PR 30 Heil PR30 W 20 Foot Microphon Cable NEW US $249.00
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 MXL 990 Ribbon Microphone US $99.95
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 ROYER R 101 Mono Ribbon Microphone US $799.00
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 Royer R 122 US $1,750.00
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 SHURE RPW110 Wireless PG58 Cartridge Housing Assembly And Matte Silver Grille US $62.99
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 CAD Joe Satriani Guitar Amp Microphone Pack Ribbon Dynamic New In Box US $199.99
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 Royer R 122V Tube Ribbon Microphone US $3,095.00
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Mxl 990 Ribbon Microphone $79.99 A modern classic, the MXL 990 Ribbon mic is the result of great engineering. With an amazingly smooth and natural frequency response, the 990 Ribbon mic excels in the most demanding recording applications. It can be used to enhance string and woodwind instruments, along with mellow, edgy vocals and overly bright horns. It is equally at home when used in conjunction with a grand piano or even in front of a guitar cabinet pushing high SPL levels. When it comes to unprecedented versatility, the MXL 990 ribbon mic is a top-notch choice.The MXL 990 Ribbon microphone uses an aluminum ribbon transducer, which by nature is a bidirectional (figure-8) pickup pattern. A figure-8 pattern will pick up sounds from the front and back sides of the microphone with equal sensitivity while maintaining a large amount of rejection 90 degrees off access. The front of the microphone is indicated by the MXL logo where the audio signal is in-phase while the backside has an inverted phase. Ribbon mics typically have a lower output than condenser microphones and may require a preamplifier with a lot of gain. It is highly recommended to use a preamp with low noise, high gain, and an input impedance of 1500 or greater. It is strongly advised to experiment with placement and isolation requirements with the gain initially set low to avoid possible equipment (and hearing) damage.Important Power RequirementsThis microphone does not require a power supply. Use of phantom power with this microphone is not recommended as it can severally damage the ribbon element and causes the microphone to be unusable.Aluminum ribbon transducerBidirectional (figure-8) pickup patternLarge amounts of rejection 90 degrees off accessThe front of the microphone is where the audio signal is in-phase while the backside has an inverted phaseSmooth and natural frequency responseDoes NOT require a power supplyDo NOT use phantom power, which will severely damage the microphoneWired with Mogami cable |
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MXL 990 Ribbon Microphone $99.95 A modern classic, the MXL 990 Ribbon mic is the result of great engineering. With an amazingly smooth and natural frequency response, the 990 Ribbon mic excels in the most demanding recording applications. It can be used to enhance string and woodwind instruments, along with mellow, edgy vocals and overly bright horns. It is equally at home when used in conjunction with a grand piano or even in front of a guitar cabinet pushing high SPL levels. When it comes to unprecedented versatility, the MXL 990 ribbon mic is a top-notch choice.The MXL 990 Ribbon microphone uses an aluminum ribbon transducer, which by nature is a bidirectional (figure-8) pickup pattern. A figure-8 pattern will pick up sounds from the front and back sides of the microphone with equal sensitivity while maintaining a large amount of rejection 90 degrees off access. The front of the microphone is indicated by the MXL logo where the audio signal is in-phase while the backside has an inverted phase. Ribbon mics typically have a lower output than condenser microphones and may require a preamplifier with a lot of gain. It is highly recommended to use a preamp with low noise, high gain, and an input impedance of 1500 or greater. It is strongly advised to experiment with placement and isolation requirements with the gain initially set low to avoid possible equipment (and hearing) damage.Important Power RequirementsThis microphone does not require a power supply. Use of phantom power with this microphone is not recommended as it can severally damage the ribbon element and causes the microphone to be unusable. |
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Royer R-101 Ribbon Microphone Black $799 The R-101 is a mono, passive ribbon microphone utilizing a patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built in Royer's Burbank, CA facility and delivered at a price point suitable for home studio use and live applications. The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, a patented offset-ribbon transducer, and an internally shock mounted ribbon transducer system which provides greater isolation from shocks and vibrations, and reduced proximity effect for closer miking with less bass buildup. Throw it on a guitar cabinet, hit record, play it back, smile. The ribbon element's smooth frequency response and phase linearity impart a warm, analog feel to digital recordings, where the depth and realism on playback feels more like tape rolling than digits being