Condenser Microphone Case
Condenser Microphone Case
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Behringer B-5 Condenser Microphone $75.99 The Behringer B-5 Condenser Microphone features interchangeable cardioid and omnidirectional capsules and a gold-sputtered diaphragm. It is perfect for acoustic instruments, vocals, and overhead miking. Its ultralow-noise, transformerless FET input eliminates low-frequency distortion. The -10dB attenuator can be used with high-volume signal sources, while the low-cut filter eliminates floor rumble. Behringer delivers the B-5 Condenser Microphone in a rugged hard case with stand adapter and windscreen.Requires phantom power.Condenser typeInterchangeable capsules, for cardioid and omnidirectional patternsGold-sputtered diaphragmLow-noise transformerless FET input-10dB attenuatorLow-cut filterIncludes hard case, stand adapter, and windscreen |
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MXL 909 Condenser Microphone $90.09 The cardioid-pattern MXL 909 Condenser Microphone is a large, gold-sputtered 1" diaphragm, true Class A mic. It has a super-fast response, wide dynamic range, and a sweet, silky open sound that makes it perfect for recording vocals into both digital and analog devices. It requires phantom power. Includes shock mount and carrying case. |
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Used Behringer B-5 Condenser Microphone $69.15 The Behringer B-5 Condenser Microphone features interchangeable cardioid and omnidirectional capsules and a gold-sputtered diaphragm. It is perfect for acoustic instruments, vocals, and overhead miking. Its ultralow-noise, transformerless FET input eliminates low-frequency distortion. The -10dB attenuator can be used with high-volume signal sources, while the low-cut filter eliminates floor rumble. Behringer delivers the B-5 Condenser Microphone in a rugged hard case with stand adapter and windscreen.Requires phantom power.Condenser typeInterchangeable capsules, for cardioid and omnidirectional patternsGold-sputtered diaphragmLow-noise transformerless FET input-10dB attenuatorLow-cut filterIncludes hard case, stand adapter, and windscreen |
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Shure Pg42 Condenser Microphone $199 Specifically engineered for vocal reproduction, the PG42 side-address condenser microphone features a large cardioid diaphragm tailored with high sensitivity to clearly reproduce refined performances. A -15dB switchable attenuator and a high-pass filtering switch guarantees Shure quality for every lead vocal application. The PG42 also Includes a shock mount and carrying case.Large diaphragm capsule provides wider dynamic range for clear highs and strong lowsVoice-tailored frequency response specifically engineered to reproduce the subtle nuances lead vocal performancesHigh-pass filter for additional control of unwanted low-end signal-15dB switchable attenuator for additional SPL versatilityShock mount included for additional setup stabilityCarrying case included for additional protection during storage or transport |
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Akg Perception 220 Condenser Microphone $179 The Perception 220 is a large-diaphragm True Condenser microphone. It features AKG's new design and logo style, True Condenser capsule technology, switchable 20 dB attenuation pads, and switchable low-cut filter. The condenser is housed in a rugged die-cast chassis. Spider-type shock mount and metal mic case included. In 2005, AKG launched the Perception models 100 and 200 and it marked the beginning of a big success story. With Perception, AKG created a new series of microphones with legendary AKG sound and quality at an outstanding price/performance level. AKG's Perception Microphones are among the best for wired condenser microphones for their price point. Requires phantom power.Large-Diaphragm True Condenser microphone with a big, up-front sound quality Switchable 20dB preattenuation pad for use in sound fields as high as 155dB Switchable bass cut filter minimizes noise and boominess Spider-type shock mount and metal case included Cardioid pickup minimizes off-axis sound AKG's New Design and logo style Rugged die-cast chassis Gold-plated 3-pin XLR-type outputs Outstanding POP packaging design |
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Akg Perception 420 Condenser Microphone $249 In the Perception 420, 2 back-to-back large-diaphragm capsules create a flexible multi-pattern microphone capable of cardioid, omni, and figure-8 recording patterns. It features AKG's new design and logo style, True Condenser capsule technology, a switchable -20dB preattenuation pad, and a switchable bass-cut filter to minimize noise and boominess. The condenser microphone is housed in a rugged chassis with a gold-plated XLR-type output. Spider-type shock mount and metal case included. In 2005, AKG launched the Perception models 100 and 200. This was the beginning of a big success story. With Perception, AKG created a new series of microphones with legendary AKG sound and quality at an outstanding price/performance level. AKG's Perception Microphones are among the best wired condenser microphones in their price range. Requires phantom power.2 back-to-back large-diaphragm capsules create a flexible multi-pattern microphone: cardioid, omni, figure-8 Switchable -20dB preattenuation pad Switchable bass cut filter minimizes noise and boominess Spider-type shock mount and metal case included Rugged chassis with gold-plated XLR-type output AKG's New Design and logo style True Condenser capsule technology Gold-plated 3-pin XLR-type outputs |
