Desk Microphone Stand
Desk Microphone Stand
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 Vintage Grundig desk table microphone 3 pin connector  US $29.99
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 Audio Technica ATW 3141 Hand Held Microphone System I Band 482 507MHz US $399.00
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 ION MICROPHONE DYNAMIC CARDIOID AND CAST METAL STAND US $24.95
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 Blue Snowball Professional Microphone Gently Used Black w stand usb guide US $38.50
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 Desk Top Microphone Stand with Slide Holder Works well with SM58 and Others US $8.95
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 New Desk Top Tripod Mic Stand and SM58 Style Mic Clip US $8.95
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 New Desk Top Tripod Mic Stand and Spring Type Mic Clip US $8.95
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 New Desk Top Tripod Mic Stand and Expandable Mic Clip US $9.95
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 Brand New Desk Top Tripod Microphone Stand Table Floor US $4.75
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 Yeti THX Certified USB Condenser Microphone US $33.50
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 Legendary Shure SM5B Studio Microphone US $480.00
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 Electro Voice Model 400 Desk Stands US $10.00
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 MICROPHONE DESK STAND PORTABLE FOLDING TRIPOD STYLE US $1.00
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 X2 VTGAKAI DYNAMIC MIRCROPHONES MODEL ADM 6 NON DIRECTIONAL IMP 50K WITH STANDS US $60.00
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 Broadcast 35mm Conference Video Stand Microphone US $22.29
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 TRIPOD SUSPENDERS TABLE 8 MICROPHONE MIC STAND HOLDER WITH CLIP US $4.99
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 Mini Desk 35mm Studio Video Chat Microphone w Stand US $24.29
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 Goose neck microphone stand with Shure mic clip US $25.00
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 REALISTIC DYNAMIC MICROPHONE MC 1000P33 990 DESK STANDLAVALIER NIB US $9.95
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 VINTAGE HIGH OUTPUT CRYSTAL MICROPHONE BY CALECTRO US $24.99
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 MXL MXL 990 Condenser Microphone with Shockmount US $59.99
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 SET Q7 SAMSON DYNAMIC MICROPHONE DESK STAND AND XLR CABLE US $35.00
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 STAGELINE MIC MICROPHONE CLIP MOUNT CLAMP 4 STAND DRUM US $9.49
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 Omni Directional Shotgun Condenser Microphone US $65.00
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 Audio Technica ATW 3141 Hand Held Microphone System D Band 655 681 MHz US $375.00
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 Audio Technica AT2020 Condenser Cable Professional Microphone US $30.00
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 Realistic Dynamic Microphone MC 1000 Hi Fi Desk Stand Japan Audio Recording US $9.75
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 Samson Studio USB Condenser Microphone C01UCW US $13.50
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 Audio Technica AT2020 USB AT 2020 AT2020USB USB Mic US $985.70
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 Blue Yeti Microphone Professional Recording Apple MAC PC WORKS GREAT US $52.00
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 Conferencing Video Stand Microphone 35mm Broadcast US $23.56
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 Blue Eyeball 20 HD Webcam with high quality microphone US $99.95
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 Durable Desk Top Microphone Clamp Clip Holder Stand US $22.77
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 CAD U37 USB Studio Quality Microphone Recording Bundle Plug n Play US $74.99
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 Sony Dynamic Microphone with Table Top Prop Stand Model F PC30 US $10.45
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 Musicians Gear Tripod Mic Stand with 20 Foot Mic Cable 3 Pack US $49.99
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 ProLine Desk Boom Mic Stand US $2.25
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 Shure 55SH Ham Singers Microphone Elvis Style Very Nice US $75.00
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 MXL 990 USB Powered Condenser Microphone US $49.99
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 Realistic Dual Pattern Stereo Electret Microphone 33 919A Cast Iron Desk Stand US $9.95
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 Musicians Gear Tripod Mic Stand w Fixed Boom Black 2 Pack US $29.98
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 SHURE 65BA8451 Screw On Battery Cup For Shure PGX SLX Series Mic Transmitter US $13.99
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 Musicians Gear Tripod Mic Stand with 20 Foot Mic Cable 10 Pack US $129.99
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 Broadcast Studio Microphone Suspension Boom Scissor Arm stand with Shock Mount US $52.99
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 MXL 990 991 Recording Microphone Package US $79.99