computed. A perfect choice for electric guitars, brass instruments and drums, the R-101's figure-8 pattern also conveys superb ambience and depth when used for room miking applications. Patented Offset Ribbon Technology The R-101 incorporates Royer's patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. The ribbon transducer's flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. The R-101's offset-ribbon transducer (Patent # 6,434,252) positions the ribbon element towards the front (logo) side of the microphone body. This proprietary arrangement gives the ribbon element more room to move within the prime magnetic field and maintain full frequency response during high SPL recordings. It's an integral part of the magic in all Royer R-series microphones. The offset-ribbon transducer also gives you the option of a brighter response when recording lower SPL sound sources on the backside (3 feet and closer; phase reversed in this position). The backside of the mic is often preferred on vocals, acoustic guitars and other stringed instruments.Like all Royer mics, the R-101 comes with a lifetime warranty to the original owner and the first re-ribbon is free.High SPL capabilities for electric guitar and percussionMulti-layered windscreen provides superior protection to ribbon elementNo internal electronics to overload or produce distortion up tomaximum SPL ratingExtremely low residual noiseRibbon element not affected by heat or humidityAbsence of high-frequency peaks, "ringing" and phase shiftsEqual sensitivity from front or back of elementLifetime warranty, 1st re-ribbon is freeApplications:Close mikingElectric & acoustic guitarsDrum overheads, kick drum Percussion instrumentsBrass, horn sectionsStrings-solo & sectionsAcoustic pianoVocalsLive events-recording and soun |
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Royer R-101 Ribbon Microphone Matched Pair Black $1648 The R-101 is a mono, passive ribbon microphone utilizing a patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built in Royer's Burbank, CA facility and delivered at a price point suitable for home studio use and live applications. The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, a patented offset-ribbon transducer, and an internally shock mounted ribbon transducer system which provides greater isolation from shocks and vibrations, and reduced proximity effect for closer miking with less bass buildup. Throw it on a guitar cabinet, hit record, play it back, smile. The ribbon element's smooth frequency response and phase linearity impart a warm, analog feel to digital recordings, where the depth and realism on playback feels more like tape rolling than digits being computed. A perfect choice for electric guitars, brass instruments and drums, the R-101's figure-8 pattern also conveys superb ambience and depth when used for room miking applications. Patented Offset Ribbon Technology The R-101 incorporates Royer's patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. The ribbon transducer's flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. The R-101's offset-ribbon transducer (Patent # 6,434,252) positions the ribbon element towards the front (logo) side of the microphone body. This proprietary arrangement gives the ribbon element more room to move within the prime magnetic field and maintain full frequency response during high SPL recordings. It's an integral part of the magic in all Royer R-series microphones. The offset-ribbon transducer also gives you the option of a brighter response when recording lower SPL sound sources on the backside (3 feet and closer; phase reversed in this position). The backside of the mic is often preferred on vocals, acoustic guitars and other stringed instruments.Like all Royer mics, the R-101 comes with a lifetime warranty to the original owner and the first re-ribbon is free.High SPL capabilities for electric guitar and percussionMulti-layered windscreen provides superior protection to ribbon elementNo internal electronics to overload or produce distortion up tomaximum SPL ratingExtremely low residual noiseRibbon element not affected by heat or humidityAbsence of high-frequency peaks, "ringing" and phase shiftsEqual sensitivity from front or back of elementLifetime warranty, 1st re-ribbon is freeApplications:Close mikingElectric & acoustic guitarsDrum overheads, kick drum Percussion instrumentsBrass, horn sectionsStrings-solo & sectionsAcoustic pianoVocalsLive events-recording and soun |
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Royer R-121 Ribbon Microphone Nickel $1295 The R-121 is Royer's flagship microphone and the world's first radically redesigned ribbon microphone. Royer did away with the large, heavy, fragile, "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warm, natural tonal response for which top engineers have always loved ribbon mics, but in a compact, lightweight, higher output, tough-as-nails package that was unheard of in a ribbon mic before the Royer R-121.Like many of the best-loved classic ribbon mics, the R-121 has a figure-8 pattern, sensitivity in the dynamic mic range, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school hand-build construction techniques, the R-121 is a far more versatile and user-friendly ribbon mic that can stand up to the most demanding