Bottle Multi Pattern

Bottle Multi Pattern

US Auctions Australian Auctions Austrian Auctions Belgian Auctions Canadian Auctions French Auctions German Auctions Indian Auctions Irish Auctions Italian Auctions Dutch Auctions Polish Auctions Spanish Auctions Swiss Auctions UK Auctions

Best Match Time: ending soonest Time: newly listed Price: lowest first Price: highest first Price + Shipping: lowest first Price + Shipping: highest first

Blue Microphones Baby Bottle condenser microphone 20ft mic cable NEW Free Ship    US $399.00

Blue BOTTLE Microphone New Mic    US $5,999.00

Blue Reactor Multi Pattern Condenser Mic $499 The Blue multi-pattern Reactor pushes the envelope of modern microphone design and performance while making multiple mic setups more accessible. Reactor fuses an innovative pattern selection method with a swiveling capsule head for perfect positioning, and features Blue's premium condenser capsule, fully discreet Class A solid state components, and proprietary preamp for simple live switching between patterns (Cardioid, Omni or Figure-8). To facilitate use in multiple mic setups (like Mid/Side, X-Y), Reactor's capsule head rotates a range of 90 degrees for perfect positioning in tight spaces and easy pattern adjustability. Reactor's recording pattern selection is both intuitive and stylish, featuring LED backlighting on the pattern indicators and a magnifying element that compliments its forward-looking design.

Blue Reactor Multi Pattern Condenser Microphone $499 The Blue multi-pattern Reactor pushes the envelope of modern microphone design and performance while making multiple mic setups more accessible. Reactor fuses an innovative pattern selection method with a swiveling capsule head for perfect positioning, and features Blue's premium condenser capsule, fully discreet Class A solid state components, and proprietary preamp for simple live switching between patterns (Cardioid, Omni or Figure-8). To facilitate use in multiple mic setups (like Mid/Side, X-Y), Reactor's capsule head rotates a range of 90 degrees for perfect positioning in tight spaces and easy pattern adjustability. Reactor's recording pattern selection is both intuitive and stylish, featuring LED backlighting on the pattern indicators and a magnifying element that compliments its forward-looking design.Large-diaphragm premium condenser capsuleThree recording patterns: cardioid, omnidirectional, bidirectional (figure-8)Swivel head allows flexible placement and multi-mic positioning (like mid/side, X-Y)Unique selection method with magnifier for easy toggleFully discreet, Class A solid stste componentsLED backlit pattern selectionSimple pop filter selectionIncludes: custom metal case, shockmount, and pop filter

Used Blue Reactor Multi Pattern Condenser Microphone $454.09 The Blue multi-pattern Reactor pushes the envelope of modern microphone design and performance while making multiple mic setups more accessible. Reactor fuses an innovative pattern selection method with a swiveling capsule head for perfect positioning, and features Blue's premium condenser capsule, fully discreet Class A solid state components, and proprietary preamp for simple live switching between patterns (Cardioid, Omni or Figure-8). To facilitate use in multiple mic setups (like Mid/Side, X-Y), Reactor's capsule head rotates a range of 90 degrees for perfect positioning in tight spaces and easy pattern adjustability. Reactor's recording pattern selection is both intuitive and stylish, featuring LED backlighting on the pattern indicators and a magnifying element that compliments its forward-looking design.Large-diaphragm premium condenser capsuleThree recording patterns: cardioid, omnidirectional, bidirectional (figure-8)Swivel head allows flexible placement and multi-mic positioning (like mid/side, X-Y)Unique selection method with magnifier for easy toggleFully discreet, Class A solid stste componentsLED backlit pattern selectionSimple pop filter selectionIncludes: custom metal case, shockmount, and pop filter

CAD e300 Multi-Pattern Condenser Microphone $224.99 The CAD e300 is a Multi-Pattern Condenser Microphone that captures transparent, airy uppers and mids, coupled with a rich, silky smooth low end. Combining lightning-fast transient response and pinpoint precision with an enormous upfront presence, the e300 offers uparalleled performance from critical studio tracking scenarios to live reinforcement. The 1.1" 24K gold-sputtered dual-diaphragm condenser capsule is hand dampened for consistent frequency response. A hi-pass filter features 6dB octave @ 80Hz, and a 20dB non-capacitive pad. The stainless/brass triple stage pop/EMI filter delivers unmatched ballistic stability, with high SPL characteristics and plosives control. Sophisticated laser trimmed op-amp circuitry provides increased management of fast transient response. Frequency response of 10Hz-20 kHz. Requires phantom power.

