Cordless Microphone Mic
Cordless Microphone Mic
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 Wireless wired cordless microphonereceiver  US $30.99
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 Wireless wired cordless microphonereceiver LAX MAX US $19.99
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 NIB wireless cordless headset w Lapel mini MicrophoneFree Priority Mail in US US $43.99
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 NIB Wired Cordlesswireless karaoke DJ Radio MicrophoneFreePriorityMail inUS US $30.29
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 Wireless wired cordless microphonereceiver US $19.99
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 New 2 wireless cordless 2 channel radio MicrophoneFree Priority Mail in US US $48.50
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 New 2 wireless cordless 2 channel radio DJ MicrophoneFree Priority Mail in US US $48.50
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 New Desk Top Tripod Mic Stand and Expandable Mic Clip US $9.95
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 New Expandable Mic Holder for Most Cordless and Corded US $6.49
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 New wireless cordless headset Radio Lapel MicrophoneFree Priority Mail In US US $43.99
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 N wired cordlesswireless karaoke Radio DJ Microphone free Priority Mail in US US $30.29
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 New wired cordlesswireless karaoke radio DJ MicrophoneFree Priority Mail in US US $30.89
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 NIB 2 wireless cordless 2 channel radio DJ Microphonefree Priority Mail in US US $48.50
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 NIB 2 wireless cordless 2 Friqchannel DJ FM MicrophonesFree PriorityMail inUS US $45.50
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 New wired cordlesswireless karaoke pro MicrophoneFree Priority Mail in US US $30.29
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 QUALITY 20mm STRAIGHT MICROPHONE MIC CLIP HOLDER SHOCK PROOF RUBBER MOUNT US $6.72
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 6032UZ UHF Dual Channel Headset Lavalier Wireless Microphone System Cordless US $49.99
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 Hisonic HSU8900H UHF QUAD Cordless Wireless Microphone US $399.99
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 PRO CORDLESS WIRELESS DUAL 2 TWO MIC MICs MICROPHONE MICROPHONES SYSTEM NEW US $29.90
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 2 sets Wired wirelesscordless microphone system LAX MAX US $35.99
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 New Handheld PA DJ KARAOKE Wireless Wired Cordless Mic Microphone Receiver US $17.99
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 Shure LX4 Wireless Mic Microphone Receiver and Path Cord 169505 MHz LX4 AD US $99.99
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 New Wireless Tie clip Microphone Cordless Mic Receiver US $9.99
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 New Wireless Microphone Mic 306 Kit For Karaoke Singing US $14.99
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 PRO UHF Dual WIRELESS CORDLESS MIC MICROPHONE SYSTEM US $58.00
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 QUALITY UNIVERSAL MY 330 MICROPHONE MIC CLIP HOLDER SHOCK PROOF US $6.24
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 Pro Microphone Wireless Wired 2in1 Handheld Cordless Mic For Karaoke Singing DJ US $18.95
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 Microphon holder holders stands mounts magic tricks US $17.99
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 New Pyle Pro 2 Mics DJ Karaoke 2 CH VHF Dual Cordless Wireless Microphone System US $59.95
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 QUALITY 20mm MICROPHONE MIC CLIP HOLDER SHOCK PROOF RUBBER MOUNT SUPPORT US $6.72
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 SPARKLE MICROPHONE SKIN SPARKLY MIKE SLEEVE COVER SHURE SENHEISER etc US $7.82
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 NEW PYLE PRO PDWM5000 DJ KARAOKE 4 MIC VHF CORDLESS WIRELESS MICROPHONE SYSTEM US $143.50
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 WIRELESS CORDLESS 2 MICS INCLUDED DUAL MIC MICROPHONE SYSTEM BRAND NEW US $29.80
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 Pyle Pro PDWM5000 4 Mic VHF Wireless Cordless Handset Microphone System US $115.00
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 Professional 2xMIC UHF DUAL WIRELESS CORDLESS MIC MICROPHONE SYSTEM US $63.20
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 PRO 2x DUAL UHF LAPEL LAVALIER WIRELESS CORDLESS MIC MICROPHONE SYSTEM US $49.99
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 CORDLESS wireless microphone for electric guitar NEW US $27.99
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 Samson Airline 77 Professional Wireless Microphone w receiver Great Condition US $109.00
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 PRO 2xMIC DUAL WIRELESS CORDLESS MIC MICROPHONE SYSTEM US $69.53
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 Pro Microphone Wireless Wired 2in1 Handheld Cordless Mic With Echo Reverb Effect US $25.99
