Color Microphone
Color Microphone
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Shure Super 55 Dynamic Microphone $249 The Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, supercardioid polar pattern, vibrant blue foam behind the grille, and tailored frequency response for natural vocals and speech. An integrated, swivel stand mount is included.The combination of updates make the Super 55 the ideal choice when looking for a dramaticyet affordableimprovement in sound quality with an unmistakable vintage design. It's great for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.Supercardioid polar patternIconic chrome-plated design with vibrant blue color additionsTailored frequency response for natural vocals and speechHigh gain-before-feedback and excellent off-axis rejectionShock-mounted cartridge minimizes handling noise and ensures quiet operationRugged die-cast casing for reliability under rigorous conditionsSelf-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward |
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Electro-Voice Re90h Hanging Condenser Microphone Black $304 The Electro-Voice RE90H is a back-electret condenser microphone desinged for hanging. Providies extended, flat frequency response with a controlled cardioid polar pattern for high-quality sound reinforcement. The RE90H is specifically designed for live pickup of choirs, instrumental and vocal groups, and theater. The size and color of the transducer and cable allow the RE90H microphone to blend in with its surroundings. The Electro-Voice RE90H mic offers low self-noise and a high-output signal level for sound-reinforcement and recording. Exceptionally high sensitivity, a uniform cardioid polar response, and smooth frequency response make the RE90H microphone ideally suited for distant sound pick-up.The RE90H mic's cardioid polar pattern is precisely controlled and highly effective in suppressing feedback without coloration of your sound. Power for the RE90H microphone is obtained from any phantom source supplying 9 to 52 volts. The RE90H is furnished with 25 feet of black shielded microphone cable. The cable's design insures that the RE90H microphone will remain horizontal without the need for fish-line tethering.Shielded pre-amp is highly-resistant to electrical noise and radio frequencyinterference25-ft. braided, shielded cable maintains microphone's position (not rotation)Cardioid polar patternThree-pin male XLR-type output connector fits with female bulkhead XLR-typeconnector |
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Electro-Voice Re90h Hanging Condenser Microphone White $304 The Electro-Voice RE90H is a back-electret condenser microphone desinged for hanging. Providies extended, flat frequency response with a controlled cardioid polar pattern for high-quality sound reinforcement. The RE90H is specifically designed for live pickup of choirs, instrumental and vocal groups, and theater. The size and color of the transducer and cable allow the RE90H microphone to blend in with its surroundings. The Electro-Voice RE90H mic offers low self-noise and a high-output signal level for sound-reinforcement and recording. Exceptionally high sensitivity, a uniform cardioid polar response, and smooth frequency response make the RE90H microphone ideally suited for distant sound pick-up.The RE90H mic's cardioid polar pattern is precisely controlled and highly effective in suppressing feedback without coloration of your sound. Power for the RE90H microphone is obtained from any phantom source supplying 9 to 52 volts. The RE90H is furnished with 25 feet of black shielded microphone cable. The cable's design insures that the RE90H microphone will remain horizontal without the need for fish-line tethering.Shielded pre-amp is highly-resistant to electrical noise and radio frequencyinterference25-ft. braided, shielded cable maintains microphone's position (not rotation)Cardioid polar patternThree-pin male XLR-type output connector fits with female bulkhead XLR-typeconnector |
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A Designs 500-Silver Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Silver The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Silver has a custom wound steel output transformer, which outputs a darker sound than the P-1, EM-Red, and EM-Blue, great for adding body to thin vocals. The EM-Silver is also very good match with ribbon microphones, which makes sense because steel transformers were widely used in the early days of recording and broadcast along with ribbon microphones. The sound/color/flavor you'll receive depends which ribbon mic you have. With today's influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need. Another feature of the EM-Silver is a DI (direct inject) for use with electric instruments. Thanks to the DI and its darker sound, the EM-Silver is a great pre for bass guitar and keyboards. Also, you may like to try the EM-Silver (depending on microphone) for your kick when recording drums! All in all, the Silver is a very versatile tool. Solid build quality and functionality The A-Designs EM-Silver features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and ph |