tasks, including live stage use. It's built solid enough for Royer to give it a lifetime warranty. The R-121 redefined ribbon microphones so thoroughly that Recording magazine wrote "...the Royer R-121 is destined to become one of the classic microphones of the 21st century".Patented Offset Ribbon TechnologyThe R-121's proprietary offset ribbon transducer (Patent Number: 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.Recording With The R-121Tonally, the Royer R-121 microphone hears things the way your ears hear them. Most microphones add their own characteristics to your recordings; some have a hyped high- and low-end response with scooped out mids; some are super sizzly in the highs; some accent midrange and give very little upper- and lower-end frequency response; and some respond to nothing but low end. They all serve a purpose and have their place in recording and live work. But if you've ever heard something brilliant an unbelievable electric guitar, an inspiring trumpet, a sweet flute, an amazing kit and found that getting that sound to tape or hard drive was impossible, you owe it to yourself to try a Royer ribbon. The R-121's response is flat and well balanced; low end is deep and full without being boomy; mids are well defined and realistic; and the high-end response is sweet and natural sounding, never edgy or sibilant.On playback you'll find the sound is natural and alive, with a panoramic, ambient feel much like what you heard when you were standing in the room with the instruments(s) you were recording.Recording LOUD! Need to record at insane levels? No problem! The R-121's maximum SPL rating is 135dB at 20Hz and it can handle that for years. In practical terms, that means you can put your R-121 directly in front of a souped up 100-watt Marshall and open it up w |
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Royer R-122V Matched Ribbon Microphone Pair Nickel $6290 The Matched R-122V Tube Ribbon Microphone Pair from Royer offers unsurpassed warm, realistic stereo imaging. The R-122V takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum tube electronics into the same proven transducer system used in the venerable R-121 and R-122 ribbon microphones. The high operating voltage of the vacuum tube provides a headroom capability far beyond that capable from a standard phantom power supply. In real-world use, this translates into unmatched clarity, detail and airiness.The ElectronicsThe R-122V's head amplifier consists of a low-noise, triode-connected military grade 5840 vacuum tube. Designed for a wide range of applications, the Royer R-122V offers superb transient response and the drive capabilities only a vacuum tube head amplifier can provide. The circuit is devoid of typical vacuum tube coloration.The R-122V's triode-configured cathode follower circuitry enables the microphone to drive long cable runs without sonic degradation or high-frequency loss. This capability is further enhanced by the R-122V ribbon mic's dedicated power supply that provides ample current to the vacuum tube electronics. Induced noise is virtually eliminated by the microphone's fully balanced output that is electrically isolated with a special purpose Jensen output transformer.Like our phantom powered R-122, the R-122V has far more level than non-powered ribbon microphones and its impedance matching circuitry places a perfect load on the ribbon element at all times. This allows the use of a wide variety of mic preamps without concern for gain and impedance matches, two critical issues with ribbon microphones. All of the Royer R-122V's increased output comes from its large, specially designed toroidal transformer, so there is no additional noise associated with the microphone's higher output.Like all Royer products, the R-122V ribbon microphone comes with a lifetime warranty to the original owner (the tube warranty is 10 years).Matched vacuum tube ribbon microphone pairVacuum tube electronics provide high output capability, optimal impedance to the ribbon element and low output impedanceExtremely low self-noiseOperates from a dedicated power supplyHigh SPL capabilities for electric guitar and percussion instrumentsAbsence of high-frequency peaks, "ringing" and phase shiftsRibbon element unaffected by impedance/load, heat or humidityVery low magnetic leakageEqual sensitivity from front or back of elementConsistent frequency response regardless of distanceRear side of mic records slightly brighter when three feet or closer to sound source |
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Audio-Technica At4080 Bidirectional Active Ribbon Microphone $999 The groundbreaking Audio-Technica AT4080 Microphone achieves coveted ribbon microphone sound while solving the fragility and low output problems that have historically plagued ribbon mics. Delivering the warm, smooth sound of a classic ribbon microphone, the handcrafted bidirectional AT4080 offers a robust build for long-lasting, reliable performance, as well as higher output for maximum compatibility with microphone preamplifiers. Equally at home in recording studios and live-sound settings, the AT4080 microphone boasts Audio-Technica's innovative MicroLinear ribbon imprint, which protects the dual ribbons from lateral flexing and distortion. The innovative AT ribbon transducer advances