Black Disposable Microphone
Black Disposable Microphone
US $299.01
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Gibraltar Microphone Gooseneck 6 $5.99 This 6" black microphone gooseneck fits standard mic holders and boom arms. |
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ProLine Standard Microphone Clip $3.99 Standard Microphone Clip with plastic mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black. |
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Proline Standard Microphone Clip $3.99 Standard Microphone Clip with plastic mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black. |
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Neumann Kms105 Microphone Black $699.95 The Neumann KMS105 Microphone provides superior voice resolution with extended frequency response and accurate transient detail. A studio condenser capsule delivers vocal nuances with focus and power. This Neumann microphone features a supercardioid polar pattern, low self-noise, and colorless off-axis pickup complement in-ear personal monitor systems. The KMS105 mic has a 4-layer acoustic filter that virtually eliminates unwanted pops and handling noise.Requires phantom power. |
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ProLine Universal Microphone Clip $4.99 Powerful spring-loaded universal clamp holds your microphone securely. 5/8" female threaded insert in plastic base. Black. |
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ProLine Rubber Microphone Clip $5.99 Rubber mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black. |
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Proline Universal Microphone Clip $6.49 Powerful spring-loaded universal clamp holds your microphone securely. 5/8" female threaded insert in plastic base. Black. |
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Proline Rubber Microphone Clip $7.49 Rubber mic swivel retainer holds your microphone securely. 5/8" female threaded insert in base. Black. |
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Musician's Gear 4-Space Microphone Bag Black $14.99 The Musicians Gear MF-M4 is a 4-space microphone bag that features 4 padded microphone drops and a slot for a belt pack. The exterior has a large pocket for cables. This microphone bag comes with a comfortable carrying strap and shoulder strap. Made from 600-denier ballistic material for heavy usage. |
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MXL FR-400 Boundary Microphone Black $121.93 The MXL FR-400 Boundary Microphone is equally at home in front of a stage picking up concerts and theater events or in other applications such as under the lid of a piano. The FR-400 mic has a wide cardioid pattern. A switch located on the bottom of the boundary microphone can be used to boost or cut low frequencies by 6dB in order to balance the frequency response. |
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Used Neumann Kms105 Microphone Black $636.95 The Neumann KMS105 Microphone provides superior voice resolution with extended frequency response and accurate transient detail. A studio condenser capsule delivers vocal nuances with focus and power. This Neumann microphone features a supercardioid polar pattern, low self-noise, and colorless off-axis pickup complement in-ear personal monitor systems. The KMS105 mic has a 4-layer acoustic filter that virtually eliminates unwanted pops and handling noise.Requires phantom power. |
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K&M PopKiller Microphone Pop Filter $44.95 K&M PopKiller Microphone Pop Filter has a double nylon screen that ensures superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching your microphone stand. |
How to Record Guitar at Home, No Matter What Your Budget
With today’s technology there are several methods of recording at your disposal. Which works best? Well that’s entirely up to you to decide.
Before you rush out and buy the latest and greatest products, you need to carefully think about what type of instruments or music you want to record. For instance, if you want to record an electric guitar you may opt for the simpler and direct method of plugging into your computer. However if you want to record an acoustic guitar or vocals, it’s worth investing in some high quality microphones and a preamp.
The two methods we will be focusing on are direct recording using an interface / software and the indirect / amplified method. Each method has its benefits, and you’ll no doubt find that one method is most suited to your own needs and budget.
Which Method Is Right For You?
Direct or indirect, which method best is right for you? Well, of course that’s completely up to you to decide however there are a few factors you should take into consideration.
Budget - The first thing you must contemplate, and decide upon is your budget. How much can you currently afford to spend on equipment? The indirect/amplified method of recording is by far the most expensive option due to the amount of equipment you will need to purchase. For this method, you will minimally one or two microphones, a mic pre-amp and a converter, which can become very expensive, especially if you are starting from scratch.
Direct recording eliminates the need for expensive microphones and amplifiers, as you will be plugging into a relatively cheap interface unit, such as the M-Audio Black Box. When it comes to your budget, it’s a good idea to think about when you would like to be up and running. If you were looking to record immediately, then the direct method would be a real time saver, and also a lot less expensive.
Environment - Consider where you will actually be recording. Are you in a detached house where you can make more noise, or are you in an apartment block where you have neighbours on all walls? Direct recording enables you to plug your clean, un- amplified guitar straight into a unit that connects to your computer producing minimal noise.
Whilst recording indirectly requires you to plug into a loud amplifier - whilst there are ways to help silence the amplifier such as placing it in an isolation box (more on isolation boxes later) the environment you are in should be something you really take into consideration.
Sound - Can you achieve the sound you are looking for using the less expensive software method? If so, then definitely go for it, there’s no need to spend hundreds and thousands on expensive equipment if you aren’t 100% sure you absolutely need to have it.
However, be sure to bear in mind that there really is something unique about the “old school” amplified method that just can’t be achieved using computer software packages, or modeled and emulated hardware. What I’m referring to here is the warmth, or pushed air. An amp pushes the speakers and that pushed air really adds a lot to the overall sound that you’re hearing. While digitally modelled amp simulators can go a long way to creating the beloved sound, they aren’t quite there just yet.
About the Author
Richard Marples has over 10 years experience of playing and recording guitar, and also hosts a website exaplaining how you can record at home. If you enjoyed this article on Home Recording then you can get more free tips at =>
www.uncleslinky.co.uk