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A Designs 500-Red Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Red The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Red comes with a 50/50 output transformer. A Designs Audio added a little kick to this one by changing the input transformer as well. The result is more "up front mids"! You'll find this very useful when recording acoustic guitar with a condenser microphone. You can also use the EM-Red for recording toms, both rack and floor. As with all the A Designs Audio modules, the EM-Red is VPR Alliance compliant, and features a 48V phantom power switch, DI input, and phase reversal switch. Solid build quality and functionality The A-Designs EM-Red features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Red is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromise. Requires the A Designs R52 (product # 180038) dual slot external power supply (See accessory box below). The EM-Re |
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A Designs 500-Blue Microphone Preamplifier $795 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Blue The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Blue is equipped with a nickel custom-wound output transformer. This emphasizes the highs and produces a much more "airy" top end tone. When used with a "dark"-sounding microphone or an alto vocalist, it can produce an absolutely heavenly sound. You will also find this pre useful for recording a snare drum for that crisp "crack" sound. Plus, you just might want to hear what an electric guitar sounds like going thru nickel transformers (trust us, you do!). So, to get down and dirty with an electric guitar you'll want to use the EM-Blue's DI and 20dB pad, and crank the gain for a slight growl. Solid build quality and functionality The A-Designs EM-Blue features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Blue is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromis |
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Neumann Bcm 104 Broadcast And Studio Condenser Microphone $1079.95 The large-diaphragm condenser capsule used in the BCM 104 has a cardioid pattern with internally switchable proximity effect compensation. A second switch allows the sensitivity to be reduced by 14dB. The BCM 104 features an exceptionally low self-noise of 7 dB(A) and an overload capability extending to 138dB SPL and a dynamic range of 131dB (DIN/IEC 651). Smooth, full response is ideal for vocals. The grille twists off easily for quick cleaning. Optional, color-coded head grilles. Built-in popscreen. The elastic mount handles structure-borne noise and is compatible with standard broadcast-segment microphone arms.Requires phantom power.Designed using 3D simulationsLarge-diaphragm condenser capsuleCardioid pattern with internally switchable proximity effect compensationSensitivity switchable to -14dBHead grille twists off easily for quick cleaning Optional, color-coded head grillesBuilt-in pop screenElastic mount handles structure-borne noise; compatible with standard broadcast-segment microphone arms |
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Grace Design M201 Microphone Preamp $2375 The Grace Design m201 Microphone Preamp delivers unmatched audio performance, with massive headroom, ultra-wide bandwidth and a very open, musical character. The signal path has been hot-rodded to be fully balanced from start to finish, resulting in a wider dynamic range, while high-current output drivers enable even longer cable runs without signal loss. The rackmountable m201 mic preamp translates a sonic picture of astonishing clarity and detail, which serves to capture the essential character of the music being recorded.A ribbon mic mode is now included, which shifts the gain range up 10dB while deactivating 48V phantom power, bypassing the decoupling capacitors and optimizing the input impedance. Each channel has an 'input mode' rotary switch which selects between a standard 48V phantom input, ribbon mic mode, a front panel DI input or optional DPA high voltage inputs (130V or 190V). Included is a M + S (mid side) decoder circuitry with a built-in width control. The front panel width control is wired with a precision 12 position rotary switch which provides a range from 100% mid (mono) to 30% mid / 70% side. The ultra-precision summing and difference amplifiers feed a set of dedicated outputs, which allows simultaneous recording of discrete mid and side signals as well as the stereo matrix.The front panel mounted HI-Z inputs are designed to accommodate a wide variety of high impedance input sources, making the m201 preamplifier an excellent choice as a DI box which will flawlessly preserve the sound of any plugged-in instrument. Imagine the same resolution and detail as Grace Design microphone preamplifiers available for DI recording situations. Additionally, Grace Design will be offering the m201 with a state-of-the-art 24-bit/192kHz A/D converter option (retrofitable), rounding the m201 off as the ultimate transparent input solution for any recording facility.(Sold separately)Redesigned, fully balanced, transformerless designDual parallel XLR outputs for each channelRibbon mic modeFront panel DI / instrument inputsDPA microphones 130V (190V) phantom power optionBuilt in M+S decoder with dedicated outputs and front panel width controlOptional reference quality 24-bit/192 kHz A/D converter section available late 2007Precision 24 position gold contact rotary switch gain controlsHigher current outputs drive even longer cable runsNo electrolytic capacitors in the signal pathSealed gold contact relays for all signal switchingLarge two color, bi-phase LED peak indicatorRegulated linear power supply with custom wound toroidal transformerHighest quality components used throughoutFive year warranty on parts and labor |