the evolution of ribbon microphone design. Other enhancements include powerful N50 neodymium magnets for high output level, ultra-fine mesh to protect the ribbon against damage, high-SPL capability, and extended frequency response. The bidirectional AT4080 ribbon mic's housing assembly is open acoustically to minimize unwanted internal audio reflections.Smooth, warm and natural high-fidelity sound for professional recording, broadcast, and sound reinforcement Groundbreaking Audio-Technica ribbon design with 18 patents pending Proprietary MicroLinear ribbon imprint for superior durability Innovative dual ribbon construction for increased sensitivity Extremely powerful N50 neodymium magnets for high output level Ultra-fine mesh helps protect against ribbon damage Classic bidirectional (figure-of-eight) polar pattern picks up sounds equally from the front and back of the element High-SPL capability and extended frequency response Extended frequency response for natural audio reproduction Acoustic baffle system and extra large output transformer provide natural low-frequency response and extended dynamic range Handmade production including ribbon corrugation, imprint, and assembly Open acoustical environment of the housing assembly minimizes unwanted internal reflections Phantom-powered active electronics provide stable impedance and higher output for maximum compatibility with microphone preamplifiers Custom shock mount provides superior isolation Certified by the METAlliance (Music Engineering and Technology Alliance) Accessories Furnished: AT8449/SV shock mount for 5/8"-27 threaded stands, microphone dust cover, protective R1-style carrying case |
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Royer R-122 Active Ribbon Microphone Nickel $1750 The Royer R-122 is the world's first phantom powered, active ribbon microphone. Yes, you need to turn phantom power on when you use an R-122! The payback is far more output than you've ever imagined from a ribbon microphone. More importantly, the R-122's electronics place a perfect impedance load on the ribbon element, greatly expanding the number of preamps that will match up well with the R-122. Before the R-122, all ribbon microphones were passive devices, meaning that they were 15 to 30dB less sensitive than average phantom-powered condenser mics. In addition, passive ribbon mics depend entirely on the input impedance of the preamp they're mated with to set the proper impedance to the ribbon element. Simply put, even the best ribbon mics can sound mediocre if they're plugged into the wrong mic pre. With the Royer R-122 ribbon mic, gain and impedance issues are a thing of the past. GainConventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources like acoustic instruments, vocals and room ambience. The R-122 is as sensitive as a condenser microphone, allowing you to use practically any mic preamplifier or board record even the quietest sounds. The R-122 contains a fully balanced, discrete head amplifier system utilizing a specially wound toroidal transformer and ultra low-noise FET's. This system is extremely quiet, can handle 135dB SPL, and brings the R-122's output to 38dB! Go ahead and plug an R-122 into any preamplifier with average gain you'll get full Royer performance and you'll have enough level to drive any recording medium.The Royer R-122's higher sensitivity does not create additional self-noise. All of the R-122 mic's increased level comes from its large, specially wound toroidal transformer that wonderful thing called "free gain." The level at the transformer is actually hotter than the level at the output of the microphone. The phantom-powered circuitry provides impedance conversion only, adding no noise of its own. This system took years to perfect and is currently in patent-pending status.Impedance MatchingThe R-122's active electronics provide a perfect load to the ribbon element at all times, allowing the R-122 to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic pre. Due to its low-impedance output, R-122 microphones can be used on extremely long cable runs with minimal signal loss.A good impedance match is critical to getting the most from a ribbon microphone. An impedance mismatch will load the ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and overall compromised performance. The R-122's ribbon element lives in a perfect world - it sees the optimal impedance at all times regardless of the following equipment, so its performance is never compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or mi |