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Audio-Technica At4047 Condenser Microphone $699 The Audio-Technics AT4047 Condenser Microphone is designed for professional recording and critical applications in broadcast and live sound. Transformer-coupled output and a specially tuned element provide sonic characteristics reminiscent of early FET studio mic designs. The AT4047 mic has exceptionally low self-noise, wide dynamic range and high SPL capability. It sports a vintage silver-matte finish on the microphone and shock mount. Audio-Technica includes a protective case and AT8449/SV shock mount with the AT4047 microphone. Requires phantom power.Gold-plated, specially contoured and aged, dual-diaphragms Switchable 80 Hz hi-pass filter and 10 dB pad Includes AT8449/SV shockmount |
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Behringer B-2 Pro Condenser Microphone $142.99 The Behringer B-2 Pro Condenser Microphone provides transparency usually found on high-end large-diaphragm condenser mics. Features selectable patterns, low-cut filter, and built-in shielding. A 10dB attenuator can be used with high-volume signal sources. Rugged hard case, suspension mount, and windscreen included.Requires phantom power.1" dual-diaphragm condenser microphonePressure-gradient transducer with shockmounted, gold-sputtered, dual-diaphragm capsuleExceptionally flat frequency response (20Hz-20kHz)Selectable cardioid, omnidirectional, or figure-8 pickup patternSignal-to-noise ratio: up to 77dB (cardioid), 76dB (omnidirectional), and 78dB (figure-8)Low-frequency roll-off switchInput attenuation of -10dBUltralow-noise transformerless FET input circuitryImpedance: nominal - 1 kohmGold-plated 3-pin XLR output connectorRugged construction with satin nickel-plated brass bodyHeavy-duty suspension mount, windscreen, and transport case included |
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Shure Ksm32/Cg Condenser Microphone $499 The Shure KSM32/CG Condenser Mic has extended frequency response for incredibly natural sound. A transformerless preamp eliminates crossover distortion and improves linearity. The gold-layered, high-compliance diaphragm improves low frequency and transient response. Its 15dB attenuation switch handles high SPLs, the switchable low-frequency filter reduces background noise. The 3-stage pop-protection grille reduces breath noises, and an internal shock mount reduces handling noise. It includes locking aluminum carrying case, ShureLock elastic-suspension shockmount, ShureLock swivelmount, and padded bag. The Shure KSM32/CG requires phantom power. |
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Mxl Mxl V89 Condenser Microphone $399 The MXL V89 is a serious studio condenser microphone that can tackle any recording taskfrom the natural tone of your favorite guitar to the subtle details of a fine piano to the raw attack of screaming vocals. The custom body design minimizes body resonance, while a tuned grill cavity helps eliminate standing waves and reduces harmonic distortion.Rich, natural and extremely accurate sound reproductionCustom body design minimizes body resonanceTuned grill cavity helps eliminate standing waves and reduces harmonic distortionA must-have microphone for all your studio workIncludes wood case and shock mountWired with Mogami cable |
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Shure Sm81 Condenser Microphone $349 The Shure SM81 Condenser Mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. Its wide frequency response, low noise, low RF susceptibility, and rugged construction allow it to excel in all applications. It is furnished with a swivel adapter, 10dB attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage.The SM81 requires phantom power.20Hz-20kHz frequency responseFlat response curve for accurate reproduction of sound sourcesLow noise and high output clipping levelLow distortion over a wide range of load impedancesCardioid polar pattern with maximum rejection and minimum coloration of off-axis soundsLow RF susceptibilitySelectable low-frequency response: flat, 6, or 18dB/octave roll-offPhantom poweringRugged steel constructionField-usable over a wide range of temperatures and humidities |
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![]() MXL MXLUSB 006 Powered Condenser USB Microphone New US $196.15
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![]() AKG Perception 220 Condenser Cable Professional Microphone US $90.00
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![]() VINTAGE REALISTIC CONDENSER MICROPHONE EXCELLENT CONDITION US $30.00
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![]() RØDE K2 Dual 1” Large Diaphragm Variable Pattern US $525.00
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![]() RØDE NT4 Cardioid Condenser XY Stereo Microphone DEMO US $375.00
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![]() AKG C 12 VR Vacuum Tube Condenser Microphone Full Warranty C12VR CLASSIC US $3,495.00
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![]() Groove Tubes GT 55 Condenser Mic MINT US $58.00
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![]() ADK vienna 2 au custom shop US $480.00
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![]() AKG C 3000 Professional Large Diaphragm Condenser Microphone Studio Quality US $115.50
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![]() Marshall MXL2001P and MXL603 Recording Microphone Combo NIB US $58.50