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Shure Sm7b Microphone With Switchable Response $349 The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken word, but recording engineers have discovered that it's also an exceptional mic for adding body to thin vocals and handling loud rock/metal singers. It also has the ability to tame harsh or sibilant sounds from hi-hat, cymbals, and voice. The SM7B is highly shielded against electrical interference, and includes bass roll-off and mid-range emphasis (presence boost) controls with graphic display, and internal "air suspension" shock isolation. It ships with a standard windscreen and an A7WS detachable windscreen for close-talk applications. Need some convincing that this might be the mic for you? This is the vocal mic, then known as simply the SM7, that Bruce Swedien used to record Michael Jackson's vocals on Thriller, the best-selling album of all time and it's a favorite of Anthony Kiedis of Red Hot Chili Peppers as well.Application note: The SM7B is a low output mic, so plugging direct into an audio interface may not offer enough gain. In such a case you need a preamp with a decent amount of gain. Due to its smooth sound and thickening characteristics, a transparent-sounding preamp will be a preferred choice. (See our Preamp Buying Guide for a thorough discussion of transparent vs. color preamps.)Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speechBass roll-off and mid-range emphasis (presence boost) controls with graphic display of response settingImproved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitorsInternal "air suspension" shock isolation virtually eliminates mechanical noise transmissionHighly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narrationNow shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocalsYoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone positionClassic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis soundRugged construction and excellent cartridge protection for outstanding reliability |
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Mxl R40 Ribbon Microphone $79.99 The MXL R40 is a solidly built, elegant-looking ribbon mic that features passive circuitry to keep the signal as pure as possible. By employing just two main components—ribbon motor and transformer, the R40 maintains the classic, smooth sound that makes ribbon mics a top choice for recording rich-sounding vocals.In keeping with its straightforward design, the bi-directional R40 has no switches in the circuit path, just like any high-end ribbon mic—just an XLR connector at the base. The MXL R40 excels at vocal recording, as well as guitar, horns, and other acoustic instruments.*Note: While the R40 boasts a sturdy design, care should be taken placing it in front of high-SPL sources. Extreme close-miking at very high SLP can damage any ribbon mic.**Do not use phantom power with the R40. Phantom power will damage a passive ribbon mic.Low-cost, high qualityNo active electronics to color soundShockmount and microfiber cleaning cloth included |
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Used Shure Super 55 Dynamic Microphone $226.59 The Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, supercardioid polar pattern, vibrant blue foam behind the grille, and tailored frequency response for natural vocals and speech. An integrated, swivel stand mount is included.The combination of updates make the Super 55 the ideal choice when looking for a dramaticyet affordableimprovement in sound quality with an unmistakable vintage design. It's great for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.Supercardioid polar patternIconic chrome-plated design with vibrant blue color additionsTailored frequency response for natural vocals and speechHigh gain-before-feedback and excellent off-axis rejectionShock-mounted cartridge minimizes handling noise and ensures quiet operationRugged die-cast casing for reliability under rigorous conditionsSelf-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward |
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Shure Mx393 Low Profile Boundary Microphone Supercardioid $229.99 The Shure MX393 Low Profile Boundary Microphone includes a programmable membrane on/off switch, an on/off indicator LED, and a miniature, three pin connector, and detachable 12 ft. (3.7 m) cable. Attractively designed with a low profile, professional appearance, the MX393 microphone feature a choice of interchangeable condenser cartridges. The MX393 is the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Comes with an easy to use paint mask for your custom-color installations.Flat frequency response across the vocal range for uncolored soundInterchangeable cardioid, supercardioid, and omnidirectional cartridges that provide choices for applicationsSleek, low-profile design for unobtrusive appearanceBalanced transformerless output for increased immunity tonoise over long cable runsLow susceptibility to electromagnetic hum and Radio Frequency InterferenceProgrammable on/off switch and LED on/off indicatorDetachable 12 ft. (3.7 m) cable |