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Royer R-122V Tube Ribbon Microphone Nickel $3095 The R-122V Tube Ribbon Mics takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum-tube electronics into the same proven transducer system used in the venerable R-121 and R-122 ribbon microphones. The high operating voltage of the vacuum tube provides a headroom capability far beyond that capable from a standard phantom power supply. In real-world use, this translates into unmatched clarity, detail and airiness.The ElectronicsThe Royer R-122V's head amplifier consists of a low-noise, triode-connected military grade 5840 vacuum tube. Designed for a wide range of applications, the R-122V microphone offers superb transient response and the drive capabilities only a vacuum tube head amplifier can provide. The circuit is devoid of typical vacuum tube coloration.The R-122V's triode-configured cathode-follower circuitry enables the microphone to drive long cable runs without sonic degradation or high-frequency loss. This capability is further enhanced by the R-122V mic's dedicated power supply that provides ample current to the vacuum-tube electronics. Induced noise is virtually eliminated by the microphone's fully balanced output that is electrically isolated with a special-purpose Jensen output transformer.Like Royer's phantom-powered R-122 (#581143), the R-122V has far more level than non-powered ribbon microphones and its impedance matching circuitry places a perfect load on the ribbon element at all times. This allows the use of a wide variety of mic preamps without concern for gain and impedance matches; two critical issues with ribbon microphones. All of the R122V's increased output comes from its large, specially designed toroidal transformer, so there is no additional noise associated with the microphone's higher output.Like all Royer products, the R-122V mic comes with a lifetime warranty to the original owner (the tube warranty is 10 years).Vacuum-tube electronics provide high-output capability, optimal impedance to the ribbon element, and low output impedanceExtremely low self-noiseOperates from a dedicated power supplyHigh SPL capabilities for electric guitar and percussion instrumentsAbsence of high-frequency peaks, "ringing" and phase shiftsRibbon element unaffected by impedance/load, heat or humidityVery low magnetic leakageEqual sensitivity from front or back of elementConsistent frequency response regardless of distanceRear side of mic records slightly brighter when three feet or closer to sound sourceCarrying Case for microphone, power supply, cable and shock mount (all included) |
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Royer R-121 Matched Ribbon Microphone Pair Nickel $2640 The R-121 is Royer's flagship microphone and the worlds first radically redesigned ribbon microphone. The R-121 gives all of the warm, natural tonal response for which top engineers have always loved ribbon mics, but in a compact, lightweight, higher output, tough-as-nails package that was unheard of in a ribbon mic before the Royer R-121.Like many of the best loved classic ribbon mics, the R-121 has a figure-8 pattern, sensitivity in the dynamic mic range, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school hand-build construction techniques, the R-121 is a far more versatile and user-friendly ribbon mic that can stand up to the most demanding tasks, including live stage use. It's built solid enough for us to give it a lifetime warranty. The R-121 redefined ribbon microphones so thoroughly that Recording Magazine wrote "...the Royer R-121 is destined to become one of the classic microphones of the 21st century".Patented Offset Ribbon TechnologyThe R-121 microphone's proprietary offset ribbon transducer (Patent Number: 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.Recording With The R-121Tonally, an Royer R-121 hears things the way your ears hear them. Most microphones add their own characteristics to your recordings; some have a hyped high and low end response with scooped out mids, some are super sizzly in the highs, some accent midrange and give very little upper and lower end frequency response, some respond to nothing but low end. They all serve a purpose and have their place in recording and live work. But if you've ever heard something brilliant - an unbelievable electric guitar, an inspiring trumpet, a sweet flute, an amazing kit - and found that getting that sound to tape or hard drive was impossible, you owe it to yourself to try a Royer ribbon. The R-121 mic's response is flat and well balanced; low end is deep and full without being boomy, mids are well defined and realistic, and the high end response is sweet and natural sounding, never edgy or sibilant.On playback you'll find the sound is natural and alive, with a panoramic, ambient feel much like what you heard when you were standing in the room with the instruments(s) you were recording.Recording LOUD! Need to record at insane levels? No problem! The R-121's maximum SPL rating is 135dB at 20 Hz and it can handle that for years. In practical terms, that means you can put your R-121 ribbon mic directly in front of a souped up 100-watt Marshall and open it up without microphone distortion or damage to the ribbon. Royer doesn't recommend trying this with other ribbon mics, but the |