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 PA DJ KARAOKE Handheld 2 in 1 Wireless Cordless Wired Mic Microphone New US $16.49
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 MICROPHONE COVER SKINS SPARKLE MIC COVER SPARKLE MICROPHONE COVERS $15 each US $15.00
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 2x Wireless Microphone Mic Cordless DJ Karaoke System US $36.00
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 Shure SLX24 Beta87a cordless microphone Beta 87a SLX wireless microphone UHF New US $729.00
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 TWIN Double Wireless Cordless WIRED Microphone Vocal Karaoke DJ Mic RECEIVER US $24.99
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 NEW Wireless CORDLESS DJ Karaoke Mic Microphone system US $25.99
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 MICROPHONE COVER WILD THING FOIL PRINT MICROPHONE COVER FOR CORDLESS MIC US $15.00
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 WIRELESS CORDLESS FM MICROPHONE MIC DUAL PACK KARAOKE PA SYSTEM US $28.77
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 Duel WIRELESS CORDLESS MIC MICROPHONE SYSTEM PRO US $49.99
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 Brand New Wireless Microphone Mic For Karaoke Singing US $14.99
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K&M Microphone Bar Dual Mic Holder $19.99 The K&M Microphone Bar Dual Mic Holder connects to the top of mic stands and holds 2 microphones or boom arms. 5/8" locking screws, adjustable from 2.3" to 6.7". |
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Heil Sound Windscreen for the Handi Mic Microphone $5 The WSHM is designed to snuggly fit Heil Handi Mic microphones. |
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Heil Sound Windscreen For The Handi Mic Microphone $5 The WSHM is designed to snuggly fit Heil Handi Mic microphones. |
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On-Stage Stands Mic Stand Package $129.99 Complete package includes 6 On-Stage tripod microphone stands with booms and a mic stand bag. (Mic clips not included.) |
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LP Cajon Microphone Mount For Shure Mic $15.6 The LP Cajon Microphone Mount is designed to fit a Shure Beta 91 mic. Accurately capturing the extensive sonic range of a cajon with a single microphone is a daunting task. But thanks to an imaginative new mounting system created by acoustic designer Hector Torres, that task has been accomplished. Accomplished so well, in fact, that LP artist Kevin Ricard is now using it on American Idol. The heart of the patent-pending system is a sculpted hardwood microphone holder. This holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound. Hook-and-loop fastener strips let you position the unit in different locations to enhance a desired effect. The microphone itself is held 3 mm above the surface of the cajon in order to pick up the punch of the bass tones along with all of the more subtle sounds. The compact and flexible design of the LP Cajon Mic system eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way. The greatest cajon playing in the world is wasted if the intended audience can't hear it. Make sure your great playing reaches your audience with the help of the LP Cajon Mic Mount. |
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Lp Cajon Microphone Mount For Shure Mic $15.6 The LP Cajon Microphone Mount is designed to fit a Shure Beta 91 mic. Accurately capturing the extensive sonic range of a cajon with a single microphone is a daunting task. But thanks to an imaginative new mounting system created by acoustic designer Hector Torres, that task has been accomplished. Accomplished so well, in fact, that LP artist Kevin Ricard is now using it on American Idol. The heart of the patent-pending system is a sculpted hardwood microphone holder. This holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound. Hook-and-loop fastener strips let you position the unit in different locations to enhance a desired effect. The microphone itself is held 3 mm above the surface of the cajon in order to pick up the punch of the bass tones along with all of the more subtle sounds. The compact and flexible design of the LP Cajon Mic system eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way. The greatest cajon playing in the world is wasted if the intended audience can't hear it. Make sure your great playing reaches your audience with the help of the LP Cajon Mic Mount. Fits a Shure Beta 91 Designed by Hector Torres Used by Kevin Ricard on American Idol Sculpted hardwood microphone holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound Hook-and-loop fastener strips let the player position the unit in different locations to enhance the desired effect Compact and flexible design eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way |