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Shure Mx393 Low Profile Boundary Microphone Omni $219.99 The Shure MX393 Low Profile Boundary Microphone includes a programmable membrane on/off switch, an on/off indicator LED, and a miniature, three pin connector, and detachable 12 ft. (3.7 m) cable. Attractively designed with a low profile, professional appearance, the MX393 microphone feature a choice of interchangeable condenser cartridges. The MX393 is the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Comes with an easy to use paint mask for your custom-color installations.Flat frequency response across the vocal range for uncolored soundInterchangeable cardioid, supercardioid, and omnidirectional cartridges that provide choices for applicationsSleek, low-profile design for unobtrusive appearanceBalanced transformerless output for increased immunity tonoise over long cable runsLow susceptibility to electromagnetic hum and Radio Frequency InterferenceProgrammable on/off switch and LED on/off indicatorDetachable 12 ft. (3.7 m) cable |
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Shure Mx393 Low Profile Boundary Microphone Cardioid $229.99 The Shure MX393 Low Profile Boundary Microphone includes a programmable membrane on/off switch, an on/off indicator LED, and a miniature, three pin connector, and detachable 12 ft. (3.7 m) cable. Attractively designed with a low profile, professional appearance, the MX393 microphone feature a choice of interchangeable condenser cartridges. The MX393 is the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Comes with an easy to use paint mask for your custom-color installations.Flat frequency response across the vocal range for uncolored soundInterchangeable cardioid, supercardioid, and omnidirectional cartridges that provide choices for applicationsSleek, low-profile design for unobtrusive appearanceBalanced transformerless output for increased immunity tonoise over long cable runsLow susceptibility to electromagnetic hum and Radio Frequency InterferenceProgrammable on/off switch and LED on/off indicatorDetachable 12 ft. (3.7 m) cable |
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Vocopro 8-Channel Uhf Wireless Microphone System $729.99 The VocoPro UHF-8800 is a good-sounding, professionally presentable 8 channel wireless microphone system that is ideal for large a capella groups, karaoke shows, bands who wish to eliminate messy cables, and numerous other presentation and entertainment groups. While perfect for multi-microphone speaking engagements and public address, the UHF-8800's superior vocal reproduction still makes it a top choice for singers and DJs seeking the best sound for their shows. The UHF-8800 is the ultimate in versatility and flexibility and is ready-to-go for any occasion.The UHF-8800 receiver is a two space unit, which contains all eight individual receivers, each using the same two antennas. Each receiver receives signal on its own individual frequency and has its own discrete volume control for precise vocal mixing. The receivers are color-coded to the microphones so it's easy to mix, and each receiver has its own squelch. The receivers output individually through eight XLR jacks on the back, or through two 1/4" jacks that carry four channels each, using the individual receiver volumes for adjusting each microphone's relative volume. The system comes with a rugged aluminum case that holds the receiver and all eight microphones.Eight channelsEight discrete outputsTwo rack space receiver bankColor-coded mic system |
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Tour Grade Black Ball End Microphone Wind Screen Black $2.95 The Tour Grade Ball End Wind screen eliminates annoying microphone breath sounds and pops from plosive hard syllables. Made of high quality foam, the ball end microphone windscreen protects your favorite mic from moisture and dents. The mic cover's unobtrusive black color looks great on any stage.Tour Grade products combine practical, state-of-the-art features with long term dependability. They're designed in the USA and crafted with the finest quality materials and tried-and-true production methods, Tour Grade has what it takes to live up to its name. One microphone cover per package. |