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 Vintage microphone Labor W Sennheiser MD53 made in Germany 1949 US $9.99
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 Audio Technica AT2005USB Cardioid Dynamic USB XLR Microphone NEW in BOX US $78.95
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 2 Pcs Plastic Microphone Mic Clip Stand Holder Mounts Black US $4.99
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 SHURE SLX2 SM58 J3 UHF Handheld Transmitter w SM58 Microphone 572 596 MHz J3 US $219.00
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 MXL 990 USB Powered Condenser Microphone US $99.99
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ProLine MS112 Desk Boom Mic Stand $27.29 The MS112 desktop boom mic stand from ProLine safely and securely maintains the position you set for your microphone so you can capture the perfect sound. The low-profile boom stand is perfect for micing kick drums, amplifiers, etc. It features die-cast metal clutches and a heavy-duty die-cast base. 1"-9" telescoping boom. 12"-17" adjustable height. |
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Proline Ms112 Desk Boom Mic Stand $30.49 The MS112 desktop boom mic stand from ProLine safely and securely maintains the position you set for your microphone so you can capture the perfect sound. The low-profile boom stand is perfect for micing kick drums, amplifiers, etc. It features die-cast metal clutches and a heavy-duty die-cast base. 1"-9" telescoping boom. 12"-17" adjustable height. |
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Solidstand Microphone Boom Stand For Second Tier $79 This Solidstand Mic Boom Stand is an adjustable microphone boom stand with mulitclamp for use with Solidstand's adjustable keyboard stand second tier. |
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Shure Sm11 Lavalier Microphone $149.99 The Shure SM11 is a miniature dynamic lavalier microphone designed for use in television broadcasting (on camera), for sound reinforcement, in certain radio and motion picture applications, and similar uses where a small, professional-quality, microphone is required. The SM11 has an omnidirectional pickup pattern, and its frequency response is optimized for lavalier use. The microphone is supplied with a tie clasp assembly, tie tack assembly, connector belt clip, and zippered carrying/storage bag. Frequency response optimized for lavalier use--acoustically matches most stand- or desk-mounted microphonesSmall and lightweight for unobtrusive, virtually unseen operationSmooth exterior and recessed grille screen minimize clothing noiseRugged aluminum case constructionExtremely flexible long-life cable2 mounting options -- tie clasp or tie tackConvenient, secure belt clip attaches connector to belt or clothing |
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Ap Audio Abm-1 Microphone And Stand Package $49.99 This AP Audio ABM-1 Mic / Stand Package includes an ABM-1 cardioid dynamic microphone, tripod microphone stand with boom, microphone stand mount, and 20' XLR mic cable. The black-finished mic stand is height adjustabelle to 60" with a boom that is adjustable up to 30".Package includes:ABM-1 cardioid dynamic microphoneTripod microphone stand with boomMicrophone stand mount20' XLR mic cable |
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Dunlop Microphone Stand Pick Holder $3.99 The 7" long Dunlop Microphone Stand Pick Holder is made of high-quality rubber to ensure a firm hold. Fastens to any standard mic stand or boom. The Dunlop pick holder keeps your picks within easy reach at any gig or practice session. |
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Yamaha Microphone Stand Adapter For S15 $21.99 The Yamaha Microphone Stand Adapter For S15 mounts loudspeakers of up to 11 pounds to a microphone stand. The BMS10A fits the 5/8", 27-thread standard and comes with a 3/8" 16-thread European adapter. The BMS10A comes with 2 5mm screws needed for mounting.The BMS10A also supports MG10/2, MG8/2FX, and the STAGEPAS 300 mixer on mic stands. BMS10A is sold as a single unit. |
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Maestro 91 Stand-Out Desk Extension $15.99 Maestro presents a clever accessory that extends the desk width of a Manhasset stand to a full 36 inches. Stand nuts are wide enough to hold a four-page score, yet slide easily onto the stand at its normal width. |
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K&M One-Hand Microphone Stand with Tripod Base $69.9 The K&M one-hand microphone stand is equipped with a unique "Soft-Touch" clutch that adjusts the height with only a quick squeeze. Raising or lowering your mic is now easy and the stand's metal base offers foldable legs for compact transport. The microphone stand's quality black powder coating is extremely durable. |
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K&M One-Hand Microphone Stand With Tripod Base $69.9 The K&M one-hand microphone stand is equipped with a unique "Soft-Touch" clutch that adjusts the height with only a quick squeeze. Raising or lowering your mic is now easy and the stand's metal base offers foldable legs for compact transport. The microphone stand's qualityblack powder coatingis extremely durable. |
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K&M Microphone Stand with Boom Arm $59.99 K&M uses proprietary Swiss steel tubing, fixed length boom arm and zinc die-cast base with long folding legs for stability in this boom arm microphone stand. Square swivel joint with large wing nut boom fastener. |