Cad E300 Multi-Pattern Condenser Microphone $299.99 The CAD e300 is a Multi-Pattern Condenser Microphone that captures transparent, airy uppers and mids, coupled with a rich, silky smooth low end. Combining lightning-fast transient response and pinpoint precision with an enormous upfront presence, the e300 offers uparalleled performance from critical studio tracking scenarios to live reinforcement. The 1.1" 24K gold-sputtered dual-diaphragm condenser capsule is hand dampened for consistent frequency response. A hi-pass filter features 6dB octave @ 80Hz, and a 20dB non-capacitive pad. The stainless/brass triple stage pop/EMI filter delivers unmatched ballistic stability, with high SPL characteristics and plosives control. Sophisticated laser trimmed op-amp circuitry provides increased management of fast transient response. Frequency response of 10Hz-20 kHz. Requires phantom power.Multi-pattern condenser microphone 1.1" 24K gold-sputtered dual-diaphragm capsule Selectable patterns include cardioid, omni, and figure 8 Hi-pass filter features 6dB octave @ 80Hz 20dB non-capacitive pad Transparent, airy uppers and mids Rich, smooth low end

Blue Baby Bottle Microphone $399 The Blue Baby Bottle Microphone is a handcrafted solid-state, class A, discrete condenser mic with a precision-machined, gold-sputtered capsule enclosed in a lollipop spherical grille. Fixed cardioid pattern. The Baby bottle Mic is ideal for recording vocals, percussion, or any acoustical instruments. 20Hz-20kHz. 133dB max SPL.Requires phantom power.

Audio-Technica At4050 Multi-Pattern Condenser Microphone $699 Meet the Audio-Technica AT4050, a multi-pattern studio condenser microphone that captures every nuance. With 3 switchable polar patterns, the large-diaphragm Audio-Technica AT4050 exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity. The AT4050 is an ideal microphone for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more. Transparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest quality Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone The 2-micron-thick, vapor-deposited gold diaphragms undergo a 5-step aging process so that the optimum characteristics achieved remain constant over years of use Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Requires phantom power.Dual large gold diaphram capsule 3 switchable polar patterns: omni, cardioid, figure-8 Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Switchable 80Hz hi-pass filter and 10dB pad Custom shock mount provides superior isolation

Audio-Technica At4047mp Multi-Pattern Condenser Microphone $849 The multi-pattern Audio-Technica AT4047MP Condenser Microphone delivers vintage sound while offering selectable omnidirectional, cardioid, and figure-8 polar patterns. The AT4047MP microphone's transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs. With a wide dynamic range, incredibly low self-noise and high SPL capability, the versatile Audio Technica AT4047MP microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups, and voiceovers.Three switchable polar patterns: cardioid, omnidirectional, figure-of-eight Engineered to meet the critical acoustic requirements of professional recording, broadcast, and sound reinforcement Transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs Exceptionally low self-noise, wide dynamic range and high SPL capability Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity Vintage silver-matte finish on microphone and shock mount Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections Custom shock mount provides superior isolation Integral 80Hz high-pass filter switch and 10dB pad switch Certified by the METAlliance (Music Engineering and Technology Alliance)

MXL 4000XL Multi-Pattern FET Studio Condenser Microphone $399.99 The MXL 4000XL is a multi-pattern condenser microphone with a large 32mm dual diaphragm capsule. The latest incarnation of the MXL 4000, its large-sized capsule brings a bolder, brighter, and more open sound. The 4000XL uses hand-selected internal components to create a sound that enhances both vocal and instrument performances. This microphone includes a shockmount and wooden storage case.

Audio-Technica At2050 Multi-Pattern Large Diaphragm Condenser Microphone $229 The versatile Audio-Technica AT2050 is a multi-pattern large diaphragm condenser microphone that provides consistent, superior performance. The AT2020 mic offers you switchable cardioid, omnidirectional and figure-eight polar pattern settings. The AT2050 mic's dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the Audio-Technica AT2050 microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.Three switchable polar patterns: omni, cardioid, figure-of-eight Switchable 80 Hz high-pass filter and 10 dB pad Large diaphragm for smooth, natural sound and low noise State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Includes shock mount & protective pouch

Mxl 4000Xl Multi-Pattern Fet Studio Condenser Microphone $249.99 The MXL 4000XL is a multi-pattern condenser microphone with a large 32mm dual diaphragm capsule. The latest incarnation of the MXL 4000, its large-sized capsule brings a bolder, brighter, and more open sound. The 4000XL uses hand-selected internal components to create a sound that enhances both vocal and instrument performances. This microphone includes a shockmount and wooden storage case.Enhances both vocal and instrumentLarge capsule condensers reveal very subtle sonic details Multiple polar patterns: cardioid, figure 8, omni-directional Includes a shockmount and wooden storage case.