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Astatic By Cad Amc Omni Dynamic Microphone With Push-To-Talk Switches $99.99 The Astatic AMC105-2 is a dual-zone omnidirectional microphone designed especially for fixed or gooseneck mounting in quality sound installations. A smooth, wide band frequency response with a slight presence boost at 2kHz, gives a natural, crisp, highly intelligible sound. Two DPDT sealed micro switches, with color-coded buttons for easy identification, permits paging in two areas, and an all-call feature is obtained by depressing both buttons simultaneously. The AMC105-2 microphone is extremely rugged and reliable, and will stand up under the most strenuous handling conditions to provide years of dependable service.The dynamic mic is supplied with 5/8" 27-thread mounting, 7' of rugged, synthetic jacketed four-conductor, two-shielded cable. Black Cycolac cap, chrome-plated screen and black Cycolac housing. A removable set screw is used to secure the front cap to the microphone housing and microphone to the gooseneck. |
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Monster Cable S-100 XLR Microphone Cable 20 Foot $29.95 The twisted-pair construction of the Monster Cable S-100 XLR Microphone Cable reduces audio bandwidth distortions for better clarity. 92% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution. Extra-flexible Duraflex outer jacket for superior reliability and cut resistance. Interchageable color "O" ring attaches to each XLR connector for easy identification. New Monster Cable heavy-duty, molded connector design increases the durability and damage resistance of these microphone cables. |
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 Wireless wired cordless microphonereceiver  US $30.99
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 2 Wireless microphones 2 sets different frequency US $46.99
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 Leem Unidirectionalmoving coil Dynamic Microphone Free Mic cable included New US $48.30
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 YPA MM2 HEADSET Microphone For AKG PT Samson UT1L VT2L0 US $54.95
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 NIB Wired Cordlesswireless karaoke DJ Radio MicrophoneFreePriorityMail inUS US $30.29
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 PylePro PDMIK1 Professional Moving Coil Dynamic Handheld Microphone MIC US $8.79
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 New wired cordlesswireless karaoke radio DJ MicrophoneFree Priority Mail in US US $30.89
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 6 each 3 ft XLR MALE to 1 4 5150 MICROPHONE CABLE US $16.95
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 YPA MM2 HEADSET MICROPHONE FOR SENNHEISER G2 G3 X2 MIC US $49.99
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 sm 57 mic dynamic vocal guitar drum instrument shure used few clip WORKS good US $49.95
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 Pyle Pro PDMIK1 Dynamic Handheld Microphone 65 XLR to 1 4 Male Cord Musician US $8.95
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 Universal Audio LA 610 MK II US $999.99
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 Replacement 600 Ohm Impedance Microphone Mic Cartridge L 818 US $10.08
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 BG 58 40Hz 18KHz 600 Ohms Microphone Cartridge 30mm x 44mm US $10.11
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 INTELLITRONICS WIRELESS HANDHELD MIC NIB BUY IT NOW Free Carry Case included US $19.99
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 Audio Technica AT838G Dynamic Cardiod Podium Microphone Mount Tested Excellent US $59.95
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 Brand New Pyle Pro PDWM2600 Dual UHF Wireless Mic Microphone System Mikes US $115.95
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 Audio Technica ATW 3110B UHF Body Pack System Band D 655500 MHz to 680375 MHz US $375.00
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 NEW Sony ECM CS3 Tie Clip Microphone 360 Degree Rotating Function FREE SHIPPING US $4.99
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 Blue Microphones Snowball iCE Microphone Wired 183 m Cable USB Snowball ICE US $81.23
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 2 PREMIUM BLUE DJ KARAOKE MICROPHONE WINDSCREEN MIC FOAM COVER WIND SHIELD NEW US $.99
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 Black Conference KTV Sound Microphone Clip Stand Holder US $.99
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GLS Audio Mic Windscreens - Color Microphone Windscreen - Mike Wind Screen fits all standard size Ball-Type Mics - Color Wind Screens - 7 PACK List Price: $21.95 Sale Price: $13.95 Used From: $12.68  |
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Make life easy on yourself when you're working the sound board. 7 different Vibrant Colors of wind screens to keep the mics on stage more than bearable to work with. They come vacuum packed for freshness and longevity... |
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Mini Wireless Color Camera with Microphone Sale Price: $20.44 |
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Tiny and wireless, this inconspicuous camera offers effective surveillance protection . It has an operative range of 150 feet, providing full motion, real-time, color video with no delay. It is easily concealed and the built-in microphone provides great sound quality that's perfect for presentations or interviews. |
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Tetra-Teknica XFFZ5P-BLK Lapel & Headset Microphone Windscreen, Color Black, 5-Pack List Price: $14.99 Sale Price: $5.99 |