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K&M Microphone Stand With Boom Arm $59.99 K&M uses proprietary Swiss steel tubing, fixed length boom arm and zinc die-cast base with long folding legs for stability in this boom arm microphone stand. Square swivel joint with large wing nut boom fastener. |
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Nady Sp1 Microphone And Stand Package $24.99 Microphone and stand package includes a Nady SP1 mic with mic clip, 20' mic cable, and a tripod fixed-boom mic stand.The SP1 dynamic mic has a convenient recessed on-off switch and broad frequency response that makes it useful for back up vocals, speaking, miking guitar cabs, and even drums. |
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On Stage DS7200B Adjustable Desk Microphone Stand, Black List Price: $19.80 Sale Price: $8.80 Used From: $10.76  |
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The On Stage DS7200 is perfect for podcast mics and lots of other applications. The DS7200 is an upgrade to the standard desk stand with an adjustable-height shaft, and a die-cast steel clutch. Height is adjustable from 9... |
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On Stage DS7200 Adjustable Desk Microphone Stand - Chrome List Price: $25.99 Sale Price: Too low to display |
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The On Stage DS7200 is perfect for podcast mics and lots of other applications. The DS7200 is an upgrade to the standard desk stand with an adjustable-height shaft, and a die-cast steel clutch. Height is adjustable from 9... |
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Desk / Drum Adjustable MIC BOOM STAND - Microphone Stand MC-11 Sale Price: $27.95 |
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This is a Brand New In Package high-quality Microphone Boom Stand. Perfect as a desktop mic stand or for miking a drum kit. With Heavy-Duty construction that is built to last! Measurements * Maximum Height: 24 inches * Minimum Height: 16 inches * Maximum Boom Length: 32 inches * Minimum Boom Length: 17 inches * Weight: approx... |
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Pyle-Pro PMKS8 U-Base Gooseneck Desktop Microphone Stand List Price: $31.99 Sale Price: $7.36 Used From: $5.00 |
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Die Casting Iron U Shape Stand; Adjustable Positioning; Microphone Holder Included; Base Spread: 5.6" X 6.75"; Weight: 2.6 Lbs; Dim: 5.5"L X 7"W X 11.8"H |
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PYLE-PRO PMKSDT25 Adjustable Desktop Tripod Microphone Stand List Price: $26.99 Sale Price: $6.99 |
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The PMKSDT25 is an adjustable desktop tripod microphone stand. It easily adjusts from 4.7 Inch to 8.7 Inch in height. Use this convenient stand to record from the comfort of your desktop - podcasts, screencasts, or video chats... |
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On Stage DS7425 Tripod Desk Microphone Stand List Price: $29.99 Sale Price: $11.99 |
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Perfect for podcasting or anyone needing a desktop mic stand. Compact and ultra-portable. |
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Hamilton Nu-Era Tabletop Mic Stand List Price: $14.99 Sale Price: $11.43 Used From: $10.29 |
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The Nu-Era microphone stands feature a lightweight but durable construction with the most compact folded position in the industry. Carrying your mic stands to and from the gig just got a little easier... |
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ProLine MS112 Desk Boom Mic Stand List Price: $43.49 Sale Price: $30.49 |
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The MS112 desktop boom mic stand from ProLine safely and securely maintains the position you set for your microphone so you can capture the perfect sound. The low-profile boom stand is perfect for micing kick drums, amplifiers, etc... |
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PYLE-PRO PMKSDT30 Adjustable Desk Microphone Stand (Black) List Price: $28.99 Sale Price: $7.99 |
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The PMKSDT30 is an adjustable desktop microphone stand. It easily adjusts from 8.7” to 10.7” in height. Use this convenient stand to record from the comfort of your desktop -- podcasts, screencasts, or video chats... |
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On Stage DS7100 B Desktop Microphone Stand (Black) List Price: $12.35 Sale Price: $5.49 Used From: $9.12 |
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This basic stand has become the standard for broadcast pros! Choose black powder coat shaft, or chrome. Height: 4.5 inches. Base Diameter: 6 inches. Quality, innovation, and a desire to offer new designs to today's music professional all go into the production of On Stage microphone stands... |
9 Secrets to Better Speaking
You’re at a huge networking event. Nervously, you glance around the room and see many familiar faces. Some of the faces are new and are even smiling. These are the faces of your fellow club members. You have talked to them many times on many different occasions. So why should this be any different? Why do you have a big knot in your stomach? Why do you have an overwhelming desire to run? Why? Because tonight, YOU are the speaker. This is the first time you’ll formally speak in front of your peers. Are you ready?