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Used Royer R-121 Ribbon Microphone Nickel $1178.45 The R-121 is Royer's flagship microphone and the world's first radically redesigned ribbon microphone. Royer did away with the large, heavy, fragile, "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warm, natural tonal response for which top engineers have always loved ribbon mics, but in a compact, lightweight, higher output, tough-as-nails package that was unheard of in a ribbon mic before the Royer R-121.Like many of the best-loved classic ribbon mics, the R-121 has a figure-8 pattern, sensitivity in the dynamic mic range, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school hand-build construction techniques, the R-121 is a far more versatile and user-friendly ribbon mic that can stand up to the most demanding tasks, including live stage use. It's built solid enough for Royer to give it a lifetime warranty. The R-121 redefined ribbon microphones so thoroughly that Recording magazine wrote "...the Royer R-121 is destined to become one of the classic microphones of the 21st century".Patented Offset Ribbon TechnologyThe R-121's proprietary offset ribbon transducer (Patent Number: 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.Recording With The R-121Tonally, the Royer R-121 microphone hears things the way your ears hear them. Most microphones add their own characteristics to your recordings; some have a hyped high- and low-end response with scooped out mids; some are super sizzly in the highs; some accent midrange and give very little upper- and lower-end frequency response; and some respond to nothing but low end. They all serve a purpose and have their place in recording and live work. But if you've ever heard something brilliant an unbelievable electric guitar, an inspiring trumpet, a sweet flute, an amazing kit and found that getting that sound to tape or hard drive was impossible, you owe it to yourself to try a Royer ribbon. The R-121's response is flat and well balanced; low end is deep and full without being boomy; mids are well defined and realistic; and the high-end response is sweet and natural sounding, never edgy or sibilant.On playback you'll find the sound is natural and alive, with a panoramic, ambient feel much like what you heard when you were standing in the room with the instruments(s) you were recording.Recording LOUD! Need to record at insane levels? No problem! The R-121's maximum SPL rating is 135dB at 20Hz and it can handle that for years. In practical terms, that means you can put your R-121 directly in front of a souped up 100-watt Marshall and open it up w |
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Beyerdynamic M 260 Dynamic Ribbon Microphone - Hypercardioid Pattern $449 The Beyerdynamic M 260 microphone is a dynamic ribbon microphone used for vocals and miking instruments at broadcast, recording and film studios. The M 260 mic's flat frequency response and natural, warm ribbon sonic profile make it a highly effective element of the digital recording process. The hypercardioid polar pattern provides an extremely high gain-before-feedback and elimination of lateral noise (maximum at 115 degrees). The M 260 is equipped with a built-in high-pass-filter, which compensates the close miking effect, when the microphone is applied very close to an instrument. The microphone also features a high insensitivity towards magnetic stray fields and extreme temperatures. The rugged grille protects the microphone system against accidental hits and kicks.Ribbon transducer performance in a rugged, versatile configurationHypercardioid polar patternExtremely high gain before feedbackFast, transient responseWide, flat frequency responseRugged metal casing |
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Used Beyerdynamic M 260 Dynamic Ribbon Microphone - Hypercardioid Pattern $336.75 The Beyerdynamic M 260 microphone is a dynamic ribbon microphone used for vocals and miking instruments at broadcast, recording and film studios. The M 260 mic's flat frequency response and natural, warm ribbon sonic profile make it a highly effective element of the digital recording process. The hypercardioid polar pattern provides an extremely high gain-before-feedback and elimination of lateral noise (maximum at 115 degrees). The M 260 is equipped with a built-in high-pass-filter, which compensates the close miking effect, when the microphone is applied very close to an instrument. The microphone also features a high insensitivity towards magnetic stray fields and extreme temperatures. The rugged grille protects the microphone system against accidental hits and kicks.Ribbon transducer performance in a rugged, versatile configurationHypercardioid polar patternExtremely high gain before feedbackFast, transient responseWide, flat frequency responseRugged metal casing |
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Royer R-121 Live Ribbon Microphone Nickel $1295 With the Royer R-121L ribbon microphone from the Live Series, you get twice the durability in the ribbon element, allowing you to use it anywhere you'd like on stage with complete confidence. HowAfter extensive testing, Royer found a new ribbon thickness for the R-121 microphone that allowed a significantly increase durability with minimal reduction in gain and transients response. The sonic difference is negligible, and the increased durability lets anyone use Royer ribbons in a live environment.Royer Live Series microphones are identified with a red Royer logo (studio models have green or black logos). Live Series mics can be converted to Studio mics with a simple re-ribbon and logo replacement. There is no cost difference between standard Studio mics and Live Series micsA figure-8 microphone on stage? Surprisingly, figure-8 ribbon microphones are an excellent solution for bleed. Bleed can be a real problem with many onstage micsnot just the amount of bleed but the quality of the bleed. Here's how Royer handles the problem.RejectionRoyer ribbon mics are