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Designed to reduce unpleasant wind, breath & popping noise and keep the same level of sound quality at the same time, the Tetra-Teknica XFFZ5P comes in a generous package of 5 windscreens. Made of premium grade foam, these extra-thick windscreens fit most clip-on lapel or headworn headset microphones... |
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3 pack headphone with microphone for iphone 2g 3g 3gs 4g- (Generic, WHITE Color) List Price: $14.99 Sale Price: $0.01 Used From: $0.99 |
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Experience the best earphones for Apple iPhone 3G and iPhone 3GS at this price range. Built-in microphone for handsfree conversations and answer and send button switches between music and phone. Fashionable and Stylish design, superior sound quality... |
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ELAGO EL-S4SM-CBL-BA S4 Slim Fit Case for AT&T, Sprint, Verizon iPhone 4/4S - 1 Pack - Retail Packaging - Coral Blue List Price: $19.99 Sale Price: $4.99 Used From: $10.21 |
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Keep the iPhone 4/4S safe & protected in style with the S4 Slim Fit Case. Unique design allows easy access to all buttons, controls & ports without having to remove the case. Polyurethane coated to protect from scratches and for better grip, Product designed by elago in California and Made in Korea. |
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New White Color Headset Hands Free 3.5mm Adapter + Microphone for Apple iPod Touch iTouch 1 2 3 iPhone 2 3g 3gS Sale Price: $2.19 |
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The best in quality and design headset to 3.5mm adapter with microphone and remote buttons built-in. Simply plug one end to your iPod or iPhone devices (any models / versions) and the other end is the universal 3... |
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Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern. List Price: $249.00 Sale Price: Too low to display |
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The Yeti Pro is the world’s first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output.Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to fourtimes the clarity found on CDs... |
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Tetra-Teknica CLP2P 3/8" Lapel / Lavalier Microphone Tie Clip, Color Black, 2-Pack List Price: $14.99 Sale Price: $7.99 |
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Peavey Color Code Microphone ID Tape List Price: $17.99 Sale Price: $14.95 |
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Color-Coded Microphone Id Tape |
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Tour Grade TWS05 Ball Style Foam Microphone Windscreen Assortment, Multi Color List Price: $9.95 Sale Price: $5.30 |
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Tour Grade Windscreens offer a buffer against unwanted wind and breath picked up by your microphones in live settings. The TWS05 is suitable for ball-end microphones and includes 5 different colored screens in one package. |
Free Shipping Newest 1/4 Inch Cmos 2.5 Inch Lcd Color Screen 420 Tv Line Baby Monitor Kit
This newest 1/4 inch CMOS 2.5 inch LCD Color Screen 420 TV Line Baby Monitor Kit highlights with LCD series, 2.5″ LCD color screen, 960 x 234 resolution, 420TV Line of horizontal definition, Portable monitor, Built in rechargeable Li-battery lasting for 2-4 hours, 100m transmission distance without block, Audio monitoring with microphone in camera.
View this Digital Wireless Baby Monitor at:
http://www.szprice.com/products/Newest-1-4-inch-CMOS-2-5-inch-LCD-Color-Screen-420-TV-Line-Baby-Monitor-Kit_2430.html
Features:
- LCD series
- 2.5″ LCD color screen, 960 x 234 resolution
- 420TV Line of horizontal definition
- Portable monitor
- Built in rechargeable Li-battery lasting for 2-4 hours
- 100m transmission distance without block
- Audio monitoring with microphone in camera
Function:
- Transmission Frequency: ISM 2,400 NGz ~ 2,483 NGz 4CG
- Modulation Mode: FM
- Unobstructed Effective Range: 100m(Without Block)
- Operating Temperature: 0℃~ +50℃ / +32℉~ +122℉
- Storage Temperature: -20℃ ~ +60℃ / -4℉ ~ +140℉
- Operating Humidty: 85%RH
- CAMERA TV System PAL NTSC
- Valid pixel: 628(H) x 582(V) 510(H) x 492(V)
- Image Device: 1/4″ CMOS Image sensor
- Horizontal Definition: 420TV Line
- Angular Field of View: 45° (f=6mm)
- Minimum Illumination: 1.0Lux(F1.2)
- Scanning Frequency(H): 15.625KHz 15.734KHz
- Scanning Frequency(V): 50Hz 60Hz
- Power Adapter: DC5V/500mA
- Dimension: 73 x 60 x 101mm
- Weight: 105g
- RECEIVER Receiving Sensitivity: ≤-85dBm
- Video Output: 1Vp-p@75Ω,S/N>38dB
- Power Adapter: DC 12V/1500mA
- Dimension: 123×72x24mm
- Weight: 200g
- Antenna: 50ohm SMA
- Intermediate Frequency 480MHz
- Frequency Stabillzation: ± 100MHz
About the Author
Works as Product Manager at China Leading Electronics Wholesaler Szprice.com, having 5 years experience on electronics products development.
August 21st, 2009 in
Microphones | tags: audio, camera, color microphone jack, colored microphone, colored microphone cables, colored microphone windscreens, colored microphones, flash, microphone, video