1. READY, SET, GO
When does your speech actually start? When you arrive at the lectern? Does it begin with the first utterance of a sound or word? No. Your presentation begins the minute the emcee begins to talk about you. The audience automatically sweeps the crowd searching for the speaker. Keep poised and confident. Remember all eyes are on you!
2.
RISE TO THE OCCASION
The emcee announces your name, and the audience breaks out into applause. Now it’s time to rise to the occasion. All eyes are on you, watching you. Gracefully rise out of your chair, stand tall, and slowly walk toward center stage. Take your time walking. The more time you take walking, the more status your audience will subconsciously give you. Let the audience’s clapping carry you to the stage as if you were gliding on a magic carpet. Remember to watch where you are walking. There could be cords and wires on the ground or chair legs in your path. Any one of these obstacles could cause you to have a nice trip. If something awkward should happen on your way to the lectern, remain calm and use humor. Using humor connects people and is more effective than using self-deprecating remarks. Let your audience know that there’s nothing to worry about, you’re okay, and the show will go on. I remember seeing Robert Allen, famous author and millionaire, fall off the stage moments after he arrived. Instantly, he jumped back up on stage and poked fun at the hotel stage lighting, which had caused his fall. Allen’s humor set the audience at ease, and they roared with laughter at his quick wit.
3.
THE MOMENT BEFORE
Now, you can see your way clear to the lectern. The closer you get, the more nervous you feel. Not to worry, I have a theatre secret for you. Ever wonder how actors can just walk on stage as if they’re already in motion? It’s easy; they use techniques. One popular technique is called the moment before. The moment before is a trade secret actors use to create action before they walk on stage so they enter already in motion. The moment before is that moment right before you walk onto the stage. Actors create an action or simply a thought to propel themselves into the moment. So to keep your butterflies in check, as you are walking to the lectern, use this technique. For example, an actor might be thinking, “Yuk, I see a big spider!” For the speaker, you might be thinking to yourself as you hear the applause, “They love me”; “I’m going to give a great speech!” These simple statements will do two things. First, you’ll already be active and ready to deliver your speech. Second, you’ll give your mind something to do other than think about how nervous you are. Consequently, you’ll eliminate any signs of nervousness—for the time being anyway.
4.
LECTERN VS. PODIUM
You made it to the lectern. Before we continue, let me say this about the lectern. The lectern is not a podium, and a podium is not the same thing as a lectern. The most common mistake speakers make is calling the lectern a podium. Webster’s Revised Unabridged Dictionary’s defines a lectern as “an upright desk or stand with a slanted top used to hold a text at the proper height for a lecturer,” whereas a podium is “an elevated platform for an orchestra conductor or public speaker.” Podium comes from the word Podiatry, the profession dealing with the care of feet. An easy way to remember this is to think of a podium as a platform where you put your feet. This trick could save you from the embarrassment of confusing the words podium and lectern.
5.
WHEN YOU ARRIVE
Okay, you have finally arrived at the lectern on the podium after what seemed like a very long walk. Before you utter a word, take time to adjust the microphone and prepare yourself. Stand 10 to 12 inches behind the lectern. Take a moment to scan your audience with your eyes as if in one smooth, wave motion with a genuine smile. Take a beat before you speak. Breathe and then start with your opening line. Taking this moment will instantly put you at ease and help you to connect to your audience.
6.
THE OPENING
The first words out of your mouth should be an attention grabber! The best speeches are organized into three parts, a beginning, a middle, and an end. Your opening line must grab your audience’s attention and arouse interest in your topic. Examples of a good opening are
- Enrolling questions
- Staggering statistical statements
- Statements of declaration
Once, I heard a speaker begin his speech with “I’m late, I’m late, I’m late!” He said it with such emotion that the audience could actually feel his frustration with being late. Another statement of declaration used by a young college student was, “I’m tired of being a grunt!” That one turned heads. Whether you choose to start with a statement of declaration, enrolling questions, or a staggering statistical statement, make it appropriate for your audience and tie it back to your speech topic.