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![]() CAD Audio 8000 Condenser Cable Professional MicrophoneWith Nos Tube US $220.00
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![]() Rode VideoMic Directional Video Condenser Professional Microphone US $91.05
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![]() MXL V67i Dual Capsule Condensor Microphone New US $245.44
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![]() AKG C1000S Superb Microphone Made in Austria Unused Ex Display Bargain US $80.60
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![]() BEHRINGER STUDIO CONDENSER MICROPHONE C 1 C 1 FREE SHIPPING USA BUY IT NOW US $59.99
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![]() BEHRINGER C 2 STUDIO CONDENSER MICROPHONE C 2 NO RESERVE BUY IT NOW FREE SHIP US $62.88
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![]() NEW PAIR BEHRINGER C 4 STUDIO CONDENSER MICROPHONE C4 BUY IT NOW FREE FAST SHIP US $72.88
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![]() BEHRINGER C 3 STUDIO CONDENSER MICROPHONE FREE SHIPPING BUY IT NOW US $62.88
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![]() BEHRINGER B 2 PRO CONDENSER MIC B2 PRO BUY IT NOW FREE SHIPPING USA US $153.88
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![]() NEW Behringer T 47 Studio Vacuum Tube Condenser Mic BUY IT NOW FREE SHIPPING US $169.88
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Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern. List Price: $249.00 Sale Price: Too low to display |
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The Yeti Pro is the world’s first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output.Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to fourtimes the clarity found on CDs... |
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MXL MXL 990 Condenser Microphone with Shockmount List Price: $199.99 Sale Price: $59.00 Used From: $58.99 |
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The MXL 990 Condenser Microphone with Shock Mount has a silky, sweet high end while retaining tight, solid low and midrange reproduction. The 3/4" gold-sputtered diaphragm creates a professional sound suited for digital and analog recording... |
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Samson C03 Dual-Diaphragm Vocal Condenser Microphone with Case and Swivel Mount List Price: $149.99 Sale Price: Too low to display |
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The dual-diaphragm Samson CO3 has all the performance features that you demand from a large diaphragm studio condenser microphone. Capture your vocals with rich, warm bass and an extended top end. For instruments you will notice a detailed and transparent response throughout the frequency range with absolutely no harshness... |
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Behringer C-1 Studio Condenser Microphone List Price: $87.99 Sale Price: $41.50 Used From: $37.79 |
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The C-1 is a cardioid condenser microphone designed to capture your sounds with incredible realism, sensitivity and accuracy. This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials... |
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Blue Microphones Spark Condenser Microphone, Cardioid List Price: $199.00 Sale Price: $199.00 |
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Blue's newest professional mic, spark, is a cardioid, solid-state condenser microphone designed to help you achieve professional quality recordings in any creative environment. spark features a custom-designed condenser capsule with class-a discrete electronics resulting in superbly detailed and uncolored output, making it the ideal microphone for recording vocals, drums, guitars, pianos, brass, woodwinds, and just about anything else you can light a fire under... |
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MXL USB006 USB Cardioid Condenser Microphone List Price: $189.95 Sale Price: Too low to display |
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Designed with ease-of-use in mind, the new MXL.006 features a large gold diaphragm that delivers a big, rich sound characteristic of studio and broadcast microphones. Unlike most studio condenser microphones, however, the MXL... |
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MXL 770 Cardioid Condenser Microphone List Price: $169.95 Sale Price: Too low to display Used From: $100.00 |
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The MXL 770 is the latest in affordable condenser microphone technology. The MXL 770 is a consumer priced microphone, with professional sonics and features. A true, phantom powered, condenser microphone with a 6-micron, 20mm gold-sputtered diaphragm, the MXL 770 delivers a silky up-front high end and a solid low frequency sound... |
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MXL 2006 Large Gold Diaphragm Condenser Microphone with MXL-57 Shock Mount and Carrying Case List Price: $179.95 Sale Price: Too low to display Used From: $134.96 |
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Following in the footsteps of the highly successful MXL 2001 the 2006 is a Large Diaphragm, Gold Sputtered true “Class A“ FET condenser microphone. A sweet and silky sounding microphone that is perfect for vocal and instrument recording alike... |
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Shure BETA 87A Supercardioid Condenser Vocal Microphone List Price: $249.00 Sale Price: $222.00 Used From: $137.99 |
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The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production |