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Apogee Mic Usb Microphone For Ipad, Iphone And Mac $199 MiC by Apogee is a super-compact studio quality USB microphone for use with iPad, iPhone and Mac. About the size of an iPhone, MiC makes it easy to capture your best take with incredible quality, anywhere your music takes you. Record any sound you can imagine, from vocals to vibraphones, acoustic to lap steel guitars, pianos to percussion and everything in between, and build a track right on your iPad with GarageBand. MiC is also the perfect companion to JAM, Apogees studio quality guitar input. Never before has the personal studio been so portable or so powerful.PureDIGITAL technology delivers pristine sound qualityMiC is a premium digital converter featuring PureDIGITAL technology, which delivers your voice, or acoustic instruments true tone to your iPad, iPhone or Mac without compromise. You will notice the amazing sonic qualities of MiC the instant you press record.Is this thing on? Status and level indicationIts easy to tell if MiC is connected properly by the status LED on the front of MiC. If its green, you are ready to record and the light becomes your input level indicator. If it turns red, you are rockin' the MiC too hard and need to turn your level down with the input gain control knob.Check 1, 2... dial it in with easy level controlMiC features an input gain control knob. This rotary style wheel is conveniently located on the side of MiC for easy thumb access. With the level indication LED as your guide, the gain control knob allows you to fine tune for the perfect level without having to look at software.PureDIGITAL connection for pristine sound qualityStudio quality cardioid condenser microphone44.1/48 kHz, 24-bit analog-to-digital conversionStudio quality microphone preamp with up to 40dB of gainControl knob allows easy input level adjustmentMulticolor LED for status indication and input level monitoringDesigned for vocal and acoustic instrument recordingAlso great for recording interviews, podcasts, voice overs, and audio for DSLR videoAll metal constructionExtremely compact and portableWorks with GarageBandBus-powered by iPad, iPhone or Mac (no batteries or external power required) |
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Tama Ms205stb Short Mic Boom $29.99 The Tama MS205STB short microphone boom is 20" long. Mounts on any standard thread mic stand. Compatible only with Tama microphone stands. |
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Heil Sound Handi Mic Pro Plus Dynamic Microphone Black $108 The Heil Handi Mic Pro Plus is a dynamic microphone that incorporates innovative mic technology designed for a wide range of professional applications. This versatile Heil microphone excels at live sound, commercial broadcast, and sophisticated recording venues. The Handi Mic's wide frequency range outperforms tired, 30+ year old industry technology and can withstand huge amounts of SPL. The end result is a microphone that can answer the call to any application. The Handi Mic Pro Plus is ideal for use with tom drums where smaller microphones are needed, as well as inside Leslie speakers. The Handi Mic is perfect as an interview microphone because of its small size, low profile and great sound. Since 1982, Heil Sound has been the leading manufacturer of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off axis rear. The pattern control of the Heil Handi Mic Pro Plus is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low mass diaphragm and a special mixture of neodymium, iron, and boron that gives the Handi Mic Pro Plus the strongest magnet structure available. Heil technicians paid special attention to the microphone's phasing plug assembly. The Handi Mic's equally placed ports accept sound from behind out of phase. Thus, the Handi Mic Pro Plus produces a very linear cardioid pattern and reduces proximity effect while achieving perfect articulation. The Heil element in this microphone is usable at extreme high sound pressure levels and is immune to overload conditions. That makes the Heil Handi Mic Pro Plus a dynamic microphone that is perfect for vocal and live sound applications. |
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Lr Baggs Anthem Tru-Mic Acoustic Microphone/Piezo Pickup System $299 After 30 years of effort, LR Baggs has created the Anthem Tru-Mic acoustic guitar microphone which does what every amplified acoustic guitarist has dreamed about and no other pickup manufacturer has been able to create yetunlocked the potential of a microphone to capture the very essence of your guitar with high-feedback resistance for demanding stages. Not obvious, but equally important, is that the natural ease and dynamics of the Anthem Tru-Mic guitar microphone liberates you to play freely without having to compensate for the pickup system. Now you're free to play the way you like, plugged in or not. For the Anthem acoustic guitar mic, LR Baggs used no modeling or illusions. It's not "like" a mic. It's not "like" your guitar. This is a mic, and what you will experience is your guitarloud and with the fidelity and dynamics that come from a real microphone. Tru-Mic Technology At the heart of the LR Baggs Anthem guitar mic is a revolutionary type of microphone. Using a proprietary noise-canceling mic, the Anthem Tru-Mic eliminates any annoying honky or boxy qualities that have been previously associated with internal miking, leaving the pure and natural sound of your guitar the way only a real mic is capable of doing. Because this LR Baggs acoustic mic is positioned within a few millimeters of the guitar top, it has very high gain before feedback. The mic housing mounts easily to the bridge plate and the mic capsule hovers just 3mm above its surface to take advantage of the PZM or boundary effect. This Tru-Mic