figure-8, picking up sound from the front and rear of the microphone, and rejecting sounds approaching from a) the left and right sides of the mic, b) the top of the mic, and c) the bottom of the mic. These are extremely effective dead zones that engineers use to isolate instruments by positioning the mics in such a way that the dead zones face, and cancel, offending sound sources. Case in point (as told by Royer): "Aerosmith used R-121's in the studio to record the electric guitars on their 2002 CD Just Push Play, but didn't consider them for live use. While rehearsing for their follow-up tour, the bleed in the electric guitar mics was driving the FOH engineer crazy. It was suggested they try using their R-121's and, after we assured them we'd replace the ribbons if they were damaged onstage, the band set up R-121's on Joe Perry and Brad Whitford's guitars. The mics eliminated the bleed problem so effectively (and sounded so good) that Royer R-121's have been Aerosmith's live (and studio) electric guitar mics from that day forward. In over five years of extensive use, they've only stretched one ribbon. An engineer on the crew told us that their Royers had a better reliability record than any of their other touring microphones!"Off-Axis Coloration: There's a lot of sound on a live stage and you can't entirely control for off-axis information getting into microphones, even ribbons. Most microphones color off-axis information in highly unflattering ways, which is why bleed can sound so nasty. Ribbons don't color off-axis information, so any bleed that manages to get into your onstage Royer mics will sound natural, not harsh or colored. About Royer Live Series mics:Royer Live Series mics (R-121L, R-122L, SF-24L) were introduced in 2008, making ribbon mics available to FOH engineers for the first time. As a group they won the 2008 TEC Award for Microphone Technology/Sound Reinforcement, and they're |
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CAD Trion7000 Dual-Element Ribbon Microphone List Price: $299.00 Sale Price: Too low to display  |
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Thick and rich, the dual ribbon "rounds out" guitar stacks, brass, and woodwinds. A narrow strip of ultra thin aluminum suspended in a magnetic field oscillates symbiotically with your sound source. Electrical current is the result... |
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Royer Labs R-122 Phantom Powered Active Large-Element Ribbon Microphone, Nickel List Price: $1,895.00 Sale Price: $1,750.00 |
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The R-122 is the world's first active ribbon™ microphone. Designed to work with phantom power, it delivers all of the warm, natural tone of Royer’s R-121, but with +14dB greater output and impedance matching circuitry that makes it compatible with almost any mic preamplifier... |
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Royer Labs R-121 Large-Element Ribbon Microphone, Nickel List Price: $1,395.00 Sale Price: $1,295.00 |
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Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end: By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks... |
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Matched Pair Royer Labs R-101 Large-Element Ribbon Microphone, Black List Price: $1,840.00 Sale Price: $1,648.00 |
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Following in the footsteps of our flagship R-121, the R-101 is a passive ribbon microphone utilizing our patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built in our Burbank, CA facility and delivered at a price that puts it in reach of home studio users yet will please even the most discerning professional... |
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Royer Labs SF-12 Small-Element Stereo Ribbon Microphone, Matte List Price: $2,895.00 Sale Price: $2,695.00 |
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Ideal for critical stereo recording, the SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance... |
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Royer Labs R-101 Large-Element Ribbon Microphone, Black List Price: $895.00 Sale Price: $799.00 |
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Following in the footsteps of our flagship R-121, the R-101 is a passive ribbon microphone utilizing our patented offset-ribbon transducer and a 2.5-micron ribbon element. The R-101 is hand-built in our Burbank, CA facility and delivered at a price that puts it in reach of home studio users yet will please even the most discerning professional. |
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CAD Trion 7000 Dual-Element Ribbon Microphone Bundle with 20-Foot XLR Cable, Windscreen, and Polishing Cloth List Price: $319.00 Sale Price: $199.99 |
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Bundle includes CAD Trion 7000 Dual-Element Ribbon Microphone, 20-Foot XLR Cable, Windscreen, and Polishing Cloth.Thick and rich, the dual ribbon "rounds out" guitar stacks, brass, and woodwinds. A narrow strip of ultra thin aluminum suspended in a magnetic field oscillates symbiotically with your sound source... |
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Royer Labs Matched Pair R-121 Large-Element Ribbon Microphone, Nickel List Price: $2,840.00 Sale Price: $2,640.00 |