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Samson C02 Stereo Pair Condenser Microphones List Price: $119.00 Sale Price: $118.99 |
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Samson C02 Condenser mics let you capture and record all the ambience and dynamic depth of acoustic guitars, piano, overhead drums, acoustic instruments, and vocals - in stereo! C02 microphones can be used either individually or in pairs for stereo recordings, neck and sound hole placement for miking acoustic guitars, and low/high octave placement in acoustic pianos... |
ALWAYS PUTTING MUSIC UNDER A RADIO DJ'S VOICE
ALWAYS PUTTING MUSIC UNDER A RADIO DJ'S VOICE In a recent issue of my Radio Programming Letter, I wrote at length about "MUSIC, CONVERSATION and THE ILLUSION OF FORWARD MOMENTUM." In a nutshell: In response to a subscriber's query, I said it's stupid for radio stations to have a music bed playing underneath every jock's voice every time a jock speaks. Not surprisingly, my remarks generated lots of feedback. Mostly along the lines of, "THANK YOU! I've been trying to explain this to my PD/consultant." A radio presenter in the UK attempted to put me in my place: "Dan, "I love reading your newsletter, it's so often full of useful tips and advice, but I think I can pick apart your argument about using beds… "You said that AMERICAN IDOL doesn't use beds when the judges are giving their comments. Maybe not, but what about at the end when there are two contestants left and it is being decided which one is going home? I bet there's a tension bed running in the background! There is here in the UK on X FACTOR, BRITAIN'S GOT TALENT, DANCING ON ICE, and all our other reality TV shows. And the reason these beds are there? A bed can change the mood of what is happening. "Why do we get incidental music in films? When the happy couple finally get together at the end there's always a happy tune that strikes up in the background -- it's emotive, it's building on emotions, tugging on heartstrings, and enhancing the atmosphere. "If I'm wrong then I'm wrong, but if that's the case, then why is there music in films???" I thanked the subscriber for his kind words about my Programming Letter. But…. I'm afraid he didn't succeed in picking apart my argument, because I was referring specifically to the practice of always putting a music bed underneath conversational elements -- i.e., one or more people talking. The examples he gave are using sound to enhance the emotional impact when conversation is absent. If your caller has 10 seconds to come up with the answer to your tough trvia question, playing the "musical clock" adds to the fun and to the suspense. The only two reality show I've ever seen is THE CONTENDER (Season One). The climax of each episode of THE CONTENDER was a tightly edited, condensed version of that week's fight. There was "exciting" music during the fight's highlights. But when the ring announcer pulled down the microphone to declare the winner, the music came to an abrupt halt. Why? Because everyone wanted to hear what he was going to say. Because at that the moment, the drama is in the words. Then why is there music in films??? First: Most music in films isn't used very well. I'm guessing the percentage of "badly used film music" is approximately the same as "bad radio." Don't take my word for it. Ask any good film composer. Second: When used properly, the music enhances the emotional response the filmmaker wants to elicit Third: Just as in radio, many directors use music in an attempt to force the illusion of an emotion the scene is not able to deliver on its own. The action ISN'T exciting; but maybe if we add loud, pulsating music we can make the audience THINK it's exciting. Or…. The tender moment between these two characters plays out completely flat. The actors share absolutely no chemistry. Or they're not very good actors. Or the dialogue is bad. Or the story is lame. Solution? Bring on the violins! When it's used well in movies, music enhances the emotional impact that already exists in a scene. For a superb lesson in how to use music in movies, watch THE SIXTH SENSE again. There is almost NO music in that film. Very, very little. But when there IS music, it notches up the scene's creepiness to an almost unbearable level. Sustaining tension throughout a 90-minute film without resorting to cheap tricks requires a lot of artistry and skill. Even 40 years after it was made, FAIL-SAFE remains what critics would call a "gripping drama." It's relentlessly tense. FAIL-SAFE benefited from an immensely talented director; a good story; a fine script; and a consistently strong cast. Oh, and one more thing: It didn't use a drop of music. Not a single note. Y'see, when in just a few minutes a nuclear war (started by accident) might destroy Life As We Know It, we really don't need John Williams to musically yell, "HEY, THIS SURE IS TENSE!!!" But How About Live Theatre? Although -- especially in recent years -- "incidental music" occasionally is used in stage productions, I'm not aware of any non-musicals that play music while an actor is delivering his lines. Why should they? They've got the actors. They've got the audience. It's an intimate experience. That's what makes good (even not-so-good) theatre so exciting: The performers and the audience are collaborating to produce a dialogue between them. Intimacy. Y'know, kind of like radio's biggest strength: the ability to communicate one-to-one.
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