technology picks up the sound of the vibrations of the entire soundboard and makes the LR Baggs guitar mic unusually free from placement issues. Mic and Piezo Pickup: A Radical Technology The sound quality and feedback resistance of the Anthem Tru-Mic acoustic microphone now allows the mic to be the primary sound source in a mic/pickup system. This is unlike previous systems where only a small amount of the mic could be used to add some air to the dominant pickup signal. This is a radical new relationship between a mic and a pickup, as all of the detail, warmth, and personality of your guitar is captured by the Tru-mic. The mic is augmented, for only the very lowest frequencies, capturing the punch and authority of your playing, by the LR Baggs Element under saddle pickup. Controls The featherweight control unit controls all of the essentials, volume, mix, and phase. It nestles securely just inside of the soundhole for easy fingertip access. The mix control allows a full-blend between the augmented mic and full-range pickup. A multi-segment battery check allows you to maximize battery life and peace of mind. Under the hood is an all-discrete preamp/mixer with the pure, clean LR Baggs signature sound that is trusted by top artists around the world. Thanks to it's intelligent engineering, you can just plug in and enjoy the real sound of your acoustic guitar and the way you play, night after night.Designed to work with standard acoustic |
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Gibraltar Microphone Gooseneck 6 $5.99 This 6" black microphone gooseneck fits standard mic holders and boom arms. |
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Yamaha Mc-7 Instrument Microphone $74.99 The Yamaha MC-7 Instrument Microphone is a condenser mic for the Yamaha Silent Brass system. |
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Applied Microphone Technology Amt Z1w Clip On Condenser Mic For Sennheiser Systems $391 Applied Microphone Technology's special version of the AMT Z1 flute microphone is designed to work with any Sennheiser transmitter/wireless system. The Z1W flute microphone comes wired directly with a 4-pin connector to connect directly to any Sennhieser wireless mic belt pack. The AMT Z1 is a hardwired single microphone made for flute. The Z1W is the perfect choice from soft to louder playing applications. It can be used for featured soloist to miking a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low-mass clamp, and preamp. The preamp uses the chip technology which contours the microphone for the most natural reproduction of sound possible. Requires phantom power.AMT Z1W Microphone 4 pin connector for Sennheiser transmitters Soft carrying AMT pouch for microphone |
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Gibraltar Microphone Shockmount $4.99 This mic shock mount prevents vibration transfer to your microphone from the mic stand. Fits standard mic holders and boom arms. |
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Panasonic KX-TCA60 Hands-Free Headset with Comfort Fit Headband List Price: $14.95 Sale Price: Too low to display  |
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Designed for use with any cordless phone possessing a standard 2.5 mm jack, Panasonic's KX-TCA60 is an excellent way for you to talk hands-free while you work. Its boom-style microphone adjusts to an optimum level for your mouth... |
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Audio2000s 6032uf UHF Dual Channel Wireless Microphone with Two Headband Headset & Two Lapel (Lavalier) Mic List Price: $249.00 Sale Price: $134.00 |
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The 6032UF system come with two lightweight wireframe & adjustable headband headset and two lavalier microphone. The 6032UF system has been engineered to be dependable UHF system with a wide audio frequency range, high S/N ratio, and outstanding performance equal to that of any professional wireless systems costing much more... |
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PYLE-PRO PDWM5000 - 4 Mic VHF Wireless Microphone System List Price: $335.99 Sale Price: Too low to display Used From: $100.00 |
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Professional VHF Wireless SystemQuartz Lock for Drift-Free Operation Four Microphones Included Power On/Standby/Off Switch Audio Mute Circuitry For Quiet Operation Advanced Companding Circuitry AF Signal LED Segment Meter On Each Channel Individual Channel Volume Controls Individual 1/4'' Unbalanced Outputs XLR Balanced and 1/4'' Unbalanced Mixed Output Operation Range: Up To 240 ft... |
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Audio2000 AWM-6032UL UHF Dual Channel Wireless Microphone System with One Handheld & One Lapel (Lavalier) Mic List Price: $199.00 Sale Price: $109.00 |
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As all the other Audio2000 wireless products, the AWM6032U system has been engineered to be dependable UHF system with a wide audio frequency range, high S/N ratio, and outstanding performance equal to that of any professional wireless systems costing much more... |
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GTD Audio G-733H 2x800 Channel Diversity UHF Wireless microphone mic system Sale Price: $189.00 |