Used Mxl 4000Xl Multi-Pattern Fet Studio Condenser Microphone $227.49 The MXL 4000XL is a multi-pattern condenser microphone with a large 32mm dual diaphragm capsule. The latest incarnation of the MXL 4000, its large-sized capsule brings a bolder, brighter, and more open sound. The 4000XL uses hand-selected internal components to create a sound that enhances both vocal and instrument performances. This microphone includes a shockmount and wooden storage case.Enhances both vocal and instrumentLarge capsule condensers reveal very subtle sonic details Multiple polar patterns: cardioid, figure 8, omni-directional Includes a shockmount and wooden storage case.

Audix Cx212b Large Diaphragm Condenser Microphone Multi-Pattern $399 The CX-212B multi-pattern, dual diaphragm condenser microphone is an exceptional tool for professional audio production, project studios and live stage performances. Delivering a smooth, uniform frequency response from 20 Hz - 20 kHz, the CX-212B offers a choice of three polar patterns: cardioid, omnidirectional, and figure 8. Additionally, the CX-212B is equipped with a bass roll-off filter to help eliminate rumble in the lower frequencies.The CX-212B, for use in sound pressure levels up to 133 dB, is ideal for a wide variety of acoustic instruments, vocals, string sections, ensembles and ambient room miking. The CX-212B, which is designed with discreet low noise preamp circuitry, operates on 48 volts phantom power. For optimum results use the CX-212B with a high quality mic preamplifier and microphone cable.Multi-pattern: cardioid, omni, figure-8Resistant to touch noise and vibration35 mm (1.37) Capsule27.5 mm (1.08) Gold vapor dual diaphragmLow noise electronicsRich, warm tones ideal for digital recordingHeavy duty isolation shockmount includedRoad case for mic and shockmount3 year warrantySupplied accessories:Isolation shockmount (SMT-CX112)Aluminum carrying case (CASE-CX)Applications:Studio vocals, lead and backingVoice overChoirAmbient room micDrum overheadsOrchestraBells, chimes, marimba, vibesAcoustic instrumentsElectric guitar cabs

MXL 4000 Multi-Pattern FET Studio Condenser Microphone 889406660656 $100 The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances.Using the polar patternsTo take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. OmniIn many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression of being in the room with the sound. It also works very well as the "mid" mic in Mid-Side stereo recording. CardioidThis is the most used pattern. It's basically point and shoot, but keep in mind that you can use it's rear-rejection to your advantage, or by turning the mic slightly away from the source, you can use it's off-axis response to tame sharp transients. Aside from straight-ahead recording, most people us the cardioid pattern is the "mid" mic in Mid-Side stereo recording.Requires phantom power.

	Blue Microphones Bottle Multi Pattern Tube Condenser Microphone Sale Price: $5,999.00

	Fun Wine Themed (multi colored wine bottle) CLEAR Protective iPhone 4/iPhone 4S Case. Sale Price: $19.50
	Made for iPhone4 or 4s, Verizon or At&T Phones. Black plastic protective iPhone cover. Image size on back side of cover is 4.5" x 2.25". iPhone Hard Case - CLEAR Protective iPhone 4/iPhone 4S Case.

	Fun Wine Themed (multi colored wine bottle) BLACK Protective iPhone 4/iPhone 4S Case. Sale Price: $19.50
	Made for iPhone4 or 4s, Verizon or At&T Phones. Black plastic protective iPhone cover. Image size on back side of cover is 4.5" x 2.25". iPhone Hard Case - BLACK Protective iPhone 4/iPhone 4S Case.

	[Cat Loves Fish] Embroidered Applique Swingpack Bag Purse / Wallet Bag / Camera Bag (5.4*5.9*2) Sale Price: $14.99
	Aesthetics and Functionality Combined. This cute fabric art Shoulder Bag / Swingpack / Travel Bag features a fully embroidered and hand-appliqued design with lovely characters and patterns. Measures 5...

Herbal Medicine: Roots, Shoots, Leaves and Flowers

Transcript of an interview with Medical Herbalist Susan Siegenthaler, director and founder of Wildcrafted Herbal Products

Susan Siegenthaler is a Medical Herbalist with over 25 years of clinical experience in private practice. She also has qualifications as a Medical Aromatherapist and holds a Bachelor of Science degree with Honours in Biology.