7.
DON
’T LET THEM SEE YOU SWEAT
Whatever you do before, during and after your speech do not apologize! A common mistake new speakers make is to begin their speech with an apologetic statement. “Sorry, I’m late.” “Forgive me for not being prepared.” “I’m so nervous.” These statements are self-sabotaging. Don’t do it. No one has to know that you’re nervous and, quite frankly, the audience won’t know it unless you tell them. Furthermore, most symptoms of nervousness don’t even show. For instance, your audience can’t see your sweaty palms, hear your heart racing, or feel your soaring butterflies in the pit of your stomach. So don’t tell them.
There are many techniques to reduce nervousness and many books written on the subject. These books are full of tricks as simple as deep breathing exercises to the more complex methods such as hypnotherapy. However, I believe there is only one technique that really
- So remember, don’t ever let them see you sweat, even if you are.
8. TREAT THE LECTERN AS YOU WOULD A CHILD
Never leave the lectern unattended. You would never walk away and leave a child alone in a supermarket or in a train station, would you? No, that would be absurd. Yet, how many times have you seen emcees announce the speaker and just walk away? Every member of the audience feels this public display of awkwardness. Not to mention the speaker having to either cover up or make up for the lack of interaction. And how about the speaker who ends his speech and marches off the stage, leaving the lectern alone? The emcee quickly and perhaps awkwardly rushes to take charge of the situation. When the speech is over, the speaker should return the lectern to the emcee. It works both ways.
In either case, this poor protocol can easily be avoided if you remember to treat the lectern as a child and never leave it unattended. Let me make myself clear. I’m not saying that you should deliver your entire speech from behind this wooded barricade. No. When the lectern is turned over to you as a speaker, you are free to move about, returning to the lectern from time to time as needed. I’m referring to when you are finished with your speech. Wait patiently at the lectern, enjoying the applause, until the emcee takes charge of the lectern. Think of a relay race where the runner passes a baton to another runner before slowing her pace. Once the baton is passed, the passing runner is finished.
- Since not all emcees and speakers will have read this article and know what to do, tell them; explain it to them before the event and eliminate a potentially awkward moment.
- It helps to stand 10 to 12 inches behind the lectern to avoid the temptation of touching it inappropriately.
9. LOVE MEANS NEVER HAVING TO SAY THANK YOU
Remember Love Story? It was a popular movie made in 1970 starring Ryan O’Neal and Ali MacGraw. In one scene, Ryan’s character, Oliver Barrett IV, and Ali’s character, Jennifer Cavilleri, have a love spat and Jennifer takes off. After combing the city all night looking for Jennifer, Ryan finds her sitting on the doorstep of their apartment. Oliver apologizes. Jennifer with tears streaming down her cheeks looks up at him and says, “Love means never having to say you’re sorry.” That’s right! And when it comes to thank-yous, the same is true for speakers. You have just given a brilliant speech. The audience loves you. The audience wants more. And you end it with “thank you.” Thank you? Why are you saying thank you? It’s the audience that should be thanking you! End your speech with a
powerful statement that moves your audience into action. Develop an ending your audience will remember. Create an ending that compels your audience to say “thank you” to you. Or better yet, an ending that already says, “You’re welcome.”
These are just a few of the secrets that professional speakers use to deliver powerful presentations. By using these simple techniques, you too can command your audience’s attention, keep their interest, and move them into action. You’re now ready to speak.
About the Author
Arvee Robinson is a Persuasive Speaking Coach, Master Speaker Trainer, International Speaker, and Author. She teaches business owners, service professionals, and entrepreneurs how to use public speaking as a marketing strategy so they can attract more clients, generate unlimited leads and grow their businesses, effortlessly. She teaches a proven system for delivering persuasive presentations, and easy to use formulas for creating a killer elevator pitch and a magnetic self-introduction. Arvee has helped hundreds of individuals to win clients and close more sales every time they speak. She offers private coaching, workshops, and weekly teleclasses. Her programs make people money for the rest of their lives. For more information, visit http://www.instantprospeaker.com.