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Gtd-Audio's G-733H wireless microphone system delivers superior sound quality and professional features. It is designed for a wide range professional application with 800 selectable frequencies, automatic frequency scanning, true diversity operation, Tone Lock squelch circuit, automatic transmitter setup... |
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Nady DKW DUO HT/B/D VHF Dual Receiver Handheld Microphone System List Price: $79.99 Sale Price: Too low to display |
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The Nady DKW DUO HT/B/D is a VHF dual receiver for single or simultaneous dual microphone operation. It is an ideal entry-level system with all the advantages and freedom of wireless operation without cumbersome cords... |
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NAXA Electronics NAM-982 Handheld Wireless Microphone, Multipattern List Price: $19.99 Sale Price: $9.99 |
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Whether you're performing live on stage or recording in the comfort of your home, the NAM-982 high power wireless microphone is just what you need. Enjoy the freedom to move around without a bunch of dangly cords getting in the way or keeping you tethered to one spot... |
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Martin Ranger WM-200 VHF Dual Channel Rechargeable Wireless Microphone Sale Price: $77.00 |
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This VHF microphone system offers superior sound quality and it offers the conveniences of rechargeable feature. Additionally, the system offers one 1/4" output and two balanced XLR output connectors provides the highest signal quality to your mixer or amplifier... |
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Pyle-Pro PDWM2550 19'' Rack Mount Dual VHF Wireless Rechargeable Handheld Microphone System List Price: $255.99 Sale Price: Too low to display Used From: $74.49 |
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Using manufacturing breakthroughs pioneered by Pyle, the PDWM2550 system redefines the price point for quality microphones. Class A solid state electronics are engineered for low noise, distortion and coloration... |
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PYLE-PRO PDWM5500 - 4 Mic VHF Wireless Microphone System List Price: $337.99 Sale Price: Too low to display Used From: $74.95 |
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Professional VHF Wireless System Quartz Lock for Drift-Free Operation Four Microphones Included Power On/Standby/Off Switch Power LED Indicates Status Audio Mute Circuitry For Quiet Operation Advanced Companding Circuitry AF Signal LED Segment Meter On Each Channel Individual Channel Volume Controls w/ LED Display Individual 1/4'' Unbalanced Outputs XLR Balanced and 1/4'' Unbalanced Mixed Output Operation Range: Up To 240 ft... |
Ipod 64Gb Touch : The Only Note Worthy New Feature
Not sure why Amazon says I'm reviewing the iPod 32GB touch. I definitely have the iPod 64GB touch (and a hefty $400 credit card charge to go along with it)
This was an interesting purchase. After basically owning (among my family and myself), darn near every version of iPod ever made (gen 1, 2, mini, video, Nano, gen 1 touch, classic), I found myself back in the market around mid-August when my 1 1/2 year old iPod classic bit the dust. You know the drill... everything is happy-go-lucky and then one day your iPod displays no backlight and a sad face icon, never to be played again.
Well, after my iPod touch gave up the ghost, I thoroughly examined the full crop of competition. I will say that I was impressed with the Zune HD pre-release specs, especially the HD video out capability. At the time, Archos had not yet released much info on the new 5 tablet coming soon, so I didn't want to risk waiting on that. Creative also has a new player, the X-Fi2, but like the HD, it maxes out at 32GB.
Knowing Apple had a big event planned for September 9th and media reports that the invite referenced music, I anticipated new iPods were on the way and eagerly waited to see how Apple would respond to the increasingly stiff competition. When September 9th arrived, I fired up every live blog, tweet, and report from the Apple event.
I waited and waited and waited some more, but aside from the announcements about the price reductions (in response to the Zune) and the iPod 64GB touch, it was pretty anti-climactic. Honestly, this was my least eagerly purchased iPod in a while. So, the lack of any real groundbreaking news from Apple only made my choice more difficult. After mulling it over for a while, I eventually decided on the iPod 64GB touch because I wanted the largest flash-based player I could find. (I'll admit the premature demise of my iPod Classic had a lot to do with my decision to insist on flash memory). In the end, simple capacity won out.
At first glance, it looks just like the touch gen 2. Form factor, user interface, everything looks just like the touch gen 2. They pack double the memory into the same size player as the touch 32GB model. The headphones are basically the only thing different in appearance from gen 2 and contain the built-in mic for the new addition of voice control. The only downside to voice control is that it would have been much better if they offered a jack for you to use your own headphones.