Susan is a long-standing member of Australia’s largest Natural Therapies Association (ATMS – Australian Traditional Medicine Society) and is the founder of Wildcrafted Herbal Products, a company specialising in making therapeutic herbal products and a large, handmade range of therapeutic grade natural and organic skin care products.

A local reporter caught up with her recently to ask her a few questions about her beginnings as a herbalist and how starting as a herbalist lead to her being involved in running a company and producing unique range of products.

Interviewer: Susan, please tell us a bit about the beginnings of your carrier as a herbalist?

Susan: Well, after graduating in 1978 as a Herbalist from the Dorothy Hall College and studying Herbal Medicine with Denis Stewart, I started my first clinic on the northern beaches of Sydney. It was a small clinic, tucked away in an arcade in Newport and with virtually no money for advertising or experience in how to run and manage a business, I opened the doors, and luckily for me, the patients started coming.

Interviewer: So, what does a herbalist actually do?

Susan: As a Herbalist, basically you find out what the problems are that the patient is experiencing and once a disease pattern has been identified, a herbalist will use a mixture of herbal extracts that will help to address the disease pattern, and all going well, the patient will start to get better.

Interviewer: Okay, so you mix up individualized herbal extracts to treat your patient, and if I understand the process correctly, no two mixes are the same - so how does that lead to starting a company making herbal products?

Susan: Yes, that is a little strange, but you see what started to happen was that I would see a patient and make them up a particular mixture for their problem. They would go away, use it up and come back to get a second or third lot of their particular mixture from me. What started to happen though, was that suddenly people whom I’ve never seen as patients before would walk into my clinic with an empty bottle of herbs and say that their friend gave them what was left in the bottle because their friend had been ‘cured'. They would say to me "my friend knew I sufferd from a similar problem and gave me what was left, suggesting it might help too". They would happily tell me what a big difference it had made for them and ask if they could get some more.

This is not how it's supposed to work, but it started to happen on an every increasing basis and started to take a lot of time away from my seeing patients.

Interviewer: So you ended up spending too much time mixing up herbs instead of seeing patients?

Susan: That’s right, it started to restrict me from seeing patients and instead I was in the dispensary mixing up the same formulas over and over again.

Interviewer: Is that how Wildcrafted Herbal Products come about?

Susan: No, not at that stage. What I did do was I started to think about the basic formulas I was making time and time again and tried to streamline this in order to save time.

What I started to do was to make up basic mixtures. For example, I’d make up a Lung mixture that formed the basis of treating most of the common Lung problems such as bronchitis, asthma, coughs, colds, etc., and to these basic mixtures I could then easily and quickly add additional herbs that would make the basic mix more patient specific. In this way, I could save myself quite a lot of time and focus on seeing patients rather than making up herbal mixtures.

Interviewer: So how did Wildcrafted Herbal Products come about?

Well, in the beginning my system of the basic herbal mixtures worked okay, but after a while even that wasn’t keeping me out of the dispensary long enough, so I re-examined the basic formulas to see if I could make them specific enough to address various problems within a particular range – so for example, I developed a Cough & Colds compound that anyone with a cold could take and get good results.

Similarly, I developed the Female Compound that would address most common menstrual problems experienced by women.

Over time I developed quite a few off-the-self formulas that seemed to get very good results, to the point where people from all over Australia and even New Zealand were ordering my creams and compounds.

Interviewer: You just said creams, how do creams come into it?

Susan: The creams were an adjunct to the herbal mixtures which people took internally. For instance, someone might have presented with Arthritis and I would give them a herbal mixture that they took internally, but I would also give them a cream to rub onto the painful and inflamed joints.

Or someone may have had a car accident and still had deep bruising and tender muscles and joints for which I would give them the Analgeze Cream, which works really well on these types of residual aches and pains.

Another patient might present with haemorrhoids for which they would get a herbal mix to take internally that addressed the underlying health problems which resulted in them getting haemorrhoids in the first place, plus I’d give them a cream to apply directly to the haemorrhoids to get rid of them more quickly.

In this way I was able to help a lot more people without spending most of my day in the dispensary making up herbal creams and compounds. And that was how Wildcrafted Herbal Products come into existence, because I had to put some sort of label on the bottles and jars that identified them as coming from my business.

Interviewer: How did that lead to your range of natural and organic skin and personal care products?

That primarily originated with my female patients, members of my family and myself. You see, back in the late 70’s and early 80’s the only type of skin or personal care products that were easily available were the ones you bought at the local chemist or the department stores, you know, the high profile cosmetic brands. Problem was, my own skin did not react well to them and many of my female patients presented to me with skin problems after using some of these brands.