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For stereo applications, matched transducers are critical. To insure identical frequency response within very strict tolerances, Royer engineers carefully test and evaluate frequency response during the painstaking factory matching process... |
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Royer Labs R-122V Vacuum Tube Active Large-Element Ribbon Microphone, Nickel List Price: $2,995.00 Sale Price: $3,095.00 |
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The R-122V is the world's first vacuum tube ribbon microphone. Originally developed in 2001 as a benchmark for testing R-122 designs, Royer has evolved the unique R-122V evolved into a world class ribbon with amazing depth and reach in the midrange frequencies and a lush sound you'll need to hear for yourself to believe. |
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CAD Trion 7000 Dual-Element Ribbon Microphone Bundle with Gator GM-4 Padded Mic Bag, Headphones, Velcro Cable Ties, 20-Foot XLR Cable, Windscreen, and Polishing Cloth List Price: $359.00 Sale Price: $229.99 |
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Bundle includes CAD Trion 7000 Dual-Element Ribbon Microphone, Gator GM-4 Padded Mic Bag, Headphones, Velcro Cable Ties, 20-Foot XLR Cable, Windscreen, and Polishing Cloth.Thick and rich, the dual ribbon "rounds out" guitar stacks, brass, and woodwinds... |
History, Growth and Development Of Modern Microphones
The word microphone comes from the Greek words micro meaning small, and phone meaning voice. It first appeared in a dictionary in 1683 as an instrument by which small sounds are intensified.
This was in reference to the acoustical hearing devices such as the ear trumpets and megaphones of that era. Microphones were introduced with the first articulated telephone transmitters, developed almost simultaneously by Elisha Gray and Alexander Graham Bell. Then it was used as a liquid transmitter, which was a variable resistance device. But the poor quality of these liquid transmitters prompted a number of inventors to pursue alternative avenues of design.
Western Union entered the telephone business late in 1877. Now with two companies trying to develop a better transmitter, other experimenters began to appear and offer their devices. David Edward Hughes was one such man who designed a new kind of microphone, using carbon granules loosely packed in an enclosed space.In response to the varying pressure from a sound diaphragm, the electrical resistance through the carbon granules changed proportionally.
Another notable scientist Thomas Alva Edison refined the carbon granule microphone, resulting in the carbon button transmitter in 1886. Edison transmitter was simple and cheap to manufacture, but also very efficient and durable. It has become the basis for the telephone transmitters used in millions of telephones around the world.
The next important step in transmitter design was by Henry Hunnings of England. He used granules of coke between the diaphragm and a metal back plate. This design originated in 1878 and was patented in 1879. This transmitter was very efficient and could carry more current than its competitors. Its one drawback was that it had a tendency to pack and lose its sensitivity.
The advent of electrical disc recording and radio broadcasting in the early 1920s stimulated the development of better quality carbon microphones. The year 1920 ushered in the commercial broadcast era. Some of the knowledgeable amateurs and singers started playing records and using microphones with their programs. The early radio station used the candlestick telephone for a microphone.
The typical transmitter element at this time was the Western Electric No 323. At first it was used as talking into it as one would use a telephone. The next step was to provide the entertainers with a microphone that would allow them to stand and perform. For this application the constructor took the transmitter of the candlestick telephone, replaced the short mouthpiece with the megaphone and slid this combination into a felt lined Bakelite sleeve about eight inches long and put small eyebolts on each end to suspend it from above.
The first microphone, which made for the movie industry was the PB17. It was a sandblasted aluminum cylinder, 17 inches long and 6 inches diameter .The bottom was rounded with a yoke to hold the ribbon element, which had a protective perforated screen. The magnetic structure used an electromagnet requiring six volt at one ampere.
In recent years, some of the more radical approaches to microphone model design have included detecting the movement, in response to sound pressure variations, of charged particles, a system analogous to the ionic loudspeaker. Miniature optical interfaces and related devices developed for the telecommunications industries, such as miniature laser diodes, polarizing beam splitters and photodiodes, are now helping in the construction of the high quality optical microphones.
About the Author
Victor Epand is an expert consultant for music gear, speakers, and microphones. You can find the best marketplace for music gear, speakers, and microphones at these 3 sites: music gear, music equipment, speakers, and latest microphone models.