If you plan to use the feature, (or any other apps that use the mic), you're stuck with apple's buds until the 3rd party accessory makers catch up. I don't plan to use it because it seems more of a gadget than anything else.
The body is amazingly slim, especially for a iPod 64GB touch. same size as iPod 32GB touch except they crammed double the flash storage into the tight quarters. With that much memory crammed into such a tight space, I'm interested in seeing if heat ever becomes a factor.
By now, everyone has seen the commercials, drooled over a friend's Touch iPod, or visited a store to play with a Touch iPod, so I'll spare you the more boring details about features like mail, notes, voice memos, calendar, etc, and cut to the nitty gritty:
Screen: Simply gorgeous as usual. Rich lush colors for viewing photos, videos, web browsing and anything else the Touch iPod offers. Much larger and sharper than the Classic. Vivid, bright, and clearly one of the best offered. Can be viewed horizontally or vertically. The screen automatically rotates with you when you rotate the iPod.
Wi-Fi: Great performance. Setup is very simple and compatible with most Wi-Fi security protocols. Someone else said it best, the Safari browser is fast and responsive. It is NOT like surfing a web on a cell phone. Everyone promises 3G this, Edge that, super fast this, but cell phone browsing is like watching paint dry. Not so with the iPod as it uses your fast Wi-Fi connection, not pokey cellular service. The large screen also makes for a more practical browsing experience. The finger controls are just as outstanding as they've always been. The Touch iPod also has maps and locator service, but it's rudimentary at best. It's not true satellite based GPS, or even cellular triangulation (I always wanted to say that) mapping. It establishes your position similar to cell tower triangulation; however, it uses available Wi-Fi hotspots instead of cell towers. If you live in a modern wired town, cool. On the downside, if you ever get lost in the wilderness with this thing... well... just be glad it holds a lot of music and apps.. you'll need it..
Bluetooth: Wonderful for cordless headphones. That's the best benefit. No clunky dongle to attach. Some folks are upset that they can't connect to a PC or cell phone with it.. Frankly, as long as it works with cordless headphones, speakers, and other iPods, I'm happy and don't consider it limited.
Capacity: Yes! Finally, after years of waiting, a iPod 64GB touch. Seriously, iPod 32GB touch is not remotely close to a power-user's needs. I own over 500 Cd's from over 20 years of collecting, all ripped to MP3. This is in addition to store-purchased MP3's, movies, and pictures. I like to keep a few movies onboard as well as pics because you never know when they might come in handy. iPod 64GB touch is still a little low, but at least I can fit the majority of my media on it. When they go 80GB or higher, they will have found the sweet spot. I realize flash memory isn't cheap, so I'm curious to see the price point as capacities increase even higher.
Sound quality: While Apple is far from the best sounding MP3 player, they are also far from the worse. Frankly, the first thing I normally do when I buy a new player is chuck the headphones. Microphone and remote aside, this is no exception. I'd rather have a pair of powered headphones delivering true rich fidelity than the uncomfortable sit-in-your-ear-cavity-ready-to-pop-out-at-the-slightest-bump buds traditionally supplied with iPods. Even then, Apple pretty much provides the same sound enhancements they've always provided. I keep things flat because the EQ continues to rely on distortion to tweak the sound. It's better to just listen to it without all the distorted "enhancements".
The touch screen seems every bit as responsive and quick as it's always been. As for the new and improved processor, I don't see a world of differences in speed between this and earlier gen touches. I'm sure performance is enhanced; I just don't see it on a truly noticeable level. It's still a lot quicker than navigating with the click-wheel on the hard-drive Classic.
As for the apps, I know this might irk some folks, but I have absolutely no intention of using apps. I simply don't buy my personal media players for that reason. I'm sure they're great time passers for flights and such, but honestly, it was my least sought option. Just a personal preference.
Overall, I'm happy with my purchase. I would still like increased capacity and more audio/video support from Apple (Where is support for WMV, WMA, Flac, Ogg??? Even the Zune will play AAC). Also, a radio is so long overdue it's ridiculous. But I guess the hope for these features will keep me glued to the blogs and tweets again when Apple has its next big iPod event next year.
One thing's for sure, increasingly stiff competition from excellent contenders like the new Archos 5 (simply awesome), and the Zune HD will hopefully keep Apple on their A-game, which can never be a bad thing.
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