I had made products for myself and my family for a while and as more patients with skin sensitivities and irritations presented to me I suggested I’d make them a moisturiser that they could use instead and see how they go.

At first I’d make these for nothing and give them to my patients to try – after a while, when I started to get good feedback, I followed the same principles with the skin care range as I had done with my herbal compounds.

Interviewer: How did you come up with the formulations for the skin care range?

Well, that was actually both reasonably easy and quite difficult. You see as a medical herbalist, you know how the skin works, you understand the physiology behind it and know how herbs and essential oils can influence the functions of the skin. So, if you know all that, then it is relatively easy to develop effective skin care products.

But to develop a range of products that can easily and safely be sold to the general public is an entirely different ball game.

Interviewer: Why is that?

Because now you are no longer dealing with people you know, patients, family members, but you are making products that anyone can use. You don’t know if these people have underlying health problems that may or may not be related to their skin problem. They may have allergies to even the most natural of substances, etc. All these things have to be considered and taken into account when making up the formulations.

At the same time you don’t want to make a ‘wishy-washy’ product that does little or nothing other then moisturise the skin. The products I was making for myself, my friends, patients and my family worked more like therapeutic creams rather than just a simple moisturiser and I did not want to lose that quality.

Interviewer: So how did you over come this challenge?

There were several things that helped. You see, I’ve always been a Hippy at heart and as such I prefer to use natural products, natural fibre clothing and I was always into health foods. So if there was a natural version of a product, I would prefer to use it and if not, I’d make a natural version of it for myself.

What helped me a lot was that my patients were quite willing to try my products as I was not charging them and they were very happy to give me feedback, make comments and give me ideas.

After a few years the skin care products I was making had been used on hundreds of patients, friends and members of my family, and they had shown themselves to be safe and effective. By then I knew what would work and what wouldn’t.

Also my knowledge as a herbalist gave me the understanding not just of the human body, it’s organs and their functions, but also the insight into the plants that I was using to treat my patients. That was a vital key to the development and formulations of the products.

You see there are herbs and essential oils you would never use on an individual unless you had in-depth knowledge of their condition. On the other hand there are herbs and essential oils that are totally safe and extremely effective.

The ‘secret’ is to know how herbs and essential oils complement each other and how they work synergistically to affect a range of different skin problems, while at the same time remain safe and effective to use without causing any unforeseen problems.

In a commercial sense it’s the difference between products that smell and feel nice but do very little, and products that are actually effective, safe, and smell & feel great - it’s a huge difference not easily achieved.

Interviewer: So what came then? You now knew the products were safe, effective and totally natural, how did you go to that next step of running a company?

Susan: I registered the business name Wildcrafted Herbal Products pretty much from the beginning, but it was by no means a company, if by company you mean a big multi-story building with lots of staff and all that - in fact it still isn’t that and if I have anything to do with it, it never will be.

Interviewer: So where do you see the company?

Susan: My husband, Danny and I have a vision for our business to always be in touch with its roots. That is the individual person who uses our products. All our products are handmade from the ground up and that will never change, no matter how big the customer base gets.

Interviewer: How are you going to achieve that?

Susan: We’re doing it now, by offering all our products directly to customers via our web site. That way, we have the opportunity to get to know every single customer no matter where they live and they can get to know us. This is one of the things that makes Wildcrafted totally unique.

I’ll give you an example. We have people ringing us from the US, Canada and of course from within Australia who can and do talk to us in detail about their particular skin problem and whether we could suggest something. The advantage for them is that when they ring they are talking to either Danny, who is a doctor of traditional Chinese medicine, or myself, which means they are not talking to an 18 year old sales assistant that doesn’t know anything or wait in a phone cue with no guarantee of ending up being able to talk to someone who has half a clue.

Instead, they can actually speak with one of the owners who’s qualifications and knowledge cannot be met by a shop assistant or department store sales person. And let me tell you these people appreciate that.

Interviewer: Considering you’re selling your products all over the World, how do you manage to maintain making them by hand from the ground up?

Susan: It sounds much more difficult than it is, although I’m not going to get into the details of how we do it. The key is to be organised and have an effective, efficient work plan and knowing our customers. With that in place, it’s not as difficult as you might imagine.

Thanks for talking to me Susan and I would like to take this opportunity to wish both you and Danny all the best with your business.

About the Author

Danny Siegenthaler is a doctor of traditional Chinese medicine and together with his wife Susan, a medical herbalist and Aromatherapist, they have created Wildcrafted Herbal Products online where you can order their handmade Natural and Organic Skin Care Products.

© Wildcrafted Herbal Products 2008